THEKOLSOCIAL.COM Vol. 12 / Summer Issue £4.95 Black Food Movement How glamM@rous PelieAtl ican +> iSspaving the way for borderless CUISIVG2=ia ~ S American Spirit 2 - US-Asian artist Yowshen.Kuo on the false histories of the Wild West Schooled into Slavery ; Lifting the lid on Senegal’s Quranic schools CHANGING THE NARRATIVE ISSN 2 6 9 HIM aig KOLCOSMETICS.COM a FEATURING 9 STYLES, LUXURY SILK EYELASHES COSMETICS Contents. June 2022- Issue 12 thekolsocial On the cover: On the Cover: photograph: James Fisher; stylist: Harriet Nicolson; hair & makeup using Dior: Dani Rull; hair assistant: VickiSens Styles; models: Talib Williams @ Models, Leo Jonah @ Profile; Venue: Stork Mayfair, London 05 Editor's letter On the advantages of being an outsider 40 The Wild, Wild South Photographer James Fisher captures the dying days of gaucho culture in Uruguay 09 First Word: Beware the Glass Cliff Author and activist Sophie Williams on the ultimate workplace peril for Black leaders 54 Black Food Movement How the rise of borderless cuisine marks a major shift in the food industry - and pan-African dining ate 12 Culture From theatre and exhibitions to the best in music - your guide to making the most of the summer 79 Travel Shop 'til you drop in the Moroccan city of Fez 66 Feature: Schooled into Slavery Photojournalist Luca Vallecillos investigates Senegal’s Quranic 93 The Diversity Groups Directory A curated showcase of vetted independent businesses, from cosmetics to fashion, job recruitment to mechanics Contents. 22 A Secret History Grammy-winning musician Fantastic Negrito reveals the influence of his ancestry on his latest album 28 Home on the Range Artist Yuoshien Kuo challenges America’s false histories through one of its greatest cultural icons - the cowboy KOL SOCIAL SPECIALS 11 Subscribe to the Diversity Groups Directory Independent business owner? Reach a wider audience 19 Join KOL Social Members Club Get exclusive access to events, discounts and content 39 Subscribe to KOL Social Magazine Sign up to get print and digital issues. 98 KOL Social Beauty Everything you need to know about the launch of our new, FREE hair and beauty digital magazine, out on 21 July 53 KOL Social Special Event Join KOL Social and Stork Mayfair for an exclusive luxury dinner party 4 | KOLSOCIAL JUN-AUG 2022 Fditor’s Letter. SUMMER 2022 was arrested in Birmingham, in the US state of Alabama, after violating an anti-protest injunction. King spent eight days in his cell, kept in solitary confinement. As the campaign raged on upon the city streets and more peaceful activists filled the jail, he penned an open letter, known today as the ‘Letter from Birmingham Jail’. It was a tactical response to a published statement in a local news- paper by clergymen, who had condemned him as an outside agitator. Within a month, the local protest became international news. A perfect illustration of how outsiders thrive on playing - and succeeding - against the odds. 0 n Good Friday, 1963, Dr Martin Luther King Jr The desegregation campaign included mass meetings, marches, a boycott of downtown shops and lunch counter sit-ins, during which African Americans would take seats in ‘white-only’ areas. While often subjected to violence themselves, in keeping with the nonviolent spirit of the move- ment they never retaliated. It seems somewhat fitting that King’s portrait proudly hangs on a wall at Stork Mayfair, the location of the shoot for this issue's theme of ‘Outsiders’. The restaurant itself might be considered an outsider - the proprietors of which dared to dream, and launched their modern pan-African restaurant in London's affluent Mayfair. And somewhat timely too, with borderless cuisine seeing a significant uptick in both popularity and status across the food industry. Read about the rise of the Black food movement in our feature, Leading the Charge, on page 54. Want to know what this Black food movement is all about in person? Join myself and the KOL Social team for our next event at the very same restaurant on Thursday 14 July. Enjoy a three-course meal and wine with 100 fellow KOLs - find out how to book your tickets on page 53. Whether by default or by design, outsiders have always had a role in changing the way we think about identity, culture, equality and discrimination. Take the ancestors of Grammy-winning musician Fantastic Negrito, who were a mixed couple back in the time of slavery. He reveals how his family’s Secret History influenced his latest album on page 22. Elsewhere, artist Yuoshien Kuo challenges America’s false histories through one of its greatest cultural icons and ultimate outsider - the cowboy. Read his interview in Home on the Range, on page 28. Being different is universal, of course: see how photographer James Fisher captures the dying days of Uruguay's gaucho culture in The Wild, Wild South, on page 40. As for KOL Social, we will always be proud of being the outsider. After all, who wants to be like everyone else? Hac KOL SOCIAL JUN-AUG 2022 | Volume 12 / OC Summer Issue AL $ 0 ¢ | Contributors. PUBLISHING EDITOR EDITORIAL ASSISTANT SUB-EDITOR Marcia Degia Karen Cameron Catherine Jarvie [email protected] [email protected] CREATIVE DIRECTOR HEAD OF DESIGN Ketan Raval Seb Wals CONTRIBUTORS Jo Britto, Karen Cameron, Henryna Chasles, Tsharna Daniel, James Fisher, Sheniqua Francis, Ivanna Golding, Harriet Nicolson, James Parker, Jamie Parkin, Andria Pereira, Paige Robinson, Dani Rull, VickiSens Styles, Lucas Vallecillos, Sophie Williams. KOL SOCIAL EVENTS ARTS & CULTURE FEATURES [email protected] [email protected] [email protected] ADVERTISING SUBSCRIPTION ENQUIRIES PRINT & DESIGN [email protected] [email protected] The KOL Social Group [email protected] PLEASE RECYCLE .¢ The KOL Social magazine is published quarterly (4 times a year) by The KOL Social Ltd, registered office (no deliveries) at 27 Old Gloucester Street, London WC1N 3AX, United Kingdom. Copyright © The KOL Social Ltd. All rights are reserved. Reproduction, in whole, or in part, without written permission, is strictly prohibited. Materials are accepted on the understanding that no liability is incurred for safe custody. The publisher cannot be responsible for unsolicited material. All prices are correct at time of going to press but are subject to change. Whilst every care is taken to ensure information is correct at time of going to press, it is subject to change and The KOL Social takes no responsibility for omissions or errors. We are committed to journalism of the highest standards and strive by the Editor's Code of Practice, which is enforced by the Independent Press the Standards Association (IPSO). If you have a complaint, you can email us at [email protected]. It is our policy to publish clarifications and correc- tions when necessary and as quickly as possible. However, should you wish to take the matter further you can contact IPSO at Gate House, 1 Farringdon Street, London EC4M 7LG. www.ipso.co.uk or email complaints@ ipso.co.uk or call 0300 123 2220 6 | KOLSOCIAL JUN-AUG 2022 Featured Contributors. James Fisher Australian-born James is a London- and Singapore-based portrait photographer and film director whose impressive client list includes 20th Century Fox and Warner Bros, alongside publications including Vanity Fair and L'Uomo Vogue. Tasked with encapsulating the excitement of the burgeoning Black food movement, he headed to the London restaurant leading the charge. Stork Mayfair has been quietly establishing a reputation for itself as a celebrity favourite for modern pan-African food for some time. Now the secret is out. Discover how the rise of borderless cuisine is causing a major shift across the food industry on page 54 Lucas Vallecillos An award-winning photojournalist and author, Luca is a photojournalism professor at Universitat Autonoma de Barcelona and a co-director and founding member of the Barcelona International Photography Festival on Human Rights and Global Justice (BCN-DH). His work has appeared in publications across the globe, including National Geographic, The Guardian and The New York Times. He uncovers the unscrupulous practices undertaken in a number of Senegal’s Quranic schools on page 66, where children are said to be treated little better than slaves. Harriet Nicolson A celebrity stylist with over eight years’ experience in the entertainment industry, Harriet is also fashion editor at Vingt Sept magazine. Harriet's first job in fashion was as a receptionist in a personal shopping department, where she worked her way up to lead stylist. In 2015, she was approached to work on The X Factor. These days, Harriet primarily works in London, where she styles celebrities for TV appearances, editorial work and red-carpet events. She also works on shoots around the world. Her work has been featured in various international publications, including Vogue and Harper's Bazaar. Harriet applies her expertise to the sleek imagery for our Black Food Movement feature on page 54. »> Sophie Williams The author's first book, Anti-Racist Ally, was a pocket-sized publication to all things allyship. Its follow-up goes both deeper and wider again. Millennial Black shines a light on the many obstacles for Black women in the workplace. It provides a roadmap to the essential task of building and retaining inclusive and diverse offices, as well as looking to be effective allies and leaders in the future of inclusive working. Sophie gives us an exclusive insight on page 9, where she explores the little-known phenomenon that is the ‘glass cliff, in which Black professionals - and women, particularly - are offered leadership roles, only to find their chances of success have been limited before they've even begun. Dani Rull Originally from the Canary Islands, Dani is an award-winning hair and makeup artist with 20 years’ experience under his belt, and is hailed as one of his industry's lead- ing professionals. More recently, he has expanded his talents into creative direction, collaborating with fashion magazines, such as Vogue, Harper's Bazaar, LOfficiel and Esquire. Dani is passionate about making people feel more comfortable and conscious of their own beauty - as revealed in our cover feature (page 54), in which he embraces and enhances the uniqueness of our models with his trademark flair. RICHLY PIGMENTED VLOUR SUITABLE FOR VEGAN, HALAL & GLUTEN FREE KOLCOSMETICS.COM KOL COSMETICS Beware the Glass Cliff. IN HER MOST RECENT BOOK, AUTHOR, ANTI-RACISM ADVOCATE AND ACTIVIST SOPHIE WILLIAMS SPEAKS FRANKLY ABOUT THE MULTITUDE OF ISSUES THAT IMPACT BLACK WOMEN’S EXPERIENCES IN THE WORKPLACE. HERE, SHE SHARES HER THOUGHTS ON A LITTLE-KNOWN PROFESSIONAL CHALLENGE — WITH ENORMOUS IMPLICATIONS — WITH KOL SOCIAL ave you ever wondered why there are so few high-profile, successful business leaders who don't fit the ‘traditional’ white and male profile that we've come to expect from leaders of Industry? | know | have. It’s how | first came across the story of the ‘glass cliff - the precipice upon which underrepresented leaders find themselves when they take on leadership positions in which their chances of success have been limited before they even begin. I'm aware that for many people, the conversation about - and even the term - the glass cliff might be new. The easiest way into it is by starting with the glass ceiling: that invisible but seemingly impossble-to-break-through barrier that sits above the heads of women in business, stopping them from reaching the absolute pinnacle of their professional capabilities. Despite the odds we do know that some people do break through that ceiling. OK, but what happens when they do? All too often, they find themselves in a new, dangerous position: teetering on the edge of the glass cliff. In 2003, The Times published an article headlined: Women on the Board: A Help or a Hindrance? It reported that when women take over businesses at those most senior levels (think CEO, board member, and so on), those businesses often find themselves in a moment of trouble. Its conclusion? That women on the board were, in fact, bad for business. While research does suggest that businesses often experience a degree of set-back when underrepresented people take on those leadership roles, the article's conclusion that women were ‘a hindrance’ was wholeheartedly wrong - because the real story starts long before these underrepresented leaders are appointed to leadership positions. In 2008, researchers from University of Exeter published a study that looked at FTSE 100 companies that had appointed female leaders. What they found, consistently, was that those businesses were much more likely than average to have been ina consistent period of poor business performance for five months before / FIRST WORD they brought in their new leadership. That poor performance could look like all kinds of things: a reputational scandal, a hit to market valuations, or a drop in profit, for example. But whatever that was, these businesses KOL SOCIAL JUN-AUG 2022 | 9 / FIRST WORD were all much more likely than average to have already been in a consistent period of poor performance before that new, underrepresented leader was appointed. This isn't a single piece of research, and it’s not even limited to a single country. Researchers at the University of Utah conducted a very similar piece in 2013. However, instead of only looking at appointments of women in such businesses, they also looked at the appointment of racially marginalised men in Fortune 500 companies over a 15-year period, drawing exactly the same conclusion: businesses that appointed underrepresented leaders were much more likely than average to already be ina period of poor performance. We can see, then, that these leaders are at a disadvantage from the beginning - but why would that be? Why do businesses seem to more inclined to bring underrepresented groups in when they're in some kind of marketplace hardship? IF YOUR BUSINESS ISN'T DOING WELL, BRINGING IN A FEMALE LEADER COULD BE VIEWED AS A WIN-WIN SCENARIO To paraphrase Kristin Anderson, a psychology professor at the University of Houston, businesses might view women as more disposable and more expendable, which means they make really good professional scapegoats. In that case, if your business isn’t doing well, bringing in a female leader could be viewed as a win-win scenario. If she comes in and is able to make transformational change, great - your struggling business is saved. But if she’s not, in a very short timeframe, all of the blame is able to be put onto her shoulders and she is disposable enough to be pushed out of the business. Pushed, in other words, over that glass cliff. Importantly, research shows that she is then more likely than not to be replaced by a white man, a move known as the ‘saviour effect’ - in that it signals to shareholders, investors, employees, that the business is back in a so-called ‘safe’ pair of hands. It’s back to business as usual. It is an issue that only compounds when we take a more intersectional 10 | KOLSOCIAL JUN-AUG 2022 look - at a group such as Black women, which has not one, but two, areas of deviation from the traditionally held image of a ‘successful leader’. Drawing on the conclusions outlined by those studies, it’s fairly safe to assume that if a new Black woman takes over the most senior role in the business, that business might not be in great shape. It is also fairly safe to assume that she is going to be managing a large team of white men in that leadership layer just below her - her closest cohort. In 2019, the Lean In Foundation reported that white men make up about 30 percent of that entry-level junior cohort. But by the time we get to the C-suite, that’s ballooned up to 68 percent. In other words, white men are the only group whose representation grows as they become more senior. Or, to put it a different way: they're the only group who experienced the opposite of the glass ceiling. Instead of looking up and not being able to see themselves represented at all, their view is of pretty much a reflection of themselves at the most senior levels. That is, of course, until it isn’t — until their new boss is somebody like a Black woman. In 2017, researchers at the University of Texas and the University of Michigan looked at what happens to those groups of men in the period directly after they get a new boss who doesn't mirror both their whiteness and their maleness after being so used to seeing ‘themselves’ in those roles. And what they found was amazing. According to their findings, men who find themselves led by someone who doesn't directly mirror them in both those ways report feeling immediately less personally connected to the business. Less able to personally identify with it - and less personally invested in it. As a result, their work performance suffered; they did their jobs less well. If a business is already in trouble, even the greatest leader is not going to solve it single-handedly. She needs her team, particularly her senior team, to help her. If that team have stopped working as effectively as they previously were, that’s going to continue to push her towards failure, towards the edge of that cliff. According to that same research, those men did something else that's a crucial part of any manager's job: they no longer managed their teams as effectively. They stopped devel- oping, mentoring, working with the people who they were tasked to take care of. And they didn’t stop doing that equally - they mostly stopped helping, working with, developing anyone in their team who was also racially marginalised. In a way then, the glass cliff impacts twice. We're not only pushing exist- ing leaders closer to the edge, we’re stopping what could be this new cohort of underrepresented leaders from climbing up at all, because they’re not being given the same degree of support, guidance, mentorship and development the rest of their colleagues receive. That's why it's so important to be aware of this issue. Through aware- ness, we can all decide not to bea part of pushing anybody else closer to the edge of their cliff. We can decide to see the value in everyone, all of the time - and not only when we have a problem that we think they might be able to solve for us, or there's something we can blame them for. As Angela Davis said: ‘You have to act as if it were possible to radically transform the world. And you have to do it all of the time.’ That's what I'm asking you to do. And | want you to know that I’m going to be right alongside you, trying to do the same. —_ —— -— Lid — rome — Millennial Black, by Sophie Williams (HQ, £9.99, paperback) is out now.