Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday PDF
Preview Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday
KKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKKK SSSSSSSSSSSSSEEEEEEEEEEEEEEEEEEEEEEEEE NNNNNNNNNNNNNNNNNNNNNNN IIIIIIIIIIIIIIIIIAAAAAAAAAAAAAAAAAAAAAAAAAAA CCCCCCCCCCCCCCCCCCCCCCC HHHHHHHHHHHHHHH IIIIIIIIIIIIIIII ZZZZZZZZZZZZZZZZ HHHHHHHHHHHHHHHHHOOOOOOOOOOOOOOOOOVVVVVVVVVVVVVVVVAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA KINSHIP NOVELS of Early Modern K O R E A Between Genealogical Time and the Domestic Everyday KINSHIP NOVELS OF EARLY MODERN KOREA Premodern East Asia: New Horizons A Center for Korean Research Book PREMODERN EAST ASIA: NEW HORIZONS This series is dedicated to books that focus on humanistic studies of East Asia before the mid- nineteenth century in fields including literature and cultural and social history, as well as studies of science and technology, the environment, visual cultures, performance, material culture, and gender. The series particularly welcomes works with field-c hanging and paradigm- shifting potential that adopt interdisciplinary and innovative approaches. Contributors to the series share the premise that creativity in method and rigor in research are preconditions for producing new knowledge that transcends modern disci- plinary confines and the framework of the nation- state. In highlighting the complexity and dynamism of premodern societies, these books illuminate the relevance of East Asia to the contemporary world. Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China, Yuhang Li Kinship Novels of Early Modern Korea BETWEEN GENEALOGICAL TIME AND THE DOMESTIC EVERYDAY Ksenia Chizhova Columbia University Press New York This work was supported by the Core University Program for Korean Studies through the Ministry of Education of the Republic of the Korea and the Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2 016- OLU- 2250006). Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup . columbia . edu Copyright © 2021 Columbia University Press All rights reserved Cataloging-in-Publication Data available from the Library of Congress. ISBN 978-0-231-18780-0 (cloth) ISBN 978-0-231-18781-7 (paper) ISBN 978-0-231-54747-5 (ebook) Columbia University Press books are printed on permanent and durable acid-f ree paper. Printed in the United States of America Cover image: Kim Hongdo (cid:24953)(cid:11968)(cid:24571), Illustrations of Hong I-sang's Life, one of the eight panels from silk folding screen, courtesy of the National Museum of Korea Cover design: Chang Jae Lee For Anton and Daehwan, in honor of the complexities of kinship and in acknowledgment of my perpetual inability to achieve a semblance of work– life balance. Contents Acknowledgments ix Introduction: The Lineage and the Novel in Chosŏn Korea, 1392–1 910 1 PART I Figurations of Chosŏn Kinship I The Structure of Kinship: Generational Narratives 37 II The Texture of Kinship: Vernacular Korean Calligraphy 68 PART II The Affective Coordinates of Kinship III Feelings and the Space of the Novel 95 IV Feelings and the Conflicts of Kinship 124 PART III Reconfiguration V The Novel Without the Lineage 161 Notes 193 References 241 Index 261 [ vii ] Acknowledgments N ow finished, this book appears to have so little that belongs to me only. Rather than a monograph, it is a web of connections and relationships, chance encounters— with written sources and people— that coalesced into a bound volume with physical proportions. These notes of gratitude chart the moments of reciprocity so fundamental to academic writing and all the more poignant at the time of the COVID- 19 outbreak, social distancing, and canceled events. I am deeply grateful for my time at Columbia University’s East Asian Languages and Cultures Department, which changed me as a person and as a thinker. I still revisit the conversations I had with the late professor JaHyun Kim Haboush, surprised by how little I understood back then and how much her words can still teach me in the time to come. Dorothy Ko has been a truly enchanting mentor, showing how scholarship can be fun and elegant and deeply personal. Theodore Hughes was always there in times of trouble, and his unfailingly astute advice made all the difference. Jungwon Kim’s friendliness and care made everything better. Particia Dai- ley was a guide to a sophisticated world of ideas, which I can only ever hope to be part of. Eugenia Lean’s incisive feedback taught me a great deal. I am also very grateful for the company of Dajeong Chung, Shing-t ing Lin, Sixiang Wang, Jenny Wang Medina, Mi- Ryong Shim, Jae Won Chung, and Jon Kief, who made Kent Hall feel like home. [ ix ]
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