Journal of Singing 2010 - 2011: Vol 67 Index

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Journal of Singing Subject Index to Volume 67
Association Business Néron, Martin. Francis Poulenc: Selected Song Texts. 67:1 (September/
Sataloff, Robert T. Care oft he Professional Voice: Singing Teachers October 2010): 101.
and World Voice Day. 67:4 (March/April 2011): 423-424. Olson, Margaret. The Solo Singer in the Choral Setting: A Handbook
Simonson, Donald. From the President: Ab initio (September/ for Achieving Vocal Health. 67:5 (May/June 2011): 627-628.
October 2010): 1-2. Rundus, Katharin. Cantabile. A Manual about Beautiful Singing
Simonson, Donald. From the President: Colleagues, Community, for Singers, Teachers of Singing and Choral Conductors. 67:3
and Lessons. 67:2 (November/December 2010): 121-122. (January/February 2011): 366-367.
Simonson, Donald. From the President: Happy New Year! Titze, Ingo R. Fascinations with the Human Voice. 67:3 (January
February 2011): 367-368.
Resolutions and Projections. 67:3 (January/February 2011):
Wanat, Kim Mattice. Unleashing the Expressive Resonant Voice.
249-250.
67:4 (March/April 2011): 477-478.
Simonson, Donald. From the President: Plastics, People, and
Wicklund, Karen. Singing Voice Rehabilitation. A Guide for the
Investments. 67:5 (May/June 2011): 497-498.
Voice Teacher and Speech-Language Pathologist. 67:2 (November
Simonson, Donald. From the President: Spring—Renewal and
December 2010): 232-233.
Rebirth. 67:4 (March/April 2011): 381-382.
Zeller, Kurt-Alexander, Melissa Malde, and MaryJean Allen. What
Sjoerdsma, Richard Dale. Editor's Commentary: Ebb and Flow.
Every Singer Needs to Know About the Body. 67:1 (September
67:1 (September/October 2010): 3-4.
October 2010): 101-103.
Sjoerdsma, Richard Dale. Editors Commentary: World Voice Day
2011. 67:4 (March/April 2011): 383-384.
Careers
Sjoerdsma, Richard Dale. Letters to the Editor. 67:2 (November/
Paulnack, Karl. Guest Editorial. 67:1 (September/October 2010):
December 2010): 127-129.
5-8.
Titze, Ingo. Voice Research and Technology: Reflections on the Salt
Swanson, Carl. The Private Studio: Your First Studio. 67:2
Lake Meeting. 67:2 (November/December 2010): 185-186.
(November/December 2010): 201-205.
Book Reviews
CD/DVD Reviews
Allen, MaryJean, Kurt-Alexander Zeller, and Melissa Malde. What
American Vistas. Mimmi Fulmer, soprano; Leone Buyse, flute;
Every Singer Needs to Know About the Body. 67:1 (September/
Michael Webster, clarinet; Martin Amlin, Scott Gendel, piano.
October 2010): 101-103.
67:2 (November/December 2010): 244-245.
Baldy, Colin. The Student Voice. An Introduction to Developing
The Audition. Susan Froemke, director. 67:1 (September/October
the Singing Voice. 67:5 (May/June 2011): 628-629.
2010): 113-115.
Bassini, Carlo (introduction by Stephen Austin). Art of Singing.
Bel-Canto—Can Belto: Teaching Women to Sing Musical Theatre—
An Analytical, Physiological and Practical System. 67:4
Mary Saunders on Belting and the Mixed Middle Voice. 67:3
(March/April 2011): 478-479. (January/February 2011): 373-375.
Cheek, Timothy. The Bartered Bride—Prodana nevésta—
Classical Legends in Their Own Words. Mirella Freni, Angela
Performance Guide with Translations and Pronunciation. 67:4
Gheorghiu, Grace Bumbry, sopranos; Jon Vickers, Nicolai
(March/April 2011): 478. Gedda, Roberta Alagna, Giuseppe di Stefano, tenors; Dietrich
Chipman, Betty Jeanne, with Joseph Hoffman and Sarah Thomas. Fischer-Dieskau, baritone; Ruggero Raimondi, Sir John
Singing with Mind, Body, and Soul. A Practical Guide for Singers fomlinson, basses; Evgeny Kissin, piano; Mstislav Rostropovich,
and Teachers ofS inging. 67:5 (May/June 2011): 629-630. cello; Antonio Pappano, conductor; John Tolansky, narrator.
Hoover, Maya, ed. A Guide to the Latin American Art Song 67:4 (March/April 2011): 487-489.
Repertoire: An Annotated Catalog of Twentieth-Century Art The English Song Series 15: Gerald Finzi. Roderick Williams, bari
Songs for Voice and Piano. 67:2 (November/December 2010): tone; Iain Burnside, piano; Sacconi String Quartet. 67:5
231-232. (May/June 2011): 637-639.
Jampol, Moshua. Living Opera. 67:2 (November/December 2010): Great Operatic Arias: Christine Brewer 2. Christine Brewer, so
231. prano; London Philharmonic Orchestra, David Parry, conduc
Malde, Melissa, MaryJean Allen, and Kurt-Alexander Zeller. What tor. 67:2 (November/December 2010): 241-242.
Every Singer Needs to Know About the Body. 67:1 (September/ (In) Habitation: Musical Settings of Margaret Atwood Poetry by
October 2010): 101-103. American Women Composers. Eileen Strempel, soprano; Sylvie
Mancusi, Roberto. Voicefo rN onmajors. 67:1 (September/October Beaudette, piano. 67:3 (January/February 2011): 375-377.
2010): 103. Portraits: Songs for Soprano, Baritone, and Piano. Lynn Eustis, so-
Mathis, Donald R. Melodic Sculpturing: The Art and Science of prano; Robert Best, baritone; Elvia Puccinelli, piano. 67:4
Singing. 67:3 (January/February 2011): 365-366. (March/April 2011): 489-490.
MAY/JUNE 2011 647
| Journal of Singing Subject Index to Volume 67
Rufus Wainwright—The Story of an Opera. 67:5 (May/June 2011): DeAth, Leslie. Language and Diction: Linguistic Lingo and Lyric
640-642. Diction II—Syllabification. 67:4 (March/April 2011): 427-435.
Saudade: A Portuguese Songbook. Amanda Cole, mezzo soprano; DeAth, Leslie. Language and Diction: Toward a Transcription
Sandra Crawshaw, piano. 67:2 (November/December 2010): Standard for Lyric French. 67:5 (May/June 2011): 573-588.
242-244. Kahara, Tellervo. Language and Diction: Finnish Lyric Diction.
Songs of Forgotten Women. Julie Cross, mezzo soprano; Susan 67:1 (September/October 2010): 53-59.
McDaniel, piano. 67:4 (March/April 2011): 490-492. Néron, Martin. Language and Diction: Coarticulation: Aspects
Take All My Loves... Sonnets by William Shakespeare. Musical and Effects on American English, German, and French Diction.
Settings by David Duvall. Michelle Blackmon, James Caddell, 67:3 (January/February 2011): 313-325.
Satcie Calkins, Laurie Clothier, Jason Collins, Khanh Doian,
David Duvall, Spencer Hamp, Cayman Ilika, Auston James, Miscellaneous
Eric Jensen, Terence Kelley, Jacinta Koreski, Bobbi Kotula, Paulnack, Karl. Guest Editorial. 67:1 (September/October 2010):
Leslie Law, Jayne Muirhead, Karen Oleson, Gerianne Perkins,
5-8.
Tanesha Ross, Casi Wilerson, vocalists; Nick Moore, David
Sjoerdsma, Richard Dale. Editors Commentary: Bonhoeffer and
Duvall, piano. 67:5 (May/June 2011): 639-640.
Music. 67:2 (November/December 2010): 123-135.
Tom Herman: Music for Voice. Rebecca Luker, soprano; Brian
Sjoerdsma, Richard Dale. Editors Commentary: Creativity and
Zeger, Joseph Thalken, Grant Wenaus, piano; Clay Ruede,
Imagination. 67:5 (May/June 2011): 499-500.
cello. 67:1 (September/October 2010): 115-116.
Sjoerdsma, Richard Dale. Editor's Commentary: Spirit, Art, Song.
67:3 (January/February 2011): 251-252.
Composers
Adams, Andrew. Voicing the Silent Language of the Soul: The Music Criticism
Life and Works of Clara Kathleen Rogers (1844-1931). 67:3
Adams, Andrew. Voicing the Silent Language of the Soul: The
(January/February 2011): 257-266.
Life and Works of Clara Kathleen Rogers (1844-1931). 67:3
Andrews, Joyce. Sally, Queen of Scots: The Rise of Scottish
(January/February 2011): 257-266.
Composer Sally Beamish. 67:5 (May/June 2011): 505-519.
Andrews, Joyce. Sally, Queen of Scots: The Rise of Scottish
Baker, Sonya G., and Eileen Strempel. Jubilee: An Overview of
Composer Sally Beamish. 67:5 (May/June 2011): 505-519.
the Song Literature of African American Women Composers.
Austin, Stephen. Provenance: “Auch kleine Dinge.” 67:4 (March/
67:3 (January/February 2011): 291-296.
April 2011): 459-461.
Brister, Wanda. The Song File: The Songs of Josef Zygmunt Szulc
Austin, Stephen. Provenance: Carlo Bassini’s The Art ofS inging,
(1875-1956). 67:3 (January/February 2011): 347-354.
Part 2. 67:1 (September/October 2010): 79-83.
loud, Judith. The Song File: In Search of the Perfect Words. 67:5
Austin, Stephen. Provenance: “On Time” with Manuel Garcia.
(May/June 2011): 611-615.
Draayer, Suzanne. Programming Ideas for Spanish Song Repertoire. 67:2 (November/December 2010): 213-216.
Lister, Rebecca Crow. A Hildegard “How-To”: Steps for the
67:5 (May/June 2011): 523-535.
Thoughtful Preparation of aC hant. 67:3 (January/February
Jesensky, Katherine LaPorta. The Life of Pauline Viardot: Her
Influence on the Music and Musicians of Nineteenth Century 2011): 277-289.
Europe. 67:3 (January/February 2011): 267-275.
Music Reviews
Low, Peter. La chanson d’Eve—Fauré and the Poet of Paradise.
67:2 (November/December 2010): 163-169. Bolcom, Wiilliam. Let Evening Come. 67:2 (November/December
Reimer, Jamie M. Revealing Robert Owens: A Study of 2010): 235-236.
Compositional Style and Performance Practice in the Song Boytim, Joan Frey, comp. Easy Classical Duets. 67:3 (January/
Cycle Heart on the Wall. 67:2 (November/December 2010): February 2011): 371.
153-161. Boytim, Joan Frey, comp. Traditional Sacred Duets. 67:3 (January/
Sandborg, Jeffrey. The Lost Legacy ofY rj6 Kilpinen, 1892-1959. February 2011): 371-372.
67:4 (March/April 2011): 387-395. Canadian Reflections |songs by Georgina Craig, Mary Gardiner,
Strempel, Eileen, and Sonya G. Baker. Jubilee: An Overview of Martha Hill Duncan, and Roberta Stephen]. 67:1 (September/
the Song Literature of African American Women Composers. October 2010): 110-111.
67:3 (January/February 2011): 291-296. Conde, David. Three Poems of Christina Rossettfio rM ezzo-Soprano
and Piano. 67:3 (January/February 2011): 369-370.
Language and Diction Dansiker, Michael, comp. and ed. The 16-Bar Pop/Rock Audition.
DeAth, Leslie. Language and Diction: Linguistic Lingo and Lyric 67:5 (May/June 2011): 635.
Diction I—The Phoneme. 67:2 (November/December 2010): Duke, John. Four Chinese Love Lyrics (soprano and piano). 67:4
187-193. (March/April 2011): 481-482.
648 JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 67
Duvall, David. Who Will Believe My Verse in Time to Come and Edwin, Robert. Popular Song and Music Theater: Are We the
Take All My Loves. 67:1 (September/October 2010): 109-110. National Association of Teachers of Classical Singing? (Revisiting
Ferko, Frank. Cyclamen (David Brendan Hopes), a “Ten-minute 1985). 67:5 (May/June 2011): 589-590.
Opera” for Baritone, Violin and Piano. 67:2 (November/ Edwin, Robert, with Paul Presto, Jr. Popular Song and Music
December 2010): 237-238. Theater: Cosmetic Surgery for the Voice: All's Fair in Love and
Ferko, Frank. Farewells from Paradise (Elizabeth Barrett Browning), Pitch. 67:3 (January/February 2011): 327-330.
a “Ten-minute Opera” for Lyric Soprano, Baritone, Violoncello Kenny, Dianne, Tracy Bourne, and Maéva Garnier. Popular Song
and Piano. 67:2 (November/December 2010): 238. and Music Theater: Music Theater Voice: Production,
Ferko, Frank. Merton Songs (baritone and piano) 67:4 (March/April Physiology, and Pedagogy. 67:4 (March/April 2011): 437-444.
2011): 482-483. Neto, Leon. Popular Song and Music Theater: Contemporary
Ferko, Frank. Ulysses and the Siren (Samuel Daniel), a “Ten-minute Christian Music and the “Praise and Worship” Style. 67:2
Opera” for Mezzo-Soprano, Tenor, Harp and Piano. 67:2 (November/December 2010): 195-200.
Presto, Jr., Paul, with Robert Edwin. Popular Song and Music
(November/December 2010): 238-240.
Grandval, Marie. Six poésies du Sully-Prudhomme. 67:1 Theater: Cosmetic Surgery for the Voice: All's Fair in Love and
(September/October 2010): 105-106. Pitch. 67:3 (January/February 2011): 327-330.
Story, Brad H., Albert S. Worley, and Ingo Titze. Voice Research
Herman, Tom. Four Poems of Edna St. Vincent Millay. 67:1
and Technology: Source-Vocal Tract Interaction in Female
(September/October 2010): 107.
Operatic Singing and Theater Belting. 67:5 (May/June 2011):
Herman, Tom. The Owl and the Pussy-Cat and Other Songs of
561-572.
Love. 67:1 (September/October 2010): 107-108.
Titze, Ingo, Albert S. Worley, and Brad H. Story. Voice Research
Herman, Tom. Sanctus. 67:1 (September/October 2010): 108.
and Technology: Source-Vocal Tract Interaction in Female
Kernis, Aaron Jay. Simple Songs (soprano and piano). 67:4 (March/
Operatic Singing and Theater Belting. 67:5 (May/June 2011):
April 2011): 483-485.
561-572.
McConnell, Matthew. A Mouseful of Trouble. 67:2 (November/
Worley, Albert S., Ingo Titze, and Brad H. Story. Voice Research
December 2010): 236.
and Technology: Source-Vocal Tract Interaction in Female
Oxford Solo Songs. Sacred. 67:3 (January/February 2011): 372.
Operatic Singing and Theater Belting. 67:5 (May/June 2011):
Picker, Tobias. Songs for Voice and Piano. 67:5 (May/June 2011):
561-572.
631-633.
Sarkissian, John. Cypriot Songsfo rM aria Jane. 67:2 (November/
Opera
December 2010): 236-237.
Austin, Stephen. Provenance: “On Time” with Manuel Garcia.
Strozzi, Barbara (Susan J. Mardinly, ed.). Nine Ariettas. 67:1
67:2 (November/December 2010): 213-216.
(September/October 2010): 105.
Holmes, Leslie. The Vocal Point: A Conversation with Gerald
Thomas, Richard Pearson. Twilight. Three Songs on Poems of
Finley, Part 1. 67:4 (March/April 2011): 469-475.
Christina Rossettfio rH igh Voice. 67:3 (January/February 2011):
Holmes, Leslie. The Vocal Point: A Conversation with Gerald
370-371.
Finley, Part 2. 67:5 (May/June 2011): 617-623.
Walters, Richard, ed. 28 Italian Songs and Arias of the Seventeenth
Holmes, Leslie. The Vocal Point: A Conversation with Meredith
and Eighteenth Centuries (based on the Parisotti editions). Arwady, Part 1. 67:2 (November/December 2010): 223-228.
67:5 (May/June 2011): 633-634. Holmes, Leslie. The Vocal Point: A Conversation with Meredith
Walters, Richard, comp. and ed. The Singer's Musical Theatre Arwady, Part 2. 67:3 (January/February 2011): 357-363.
Anthology, Teen’s Edition. 67:5 (May/June 2011): 634. Holmes, Leslie. The Vocal Point: A Conversation with William
Walters, Richard, comp. and ed. The Singer's Musical Theatre
Sharp, Part 2. 67:1 (September/October 2010): 91-97.
Anthology, “16-Bar” Audition. 67:5 (May/June 2011): 634-635. Rufus Wainwright—The Story of an Opera. 67:5 (May/June 2011):
640-642.
Music Theater and CCM
Story, Brad H., Albert S. Worley, and Ingo Titze. Voice Research
Bond, Derek. Popular Song and Music Theater: The Triple Threat and Technology: Source-Vocal Tract Interaction in Female
Actor and the Acquisition of Music Skills. 67:1 (September/ Operatic Singing and Theater Belting. 67:5 (May/June 2011):
October 2010): 61-66. 561-572.
Bourne, Tracy, Maéva Garnier, and Dianne Kenny. Popular Song Titze, Ingo, Albert S. Worley, and Brad H. Story. Voice Research
and Music Theater: Music Theater Voice: Production, and Technology: Source-Vocal Tract Interaction in Female
Physiology, and Pedagogy. 67:4 (March/April 2011): 437-444. Operatic Singing and Theater Belting. 67:5 (May/June 2011):
Garnier, Maéva, Dianne Kenny, and Tracy Bourne. Popular Song 561-572.
and Music Theater: Music Theater Voice: Production, Physi- Worley, Albert S., Ingo Titze, and Brad H. Story. Voice Research
ology, and Pedagogy. 67:4 (March/April 2011): 437-444. and Technology: Source-Vocal Tract Interaction in Female
May/JUNE 2011 649
| Journal of Singing Subject Index to Volume 67
Operatic Singing and Theater Belting. 67:5 (May/June 2011): Dromey, Christopher, Neisha Carter, and J. Arden Hopkin.
561-572. Volitional Control of Vibrato in Trained Singers. 67:1
(September/October 2010): 9-17.
Opinion Edwin, Robert. Popular Song and Music Theater: Are We the
Helding, Lynn. Mindful Voice: Creativity in Crisis? 67:5 (May/June National Association of Teachers of Classical Singing? (Revisiting
2011): 597-604. 1985). 67:5 (May/June 2011): 589-590.
Ilban, Serdar. The Song File: Poetry, Music, Action! Exploring Elliott, Martha. Singing and Mindfulness. 67:1 (September/October
Art Song in Opera Workshops. 67:1 (September/October 2010): 35-40.
Folson, Rebecca L. The Undergraduate Pedagogy Experience:
2010): 85-89.
Communication through Academic Freedom. 67:4 (March/
Paulnack, Karl. Guest Editorial. 67:1 (September/October 2010):
April 2011): 403-407.
5-8.
Simonson, Donald. From the President: Colleagues, Community, Freed, Donald. Stroke and Voice Therapy: One Singer's Personal
Journey. 67:5 (May/June 2011): 543-547.
and Lessons. 67:2 (November/December 2010): 121-122.
Frey-Monell, Robyn. Motivation in the Applied Studio: An
Sjoerdsma, Richard Dale. Editor's Commentary: Creativity and
Imagination. 67:5 (May/June 2011): 499-500. Overview. 67:2 (November/December 2010): 147-152.
Sjoerdsma, Richard Dale. Editors Commentary: Spirit, Art, Song. Garnier, Maéva, Dianne Kenny, and Tracy Bourne. Popular Song
and Music Theater: Music Theater Voice: Production, Phys-
67:3 (January/February 2011): 251-252.
iology, and Pedagogy. 67:4 (March/April 2011): 437-444.
Swanson, Carl. The Private Studio: Creating Creative Students.
Gilman, Marina, John Nix, and Edie Hapner. Voice Pedagogy:
67:5 (May/June 2011): 591-595.
The Speech Pathologist, the Singing Teacher, and the Singing
Titze, Ingo. Voice Research and Technology: Reflections on the
Voice Specialist: Where's the Line? 67:2 (November/December
Salt Lake Meeting. 67:2 (November/December 2010): 185-186.
2010): 171-178.
Pedagogy Hapner, Edie, Marina Gilman, and John Nix. Voice Pedagogy:
The Speech Pathologist, the Singing Teacher, and the Singing
Adams, Andrew. Voicing the Silent Language of the Soul: The
Voice Specialist: Where's the Line? 67:2 (November/December
Life and Works of Clara Kathleen Rogers (1844-1931). 67:3
2010): 171-178.
(January/February 2011): 257-266.
Helding, Lynn. Mindful Voice: Ants, NATS, and Swarm Logic.
Amory, Carolyn Timmerman. Apprehending the Live Voice:
67:3 (January/February 2011): 337-342.
Hearing and Prehearing. 67:5 (May/June 2011): 537-541.
Helding, Lynn. Mindful Voice: Break a Leg! The Ironic Effect,
Anderson, Patrick. Websites for Students and Teachers of Singing.
Choking, and Other Mind Games. 67:2 (November/December
67:4 (March/April 2011): 409-415.
2010): 207-212.
Ashley, Martin. Technique or Testosterone? An Empirical Report
Helding, Lynn. Mindful Voice: Creativity in Crisis? 67:5 (May/June
on Changes in the Longevity of Boy Singers. 67:2 (November/
2011): 597-604.
December 2010): 137-145. Helding, Lynn. Mindful Voice: Innate Talent: Myth or Reality?
Austin, Stephen. Provenance: “Auch kleine Dinge.’ 67:4 (March/
67:4 (March/April 2011): 451-458.
April 2011): 459-461. Helding, Lynn. Mindful Voice: Master Class Syndrome. 67:1
Austin, Stephen. Provenance: Carlo Bassini’s The Art ofS inging,
(September/October 2010): 73-78.
Part 2. 67:1 (September/October 2010): 79-83. Hopkin, J. Arden, Christopher Dromey, and Neisha Carter.
Austin, Stephen. Provenance: “On Time” with Manuel Garcia. Volitional Control of Vibrato in Trained Singers. 67:1
67:2 (November/December 2010): 213-216. (September/October 2010): 9-17.
Austin, Stephen. Provenance: Pedagogy from the Archives. 67:3 Hunnicutt, Heather Winter, and A. Scott Winter. The Private
(January/February 2011): 343-346. Studio: Musical Performance Anxiety: Adapting Psychotherapy
Austin, Stephen. Provenance: Singers on Singing. 67:5 (May/June Techniques of Desensitization to the Voice Studio, Part 1. 67:3
2011): 605-610. (January/February 2011): 331-336.
Bond, Derek. Popular Song and Music Theater: The Triple Threat Hunnicutt, Heather Winter, and A. Scott Winter. The Private
Actor and the Acquisition of Music Skills. 67:1 (September/ Studio: Musical Performance Anxiety: Adapting Psychotherapy
October 2010): 61-66. Techniques of Cognitive Restructuring to the Voice Studio,
Bourne, Tracy, Maéva Garnier, and Dianne Kenny. Popular Song Part 2. 67:4 (March/April 2011): 445-450.
and Music Theater: Music Theater Voice: Production, Phys- Kenny, Dianne, Tracy Bourne, and Maéva Garnier. Popular Song
iology, and Pedagogy. 67:4 (March/April 2011): 437-444. and Music Theater: Music Theater Voice: Production,
Carter, Neisha, J. Arden Hopkin, and Christopher Dromey. Voli- Physiology, and Pedagogy. 67:4 (March/April 2011): 437-444.
tional Control of Vibrato in Trained Singers. 67:1 (September/ Kimball, Carol. The Song File: A Suggested List of French Songs
October 2010): 9-17. for Young Singers. 67:2 (November/December 2010): 217-221.
650
JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 67 ||
McCoy, Scott. Voice Pedagogy: Building the Foundations. 67:1 Lister, Rebecca Crow. A Hildegard “How-To”: Steps for the
(September/October 2010): 43-46. Thoughtful Preparation of aC hant. 67:3 (January/February
McCoy, Scott. Voice Pedagogy: The Choir Issue. 67:3 (January/ 2011): 277-289.
February 2011): 297-301.
Michael, Deidre. Voice Pedagogy: Dispelling Vocal Myths. Part Performers
2: “Sing It Off the Chords!” 67:4 (March/April 2011): 417-421. Austin, Stephen. Provenance: Singers on Singing. 67:5 (May/June
Neto, Leon. Popular Song and Music Theater: Contemporary
2011): 605-610.
Christian Music and the “Praise and Worship” Style. 67:2
Holmes, Leslie. The Vocal Point: A Conversation with Gerald
(November/December 2010): 195-200. Finley, Part 1. 67:4 (March/April 2011): 469-475.
Nix, John, Edie Hapner, and Marina Gilman. Voice Pedagogy:
Holmes, Leslie. The Vocal Point: A Conversation with Gerald
The Speech Pathologist, the Singing Teacher, and the Singing
Finley, Part 2. 67:5 (May/June 2011): 617-623.
Voice Specialist: Where's the Line? 67:2 (November/December
Holmes, Leslie. The Vocal Point: A Conversation with Meredith
2010): 171-178.
Arwady, Part 1. 67:2 (November/December 2010): 223-228.
Ragan, Kari. The Private Studio: The Connected Voice Teacher.
Holmes, Leslie. The Vocal Point: A Conversation with Meredith
67:1 (September/October 2010): 67-71.
Salvador, Karen, and Kelly Strohauer. From the Voice Studio to Arwady, Part 2. 67:3 (January/February 2011): 357-363.
the Speech Clinic: Perspectives on Resonance and Resonant Holmes, Leslie. The Vocal Point: A Conversation with William
Sharp, Part 2. 67:1 (September/October 2010): 91-97.
Voice Therapy. 67:1 (September/October 2010): 19-25.
Sjoerdsma, Richard Dale. Letters to the Editor. 67:2 (November/
Research
December 2010): 127-129.
Story, Brad H., Albert S. Worley, and Ingo Titze. Voice Research Ashley, Martin. Technique or Testosterone? An Empirical Report
and Technology: Source-Vocal Tract Interaction in Female on Changes in the Longevity of Boy Singers. 67:2 (November/
Operatic Singing and Theater Belting. 67:5 (May/June 2011): December 2010): 137-145.
561-572. Carter, Neisha, J. Arden Hopkin, and Christopher Dromey.
Strohauer, Kelly, and Karen Salvador. From the Voice Studio to Volitional Control of Vibrato in Trained Singers. 67:1
the Speech Clinic: Perspectives on Resonance and Resonant (September/October 2010): 9-17.
Voice Therapy. 67:1 (September/October 2010): 19-25. Dromey, Christopher, Neisha Carter, and J. Arden Hopkin.
Swanson, Carl. The Private Studio: Creating Creative Students. Volitional Control of Vibrato in Trained Singers. 67:1
67:5 (May/June 2011): 591-595. (September/October 2010): 9-17.
Titze, Ingo, Albert S. Worley, and Brad H. Story. Voice Research Frey-Monell, Robyn. Motivation in the Applied Studio: An
and Technology: Source-Vocal Tract Interaction in Female Overview. 67:2 (November/December 2010): 147-152.
Operatic Singing and Theater Belting. 67:5 (May/June 2011): Helding, Lynn. Mindful Voice: Ants, NATS, and Swarm Logic.
561-572.
67:3 (January/February 2011): 337-342.
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Helding, Lynn. Mindful Voice: Break a Leg! The Ironic Effect,
Studio: Musical Performance Anxiety: Adapting Psychotherapy
Choking, and Other Mind Games. 67:2 (November/December
Techniques of Desensitization to the Voice Studio, Part 1. 67:3
2010): 207-212.
(January/February 2011): 331-336.
Helding, Lynn. Mindful Voice: Innate Talent: Myth or Reality?
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
67:4 (March/April 2011): 451-458.
Studio: Musical Performance Anxiety: Adapting Psychotherapy
Hopkin, J. Arden, Christopher Dromey, and Neisha Carter.
Techniques of Cognitive Restructuring to the Voice Studio,
Volitional Control of Vibrato in Trained Singers. 67:1
Part 2. 67:4 (March/April 2011): 445-450.
(September/October 2010): 9-17.
Worley, Albert S., Ingo Titze, and Brad H. Story. Voice Research
Hunnicutt, Heather Winter, and A. Scott Winter. The Private
and Technology: Source-Vocal Tract Interaction in Female
Studio: Musical Performance Anxiety: Adapting Psychotherapy
Operatic Singing and Theater Belting. 67:5 (May/June 2011):
Techniques of Desensitization to the Voice Studio, Part 1. 67:3
561-572.
(January/February 2011): 331-336.
Performance Practice Hunnicutt, Heather Winter, and A. Scott Winter. The Private
Austin, Stephen. Provenance: Carlo Bassini’s The Art of Singing, Studio: Musical Performance Anxiety: Adapting Psychotherapy
Part 2. 67:1 (September/October 2010): 79-83. Techniques of Cognitive Restructuring to the Voice Studio,
Austin, Stephen. Provenance: “On Time” with Manuel Garcia. Part 2. 67:4 (March/April 2011): 445-450.
67:2 (November/December 2010): 213-216. Oberlander, Erin. Premenstrual Syndrome and Its Effects on
Cloud, Judith. The Song File: In Search of the Perfect Words. 67:5 Laryngeal Functionality: An Approach for Singers and
(May/June 2011): 611-615. Pedagogues. 67:1 (September/October 2010): 27-34.
651
MaAy/JUNE 2011
| Journal of Singing Subject Index to Volume 67
Salvador, Karen, and Kelly Strohauer. From the Voice Studio to Kimball, Carol. The Song File: A Suggested List of French Songs
the Speech Clinic: Perspectives on Resonance and Resonant for Young Singers. 67:2 (November/December 2010): 217-221.
Voice Therapy. 67:1 (September/October 2010): 19-25. Kimball, Carol. The Song File: Made in the USA. Thoughts on
Story, Brad H., Albert S. Worley, and Ingo Titze. Voice Research American Song. 67:4 (March/April 2011): 463-467.
and Technology: Source-Vocal Tract Interaction in Female Lister, Rebecca Crow. A Hildegard “How-To”: Steps for the
Operatic Singing and Theater Belting. 67:5 (May/June 2011): Thoughtful Preparation of aC hant. 67:3 (January/February
561-572. 2011): 277-289.
Strohauer, Kelly, and Karen Salvador. From the Voice Studio to Low, Peter. La chanson d’Eve—Fauré and the Poet of Paradise.
the Speech Clinic: Perspectives on Resonance and Resonant 67:2 (November/December 2010): 163-169.
Reimer, Jamie M. Revealing Robert Owens: A Study of Compo-
Voice Therapy. 67:1 (September/October 2010): 19-25.
sitional Style and Performance Practice in the Song Cycle
Titze, Ingo. Voice Research and Technology: Hyaluronic Acid—
Heart on the Wall. 67:2 (November/December 2010): 153-161.
The Multigrade Motor Oil of the Human Body. 67:1 (September/
Sandborg, Jeffrey. The Lost Legacy of Yrj6 Kilpinen, 1892-1959.
October 2010): 51-52.
67:4 (March/April 2011): 387-395.
Titze, Ingo. Voice Research and Technology: Phonation Threshold
Seesholtz, John Clayton. The AIDS Quilt Songbook and Its
Pressure: A Measurement with Promise but Slow in Develop-
Uncollected Works. 67:4 (March/April 2011): 397-402.
ment. 67:4 (March/April 2011): 425-426.
Strempel, Eileen, and Sonya G. Baker. Jubilee: An Overview of
Titze, Ingo, Albert S. Worley, and Brad H. Story. Voice Research
the Song Literature of African American Women Composers.
and Technology: Source-Vocal Tract Interaction in Female
67:3 (January/February 2011): 291-296.
Operatic Singing and Theater Belting. 67:5 (May/June 2011):
561-572. Technology
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Anderson, Patrick. Websites for Students and Teachers of Singing.
Studio: Musical Performance Anxiety: Adapting Psychotherapy
67:4 (March/April 2011): 409-415.
Techniques of Desensitization to the Voice Studio, Part 1. 67:3
Edwin, Robert, with Paul Presto, Jr. Popular Song and Music
(January/February 2011): 331-336. Theater: Cosmetic Surgery for the Voice: All’s Fair in Love and
Winter, A. Scott, and Heather Winter Hunnicutt. The Private
Pitch. 67:3 (January/February 2011): 327-330.
Studio: Musical Performance Anxiety: Adapting Psychotherapy Presto, Jr., Paul, with Robert Edwin. Popular Song and Music
Techniques of Cognitive Restructuring to the Voice Studio, Theater: Cosmetic Surgery for the Voice: All’s Fair in Love and
Part 2. 67:4 (March/April 2011): 445-450. Pitch. 67:3 (January/February 2011): 327-330.
Worley, Albert S., Ingo Titze, and Brad H. Story. Voice Research
and Technology: Source-Vocal Tract Interaction in Female Voice Care
Operatic Singing and Theater Belting. 67:5 (May/June 2011): Chandran, Swapna W., Mary J. Hawkshaw, and Robert T. Sataloff.
561-572. Care of the Professional Voice: Ear, Nose, and Throat Symptoms
in Persons Exposed to World Trade Center Contaminants.
Song Literature
67:2 (November/December 2010): 179-184.
Adams, Andrew. Voicing the Silent Language of the Soul: The Craig, Crystal A., David A. Opperman, Mary J. Hawkshaw, and
Life and Works of Clara Kathleen Rogers (1844-1931). 67:3 Robert T. Sataloff. Care oft he Professional Voice: Pyrotechnics
(January/February 2011): 257-266. in the Entertainment Industry: An Update. 67:3 (January/
Andrews, Joyce. Sally, Queen of Scots: The Rise of Scottish February 2011): 303-309.
Composer Sally Beamish. 67:5 (May/June 2011): 505-519. Freed, Donald. Stroke and Voice Therapy: One Singer’s Personal
Baker, Sonya G., and Eileen Strempel. Jubilee: An Overview of Journey. 67:5 (May/June 2011): 543-547.
the Song Literature of African American Women Composers. Hawkshaw, Mary J., Robert T. Sataloff, and Swapna W. Chandran.
Care of the Professional Voice: Ear, Nose, and Throat Symptoms
67:3 (January/February 2011): 291-296.
Brister, Wanda. The Song File: The Songs of Josef Zygmunt Szulc in Persons Exposed to World Trade Center Contaminants.
(1875-1956). 67:3 (January/February 2011): 347-354. 67:2 (November/December 2010): 179-184.
Draayer, Suzanne. Programming Ideas for Spanish Song Repertoire. Hawkshaw, Mary. J., Robert T. Sataloff, Crystal A. Craig, and
67:5 (May/June 2011): 523-535. David A. Opperman. Care oft he Professional Voice: Pyrotechnics
Iiban, Serdar. The Song File: Poetry, Music, Action! Exploring in the Entertainment Industry: An Update. 67:3 (January/
Art Song in Opera Workshops. 67:1 (September/October February 2011): 303-309.
2010): 85-89. Hunnicutt, Heather Winter, and A. Scott Winter. The Private
Jesensky, Katherine LaPorta. The Life of Pauline Viardot: Her Studio: Musical Performance Anxiety: Adapting Psychotherapy
Influence on the Music and Musicians of Nineteenth Century Techniques of Desensitization to the Voice Studio, Part 1. 67:3
Europe. 67:3 (January/February 2011): 267-275. (January/February 2011): 331-336.
652
JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 67
Oberlander, Erin. Premenstrual Syndrome and Its Effects on Sataloff, Robert, and Chiming Wei. Care oft he Professional Voice:
Laryngeal Functionality: An Approach for Singers and What Singing Teachers Should Know About Nanomedicine.
Pedagogues. 67:1 (September/October 2010): 27-34. 67:1 (September/October 2010): 47-49.
Opperman, David A., Mary J. Hawkshaw, Robert T. Sataloff, and Spalla, Thomas C., and Robert T. Sataloff: Care oft he Professional
Crystal A. Craig. Care oft he Professional Voice: Pyrotechnics Voice: Facial Plastic Surgery in Singers. 67:5 (May/June 2011):
in the Entertainment Industry: An Update. 67:3 (January/ 551-560.
February 2011): 303-309. Titze, Ingo. Voice Research and Technology: Hyaluronic Acid—
Sataloff, Robert T., Swapna W. Chandran, and Mary J. Hawkshaw. The Multigrade Motor Oil of the Human Body. 67:1 (September/
Care oft he Professional Voice: Ear, Nose, and Throat Symptoms October 2010): 51-52.
in Persons Exposed to World Trade Center Contaminants. Wei, Chiming, and Robert Sataloff. Care oft he Professional Voice:
67:2 (November/December 2010): 179-184. What Singing Teachers Should Know About Nanomedicine.
Sataloff, Robert T., and Thomas C. Spaila. Care oft he Professional 67:1 (September/October 2010): 47-49.
Voice: Facial Plastic Surgery in Singers. 67:5 (May/June 2011): Winter, A. Scott, and Heather Winter Hunnicutt. The Private
551-560. Studio: Musical Performance Anxiety: Adapting Psychotherapy
Sataloff, Robert T., Crystal A. Craig, David A. Opperman, and Techniques of Desensitization to the Voice Studio, Part 1. 67:3
Mary J. Hawkshaw. Care of the Professional Voice: Pyrotechnics (January/February 2011): 331-336.
in the Entertainment Industry: An Update. 67:3 (January/
February 2011): 303-309.
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