KNITTING SWEATERS FROM AROUND THE WORLD 18 HEIRLOOM PATTERNS IN A VARIETY OF STYLES AND TECHNIQUES Kari Cornell, Editor CONTENTS INTRODUCTION BY DONNA DRUCHUNAS SWEATERS OF SCANDINAVIA Finnish Sweater: Päivätär Icelandic Yoke Cardigan Icelandic Fimmvörðuháls Sweater Swedish Ullared Pullover Norwegian Rein and Snow Sweater SWEATERS OF EUROPE Estonian Kihnu Troi Sweater Bavarian Cropped Lattice Pullover Bulgarian Roses Intarsia Cardigan SWEATERS OF THE UNITED KINGDOM & IRELAND St. Olaf Men’s Fair Isle Sweater Levenwick Fair Isle Jacket Kinloch Aran Pullover Eriskay Gansey SWEATERS OF THE EAST Turkish Delight Sweater Russian Peasant Blouse Japanese Kimono SWEATERS OF THE WEST Cowichan-Inspired Swallows & Ivy Wrap Cardigan Andean Condor Hoodie with Handwarmers Northwest Forget-Me-Not Pullover ABBREVIATIONS YARN SOURCES STANDARD YARN WEIGHT SYSTEM ABOUT THE DESIGNERS INDEX INTRODUCTION By Donna Druchunas Although legend has it that Jesus wore a seamless sweater knitted in-the-round, in reality, knitting was not invented until several centuries later. Originally used to make socks, mittens, hats, and many other small projects, knitting was first used to make the various styles of shirts worn as outerwear that we know of as sweaters today sometime between the seventeenth and nineteenth century. Knitters made shirts as early as the fourteenth century, but these were worn as undergarments. Even the blue silk shirt knitted in an allover knit-and-purl pattern at a gauge of 22 stitches per inch (yes, per inch, not per 4 inches!) worn by England’s King Charles I when he was executed in 1649 was likely made to be worn as an undershirt. Danish blouses with knit-and-purl patterning were the first sweaters made to be worn as outer garments. Woolen nightshirts called nattrøjer were commonly worn by people of all classes for centuries. Those who could not afford two separate garments wore a vest or bodice over the knitted shirt during the day. The earliest nattrøjer were worn by both men and women. Over time, men stopped wearing them, and the nattrøjer evolved into a short, body-hugging style that accentuated a woman’s figure and complemented the traditional Danish woman’s costume. The word “sweater” was coined in the nineteenth century by British sportsmen who wore the knitted garments while riding horses and rowing. Before that, sweaters were known as jumpers, jerseys, or frocks. Today, the word “jumper” is still used to refer to a knitted pullover in most of the English- speaking world. One of the first cardigans, defined as knitted jackets that open in the front and are normally secured with buttons, was made in Germany and worn by Count Palatine Ottheinrich, who died in 1559. The word “cardigan,” however, refers to the 7th Earl of Cardigan, James Thomas Brudenell, who wore a knitted jacket during the Crimean War in the 1800s and is credited with making the style famous. These earliest sweaters were knitted in-the-round, on multiple double-pointed needles, producing seamless garments that were custom made to fit the wearer. Sweaters made with multiple colors, such as Norwegian pullovers, were usually knit as plain tubes and cut open to create neck and armhole openings, while others made with single-color texture patterns, such as British fishermen’s others made with single-color texture patterns, such as British fishermen’s ganseys, were shaped as they were knitted. Later, most often when garments were being made specifically for sale or publication, traditional designs, like Aran cable sweaters, were knit flat rather than in-the-round to make it easier for production knitting and to create multiple sizes. In the nineteenth and twentieth centuries, dressmaking techniques were often used in sweater design; sweaters were knitted in flat pieces and sewn together to allow for more complicated shaping and a more contemporary and stylish fit. Some of the designs in this book, like the Cowichan-Inspired Swallows & Ivy Wrap Cardigan on page 120, the St. Olaf Men’s Fair Isle pullover on page 70, and the Eriskay Gansey on page 88 are very traditional garments, allowing you to try the same stitches and techniques used by the knitters who invented these designs. Other sweaters, such as the Bulgarian Roses Intarsia Cardigan on page 62 and the Turkish Delight Sweater on page 100, were inspired by patterns and stitches used on accessories in a particular country or region. And some sweaters, like the Japanese Kimono on page 112, which was adapted from traditional woven clothing, or the Kinloch Aran Pullover on page 82, which is an updated version of an early-twentieth-century idea, are modern knitting designs. I hope that as you browse through these pages, you’ll be inspired by the many wonderful sweater designs in this book. Select one or two, pick up your yarn and needles, cast on, and celebrate the accomplishments of knitters from around the world. Albanian girls gather to knit, c. 1923. Frank and Frances Carpenter Collection, Library of Congress Prints and Photographs Division #LC-USZ62-106363 SWEATERS OF SCANDINAVIA Finnish Sweater: Päivätär Icelandic Yoke Cardigan Icelandic Fimmvörðuháls Sweater Swedish Ullared Pullover Norwegian Rein and Snow Sweater
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