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Kierkegaard’s ’Fear and Trembling’: A Reader’s Guide PDF

225 Pages·2010·0.949 MB·English
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KIERKEGAARD’S FEAR AND TREMBLING Continuum Reader’s Guides Continuum’s Reader’s Guides are clear, concise and accessible introduc- tions to classic works of philosophy. Each book explores the major themes, historical and philosophical context and key passages of a major philosophical text, guiding the reader toward a thorough under- standing of often demanding material. Ideal for undergraduate students, the guides provide an essential resource for anyone who needs to get to grips with a philosophical text. Reader’s Guides available from Continuum Aristotle’s Nicomachean Ethics – Christopher Warne Aristotle’s Politics – Judith A. Swanson and C. 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White KIERKEGAARD’S FEAR AND TREMBLING A Reader’s Guide CLARE CARLISLE Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY, 10038 www.continuumbooks.com © Clare Carlisle, 2010 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-8470-6460-8 PB: 978-1-8470-6461-5 Library of Congress Cataloging-in-Publication Data Carlisle, Clare, 1977- Kierkegaard’s Fear and trembling : a reader’s guide / Clare Carlisle. p. cm. ISBN-13: 978-1-84706-460-8 (HB) ISBN-10: 1-84706-460-4 (HB) ISBN-13: 978-1-84706-461-5 (pbk.) ISBN-10: 1-84706-461-2 (pbk.) 1. Kierkegaard, Søren, 1813-1855. Frygt og bæven. 2. Christianity–Philosophy. I. Title. B4373.F793C37 2010 198'.9–dc22 2009052529 Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in Great Britain by CPI Antony Rowe Ltd, Chippenham, Wiltshire For Mark This page intentionally left blank CONTENTS Foreword viii A Note on the Text xi 1. Overview of Themes and Context 1 2. Reading the Text 29 Preface 29 Tuning Up 40 A Tribute to Abraham 56 A Preliminary Outpouring from the Heart 70 Problem I: Is there a teleological suspension of the ethical? 99 Problem II: Is there an absolute duty to God? 120 Problem III: Was it ethically defensible for Abraham to conceal his undertaking from Sarah, from Eliezer, from Isaac? 130 Epilogue 171 3. Reception and Influence 174 4. Further Reading 200 Notes 202 Index 208 vii FOREWORD At several moments during the course of writing this book, I have been visited by the question of why I am writing it. These visits have not always been especially welcome, and the question has been surprisingly difficult to answer. There are, I think, good reasons for producing a clear guide to Kierkegaard’s Fear and Trembling: this is a challenging and enigmatic text, and even though some readers find it more captivating than many other works of philosophy, there is always a danger of becoming bored by a book one doesn’t understand. Thus one reason for writing an accessible commentary on Fear and Trembling is to encourage readers to persist with it and to plumb its depths, in order not only to do its author justice, but also to be rewarded by a fasci- nating, profound and influential book that it would be a shame to miss out on. However, when I was first asked to write this Reader’s Guide, I was aware that excellent introductions to Fear and Trembling were already available. John Lippitt’s Routledge Philosophy Guidebook to Kierkegaard and Fear and Trembling (2003) and Edward Mooney’s Knights of Faith and Resignation: Reading Kierkegaard’s Fear and Trembling (1991), for example, are both highly recommended, and the editorial introductions to various English translations of the text – such as those by C. Stephen Evans and Sylvia Walsh, Alastair Hannay, and Howard and Edna Hong – are all authoritative and illuminating. So the question, it became clear, was about why I am writing a guide to Fear and Trembling. One plausible general answer to this question is: in order to discover that the text is more difficult than I thought it was, and that I understand it less well than I’d assumed. A more particular answer is: in order to think about courage. Before I was invited to write this Reader’s Guide I had (I assure you) already read Fear and Trembling. In fact, I’d read it many times, and on each occasion it raised new questions viii FOREWORD and yielded fresh insights. I think I have always been intrigued and moved, without quite knowing why, by its author’s sugges- tion that the person of faith is distinguished by ‘a paradoxical and humble courage’ – but re-reading it this summer, my atten- tion was drawn far more than before to references to courage throughout the text. This compelled me to reflect on courage: on why Kierkegaard, in 1843, thought it was important; and on why we should think it is important now. In his 1784 essay ‘What Is Enlightenment?’, the German philosopher Immanuel Kant urges his readers to have the courage to understand things for them- selves (‘Sapere aude!’), but for Kierkegaard a further and perhaps more radical kind of courage is required when we reach the lim- its of our understanding; when knowledge, calculation and planning fail us; when we step out into the unknown. This domain of the unknown may include the existence and nature of God; the inner lives of other people, and even of ourselves; and also, of course, the future. I offer these personal remarks not in order to tell you something about myself, but in order to say something about Kierkegaard and Fear and Trembling – and not just to point out the significance of courage for this thinker, and in this text. One of the starting-points of Kierkegaard’s philosophical reflection on such themes as truth, freedom, selfhood, suffering, love, responsibility and spiritual growth – which are all, along with courage, integral to Fear and Trembling – is his recognition that to exist is to be in a continual process of becoming. Fear and Trembling ends with a reference to Heraclitus’ remark that one can never step twice into the same river, and we learn most from this ancient piece of philosophy when we focus less on the river than on the person stepping into it. On the first page of his book Repetition, Kierkegaard raises ‘the question of repetition—whether or not it is possible, what importance it has, whether something gains or loses in being repeated’, and this question is as pertinent to the act of reading a text as it is to other activities and experiences. I often advise my students to read a text at least twice before they even attempt to make a preliminary judgement about its meaning and value. But can a reader read the same book twice? Each time we read we are different, because we are continually formed, however slightly, by our actions and experiences. At the very least, the person who ix

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