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King of the Wood: The Sacrificial Victor in Virgil's Aeneid (Oklahoma Series for Classical Culture) PDF

277 Pages·2001·0.8 MB·English
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Preview King of the Wood: The Sacrificial Victor in Virgil's Aeneid (Oklahoma Series for Classical Culture)

K W ING OF THE OOD Oklahoma Series in Classical Culture OKLAHOMASERIESINCLASSICALCULTURE SERIESEDITOR Ward W. Briggs, Jr., University of South Carolina ADVISORYBOARD Susan Guettel Cole, State University of New York, Buffalo Carolyn J. Dewald, University of Southern California Thomas M. Falkner, The College of Wooster Elaine Fantham, Princeton University Nancy Felson, University of Georgia Helene P. Foley, Barnard College Ellen S. Greene, University of Oklahoma Sara Mack, University of North Carolina, Chapel Hill Thomas R. Martin, College of the Holy Cross John F. Miller, University of Virginia Jon Solomon, University of Arizona Richard F. Thomas, Harvard University K W ING OF THE OOD The Sacrificial Victor in Virgil’s Aeneid Julia T. Dyson UNIVERSITYOFOKLAHOMAPRESS: NORMAN Library of Congress Cataloging-in-Publication Data Dyson, Julia T. (Julia Taussig), 1966– King of the Wood : the sacrificial victor in Virgil’s Aeneid / Julia T. Dyson. p. cm. — (Oklahoma series in classical culture ; v. 27) Includes bibliographical references (p. ) and index. ISBN 0-8061-3341-4 (alk. paper) 1. Virgil. Aeneid. 2. Epic poetry, Latin—History and criticism. 3. Turnus (Legendary character) in literature. 4. Aeneas (Legendary character) in literature. 5. Mythology, Roman, in literature. 6. Human sacrifice in literature. 7. Diana (Roman deity)—Cult. 8. Rome—In literature. 9. Rome—Religion. I. Title. II. Series. PA6825 .D96 2001 873æ.01—dc21 2001023066 King of the Wood:The Sacrificial Victor in Virgil’sAeneid is Volume 27 in the Oklahoma Series in Classical Culture. The paper in this book meets the guidelines for permanence and durabil- ity of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources, Inc. ∞ Copyright © 2001 by the University of Oklahoma Press, Norman, Publish- ing Division of the University, Red River Books edition. All rights reserved. Manufactured in the U.S.A. 1 2 3 4 5 6 7 8 9 10 matri et in memoriam patris This page intentionally left blank C ONTENTS Acknowledgments ix Abbreviations xi Introduction 3 Part 1: Sacrificial Victory 1. The Piaculaof Aeneas 29 2. Tiber and Numicus 50 3. The Unburied Dead 74 4. Victor and Victim 95 5. Aeneas and Turnus 112 6. Juno’s Honores 125 Part 2: The Ghastly Priest 7. The Golden Bough 133 8. The Three Faces of Diana 148 9. Dying Kings 168 10. The Tropaeum 184 viii CONTENTS 11. Ida and Alba 195 12. The King of the Wood 210 Conclusion 228 Bibliography 237 Index of Passages Cited 251 General Index 259 A CKNOWLEDGMENTS This project has been brewing for over a decade and has incurred substantial debts of gratitude. Some of its arguments have been presented to audiences at Harvard University (1993), Mount Holy- oke College (1993), Tulane University (1993), the University of Texas (1994), the University of Oklahoma (1997), the College of St. Thomas More (1997), the University of Colorado (1997), Baylor University (1998), the University of North Carolina (2001), and meetings of the Classical Association of the Middle West and South (1996, 1999, 2000; Southern Section, 1998, 2000) and the American Philological Association (2001). The 1994 NEH Summer Institute “Reading Virgil’s Aeneidin the Humanities Curriculum,” graciously hosted by Christine Perkell at Emory University, gave me the opportunity to immerse myself in Virgil and to meet some of the world’s finest Virgilians. My colleagues at the University of Texas at Arlington, Denny Bradshaw, Charlie Chiasson, and Tim Mahoney, have weathered my screeds and continued to speak to me for years now. Our dauntless secretary Billie Hughes and her staff, Stephen Shepherd, David Stalder, Tung Chau, and Jon Olson, have given me innumerable hours of research assistance. I owe much to the cheerful competence of classics librarian Bobbie Johnson and the Interlibrary Loan Department, sine qua non.

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Julia T. Dyson offers a radical reinterpretation of Virgil's Aeneid. She persuasively argues that Aeneas' final sacrifice of Turnus, which has perpetually troubled readers, is demanded by the religious framework of the poem. Bridging the longstanding gap between literary criticism and the study of R
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