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Kemalism Transnational Politics in the Post-Ottoman World PDF

362 Pages·2019·17.972 MB·English
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To Alexandre Popovic, pioneer in Post-Ottoman studies and all-around warming presence LIST OF FIGURES Figure I.1 Girls in uniform in a secondary school in Istanbul, around 1930. Source: picture by Jean Weinberg, submitted for publication to the New York Times. United States National Archives and Records Administration (NARA), College Park, Maryland (306-NT-1246-J). 4 Figure I.2 Picturing the new “kamalist” man. Source: La Turquie kamaˆliste, 13 June 1936, front cover. 6 Figure I.3 Picture of the Great National Assembly in Ankara circulating in the French press. Source: L’Illustration, 24 February 1923, front page. 13 Figure I.4 The Italian translation of Dagobert von Mikusch’s biography of Mustafa Kemal. Source: Dagobert von Mikusch, Gasi Mustafa Kemal. Il fondatore della nuova Turchia, Milan, Treves, Treccani & Tumminelli, 1932, front cover. 14 Figure I.5 “Kemalist Turkey Hails Fascist Italy!” Cumhuriyet headline on the occasion of Prime Minister I˙smet Pacha’s (I˙no¨nu¨) official visit to Rome (22 May 1932). Source: Cumhuriyet, 22 May 1932, front cover. 21 Figure 3.1 Detail of the Hakikat newspaper from 1928, stating “The biggest victory in history was achieved six years ago”. In today’s standard spelling it should be written “Tarihin kayıt ettig˘i en bu¨yu¨k zafer altı sene evvel bugu¨n kazanıldı”. As well as LISTOF FIGURES xi the common uncertainties about using the new script, the voicing characteristic of Cypriot-Turkish pronunciation is apparent (K>G, such as gazanıldı instead of kazanıldı). Source: Hakikat, 1 September 1928, front page. 120 Figure 3.2 Short note using Ottoman script by Faiz Kaymak, chairman of the Federation of Cypriot Turkish Associations, to Fazıl Ku¨(cid:1)cu¨k, the Vice President of the same organisation, 1952. Source: Collection “Federation of Cypriot Turkish Associations”, 7 March 1952. 131 Figure 4.1 Caricature of Atatu¨rk sweeping allies from Istanbul. Source: The National Archives, UK. (FO 371/8963/E10383). 146 Figure 4.2 Caricature of Sa’d Zaghlul dancing for John Bull. Source: Al-Kashkul, 12 October 1923. The National Archives, UK (FO 371/8963/E10383). 148 Figure 4.3 Caricature of British Ambassador Percy Lorraine being taught his place by Atatu¨rk. Source: Ruz al-Yusuf, 28 August 1933, back cover. 151 Figure 4.4 Caricature of John Bull staging a love affair between High Commissioner Lorraine and PM Ismail Sidqi. Source: Ruz al-Yusuf, 9 May 1932, front cover. 152 Figure 4.5 Caricature of a sick Sidqi being consoled by Lorraine. Source: Ruz al-Yusuf, 13 June 1932, front cover. 153 Figure 4.6 Caricature of Shaykh Bakhit and Shaykh Shakir discussing the justification of their association with the Afghan king, who wore a hat. Source: Al-Kashkul, 1 January 1928, p. 20. 159 Figure 5.1 Muslim women from the city of Mostar, Bosnia-Herzegovina, 1904. Source: picture taken by Franjo Topic´, Zamaljski Muzej, Sarajevo (ZM – SPFT – 499). 185 Figure 5.2 Muslim women from the city of Sarajevo, Bosnia-Herzegovina, at the funeral of reis-ul-ulema Mehmed Dzˇemaludin ef. Cˇausˇevic´ in 1938. Source: Adnan Jahic´, xii KEMALISM Islamska zajednica u Bosni i Hercegovini za vrijeme monarhistiˇcke Jugoslavije (1918–1941), Zagreb, BNZH and IZH, 2010, 554. 186 Figure 5.3 Picture of Turkish girls doing gymnastics from La Turquie k´emaliste. Source: La Turquie ke´maliste, 18, 1937, p. 30. 190 Figure 5.4 The same picture of Turkish girls doing gymnastics, published in Sarajevo by Sˇahinovic´ Ekremov as part of a collage on the cover of his book. Source: Munir Sˇahinovic´ Ekremov, Turska, danas i sjutra. Prosjek kroz zˇivot jedne drzˇave, Sarajevo Muslimanska Svijest, 1939, front cover. 190 Figure 5.5 Picture of student girls in a secondary school from La Turquie k´emaliste. Source: La Turquie Ke´maliste, 13, 1936, p. 17. 191 Figure 5.6 The same picture incorporated into a Yugoslav Muslim book. Source: Edhem Bulbulovic´, Turci i razvitak turske drzˇave sa uvodom u kulturnu i politiˇcku povijest islama, Sˇtamparija bosanska posˇta Sarajevo, 1939, no page number. 191 Figure 5.7 A picture of unveiled Latifa, with her husband Kemal pasha and Mehmed pasha, presented as the model of Muslim female emancipation for Yugoslav Muslims. Source: Dragisˇa Lapcˇevic´, O nasˇim Muslimanima: sociolosˇke i etnografske beleˇske, Belgrade 1925, p. 62. 192 Figure 5.8 European and Muslim women. Source: Mustafa A. Mulalic´, Orijent na zapadu: savremeni kulturni i socijalni problemi muslimana Jugoslovena, Belgrade, Sˇtamparija Graficˇki institut knjizˇare Skerlic´, 1936, 249. 205 Figure 6.1 Picture of a woman lying on a sofa, accompanied by the script “S¸alvarlı, cebkenli bir elbise, elinde nargile, Tu¨rk hanımı kafes arkasında istirahat ediyor. I˙¸ste bizi tanımayanlar Tu¨rk hanımını bo¨yle tasvir ediyorlar.” (“Turkish woman dressed in ¸salvar [baggy trousers] and cepken [a traditional bolero], water-pipe in hand, reposing before a latticed window. Here is how those LISTOF FIGURES xiii who do not know us describe the Turkish lady.”) Source: “Kadınlara Dair: Haremlerimiz ve Avrupa/Avrupalılar Haremlerimizi Nasıl Tasvir Ediyorlar?” (“On Women: Our Harems and Europe/How are Europeans Describing our Harems?”), Yeni I˙nci, 1, June 1338 [1922], p. 13. 225 Figure 6.2 Picture of men in Oriental dresses, accompanied by the script “Sarık, kavuk, ¸salvar, potur, yatag˘an, cellat, hadımag˘ası ... hep bunlar Tu¨rkiyeden kalkalı(cid:1)cok oldu; fakat Avrupa tiyatrolarından ayrılmaz. Bu resim ‘Aarif ve Akif’ isminde(cid:1)cocuklara mahsus kukla tiyatrosunda Berlinde oynanıyor.” (“Turban, quilted turban, ¸salvar, potur [breeches], yataghan, executioner, eunuch... It has been a long time since these were abolished in Turkey; but they have not left European theatres. This scene is being performed in Berlin at a puppet-theatre show for children entitled Aarif and Akif.”) Source: Resimli Uyanıs¸, 2, 13 December 1928, p. 29. 228 Figure 6.3 “Ay Hanımefendinin ‘Tu¨rk Odasından’ dig˘er bir ko¨¸se.” (“Another corner of Madame Ay’s ‘Turkish room.’”) Source: Fehmi Razi, “Ay Hanımefendi,” Resimli S¸ark, 11, 1931, p. 20. 234 Figure 6.4 Topkapı Palace, Harem section, Istanbul. Source: photograph by Nilay O¨zlu¨. 235 Figure 6.5 Picture of the entrance to the Turkish pavilion at the Paris Exhibition of Modern Industrial and Decorative Arts, accompanied by the script “Paris sergisinde Tu¨rk paviyonunun medhali. Kapı u¨zerinde(cid:1)cini levha Ku¨tahya mamulatındandır.” (“The entrance to the Turkish pavilion at the Paris Exhibition [of Modern Industrial and Decorative Arts]”). The tile panel above the door is a product of Ku¨tahya. Source: “Paris Sergisinde Tu¨rk Paviyonu,” Servet-i Fu¨nun, 44-1518, 17 September 1341 [1925], p. 281. 245 Figure 6.6 “Paris sergisinde Tu¨rk paviyonunun dahili.” (“Interior of the Turkish pavilion at the Paris Exhibition [of Modern Industrial and Decorative Arts].”). Source: “Paris Sergisinde Tu¨rk Paviyonu,” Servet-i Fu¨nun, 44-1518, 17 September 1341 [1925], p. 281. 246 LIST OF CONTRIBUTORS NathalieClayerisProfessorattheEHESSandSeniorResearchFellow attheCentred’e´tudesturques,ottomanes,balkaniquesetcentrasiatiques (CNRS-EHESS-Colle`ge de France, Paris). Her main research interests arereligion,nationalismandthestate-buildingprocessinOttomanand post-Ottomanspaces,focusingonAlbania,theBalkansandTurkey.Her publications include Aux origines du nationalisme albanais. La naissance d’une nation majoritairement musulmane en Europe (2007), Conflicting Loyalties in the Balkans (co-edited with Hannes Grandits and Robert Pichler, I.B.Tauris, 2011) and Europe’s Balkan Muslims (with Xavier Bougarel, 2017). Fabio Giomi is Research Fellow at the Centre d’e´tudes turques, ottomanes, balkaniques et centrasiatiques (CNRS-EHESS-Colle`ge de France,Paris). His research focuses on the social andcultural history of Southeastern Europe between the late nineteenth and mid-twentieth centuries, with a special focus on the Yugoslav region. Among his currentresearchtopicsarevoluntaryassociationsandsocialmovements, women and gender history, Balkan Muslims and transnational studies. He is currently working on a book entitled Making Muslim Women European. Voluntary Associations, Gender and Islam in post-Ottoman Bosnia and Yugoslavia (forthcoming). Be´atriceHendrichisAssistantProfessorattheUniversityofCologne, ChairofTurkeyStudies.Herresearchfocusesonthereligioustopoiand literary strategies in Turkish novels, the religious landscape of Turkey, LIST OFCONTRIBUTORS xv and the Turkish community of Cyprus during the late colonial period. Shehasrecentlyedited,togetherwithDilekSarmı’s¸ athematicissueof EJTSonthecharacterandsignificanceofmediainthedisseminationof SuficontentintheTurkishRepublic,entitledTheMessagehastobeSpread (2017). Her latest edited volume, Muslims and Capitalism - An Uneasy Relationship? (2018), reflects on the critique of capitalism by Muslim intellectuals and Islamic movements. Wilson Chacko Jacob is Associate Professor of History at Concordia University, Montre´al. His first book, Working Out Egypt: Effendi Masculinity and Subject Formation in Colonial Modernity, 1870-1940 (2011),locatesEgyptianhistoryinimperialandglobalframeworks.His second book, Sovereignty in Times of Empire: The Life of Sayyid Fadl b. Alawi (forthcoming), continues this engagement with global history, focusingonthe IndianOcean World asa siteof interactionamongand between empires, Sufi orders and local communities. Anna M. Mirkova specialises in the late Ottoman and post-Ottoman Balkans. She holds a PhD in history from the University of Michigan and has taught at universities in the United States and Bulgaria. Her bookMuslimLand,ChristianLabor:TransformingOttomanImperialSubjects intoBulgarianNationalCitizens1878-1939waspublishedin2017.Her next research project focuses on vakıfs in post-Ottoman Bulgaria. Specifically, she raises the question: what kind of modern Muslim subjectivity emerged in the intellectual and political space between post-Ottomansecularnationalisms inSoutheastern Europeand Turkey, on the one hand, and religious conceptualisations of post-Ottoman Muslims as a political community, on the other? Emmanuel Szurek is Associate Professor at the EHESS, Paris. His research focuses on the educational and ideological elaboration of “modern Turkish” by transnational linguistics and orientalism, and the implementation of linguistic policies in interwar Turkey. He is working on revising his PhD dissertation, Governing with Words. ALinguisticHistoryofNationalistTurkey.Hehasco-editedTurcsetFran(cid:1)cais. Une histoire culturelle 1860-1960 (with Gu¨nes¸ Is¸ıksel, 2014) and Transturkology. A Transnational History of Turkish Studies (with Marie Bossaert, 2017). xvi KEMALISM Ece Zerman is a PhD candidate at the Centre d’e´tudes turques, ottomanes, balkaniques et centrasiatiques (EHESS) and Assistant Lecturer (ATER) at the Turkish studies department of Strasbourg University.Herresearchfocusses onthequestion ofself-representation, from the late Ottoman Empire to the early Republic of Turkey, as studied through egodocuments such as diaries, correspondence, photography as well as representations of interior spaces.

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