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Knitting 24/7: 30 Projects to Knit, Wear, and Enjoy, On the Go and Around the Clock PDF

125 Pages·2010·75.498 MB·English
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HATS, SCARVES, SOCKS, BAGS, MITTS, AND MORE FOR BUSY, PASSIONATE v KNITTERS y VERONIK AVERY PHOTOGRAPHS BY THAYER ALLYSON GOWD '« * FROM THE AUTHOR OF KNITTING CLASSIC STYLE KNITTING24/7 K N I T T I N G 2 4 / 7 HATS, SCARVES, SOCKS, BAGS, MITTS, AND MORE FOR BUSY, PASSIONATE KNITTERS VERONIK AVERY Photographs by Thayer Ailyson Gowdy Styling by Karen Schaupeter STC CRAFT I A MELANIE FALICK BOOK NEW YORK Published in 2010 by Stewart, Tabori & Chang An imprint of ABRAMS Text copyright © 2010 by Veronik Avery Photographs copyright © 2010 by Thayer Allyson Gowdy All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission from the publisher. Library of Congress Cataloging-in-Publication Data: Avery, Veronik. Knitting 24/7 / by Veronik Avery ; photographs by Thayer Allyson Gowdy. p. cm. ISBN 978-1-58479-844-6 I. Knitting—Patterns. 2. Dress accessories. 3. Sweaters. I. Title. II. Title: Knitting twenty-four seven. TT825.A845 2010 746.43'2041-dc22 2009029919 Editor: Liana Allday Designer: Anna Christian Production Manager: Jacqueline Poirier The text of this book was composed in Shinn and Promemoria. Printed and bound in China 10 9 8 7 6 5 4 3 2 1 Stewart, Tabori & Chang books are available at special discounts when purchased in quantity for premiums and promotions as well as fundraising or educational use. Special editions can also be created to specification. For details, contact [email protected] or the address below. ABRAMS 115 West 18th Street New York, NY 10011 www.abramsbooks.com http://avaxho.me/blogs/ChrisRedfield For Marcel \ CONTENTS introduction 9 a.m. 12 p.m. 50 weekend 8k appendix 120 • special techniques 122 • abbreviations 124 ¥ yarn sources 126 • acknowledgments 128 7/ > INTRODUCTION Monday, 3 p.m.: One woman is squeezing in an extra errand before picking up her children at school, another sprints to a meeting, while a third leads a yoga class. They all have different, busy schedules, but they're all passionate knitters, determined to find time to knit. I relate to these women—as a knitwear designer, writer, and mother, I'm often multitasking and, in the midst of it all, I like to knit as much as I can. In fact, I always take a project with me wherever I go, just in case I am able to find a few minutes to work a few rows. The truth is I'd like to be knitting 24/7—that is, all the time. When I have a project in my bag, I don't even mind a long commute or having to wait in line—in fact, I even get excited knowing that a stretch of uninterrupted knitting time awaits me. I often have many projects going at once, but I make sure they are diverse in size and complexity to suit a variety of circumstances. For instance, I have the luxury of space while I'm at home and don't mind if my project takes over the couch and the coffee table, but a sprawling project like this won't work on the subway. And just as I wouldn't wear mittens in July I wouldn't knit a heavy wool shawl poolside during the summer. Similarly, I wouldn't take a multicolored yoked sweater to one of the very social knit nights that I enjoy with my friends. I designed the projects in Knitting 24/7 to be portable and to make use of our "extra" time—those nooks and crannies in our lives when we are busy, yet our hands are free to practice our craft. Many of us like to knit while we travel, wait, watch, or listen, and times like these call for projects that can be easily stowed in a bag and contained in our laps. They also call for easily memorized stitch patterns so that charts are not needed once the pattern has been established. For instance, the lace pattern in the Arrowhead Kneesocks (page 47) requires only a 4-round repeat, and the complex appearance of the diagonal mesh in the Linen Market Bag (page 71) is created by working a very simple openwork pattern and then repositioning the beginning-of-round stitch marker every sixth round. Projects like the Fleur de Lys Hat (page 87) include colorwork, but with only two different shades of yarn to avoid tangles. Almost every project in this book is small and can be com pleted quickly, giving even the busiest knitter a sense of accomplishment. Plus small knitted items are perfect gifts that are universally beloved, and at the same time require little yarn. I also included a few larger projects that I consider "mindless knitting" for times when there is room for a bigger project but one's focus cannot be on a chart or stitch pattern. Circular knitting is one of my favorite ways to knit mindlessly. The Elemental Pullover (page 67), for example, is knitted circularly from the bottom up in Stockinette stitch, providing 10 k*Mt«q tt/1

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