Journal of Singing 2011 - 2012: Vol 68 Index

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- Journal of Singing Author Index to Volume 68
Adrian, Stephanie. The Impact of Pregnancy on the Singing dwin, Robert. Popular Song and Music Theater: Repertoire for
Voice: A Case Study. 68:3 (January/February 2012): 265-271. Child Singers. 68:4 (March/April 2012): 443-444
Austin, Stephen. Provenance: Awesome Voices! 68:5 (May/June dwin, Robert. Popular Song and Music Theater: The Star
2012): 579-581. Spangled Banner—A Tutorial. 68:1 (September/October
Austin, Stephen. Provenance: Bobble-Heads. 68:4 (March/April 2011): 63-65.
2012): 457-450. dwin, Robert. Popular Song and Music Theater: Voice Pedagogy
Austin, Stephen. Provenance: Canaries in the Coal Mine: The for Aging Singers (Including the Author). 68:5 (May/June
Pure Vowel. 68:1 (September/October 2011): 83-85 2012): 561-563.
Austin, Stephen. Provenance: A Footnote to History. 68:2 Gates, Rachel. Bridging the Gap: An On-Campus Initiative for
(November/December 2011): 207-209. Professional Voice Users and Speech-Langu
Berg, Gregory. The Listener’s Gallery. 68:1 (September/October Students. 68:3 (January/February 2012
2011): 111-115; 68:2 (November/December 2011): 239-244; Goding, George S., and Deirdre D
>
68:3 (January/February 2012): 359-366; 68:4 (March/April Professional Voice: Dispelling Vocal \
2012); 68:5 (May/June 2012): 607-613 Your Cold!” 68:4 (March/April 2012
Bozeman, Kenneth. Voice Pedagogy: New Technology for Greschner, Debra. Bookshelf. 68:1 (September/October 2
Teaching Voice Science and Pedagogy: The Madde Synthesizer 101-103; 68:2 (November/December 20 3]
(Svante Granqvist). 68:4 (March/April 2012): 415-418. January/February 2012): 347-350; 68:4
Buescher, Randy, and Steven Sims. The Female Pharyngeal Voice $7 1-473; 68:5 (May/June 2012): 595-597
and Theories of Low Vocal Fold Damping. 68:1 (September Hagness, Jane Kristen. Selected Twentieth Centur
October 2011): 23-28 Soprano and Marimba, Part 1. 68:1 (September/October
-arman, Judith. Music Reviews: A Study in Contrasts. Three New 2011): 29-37
American Works and Two Anthologies. 68:2 (November Hagness, Jane Kristen. Selected Twentieth Century Works for
December 2011): 231-23 Soprano and Marimba, Part 2 68:2 (November/December
-arman, Judith. Music Reviews: New Works, Collections, and 2011): 149-155.
Editions. 68:4 (March/April 2012): 475-479 Hargrove, Guy. My Year With Pierre Bernac. 68:3 (January
varman, Judith. Music Reviews: Some Things New, Some Things February 2012): 279-285
Old. 68:3 (January/February 2012): 351-357 Helding,g Lynn. Mindful Voice Choosing Attention
-arman, Judith. Music Reviews: Three American Women. 68:5 (January/February 2012): 321-327
(May/June 2012): 599-605. Helding, Lynn. Mindful Voice: Digital Natives and Digit
Cosby, Laurie Lee. The Private Studio: Master Classes for the Immigrants: Teaching and Learning in the Digital
High School Private Studio. 68:2 (November/Decembe1 (November/December 2011): 199-206
2011): 195-197 Helding, Lynn. Mindful Voice: The Multitasking
De’Ath, Leslie. Languagaend Diction: Linguistic Lingo and Lyric (March/April 2012): 451-455
Diction III—Pronunciation Contrasts. 68:2 (November Helding, Lynn. Mindful Voice: Swarm Logic an
December 2011): 179-190. of Social Networks. 68:1 (September/October 2
DeBoer, Katharine. Smart Strategies for Small Departments: Class Helding, Lynn. Mindful Voice: Tiger Teaching. 68:5
Voice for Freshman Voice Majors. 68:3 (January/February 2012): 569-577
2012): 273-277. Hersey, Anna. Language and Diction
Edman, Joel S., Lauren B. Kondrad, and Birgit Rakel. Care of Diction. 68:3 (January/February 201 12
the Professional Voice: The Use of Nutrition and Integrative Holmes, Leslie. The Vocal Point: A Conversation with
Medicine or Complementary and Alternative Medicine Relyea, Part 1. 68:1 (September/October 2011): 93
(CAM) for Singers, Part 1. 68:2 (November December 2011 Holmes, Leslie. The Vocal Point: A Conversation \
165-173. Relyea, Part 2. 68:2 (November/December 2011
Edman, Joel S., Lauren B. Kondrad, and Birgit Rakel. Care oj Holmes, Leslie. The Vocal Point: A Conversation w
the Professional Voice: The Use of Nutrition and Integrative Schwartz, Part 1. 68:5 (May/June 210192) : 589-594
Medicine or Complementary and Alternative Medicine Holmes, Leslie. The Vocal Point: A Conversation with No
(CAM) for Singers, Part 2. 68:3 (January/February 2012): Espiritu Velasco, Part 1. 68:3 (January/February 10U1l
291-297. 341-345.
Edwin, Robert. Popular Song and Music Theater: Adjudicating Holmes, Leslie. The |V ocal Point: A Conversation with Noel
Music Theater Singing. 68:3 (January/February 2012 Espiritu Velasco, Part 2. 68:4 (March/April 2012): 465-469
313-314. Hunnicutt, Heather Winter, and A. Scott Winter. The Private
Edwin, Robert. Popular Song and Music Theater: Pedagogic Studio: Musical Performance Anxiety: Adapting Multiple
Pears: Exploring Vocal Resonance. 68:2 (November/December Cognitive Behavior Therapy Techniques to the Voice Studio,
2011): 193-194. Part 3. 68:1 (September/October 2011): 67-73
613
May/June 2012
[ Journal of Singing Author Index to Volume 68
Johns, Michael, and Aaron Ziegler, with Laura Jane Miller, Nix, John, and Amy Mathews-Muttwill. Does Real-Time Visual
feresa Hopkin, and Marina Gilman. Care of the Professional Feedback Enhance Perceived Aspects of Choral Performance?
Voice: Health Promotion and Injury Prevention Education fo1 68:5 (May/June 2012): 495-509.
Student Singers. 68:5 (May/June 2012): 531-541 Pomfret, Bonnie. The Private Studio: How Young is Too Young?
Kay, Jennifer. Howard Boatwright: An Exploration of His Songs leaching the Unchanged Voice. 68:4 (March/April 2012):
for Voice and j Piano. 68:2 5 (November/December 2011) 445-449.
141-148. Price, Kathy Kessler. Emma Seiler: A Pioneering Woman in the
Kimball, Carol. The Song File: Art Songs Oubliées. 68:1 Art and Science of Teaching Voice. 68:1 (September/October
September/October 2011): 87-91 2011): 9-22
Kimball, Carol. The Song File: Art Songs Oubliées, Part 2. 68:3 Rakel, Birgit, Joel S. Edman, and Lauren B. Kondrad. Care of
January/February 2012): 335-339. the Professional Voice: The Use of Nutrition and Integrative
Kimball, Carol. The Song File: Art Songs Oubliées, Part 3. 68:5 Medicine or Complementary and Alternative Medicine
May/June 2012): 583-587 (CAM) for Singers, Part 1. 68:2 (November/December 2011):
Kimball, Carol. The Song File: Setting Emily. 68:4 (March/April 165-173.
2012): 461-464 Rakel, Birgit, Joel S. Edman, and Lauren B. Kondrad. Care of
Kirkpatrick, Adam, and John R. McLester. Teaching Lower the Professional Voice: The Use of Nutrition and Integrative
Laryngeal Position with EMG Biofeedback. 68:3 (January Medicine or Complementary and Alternative Medicine
February 2012): 253-26( (CAM) for Singers, Part 2. 68:3 (January/February 2012):
Kondrad, Lauren B., Birgit Rakel, and Joel $. Edman. Care of 291-297.
the Professional Voice: The Use of Nutrition and Integrative Resch, Rita. Music Reviews: Songs by Bolcom and Laitman. 68:1
Medicine or Complementary and Alternative Medicine (September/October 2011): 105-109.
CAM) for Singers, Part 1. 68:2 (November/December 2011): Riley, Jessica. A Fresh Look at the Songs of Virgil Thomson. 68:4
(March/April 2012): 389-398.
Rakel, and Joel S. Edman. Care of Roland-Silverstein, Kathleen. The Song File: Romancing
the Professional fV oice: The Use of Nutrition and Integrative the Romanser: Exploring the Art Song of Sweden. 68:2
Medicine or Complementary and Alternative Medicine (November/December 2011): 211-217.
CAM) for Singers, Part 2. 68:3 (January/February 2012): Sataloff, Robert T. Care of the Professional Voice: Peer Review in
291-297 Publications. 68:1 (September/October 2011): 45-47.
LeFevre, Carla. Voice Pedagogy: Tongue Management. 68:2 Schubert, David. Roads Less Traveled: Rediscovering the Baritone
(November/December 2011): 15 162 Song Sets of Gerald Finzi. 68:4 (March/April 2012): 399-410.
Mathews-Muttwill, Amy, and John Nix. Does Real-Time Visual Seesholtz, John Clayton. The Origin of the Verdi Baritone. 68:5
Feedback Enhance Perceived Aspects of Choral Performance? (May/June 2012): 521-525.
68:5 (May/June 2012): 495-509 Simonson, Donald. From the President: Ad finem. 68:5 (May/
McCoy, Scott. Voice Pedagogy: The Choir Issue, Part Two. 68:3 June 2012): 489-491.
(January/February 2012): 287-289 Simonson, Donald. From the President: Arts : Sports. 68:3
McCoy, Scott. Voice Pedagogy: Moving On. 68:1 (September (January/February 2012): 249-250.
October 2011): 41-43 Simonson, Donald. From the President: Collaborations,
McCoy, Scott. Voice Pedagogy: Some Thought on Singing and Competitions, and Conferences. 68:1 (September/October
Science. 68:5 (May/June 2012): 527-530. 2011): 1-2.
McLester, John R., and Adam Kirkpatrick. Teaching Lower Simonson, Donald. From the President: Orlando and NATS. 68:4
Laryngeal Position with EMG Biofeedback. 68:3 (January (March/April 2012): 369-370.
February 2012): 253-260 Simonson, Donald. From the President: Partnership. 68:2
Michael, Deirde D., and George S. Goding. Care of the Professional (November/December 2011): 121-122.
Voice: Dispelling Vocal Myths. Part 3: “Sing Over Your Cold!” Sims, Steven, and Randy Buescher. The Female Pharyngeal Voice
68:4 (March/April 2012): 419-425. and Theories of Low Vocal Fold Damping. 68:1 (September/
Mercier, Richard. The Lullabies of Max Reger. 68:4 (March/April October 2011): 23-28.
Sjoerdsma, Richard Dale. Editor’s Commentary: Auf (m)einer
Montgomery, Cheri. Language and Diction: The Dynamic Diction Wanderung. 68:1 (September/October 2011): 3-4.
Classroom. 68:1 (September/October 2011): 53-60. Sjoerdsma, Richard Dale. Editor’s Commentary: Birdsong. 68:2
Néron, Martin. Language and Diction: To Ba or Not to Ba: Notes (November/December 2011): 123-124.
on the Muted E, Part 1. 68:4 (March/April 2012): 431-441. Sjoerdsma, Richard Dale. Editor's Commentary: Teaching’s the
Néron, Martin, Language and Diction: To Ba or Not to Ba: Notes Thing: The Teacher Profile. 68:3 (January/February 2012):
on the Muted E, Part 2. 68:5 (May/June 2012): 547-560. 251-252.
614 Journal of Singing
Journal of Singing Author Index to Volume 68 |
Sjoerdsma, Richard Dale. Editor’s Commentary: What I Do, I
Think. 68:5 (May/June 2012): 493-494.
Sjoerdsma, Richard Dale. Editor’s Commentary: Your Voice I who am dead a thousand years,
Counts. 68:4 (March/April 2012):
And wrote this sweet archaic song,
Sjoerdsma, Richard Dale. Letters to the Editor. 68:1 (September
Send you my words for messengers
October 2011): 5.
Snider, Jeffrey. Provenance: In Search of the Soprano Sfogato The way I shall not pass along.
68:3 (January/February 2012): 329-334
Strempel, Eileen. Crafting Love Songs from Sonnets: Judith
I care not if you bridge the seas,
Cloud’s Settings of Pablo Neruda. 68:2 (November/December
Or ride secure the cruel sky,
2011): 127-132.
Swanson, Carl. The Private Studio. Drains and Gains. 68:5 (May Or build consummate palaces
June 2012): 565-568.
Of metal or of masonry.
Swanson, Carl. The Private Studio: Learning Disabilities Primer.
68:3 (January/February 2012): 315 :
But have you wine and music still,
litze, Ingo. Voice Research and Technology: An Appreciation of
the Bozeman and Miller Descriptions of Formant-Harmonic And statues and a bright-eyed love,
Relations in Singing. 68:5 (May/June 2012): 543-544.
And foolish thoughts of good and ill,
litze, Ingo. Voice Research and Technology: The Economy of
And prayers to them who sit above?
Choir Size. 68:2 (November/December 2011): 175-176
litze, Ingo. Voice Research and Technology: Have Workplace
and Beautiful Teeth Changed Female Voice Characteristics? How shall we conquer? Like a wind
68:3 (January/February 2012): 299-300. That falls at eve our fancies blow,
itze, Ingo. Voice Research and Technology: Introducing a
And old Maeonides the blind
Music Notation Scheme for Pitch-Vowel Interaction. 68:1
(September/October 2011): 49-50. Said it three thousand years ago.
litze, Ingo. Voice Research and Technology: Roaring Lions and
Crying Babies. 68:4 (March/April 2012): 427-428. O friend unseen, unborn, unknown,
Wicklund, Karen. The Future of Singing Voice Rehabilitation
Student of our sweet English tongue,
as a Profession: A Suggested Curriculum of Study for the
Training of Singing Voice Specialists. 68:4 (March/April Read out my words at night, alone:
2012): 411-414.
I was a poet, I was young.
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Studio: Musical Performance Anxiety: Adapting Multipie
Since I can never see your face,
Cognitive Behavior Therapy Techniques to the Voice Studio,
Part 3. 68:1 (September/October 2011): 67-73. And never shake you by the hand,
Zakresky, Kevin. Opera from the Playground: Benjamin Britten’s
I send my soul through time and space
Roles for Children’s Voices. 68:5 (May/June 2012): 511-519.
Zhang, Wen. Peking Opera—Bel Canto in Chinese. 68:2 To greet you. You will understand.
(November/December 2011): 135-139.
Ziegler, Aaron, and Michael Johns, with Laura Jane Miller, “To a Poet a Thousand Years Hence,”
Teresa Hopkin, and Marina Gilman. Care of the Professional James Elroy Flecker
Voice: Health Promotion and Injury Prevention Education for
Student Singers. 68:5 (May/June 2012): 531-541.
May/June 2012

Journal of Singing Subject Index to Volume 68
Association Business Nosworthy, Hedley T. G. Singingg:: The Truth B
Sataloff, Robert T. ( are of the Professional Voice: Peer Review in (January/February 2012): 349-350.
Publications. 68:1 (September/October 2011): 45-4 Paxton, Adele. Solo Song Se ings of the Poetry «
Simonson, Donald. From the President: Ad finem. 68:5 (May Mare. A Bibliography. 68:4 (( March April 20
Phillips, Gerald L. Dead Composers, Living
June 2012): 489-49]
Simonson, Donald. From the President: Arts : Sports. 68:3 (January Situation of Classical Music in the Twenty-First
September/October 2011): 102-103.
February 2012): 249-250.
Simonson, Donald. From the President: Collaborations, Radionoff, Sharon. Where Does My Voice Come From? 68:5
Competitions, and Conferences. 68:1 (September/Octobe1 June 2012): 597
Simpson, Eugene Thamon. Hall Johnson: His Lif
2011): 1-2.
Simonson, Donald. From the President: Orlando and NATS. 68:4 His Music. 68:5 (May/June 2012): 595
(March/April 2012): 369-370.
Simonson, Donald. From the President: Partnership. 68:2 Careers
(November/December 2011): 121-122. Gates, Rachel. Bridging the Gap: An On-Campus Initiative for
Sjoerdsma, Richard Dale. Editor’s Commentary: Auf (m)einer
Professional Voice Users and Speech-Language Pathology
Wanderung. 68:1 (September/October 2011): 3-4.
Students. 68:3 (January/February 2
Sjoerdsma, Richard Dale. Editor’s Commentary: Birdsong. 68:2
Sjoerdsma, Richard Dale. Letters to th September
(November/December
ctober 2011): 5.
Sjoerdsma, Richard Dale. Editor's Commentary: Teaching’s the
Thing: Th e Teacher Profile. 68:3 (January/February 2012):
CD/DVD Reviews
Sjoerdsma, Richard Dale. Editor’s Comme : What I Do, I Anna Netrebko: Lifea tt he Metropolitan Opera. Anna Netrebko,
Think. 68:5 (May/June 2012): 493-494 soprano: Ekaterina Seennntinal mezzo soprano; Juan Diego
Sjoerdsma, Richard Dale. Editor’s Commentary: Your Voice Florez, Joseph Calleja, Piotr Beczala, Roberta Alagna, tenors
Counts. 68:4 (March/April 2012): 371-372 Dimitri Hvorostovksy, Marisuz Kviecien, Gerald Finley,
baritones; Simone Alaimo, Eric Halfvarson, Ildar razakov
Book Reviews basses; James Levine, Patrick Summers, Valery Gergiev
Sylvain Chamberling, Maurizio Benini, Asher Fisch, Placido
Bempéchat, Paul-André. Jean Cras, Polymath of Music and
Domingo, Marco Armiliato, conductors; Metropolitan Opera
Letters. 68:1 ( casein October 2011): 101-102
Orchestra and Chorus. 68:4 (March/April 2012): 485-486
Brunelle, Lorna J. Dirty Bomb Shell. From Thyroid Cancer Back
Chester Biscardi: Sailors & Dreamers. William Ferguson, tenor;
to Fabulous. 68:3 (January/February 2012): 348.
Sequitur: Tara Helen O’Connor, flute; Ann Sternberg, clari
Foster, Beryl. Literally Grieg. 68:4 (March/April 2012): 471.
net; Matthew Gold, percussion; Sara Laimon, piano; Miranda
Grases, Cristian. [PAlphabet. 68:3 (January/February 2012)
Cuckson, Sarah Crocker, violin; Daniel Panner, viol
347-348. Hesselink, cello; Pawel Knapik, contrabass; Paul I
Harrison, Scott D., ed. Perspectives on Teaching Singing: Australian “a
conductor. 68:5 (May/June 2012): 611-61
Vocal Pedagogues Sing Their Stories. 68:2 (November
Classic Archive 28: Great Opera Singers. Gundula Janowitz
December 2011): 229. Rita Streich, Elisabeth Grimmer, sopranos; Isabel Strauss,
Haslam, Diane. The Heart of Singing. 68:5 (May/June 2012): 595
mezzo soprano; Wolfgang Windgassen, tenor; Tito Gobbi,
Jaffe, Kenneth. Solo Vocal Works on Jewish Themes. A Bibliography Ernest Blanc, baritones; Boris Christoff, Gottlob Frick,
of Jewish Composers. 68:3 (January/February 2012): 348-349. basses. Orchestre National de | ORTF; London Symphony
Johnston, Amanda. English and German Diction for Singers: A Orchestra. Peter Maag, Alain Lombard, Hans Wallat, Charles
Comparative / Approach. 68:2 (November/December 2011): Mackerras, Eric Robinson, Georges Sebastian, conductors
227-228. 68:2 (November/December 2011): 243-244.
Laing, Michael, and Leon Major. The Empty Voice: Acting Opera. e Fifty Best Blogs for Opera Students. 68:5 (May/June 20
68:3 (January/February 2012): 347 607-611.
Lister, Linda. Yoga for Singers: Freeing Your Voice Through Yoga. Gustav Mahler: Das Lied von der Erde (Arnold Schonberg-Reiner
68:4 (March/April 2012): 473. Riehn Chamber Orchestra Transcription). TimothyW. Sparks,
Major, Leon, with Michael Laing. The Empty Voice: Acting Opera. tenor; Ellen Williams, mezzo soprano; Duraleigh Chamber
68:3 (January/February 2012): 347. Players, Scott Tilley, conductor. 68:3 (January/February
Naden, Corinne J. The Golden Age of American Musical Theatre. ap Sone
68:2 (November/December 2011): 228. How Sweet the Sound: A Charm of Spirituals. Darryl Taylor,
Necula, Maria-Cristina. Life in Opera. 68:4 (March/April 2012): countertenor; Brent McMunn, piano. 68:1 (September
471-472. October 2011): -113.
May/June 2012
| journal of Singing Subject Index ttoo7 ‘olume 68
In Eleanor’s Words: Music of Stacy Garrop. Buffy Baggott, mezzo Mercier, Richard. The Lullabieosf M ax Reger. 68:4 (March/April
soprano; Kuang-Hao Huang, piano; Lincoln Trio; Biava 2012): 373-386.
Quartet. 68:3 (January/February 2012): 360-362 Riley, Jessica. A Fresh Look at the Songs of Virgil Thomson. 68:4
(March/April 2012): 389-398.
loan Hole nde ! [ are Yu ell ( ONCE rt: { Be Ne fit Gala with Opera W orld
many artists] 68:1 (September/October 2011): 113-115. Roland-Silverstein, Kathleen. The Song File: Romancing
’nnibus. Saramae Endich, Adele Addison, the Romanser: Exploring the Art Song of Sweden. 68:2
Lewis, Marcella Pobbe, Laurel Hurley, (November/December 2011): 211-217.
mezzo soprano; Carlo Bergonzi, Schubert, David. Roads Less Traveled: Rediscovering the Baritone
ll Oberlin, David Lloyd, tenors; Frank Song Sets of Gerald Finzi. 68:4 (March/April 2012): 399-410
im Warfield, Kenneth Smith, Strempel, Eileen. Crafting Love Songs from Sonnets: Judith
asses; Leonard Bernstein, host and conductor; Cloud’s Settingso f Pablo Neruda. 68:2 (November/December
mphony of the Air. 68:3 (January February 2012): 362-366 2011): 127-13
ng Escape a eer loud. Eileen
Strempel, Deborah Raym ypranos; Judith Cloud, mezzo Language and Diction
soprano; Ricardo Pereira, tenor; Tod Fitzpatrick, baritone; De’ Ath, Leslie. Languagaend Diction: Linguistic Lingo and Lyric
Robert Mills, Rita Borden, piano; Jeremy Reynolds, clarinet Diction I1]—Pronunciation Contrasts. 68:2 (November
November/December 2011 December 2011): 179-190.
Hersey, Anna. Language and Diction: An Introduction to Swedish
ela Niederlo—h , mezzo soprano; Diction. 68:3 (January/February 2012
t|h west B> oychoir; Music of Montgomery, Cheri. Language and Diction: The Dynamic Diction
4 (March/April 2012): Classroom. 68:1 (September/October 2011): 53-60.
Néron, Martin. Language and Diction: To Ba or Not to Ba: Notes
\MA aarr ga. rert t KRuaslthhnail v en , LJ anrHgiNteO on the Muted E, Part 1. 68:4 (March/April 2012): 431-441.
Lucy Mauro, piano. 68:1 1 Néron, Martin, Language and Diction: To Ba or Not to Ba: Notes
on the Muted E, Part 2. 68:5 (May/June 2012): 547-560.
avenaugh,
a, Jason Danieley Miscellaneous
n, Nathan Gunn, George Adrian, Stephanie. The Impact of Pregnancy on the Singing
Mazzie, Audra McDonald Voice: A Case Study. 68:3 (January/February 2012): 265-271.
, Karen Olivo, Laura Osnes Hargrove, Guy. My Year With Pierre Bernac. 68:3 (January/
ters, Dav id I lyde Pierce, Boddy February 2012): 279-285.
Walton, Chip Zien, vocalists; Holmes, Leslie. The Vocal Point: A Conversation with Lloyd
il Gemignani, conductor. 68: > Schwartz, Part 1. 68:5 (May/June 2012): 589-594.
Sataloff, Robert T. Care of the Professional Voice: Peer Review in
1"rtonenaey awairlt tle Publications. 68:1 (September/October 2011): 45-47
,
refield, baritone; Sjoerdsma, Richard Dale. Editor’s Commentary: Auf (m)einer
1 1L9a 183 185 Wanderung. 68:1 (September/October 2011): 3-4.
Sjoerdsma, Richard Dale. Editor’s Commentary: Birdsong. 68:2
(November/December 2011): 123-124
Works for Zhang, Wen. Peking Opera—Bel Canto in Chinese. 68:2
nber/October (November/December 2011): 135-139.
Music Criticism
[Twentieth Century Works for
Soprano and AMA ar iml ) November/December Edwin, Robert. Popular Song and Music Theater: The Star-
2011): 149-155 Spangled Banner—A Tutorial. 68:1 (September/October
Kay, Jennifer. Howard Boatw righ t: An Explorationo f His Songs for 2011): 63-65.
Voice and Piano. 68:2 | November December ) 2011): 141-148 Holmes, Leslie. The Vocal Point: A Conversation with Lloyd
Kimball, Carol. The Song File: Art Songs Oubliées. 68:1 (September Schwartz, Part 1. 68:5 (May/June 2012 ): 589-594,
October 2011): 87-91. Price, Kathy Kessler. Emma Seiler: A Seneing Woman in the
Kimball, Carol. The Song File Songs Oubliées, Part 2 Art and Science of Teaching Voice. 68:1 (September/October
January/February 2012 2011): 9-22.
Kimball, Carol. The Song File: Art Songs Oubliées, Part Snider, Jeffrey. Provenance: In Search of the Soprano Sfogato.
(May/June 2012): 583-587 68:3 (January/February 2012): 329-334.
618 Journal of Singing
Journal of Singing Subject Index to \ rolume 6
litze, Ingo. Voice Research and Technology: Introducing a Start, Elizabeth. 7} tree Sign Songs. 68:3 (January/February 2012)
Music Notation Scheme for Pitch-Vowel Interaction. 68:1 3_5 2
(September/October 2011): 49-50 Strauss, Richard. “Aus der Kindheit.” 68:4 (March/April 2012
479.
Music Reviews Strine, Helen, and Elizabeth Hart. Anthology for Beginning
15 Art Songs by American Composers Suitable for Student Singers. American Singers. A Collection of Songs, with Histori
68:4 (March/April 2012): 478 Commentary, from the Second New ind Italian
15 Art Songsb y British: Composers Suitable for Student Singers Schools. 68:2 (November/December 2011
68:4 (March/April 2012): 478 9. TT he Student Singers. 2+ 5 Songs in English for Cla
Becker, John. W. A Charm of Lullabies. 68:4 (March/April 2012): March/April 2012): 479.
Szulc, Josepth. Dix Mélodies, Opus 83
475.
Verlaine. 68:3 (January/February 2012
Beethoven, Ludwig van. Sopran-Arie? Duett WoO 93 Terzett
f Wadsworth, Zachary. Pictures of the Fl
Op. 116. 68:4 (March/A pril 2012): 479
(November/December 2011): 234-236
Biscardi, ‘1 Chester. Sailors and Dreamers November
Walters, Richard, ed. Musical Theater for Classica
December 2011): 231-233.
(November/December 2011): 2,32 7
Bolcom, William. From the Diary of Sally Hemings. 68:5 (May
June 2012): 599-602.
Music Theater and CCM
Bolcom, William. Laura Sonnets. 68:1 (September/October
Edwin, Robert. Popular Song and Music Theater
2011): 105-107
Music Theater Singing. 68:3 (January/Fel
Bolcom, William. Minicabs, minicabaret songs. 68:1 (September
313-314
October 2011): 107-108.
dwin, Robert. Popular Songg and Music Theater: Pedagogic
Brahms, Johannes. Ziguenerlieder, Opus 103. 68:4 (March/April
Pears: Exploring Vocal Resonance. 68:2 November/December
2012): 479.
2011): 193-194
Cipullo, Tom. America 1968. 68:4 (March/April 2012): 4
wri 2 srt Ponula 1 Music Theater: Rener > fo]
dawin, Robert. Popular Song ana Music Theater: Repertoire fo
Danielpour, Richard. Four Baritone Arias from Margaret Garner
Child Singers. 68:4 (March/April 2012): 443
68:3 (January/February 2012): 352-354.
Danielpour, Richard. Three Mezzo-Soprano Arias from Margaret
Opera
Garner. 68:3 (January/February 2012): 354-355
Holmes, Leslie. The Vocal Point: A Conversation
Foster, Walter. Five Songs. 68:2 (November/December
Relyea, Part 1. 68:1 (September/October 2011): 93
33-234.
Holmes, Leslie. The Vocal Point: A Conversation \
Ginther, Kathleen. “Epousaille.” 68:3 (January/February
Relyea, Part 2. 68:2 (November/December 2011): 21 ion f
351.
Holmes, Leslie. The Vocal Point \ Conversation with Noel
Hart, Elizabeth, and Helen Strine. Antholo
Espiritu Velasco, Part 1. 68:3 (January/February 2012
American Singers. A Collection of Songs, with Historical Com
341-345.
mentary, from the Second New England and Italian Schools
Holmes, Leslie. The Vocal Point: A Conversation with Noel
68:2 (November/December 2011): 236-237
Espiritu Velasco, Part 2. 68:4 (March/April 2012): 465-469
Laitman, Lori. “Dreaming.” 68:1 (September/October 2011): 109.
Seesholtz, John Clayton. The Origin of the Verdi Baritone. 68:5
Laitman, Lori. One or Two Things. 68:1 (September/October
(May/June 2012): 521
2011): 108-109. Snider, Jeffrey. Provenance: In Search of the Soprano Sfogato.
Laitman, Lori. The Perfected Life. 68:4 (March/April 20
68:3 (January/February 2012): 329-334.
477-478. Zakresky, Kevin. Opera from the Playground: Benjamin Brittet
Laitman, Lori. “This Space Available.” 68:1 (September/October Roles for Children’s Voices. 68:5 (May/June 2012
2011): 108. Zhang, Wen. Peking Opera—Bel Canto in Chinese.
Lombardo, Robert. “Duo Amoroso.” 68:3 (January/February November/December 2011): 135-139
2012): 351-352.
Previn, André. Sallie Chisum Remembers Billy the Kid. 68:5 (May Pedagogy
June 2012): 602 Austin, Stephen. Provenance: A Footnote to History. 68:2
Schumann, Rob ert. Liederkreis, Opus 39. 68:4 (March/April (November/December 2011): 207-209.
2012): 479. Austin, Stephen. Provenance: Bobble-Heads. 68:4 (March/April
Smith, Alan Louis. Vignettes: Covered Wagon Woman: From the 2012): 457-450.
Daily Journal of Margaret Ann Alsip Frink. 68:5 (May/June Austin, Stephen. Provenance: Canaries in the Coal Mine: The
2012): 602-605. Pure Vowel. 68:1 (September/October 2011): 83-85.
619
May/June 2012
| Journal of Singing Subject Index to Volume 68
Austin, Stephen. Provenance: A Footnote to History. 68:2 McCoy, Scott. Voice Pedagogy: Moving On. 68:1 (September/
(November/December 2011): 207-209 October 2011): 41-43.
Bozeman, Kenneth. Voice Pedagogy: New Technology for McCoy, Scott. Voice Pedagogy: Some Thought on Singing and
leaching Voice Science and Pedagogy: The Madde Synthesizer Science. 68:5 (May/June 2012): 527-530.
(Svante Granqvist). 68:4 (March/April 2012): 415-418. McLester, John R., and Adam Kirkpatrick. Teaching Lower
Buescher, Randy, and Steven Sims. The Female Pharyngeal Voice Laryngeal Position with EMG Biofeedback. 68:3 (January/
and Theories of Low Vocal Fold Damping. 68:1 (September February 2012): 253-260.
October 2011): 23-28. Montgomery, Cheri. Language and Diction: The Dynamic Diction
Cosby, Laurie Lee. The Private Studio: Master Classes for the Classroom. 68:1 (September/October 2011): 53-60.
High School Private Studio. 68:2 (November/December Pomfret, Bonnie. The Private Studio: How Young is Too Young?
Teaching the Unchanged Voice. 68:4 (March/April 2012):
2011)
DeBoer, Katharine. Smart Strategies for Small Departments: Class 445-449.
Voice for Freshman Voice Majors. 68:3 (January/February Price, Kathy Kessler. Emma Seiler: A Pioneering Woman in the
2012): 2733- 277. . Art and Science of Teaching Voice. 68:1 (September/October
Edwin, Robert. Popular Song and Music Theater: Pedagogic 2011): 9-22.
Pears: Exploring Vocal Resonance. 68:2 (November/December Sims, Steven, and Randy Buescher. The Female Pharyngeal Voice
2011): 193-194 and Theories of Low Vocal Fold Damping. 68:1 (September/
Edwin, Robert. Popular Song and Music Theater: Adjudicating October 2011): 23-28.
Music Theater Singing. 68:3 (January/February 2012): Sjoerdsma, Richard Dale. Letters to the Editor. 68:1 (September/
>3 13~ 251144A‘ t October 2011): 5.
Edwin, Robert. Popular Song and Music Theater: Repertoire for Swanson, Carl. The Private Studio. Drains and Gains. 68:5 (May/
Child Singers. 68:4 (March/April 2012): 443-444. June 2012): 565-585.
Edwin, Robert. Popular Song and Music Theater: The Star Swanson, Carl. The Private Studio: Learning Disabilities Primer.
Spangled Banner—A Tutorial. 68:1 (September/October 68:3 (January/February 2012): 315-319.
litze, Ingo. Voice Research and Technology: An Appreciation of
Edwin, Robert. Popular Song and Music Theater: Voice Pedagogy the Bozeman and Miller Descriptions of Formant-Harmonic
for Aging Singers (Including the Author). 68:5 (May/June Relations in Singing. 68:5 (May/June 2012): 543-544.
2900112)7:) 561-563. Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Gates, Rachel. Bridging the Gap: An On-Campus Initiative for Studio: Musical Performance Anxiety: Adapting Multiple
Professional Voice Users and Speech-Language Pathology Cognitive Behavior Therapy Techniques to the Voice Studio,
Students. 68:3 (January/February 2012): 261-264. Part 3. 68:1 (September/October 2011): 67-73.
Helding, Lynn. Mindful Voice: Choosing Attention. 68:3
January/February 2012 >\s.e 2S9Z11 -5 +7 Performance Practice
Helding, Lynn. Mindful Voice: Digital Natives and Digital
Hagness, Jane Kristen. Selected Twentieth-Century Works for
Immigrants: Teaching and Learning in the Digital Age. 68:2
Soprano and Marimba, Part 1. 68:1 (September/October
November/December 2011): 199-206.
2011): 29-37.
Helding, Lynn. Mindful Voice: The Multitasking Monster. 68:4
Hagness, Jane Kristen. Selected Twentieth Century Works for
(March/April 2012): 451-455
Soprano and Marimba, Part 2. 68:2 (November/December
Helding, Lynn. Mindful Voice: Swarm Logic and the Science
2011): 149-155.
of Social Networks. 68:1 (September/October 2011): 75-81.
Néron, Martin. Language and Diction: To Ba or Not to Ba: Notes
Helding, Lynn. Mindful Voice: Tiger Teaching. 68:5 (May/June
on the Muted E, Part 1. 68:4 (March/April 2012): 431-441.
2012): 569-577
Néron, Martin, Language and Diction: To Ba or Not to Ba: Notes
Hunnicutt, Heather Winter, and A. Scott Winter. The Private
on the Muted E, Part 2. 68:5 (May/June 2012): 547-560.
Studio: Musical Performance Anxiety: Adapting Multiple
Cognitive Behavior Therapy Techniques to the Voice Studio,
Performers
Part 3. 68:1 (September/October 2011): 67-73.
Kirkpatrick, Adam, and John R. McLester. Teaching Lower Holmes, Leslie. The Vocal Point: A Conversation with John
Laryngeal Position with EMG Biofeedback. 68:3 (January Relyea, Part 1. 68:1 (September/October 2011): 93-99.
February 2012): 253-260. Holmes, Leslie. The Vocal Point: A Conversation with John
LeFevre, Carla. Voice Pedagogy: Tongue Management. 68:2 Relyea, Part 2. 68:2 (November/December 2011): 219-224.
(November/December 2011): 157-162. Holmes, Leslie. The Vocal Point: A Conversation with Noel
McCoy, Scott. Voice Pedagogy: The Choir Issue, Part Two. 68:3 Espiritu Velasco, Part 1. 68:3 (January/February 2012):
(January/February 2012): 287-289. 341-345.
620 Journal of Singing
Journal of Singing Subject Index to Volume 68 |
Holmes, Leslie. The Vocal Point: A Conversation with Noel Wicklund, Karen. The Future of Singing Voice Rehabilitation
Espiritu Velasco, Part 2. 68:4 (March/April 2012): 465-469. as a Profession: A Suggested Curriculum of Study for the
raining of Singing Voice Specialists. 68:4 (March/April
Research 2012): 411-414.
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Buescher, Randy, and Steven Sims. The Female Pharyngeal Voice
Studio: Musical Performance Anxiety: Adapting Multiple
and Theories of Low Vocal Fold Damping. 68:1 (September
Cognitive Behavior Therapy Tecniques to the Voice Studio,
October 2011): 23-28.
Part 3>. 68:1 (September/October 2011): 67 —
Helding, Lynn. Mindful Voice: Choosing Attention. 68:3
(January/February 2012): 321-327
Song Literature
Helding, Lynn. Mindful Voice: Digital Natives and Digital
Hagness, Jane Kristen. Selected Twentieth Century Works for
Immigrants: Teaching and Learning in the Digital Age. 68:2
(November/December 2011): 199-206. Soprano and Marimba, Part 1. 68:1 (September/October
Helding, Lynn. Mindful Voice: The Multitasking Monster. 68:4 2011): 29-37
Hagness, Jane Kristen. Selected Twentieth Century Works for
(March/April 2012): 451-455.
Soprano and Marimba, Part 2. 68:2 (November/December
Helding, Lynn. Mindful Voice: Swarm Logic and the Science
2011): 149-155.
of Social Networks. 68:1 (September/October 2011): 75-81.
Kay, Jennifer. Howard Boatwright: An Exploration of His Songs
Helding, Lynn. Mindful Voice: Tiger Teaching. 68:5 (May/June
for Voice and Piano. 68:2 (November/December 2011
2012): 569-577
141-148.
Hunnicutt, Heather Winter, and A. Scott Winter. The Private
Kimball, Carol. The Song Art Songs Oubliées. 68
Studio: Musica! Performance Anxiety: Adapting Multiple
(September/October 2011): 87-91
Cognitive Behavior Therapy Tecniques to the Voice Studio,
Kimball, Carol. The Song File: Art Songs Oubliées, Part 2
Part 3. 68:1 (September/October 2011): 67-73.
January/February 2012): 335-339
Kirkpatrick, Adam, and John R. McLester. Teaching Lower Kimball, Carol. The Song File: Art Songs Oubliées, Part
Laryngeal Position with EMG Biofeedback. 68:3 (January (May/June 2012): 583-587.
February 2012): 253-260. Kimball, Carol. The Song File: Setting Emily. 68:4 (March
Mathews-Muttwill, Amy, and John Nix. Does Real-Time Visual 2012): 461-464.
Feedback Enhance Perceived Aspects of Choral Performance? Mercier, Richard. The Lullabies of Max Reger. 68:4 (March
68:5 (May/June 2012): 495-509. 2012): 373-386
McLester, John R., and Adam Kirkpatrick. Teaching Lower Xiley, Jessica. A Fresh Look at the Songs of Virgil Thomson. 68:4
Laryngeal Position with EMG Biofeedback. 68:3 (January (March/April 2012): 389-398
February 2012): 253-260. Roland-Silverstein, Kathleen. The Song File: Romancing
*S
Nix, John, and Amy Mathews-Muttwill. Does Real-Time Visual the Romanser: Exploring the Art Son g of Sweden. 68:
Feedback Enhance Perceived Aspects of Choral Performance? (November/December 2011): 211-217
68:5 (May/June 2012): 495-509. Schubert, David. Roads Less Traveled: Rediscovering the Baritone
Sims, Steven, and Randy Buescher. The Female Pharyngeal Voice Song Sets of Gerald Finzi. 68:4 (March/April 2012): 399-410
and Theories of Low Vocal Fold Damping. 68:1 (September Strempel, Eileen. Crafting Love Songs from Sonnets: Judith
October 2011): 23-28. Cloud’s Settings of Pablo Neruda. 68:2 (November/December
Snider, Jeffrey. Provenance: In Search of the Soprano Sfogato 2011): 127
68:3 (January/February 2012): 329-334
Technology
Titze, Ingo. Voice Research and Technology: An Appreciation of
the Bozeman and Miller Descriptions of Formant-Harmonic Bozeman, Kenneth. Voice Pedagogy: New Technology for
Relations in Singing. 68:5 (May/June 2012)+ : 543-544 leaching Voice Science and Pedagogy: The Madde Synthesizer
litze, Ingo. Voice Research and Technology: The Economy of (Svante Granqvist). 68:4 (March/April 2012): 415-418.
Choir Size. 68:2 (November/December 2011): 175-176.
litze, Ingo. Voice Research and Technology: Have Workplace Voice Care
and Beautiful Teeth Changed Female Voice Characteristics? Adrian, Stephanie. The Impact of Pregnancy on the Singing
68:3 (January/February 2012): 299-300. Voice: A Case Study. 68:3 (January/February 2012): 265-271.
Titze, Ingo. Voice Research and Technology: Introducing a Edman, Joel S., Lauren B. Kondrad, and Birgit Rakel. Care of
Music Notation Scheme for Pitch-Vowel Interaction. 68:1 the Professional Voice: The Use of Nutrition and Integrative
(September/October 2011): 49-50. Medicine or Complementary and Alternative Medicine
Titze, Ingo. Voice Research and Technology: Roaring Lions and (CAM) for Singers, Part 1. 68:2 (November/December 2011):
Crying Babies. 68:4 (March/April 2012): 427-428. 165-173.
May/June 2012
| Journal of Singing Subject Index to Volume 68
Edman, Joel S., Lauren B. Kondrad, and Birgit Rakel. Care of
fe)
the Professional Voice: The Use of Nutrition and Integrative
Medicine or Complementary and Alternative Medicine Life has loveliness to sell,
CAM) for Singers, Part 2. 68:23 (January/February 2012):
291-297 All beautiful
Goding, George S., and Deirdre D. Mi;c hael. Care of the and splendid things,
Professional Voice pelling Vocal Myths. Part 3: “Sing Over
‘ Your Coi] d 1 68:4 (March/April 2012): 419-425 Blue waves
Johns, Michael, and Aaron Ziegler, with Laura Jane Miller, : a
ee whitened on a cliff,
leresa Hopkin, and Marina Gilman. Care of the Professional
vice: Health Promotion and Injury Prevention Education Soaring fire that sways and sings,
for Student Singers. 68:5 (May/June 2012): 531-541. c 4 ec
Kondrad, Lauren I3 ., Birgit Rakel, and Joel S$. Edman. Care of And children’s faces looking up,
f ie Dr. oy i | Voice<: agTahlei eUssse of Nutrition and Inte—gra tive Holdi,n g wonder l‘i ke a cup.
Medicine or Complementary and Alternative Medicine <,
CAM) for Singers, Part 1. 68:2 (November/December 2011):
ee Life has loveliness to sell,
i, Ail . lic i t Cc
The Use of Nutrition and Integrative MMuuss ic like the curve of ggo ld E
and Alternative Medicine
3 (January/February 2012): Scent of pine trees
ia 7 , ’ shes ; in the rain,
lichael, Deirde D., and George S. Goding. Care of the Professional
Dispelling Vocal Myths. Part 3 Sing Over Your Cold!’ Eves that love you, arms that hold.
pril 2012): 419
and Lauren B. Kondrad. Care of And fot your spirits still delight,
Tak[ he VenUse aof kN uDtigrtieteiioonn aanleds ISnetaenggrraetni ve Holy thoughts that star the ni. ght.
Complementary and Alternative Medicine
68:2 (November/December 2011):
' Spend all you have for loveliness,
dman, and Lauren B. Kondrad. Care of F /
Voice: The Use of Nutrition and Integrative Buy it and never count the cost:
Medicine or Complementary and Alternative Medicine
art 2.: 68:3 (January/February 2012): For one white singing hour of peace
en And for a breath of ecstasy
The Future of Singing Voice Rehabilitation ‘
\ Suggested Curriculum of Study for the Give all you have been, or could be.
h/April
, and Michael Johns, with Laura Jane Miller, Barter,
leresa Hopkin, and Marina Gilman. Care of the Professional Sara Teasdale
-alth Promotion and Injury Prevention Education
May/June 2012): 531-541.
Journal of Singing