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killing rage: Ending Racism PDF

296 Pages·1996·41 MB·English
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M am 1 i 5 raee killin ENDING RACISM hooks bell I FPT $20.00 $28.0()/Canada "When race politics are the issue,it is one ofthe rare moments when white men prick up their ears to hear what black men have to say. No one wants to interrupt those moments ofinterracial homo-social patriarchal bonding to hear women speak. ...As we search as a nation for construc- tive ways to challenge racism and white su- premacy, it is absolutely essential that progressive female voices gain a hearing." —FROMTHE INTRODUCTION One ofour country's premier cultural and social critics, the author ofsuch power- ful and influential books as Ain't Ia Woman and Black Looks, bell hooks has always maintained that eradicating racism and eradicating sexism must be achieved hand in hand. But whereas many women have been recognized for their writing on genderpolitics,the female voice has been all but locked out ofthe public discourse on race. Killing Rage speaks to this imbalance.These twenty-three essays, most ofthem new works, are written from a black and feminist perspec- tive, and they tackle the bitter difficulties of racism by envisioninga world without it.hooks defiantly creates positive plans for the future rather than dwell in theories ofa crisis beyond repair. The essays here address a spectrum oftop- ics to do with race and racism in the United States: psychological trauma among African Americans; friendship between black women and white women; anti-Semitism and racism; internalized racism in the movies and media, hooks presents a challenge to the patriarchal family model, explaining how it perpetuates (Continued on hackflap) 0995 Boston Ful!ic Library . KILLING RAGE Previous books by bell hooks Outlaw Culture: Resisting Representation (1994) Teaching to Transgress: Education as the Practice ofFreedom (1994) Sisters ofthe Yam: Black Women and Self-Recovery (1993) A Woman's Mourning Song (poems) (1993) Black Looks: Race and Representation (1992) Yearning: Race, Gender, and Cultural Politics (1990) Talking Back: Thinking Feminist, Thinking Black (1989) Feminist Theory: From Margin to Center (1984) Ain't I a Woman: Black Women and Feminism (1981) hooks bell RAGE KILLING ENDING RACISM HENRY HOLT AND COMPANY NEW YORK | BR BR F185-615 Henry Holt and Company, Inc. H645 Publishers since 1866 1. 995 115 West 18th Street New York, NewYork 10011 Henry Holt^ is a registered trademark ofHenry Holt and Company, Inc. Copyright © 1995 by Gloria Watkins All rights reserved. Published in Canada by Fitzhenry & Whiteside Ltd., 195 Allstate Parkway, Markham, Ontario L3R 4T8. Earlierversions ofsome ofthe chapters in this book appeared in the following publications: "Black Beauty and Black Power: Internalized Racism" and "Marketing Blackness: Class and Commodification" reprinted from Outlaw Culture: Resisting Representation, by bell hooks (New York: Routledge, 1994); "Representations ofWhiteness in the Black Imagination" and "Loving Blackness as Political Resistance" from Rlack Looks, by bell hooks (Boston: South End Press, 1992), "Overcoming White Supremacy: A Comment" from Talking Back: Thinking Feminist, Thinking Black, by bell hooks (Boston: South End Press, 1989), and "Keeping a Legacy ofShared Struggle" from Z Magazine, September 1992. Library ofCongress Cataloging-in-Publication Data hooks, bell. — Killing rage: ending racism /bell hooks. 1st ed. p. cm. — — 1. Racism United States. 2. United States Race relations. — 3. Feminism United States. 4. Afro-American women. I. Title. E185.615.H645 1995 95-6395 305.8'00973—dc20 CIP ISBN 0-8050-3782-9 Henry Holt books are available for special promotions and premiums. For details contact: Director, Special Markets. First Edition—1995 Designed by Victoria Hartman Printed in the United States ofAmerica All first1edi3tio5ns a7re9printed on8a6cid4-fr2ee paper.» 10

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One of our country's premier cultural and social critics, bell hooks has always maintained that eradicating racism and eradicating sexism must go hand in hand. But whereas many women have been recognized for their writing on gender politics, the female voice has been all but locked out of the public
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