Table Of Content

Journal of Singing Author Index to Volume 66 Ali, Susan. Understanding Our Students’ Self-Regulation During De'Ath, Leslie. Language and Diction: Dubroca’s Traité and French Practice: Verbal Protocol as a Tool. 66:5 (May/June 2010): style soutenu in the Nineteenth Century, Part 2. 66:2 (Novem- 529-536. ber/December 2009): 171-180. Andrews, Joyce. Amanda Aldridge, Teacher and Composer: A De'Ath, Leslie, and Andrew Rethazi. Language and Diction: Hun Life in Music. 66:3 (January/February 2010): 253-268. garian Vocal Music, with an Introduction to Hungarian Lyric Arneson, Christopher. Performance Anxiety: A Twenty-First Cen Diction, Part 1. 66:3 (January/February 2010): 303-313. tury Perspective. 66:5 (May/June 2010): 537-546. De'Ath, Leslie, and Andrew Rethazi. Language and Diction: Hun Austin, Stephen. Provenance: Carlo Bassini’s The Art of Singing, garian Vocal Music, with an Introduction to Hungarian Lyric Part 1. 66:5 (May/June 2010): 591-598. Diction, Part 2. 66:4 (March/April 2010): 437-445. Austin, Stephen. Provenance: Frederic W. Root’s “Systemizing Edwin, Robert. Popular Song and Music Theater: Auditioning 101. Voice Culture.” 66:2 (November/December 2009): 201-206. 66:2 (November/December 2009): 181-182. Austin, Stephen. Provenance: Stockhausen’s Method of Singing Edwin, Robert. Popular Song and Music Theater: Personal and Pedagogic Aesthetics. 66:5 (May/June 2010): 575-577. (concluded). 66:1 (September/October 2009): 85-88. Berg, Gregory. The Listener’s Gallery. 66:1 (September/October Edwin, Robert. Popular Song and Music Theater: What's Going On On Broadway? 66:1 (September/October 2009): 71-73. 2009): 115-121; 66:2 (November/December 2009): 239-243; 66:3 (January/February 2010): 369-375; 66:4 (March/April 2010): Fitzpatrick, Tod. The Song File: Tips for Establishing a Song Fes- tival in Your Community. 66:4 (March/April 2010): 477-480. 495-499; 66:5 (May/June 2010): 623-626. Fugate, Brad. Overshadowed, Not Obsolete: Making a Case for Bergan, Christine. Mindful Voice: Motor Learning Principles and the air de cour. 66:3 (January/February 2010): 269-279. Voice Pedagogy: Theory and Practice. 66:4 (March/April 2010): Greschner, Debra. Bookshelf. 66:1 (September/October 2009): 457-468. 103-106; 66:2 (November/December 2009): 223-225; 66:3 Berry, Samuel L., and Keith G. Saxon, MD. Care of the Professional (January/February 2010): 357-359; 66:4 (March/April 2010): Voice: Vocal Exercise Physiology: New Training Paradigms. 487-489; 66:5 (May/June 2010): 613-615. 66:1 (September/October 2009): 51-57. Grogan, David. Provenance: The Roots of American Pedagogy. Bos, Nancy. Popular Song and Music Theater: The Courage for 66:3 (January/February 2010): 331-343. Change. 66:3 (January/February 2010): 315-317. Heiberg, Harold. Schubert in Singable English: Winter Journey. Bozeman, Kenneth W. Voice Pedagogy: The Role of the First For- 66:4 (March/April 2010): 387-398. mant in Training the Male Singing Voice. 66:3 (January/February Helding, Lynn. Mindful Voice: Howard Gardner's Theory of Mul 2010): 291-297. tiple Intelligences. 66:2 (November/December 2009): 193-199. Carman, Judith. Music Reviews: Collections and Anthologies. 66:5 Helding, Lynn. Mindful Voice: Howard Gardner’s Theory of Mul (May/June 2010): 617-622. tiple Intelligences: Musical Intelligence. 66:3 (January/February Carman, Judith. Music Reviews: A New Chinese Song Anthology 2010): 325-330. and Three New Sets of Songs. 66:1 (September/October 2009): Helding, Lynn. Mindful Voice: The Mind's Mirrors. 66:5 (May/June 107-114. 2010): 585-589. Carman, Judith. Music Reviews: A South America Collection, Helding, Lynn. Mindful Voice: The Missing Brain. 66:1 (Septem New Song Publications. 66:2 (November/December 2009): ber/October 2009): 79-83. 227-237. Holmes, Leslie. The Vocal Point: A Conversation with Barbara Carman, Judith. Music Reviews: New Works by American Com Frittoli. 66:2 (November/December 2009): 213-220. posers, Part 1. 66:3 (January/February 2010): 361-368. Holmes, Leslie. The Vocal Point: A Conversation with Michael Carman, Judith. Music Reviews: New Works by American Com Feinstein, Part 1. 66:3 (January/February 2010): 351-355. posers, Part 2. 66:4 (March/April 2010): 491-494. Holmes, Leslie. The Vocal Point: A Conversation with Michael Chisolm, Rose M. Notes on the Hermit Songs Texts. 66:1 (Sep- Feinstein, Part 2. 66:4 (March/April 2010): 481-485. tember/October 2009): 7-13. Holmes, Leslie. The Vocal Point: A Conversation with Sherrill Cowgill, Jennifer Griffith. Breathing for Singers: A Comparative Milnes. 66:1 (September/October 2009): 97-101. Analysis of Body Types and Breathing Tendencies. 66:2 (Novem- Holmes, Leslie. The Vocal Point: A Conversation with William ber/December 2009): 141-147. Sharp, Part 1. 66:5 (May/June 2010): 605-611. Daughtrey, Sarah. The Private Studio: A Plea to the Private Stu- Hurst-Wajszczuk, Kristine. Voice Pedagogy: Do They Really Get dio Teachers of College Bound Singers. 66:5 (May/June 2010): It? Using the Kolb LSI to Reach Every Student. 66:4 (March 579-583. April 2010): 421-427. De’Ath, Leslie. Languagaend Diction: Dubroca’s Traité and French Indik, Lawrence. The End of Breath for Singing: Exhalation and style soutenu in the Nineteenth Century, Part 1. 66:1 (Septem- the Control of Breath. 66:2 (November/December 2009): ber/October 2009): 63-70. 131-140. MAyY/JUNE 2010 Journal of Singing Author Index to Volume 66 Kenaston-French, Karen. The Teachings of Jean-Antoine Bérard: Rice, Rebecca. William Walton's Facade and Its Descendants. 66:4 Content, Context, Legacy. 66:2 (November/December 2009): (March/April 2010): 399-407. 149-155. Sataloff, Robert T. Care oft he Professional Voice: Acoustics: What Kimball, Carol. The Song File: A Smorgasbord of Song Groups. We Need to Know About Our Environment. 66:4 (March/April 2010): 429-431. 66:3 (January/February 2010): 345-350. Kimball, Carol. The Song File: Art Song on Route 66. 66:5 (May/June Sataloff, Robert T. Care oft he Professional Voice: Controversies and 2010): 599-603. Confusions in Diagnosing Laryngopharyngeal Reflux. 66:5 Kimball, Carol. The Song File: “Bright is the Ring of Words.” 66:1 (May/June 2010): 553-557. (September/October 2009): 89-96. Sataloff, Robert T. Care of the Professional Voice: World Voice Kimball, Carol. The Song File: Tweaking the Song Recital. 66:2 Day. 66:3 (January/February 2010): 299-300. (November/December 2009): 207-211. Saxon, Keith G., MD, and Samuel L. Berry. Care of the Profes- Kirkpatrick, Adam. Chiaroscuro and the Quest for Optimal Res- sional Voice: Vocal Exercise Physiology: New Training Para- onance. 66:1 (September/October 2009): 15-21. digms. 66:1 (September/October 2009): 51-57. Leibel, Jane. The Private Studio: Musical Parody in John Greer’s Seminatore, Gerald. Teaching Poetry Through Song: A Modest A Sarah Binks Songbook. 66:2 (November/December 2009): Proposal. 66:5 (May/June 2010): 515-525. 183-192. Shannon, Pamela. The Solo Songs of Gioachino Rossini. 66:4 McCarry, Marcia. The Private Studio: Music Theory for Voice (March/April 2010): 409-419. Students. 66:4 (March/April 2010): 451-455. Sjoerdsma, Richard Dale. Editors Commentary: Aging Voice— McCoy, Scott. From the President: Exposition, Development, Reca- A Pilgrim's Regress. 66:2 (November/December 2009): 129-130. pitulation. 66:2 (November/December 2009): 125-127. Sjoerdsma, Richard Dale. Editors Commentary: An Icon Remem- McCoy, Scott. From the President: Exposition, Development, bered. 66:1 (September/October 2009): 3-4. Recapitulation, Coda. 66:5 (May/June 2010): 505-507. Sjoerdsma, Richard Dale. Editor's Commentary: Reminiscences McCoy, Scott. From the President: NATS and the Economic Reces- and Ruminations. 66:4 (March/April 2010): 385-386. sion. 66:1 (September/October 2009): 1-2. Sjoerdsma, Richard Dale. Editors Commentary: Sundry Funnies. McCoy, Scott. From the President: Our Obligation to Students 66:3 (January/February 2010): 251-252. and the Profession. 66:4 (March/April 2010): 381-383. Sjoerdsma, Richard Dale. Editor's Commentary: Voice History McCoy, Scott. From the President: Planning Ahead. 66:3 (Janu- Revisited. 66:5 (May/June 2010): 509-511. ary/February 2010): 249-250. Sjoerdsma, Richard Dale. Letters to the Editor. 66:1 (Septem- Michael, Deirdre. Voice Pedagogy: Dispelling Vocal Myths. Part ber/October 2009): 5-6; 66:5 (May/June 2010): 513. 1: “Sing From Your Diaphragm!” 66:5 (May/June 2010): Spencer, Martin L. Care oft he Professional Voice: Integration of 547-551. Singing into Voice Therapy. 66:2 (November/December 2009): Miller, Richard. Voice Pedagogy: In the Beginning: The Genesis of the Art of Singing. 66:1 (September/October 2009): 45-50. 161-166. Swanson, Carl. The Private Studio: Ask What You Can Do for Moore, Dale. Richard Miller (1926-2009): In Memoriam. 66:1 NATS. 66:1 (September/October 2009): 75-78. (September/October 2009): iv. Swanson, Carl. The Private Studio: Humor, Fun, and Novelty in Myers, Myron. Provenance: Louis Graveure (1888-1965). 66:4 Song. 66:3 (January/February 2010): 319-324. (March/April 2010): 469-475. Ophaug, Wencke. Language and Diction: The Pronunciation of Titze, Ingo. Voice Research and Technology: Cells That Maintain Your Vocal Fold Tissues. 66:4 (March/April 2010): 435-436. /r/ in German Classical Singing. 66:5 (May/June 2010): 561-574. Peeler, Karen. Voice Pedagogy: Training the Artist-Teacher: Voice Titze, Ingo. Voice Research and Technology: Concone’s Thirty Pedagogy at The Ohio State University. 66:2 (November/ Exercises—An Interesting Variation. 66:3 (January/February December 2009): 157-159. 2010): 301-302. Radford, Anthony. Mozart’s First Figaro: The Vocal Skill of Titze, Ingo. Voice Research and Technology: Introducing a Video Francesco Benucci. 66:3 (January/February 2010): 281-290. for Using Straw Phonation. 66:5 (May/June 2010): 559-560. Rawlins, Joseph T. Reynaldo Hahn: “Le Vénézuélien Musicien Titze, Ingo. Voice Research and Technology: Scientific Integrity de Paris.” 66:1 (September/October 2009): 23-43. in Pedagogic Writing. 66:1 (September/October 2009): 59-60. Rethazi, Andrew, and Leslie De'Ath. Language and Diction: Hun- Titze, Ingo. Voice Research and Technology: What Signals Phys- garian Vocal Music, with an Introduction to Hungarian Lyric ical Strength in a Voice? 66:2 (November/December 2009): Diction, Part 1. 66:3 (January/February 2010): 303-313. 169-170. Rethazi, Andrew, and Leslie De’Ath. Language and Diction: Hun- Wigginton, James R. Popular Song and Music Theater: When garian Vocal Music, with an Introduction to Hungarian Lyric “Proper” Is Dead Wrong: How Traditional Methods Fail Aspir- Diction, Part 2. 66:4 (March/April 2010): 437-445. ing Artists. 66:4 (March/April 2010): 447-449. 628 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 64 Association Business Munden, Sharon, and John B. Harer. The Alexander Technique McCoy, Scott. From the President: Exposition, Development, Reca Resource Book. A Reference Guide. 66:1 (September/October pitulation. 66:2 (November/December 2009): 125-127. 2009): 104. McCoy, Scott. From the President: Exposition, Development, Reca- Nash, Elizabeth. Autobiographical Reminiscences of African-Amer pitulation, Coda. 66:5 (May/June 2010): 505-507. ican Classical Singers, 1853-Present. Introducing their Spiritual McCoy, Scott. From the President: NATS and the Economic Reces- Heritage into the Concert Repertoire. 66:3 (January/February sion. 66:1 (September/October 2009): 1-2. 2010): 357-358. McCoy, Scott. From the President: Our Obligation to Students and Potter, John. Tenor: Historoyf a Voice. 66:5 (May/June 2010): 613. the Profession. 66:4 (March/April 2010): 381-383. Shewell, Christina. Voice Work: Art and Science in Changing Voices. McCoy, Scott. From the President: Planning Ahead. 66:3 (Janu 66:2 (November/December 2009): 223-224. ary/February 2010): 249-250. Thomson, Robert Stuart. Operatic Italian. 66:1 (September/October Moore, Dale. Richard Miller (1926-2009): In Memoriam. 66:1 2009): 106. (September/October 2009): iv. Sataloff, Robert T. Care of the Professional Voice: World Voice Day. Careers 66:3 (January/February 2010): 299-300. Bos, Nancy. Popular Song and Music Theater: The Courage for Sjoerdsma, Richard Dale. Editors Commentary: An Icon Remem- Change. 66:3 (January/February 2010): 315-317 bered. 66:1 (September/October 2009): 3-4. Edwin, Robert. Popular Song and Music Theater: Auditioning 101. Sjoerdsma, Richard Dale. Letters to the Editor. 66:1 (Septem- 66:2 (November/December 2009): 181-182. ber/October 2009): 5-6; 66:5 (May/June 2010): 513. Wigginton, James R. Popular Song and Music Theater: When “Proper” Is Dead Wrong: How Traditional Methods Fail Aspir Book Reviews ing Artists. 66:4 (March/April 2010): 447-449. Bickel, Jan E. Vocal Technique. A Physiologic Approach for Voice Class and Studio. 66:1 (September/October 2009): 103-104. CD/DVD Reviews Bryn-Julson, Phyllis, and Paul Mathews. Inside Pierrot lunaire. Bel Canto Spectacular. Juan Diego Florez, tenor; Anna Netrebko, Performing the Sprechstimme in Schoenberg’s Masterpiece. 66:1 Patrizia Ciofi, sopranos; Placido Domingo, tenor; Mariusz (September/October 2009): 104-106. Kwiecien, baritone; Daniela Barcellona, mezzo soprano; Orques Cookman, Starr, and Kate DeVore. The Voice Book—Carinfgor , tra de la Comunitat Valenciana, Daniel Oren, conductor. 66:4 Protecting and Improving Your Voice. 66:4 (March/April 2010): (March/April 2010): 495-496. 488-489. Drifts and Shadows: American Song for the New Millennium. Elem Devenney, David P. The New Broadway Song Companion. 66:3 Eley, baritone; J. J. Penna, Martin Hennessy, piano; Bruce (January/February 2010): 259. Williamson, clarinet. 66:2 (November/December 2009): 242-243. DeVore, Kate, and Starr Cookman. The Voice Book—Carinfgo r, Pro- Joan Sutherland—The Reluctant Prima Donna. 66:1 (September tecting and Improving Your Voice. 66:4 (March/April 2010): October 2009): 115-118. 488-489. Lee Hoiby: A Pocket of Time: 21 Songs and a Duet. Julia Faulkner, Draayer, Suzanne Rhodes. Art Song Composers of Spain: An Ency- soprano; Andrew Garland, baritone; Lee Hoiby, piano. 66:1 clopedia. 66:2 (November/December 2009): 224-225. (September/October 2009): 118-119. Flom, Joseph. Get the Callback. The Art of Auditioninfgo r Musi- metopera.org/met_player. 66:2 (November/December 2009): cal Theatre. 66:3 (January/February 2010): 358-359. 239-240. Harer, John B., and Sharon Munden. The Alexander Technique Schubert— Winterreise. Daniel Lichti, bass baritone; Leslie De'Ath, Resource Book. A Reference Guide. 66:1 (September/October 2009): 104. fortepiano. 66:5 (May/June 2010): 625-626. Johnson, Graham. Gabriel Fauré: The Songs and their Poets. 66:5 Schwarzkopf/Seefried/Fischer-Dieskau. Elisabeth Schwarzkopf, Irmgard Seefried, soprano; Hertha Topper, mezzo soprano; (May/June 2010): 614-615. Kale, Suzanne. Vocal Vibrance. The Complete Techniqufeo r Singers Dietrich Fischer-Dieskau, baritone; Gerald Moore, piano; Phil and Speakers. 66:4 (March/April 2010): 488. harmonia Orchestra, Charles Mackerras, conductor; Orchestre Katz, Martin. The Complete Collaborator. The Pianist as Partner. National de 'ORTF, Piero Bellugi, Manuel Rosenthal, conduc 66:4 (March/April 2010): 487-488. tors; NHK Symphony Orchestra, Paul Kletzki, conductor. 66:3 Mathews, Paul, and Phyllis Bryn-Julson. Inside Pierrot lunaire. (January/Feburary 2010): 372-375. Performing the Sprechstimme in Schoenberg's Masterpiece. 66:1 The Silvered Lute: A Wang Wei Song Album. Mei Zhong, soprano; (September/October 2009): 104-106. James Helton, piano. 66:4 (March/April 2010): 496-497. 629 May/JUNE 2009 | Journal of Singing Subject Index to Volume 66 | The Silver Hound: British Music for Tenor, Horn and Piano. Frank DeAth, Leslie. Language and Diction: Dubroca’s Traité and French Hoffmeister, tenor; Bruce Atwell, horn; Timothy Lovelace, style soutenu in the Nineteenth Century, Part 2. 66:2 (Novem- piano. 66:5 (May/June 2010): 624-625. ber/December 2009): 171-180. Songs of Love and Longing. Valerie Errante, soprano; Jeffry Peter- DeAth, Leslie, and Andrew Rethazi. Language and Diction: Hun- son, piano. 66:1 (September/October 2009): 119-121. garian Vocal Music, with an Introduction to Hungarian Lyric Susan Eichorn- Young: Taking My Turn. Susan Eichorn- Young, Diction, Part 1. 66:3 (January/February 2010): 303-313. soprano; Alan Johnson, piano. 66:3 (January/February 2010): DeAth, Leslie, and Andrew Rethazi. Language and Diction: Hun- 371-372. garian Vocal Music, with an Introduction to Hungarian Lyric Unsleeping: Songs by Living Composers. Patricia Green, mezzo Diction, Part 2. 66:4 (March/April 2010): 437-445. soprano; John Hess, piano. 66:5 (May/June 2010): 626. Heiberg, Harold. Schubert in Singable English: Winter Journey. “Who Will Believe My Verse in Time to Come?”—Sonnets by 66:4 (March/April 2010): 387-398. William Shakespeare—Musical Settings by David Duvall. Anne Ophaug, Wencke. Language and Diction: The Pronunciation of Allgood, Julie Briskman, Eric Brotherson, Don Collins, Jason /r/ in German Classical Singing. 66:5 (May/June 2010): 561-574. Collins, Connie Corrick, Ginger Culver, Allen Fitzpatrick, Rethazi, Andrew, and Leslie De’'Ath. Language and Diction: Hun- Jugh Hastings, Cayman Ilika, Eric Jensen, Terence Kelley, garian Vocal Music, with an Introduction to Hungarian Lyric Bobbi Kotula, Matalie Lerch, Jacinta Koreski, Karen Oleson, Diction, Part 1. 66:3 (January/February 2010): 303-313. vocalists; David Duvall, keyboards. 66:4 (March/April 2010): Rethazi, Andrew, and Leslie De’Ath. Language and Diction: Hun- 497-499. garian Vocal Music, with an Introduction to Hungarian Lyric Within These Spaces: Songs of Lori Laitman. Jennifer Check, Sari Diction, Part 2. 66:4 (March/April 2010): 437-445. Grunber, Amanda Gosier, soprano; Karyn Friedman, mezzo Seminatore, Gerald. Teaching Poetry Through Song: A Modest soprano; Randall Scarlata, baritone; Lori Laitman, Warren Proposal. 66:5 (May/June 2010): 515-525. Jones, piano. 66:3 (January/February 2010): 369-371. Women ofF irsts: Art Songs by the First Important Twentieth Cen- Miscellaneous tury Women Composers from the Czech Republic, Poland, United Fitzpatrick, Tod. The Song File: Tips for Establishing a Song Fes- States, and France. Daniel Weeks, tenor; Naomi Oliphant, tival in Your Community. 66:4 (March/April 2010): 477-480. piano. 66:2 (November/December 2009): 240-242. Kimball, Carol. The Song File: Tweaking the Song Recital. 66:2 YouTube.com. 66:5 (May/June 2010): 623-624. (November/December 2009): 207-211. McCarry, Marcia. The Private Studio: Music Theory for Voice Composers Students. 66:4 (March/April 2010): 451-455. Andrews, Joyce. Amanda Aldridge, Teacher and Composer: A Sataloff, Robert T. Care oft he Professional Voice: World Voice Life in Music. 66:3 (January/February 2010): 253-268. Day. 66:3 (January/February 2010): 299-300. Chisolm, Rose M. Notes on the Hermit Songs Texts. 66:1 (Sep- Sjoerdsma, Richard Dale. Editor’s Commentary: Aging Voice— tember/October 2009): 7-13. A Pilgrim's Regress. 66:2 (November/December 2009): 129-130. Heiberg, Harold. Schubert in Singable English: Winter Journey. Sjoerdsma, Richard Dale. Editor's Commentary: Reminiscences 66:4 (March/April 2010): 387-398. and Ruminations. 66:4 (March/April 2010): 385-386. Kimball, Carol. The Song File: Art Song on Route 66. 66:5 (May/June Sjoerdsma, Richard Dale. Editor’s Commentary: Sundry Funnies. 2010): 599-603. 66:3 (January/February 2010): 251-252. Kimball, Carol. The Song File: “Bright is the Ring of Words.’ 66:1 Sjoerdsma, Richard Dale. Editor's Commentary: Voice History (September/October 2009): 89-96, Revisited. 66:5 (May/June 2010): 509-511. Leibel, Jane. The Private Studio: Musical Parody in John Greer’s Swanson, Carl. The Private Studio: Humor, Fun, and Novelty in A Sarah Binks Songbook. 66:2 (November/December 2009): Song. 66:3 (January/February 2010): 319-324. 183-192. Titze, Ingo. Voice Research and Technology: Scientific Integrity Rawlins, Joseph T. Reynaldo Hahn: “Le Vénézuélien Musicien in Pedagogic Writing. 66:1 (September/October 2009): 59-60. de Paris.” 66:1 (September/October 2009): 23-43. Rice, Rebecca. William Walton's Facade and Its Descendants. 66:4 Music Criticism (March/April 2010): 399-407. Austin, Stephen. Provenance: Carlo Bassini’s The Art of Singing, Shannon, Pamela. The Solo Songs of Gioachino Rossini. 66:4 Part 1. 66:5 (May/June 2010): 591-598. (March/April 2010): 409-419. DeAth, Leslie. Language and Diction: Dubroca'’s Traité and French style soutenu in the Nineteenth Century, Part 1. 66:1 (Septem- Language and Diction ber/October 2009): 63-70. DeAth, Leslie. Language and Diction: Dubroca's Traité and French DeAth, Leslie. Language and Diction: Dubroca’s Traité and French style soutenu in the Nineteenth Century, Part 1. 66:1 (Septem- style soutenu in the Nineteenth Century, Part 2. 66:2 (Novem- ber/October 2009): 63-70. ber/December 2009): 171-180. 630 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 66 De'Ath, Leslie, and Andrew Rethazi. Language and Diction: Hun- DeSpain, Lisa, ed., comp. Teens’ Musical Theatre Anthology. 66:5 garian Vocal Music, with an Introduction to Hungarian Lyric (May/June 2010): 619-620. Diction, Part 1. 66:3 (January/February 2010): 303-313. Earhart, Will, and Frank LaForge, comp., arr., trans., ed. Path- DeAth, Leslie, and Andrew Rethazi. Language and Diction: Hun- ways ofS ong (revised edition). 66:5 (May/June 2010): 618-619. garian Vocal Music, with an Introduction to Hungarian Lyric Eddleman, David. Kokkari Lyrics. 66:3 (January/February 2010): Diction, Part 2. 66:4 (March/April 2010): 437-445. 362-363. Fugate, Brad. Overshadowed, Not Obsolete: Making a Case for G. Schirmer Opera Anthology Diction Coach. 66:5 (May/June the air de cour. 66:3 (January/February 2010): 269-279. 2010): 621. Kenaston-French, Karen. The Teachings of Jean-Antoine Bérard: Haag, John L., and Jeremy Mann., ed., comp. Alfred's Singer’s Content, Context, Legacy. 66:2 (November/December 2009): Library of Musical Theatre. 66:5 (May/June 2010): 620. 149-155. Haas, Pavel. Cinské Pisne (Chinese Songs), Op. 4 for Medium Voice Miller, Richard. Voice Pedagogy: In the Beginning: The Genesis and Piano. 66:1 (September/October 2009): 109. of the Art of Singing. 66:1 (September/October 2009): 45-50. Haas, Pavel. Life is Fine. 66:1 (September/October 2009): 110-111. Myers, Myron. Provenance: Louis Graveure (1888-1965). 66:4 Haas, Pavel. Tales Not Told. 66:1 (September/October 2009): (March/April 2010): 469-475. 111-114. Rethazi, Andrew, and Leslie De'Ath. Language and Diction: Hun- Hays, Mark, arr. Seven by Porter. 66:5 (May/June 2010): 619. garian Vocal Music, with an Introduction to Hungarian Lyric Hoiby, Lee. Chants d’Exil. 66:3 (January/February 2010): 363. Diction, Part 1. 66:3 (January/February 2010): 303-313. Hoiby, Lee. “The Darkling Thrush.” 66:3 (January/February 2010): Rethazi, Andrew, and Leslie De'Ath. Language and Diction: Hun- 363-364. garian Vocal Music, with an Introduction to Hungarian Lyric Hoiby, Lee. “Nuits.” 66:3 (January/February 2010): 364-365. Diction, Part 2. 66:4 (March/April 2010): 437-445. Keele, Roger. Six Seasonal Songs. 66:2 (November/December Rice, Rebecca. William Walton’s Facade and Its Descendants. 66:4 2009): 233-234. (March/April 2010): 399-407. Kemp, Nicola-Jane, and Heidi Pegler. The Language of Song. 66:5 Shannon, Pamela. The Solo Songs of Gioachino Rossini. 66:4 (May/June 2010): 618. (March/April 2010): 409-419. LaForge, Frank, and Will Earhart, comp., arr., trans., ed. Path ways of Song (revised edition). 66:5 (May/June 2010): 618-619. Music Reviews Laitman, Lori. And Music Will Not End. 66:4 (March/April 2010): Aborn, Lora. Songsfo rC hatka/ Nine Nursery Rhymes. 66:2 (Novem- 491-492. ber/December 2009): 228-230. Liebergen Patrick, comp., ed., arr. Singers Library of Arias. 66:5 Aborn, Lora. 3 Songs, Volume 2. 66:2 (November/December (May/June 2010): 618. 2009): 230. Macmillan, James. Three Scottish Songs. 66:2 (November/December Albrecht, Sally K., comp., ed. 12 Folk Songs for Solo Singers. 66:5 2009): 234-235. (May/June 2010); 619. Mann, Jeremy, and John L. Haag, ed., comp. Alfred's Singer's Althouse, Jay, arr. Great American Songwriterfso r Solo Singers. Library of Musical Theatre. 66:5 (May/June 2010): 620. 66:5 (May/June 2010): 619. Mendelssohn-Bartholdy, Felix. Lieder fiir Singstimme und Klavier Anthology of Chinese Songs, Volume II: Traditional and Modern (Volume 1: Songs Published During the Composer's Lifetime). Chinese Art Songs. 66:1 (September/October 2009): 107-109. 66:2 (November/December 2009): 235-236. Argento, Dominick. Three Sonnets of Petrarch. 66:3 (January/ Mollicone, Henry. Five Love Songs. 66:3 (January/February 2010): February 2010): 361-362. 365. Boytim, Joan Frey, comp. Roses, Laughter & Lullabies. 66:5 Mollicone, Henry. Images and Reflections. 66:3 (January (May/June 2010): 621. February 2010): 365-367. Boytim, Joan Frey, comp. Young Ladies, Shipmates & Journeys. Mollicone, Henry. Songs of Love and Departure. 66:3 (January 66:5 (May/June 2010): 621. February 2010): 367-368. Caicedo, Patricia, ed. Jame Leon: Analysis and Compilation of His Mozart, Wolfgang Amadeus. Konzert-Arien fiir Bass und Orch- Works for Voice and Piano, Vol. 1 and 2. 66:2 (November/ ester. 66:2 (November/December 2009): 236. December 2009): 227-228. Niles, John Jacob. Christmas Songs and Carols. 66:5 (May/June Campbell, Ross, et al., comp. ABRSM Songbook. Selected Pieces and 2010): 621. Traditional Songs in Five Volumes. 66:5 (May/June 2010): Pegler, Heidi, and Nicola-Jane Kemp. The Language of Song. 66:5 617-618. (May/June 2010): 618. Cloud, Judith. Night Dreams. 66:2 (November/December 2009): Saint-Saéns, Camille. “Ave Maria a 2 voix égales.” 66:2 (Novem- 230-232. ber/December 2009): 236-237. Cloud, Judith. Quatre Mélodies de Ronsard. 66:2 (Novem- Smith, Alan Louis. Vignettes: Ellis Island. 66:4 (March/April 2010): ber/December 2009): 232-233. 492-493. 631 MAy/JUNE 2010 [| Journal of Singing Subject Index to Volume 66 Smith, Alan Louis. “He’s Gone Away.” 66:4 (March/April 2010): Arneson, Christopher. Performance Anxiety: A Twenty-First 493. Century Perspective. 66:5 (May/June 2010): 537-546. Thomas, Richard Pearson. Young Love. 66:5 (May/June 2010): 617. Austin, Stephen. Provenance: Carlo Bassini’s The Art ofS inging, Walters, Richard,. comp., ed. 12 Wedding Solos. 66: 5 (May/June Part 1. 66:5 (May/June 2010): 591-598. 2010): 620-621. Austin, Stephen. Provenance: Frederic W. Root’s “Systemizing Walters, Richard, comp. The Contemporary Singing Actor, Womens Voice Culture.” 66:2 (November/December 2009): 201-206. Edition (vols. 1 and 2, revised). 66:5 (May/June 2010): 620. Austin, Stephen. Provenance: Stockhausen’s Method of Singing Webber, Andrew Lloyd. Vocal Duets. 66:5 (May/June 2010): 620. (concluded). 66:1 (September/October 2009): 85-88. Wood, Jeffrey. “Liebeslied—Love Song.” 66:4 (March/April 2010): Bergan, Christine. Mindful Voice: Motor Learning Principles and 493-494. Voice Pedagogy: Theory and Practice. 66:4 (March/April 2010): Wood, Jeffrey. “Lullay, My Child.” 66:4 (March/April 2010): 494. 457-468. Bos, Nancy. Popular Song and Music Theater: The Courage for Music Theater and CCM Change. 66:3 (January/February 2010): 315-317. Bos, Nancy. Popular Song and Music Theater: The Courage for Bozeman, Kenneth W. Voice Pedagogy: The Role of the First For- Change. 66:3 (January/February 2010): 315-317. mant in Training the Male Singing Voice. 66:3 (January/February Edwin, Robert. Popular Song and Music Theater: Auditioning 2010): 291-297. 101. 66:2 (November/December 2009): 181-182. Cowgill, Jennifer Griffith. Breathing for Singers: A Comparative Edwin, Robert. Popular Song and Music Theater: Personal and Analysis of Body Types and Breathing Tendencies. 66:2 (Novem- Pedagogic Aesthetics. 66:5 (May/June 2010): 575-577. ber/December 2009): 141-147. Edwin, Robert. Popular Song and Music Theater: What's Going On Daughtrey, Sarah. The Private Studio: A Plea to the Private Stu- On Broadway? 66:1 (September/October 2009): 71-73. dio Teachers of College Bound Singers. 66:5 (May/June 2010): Holmes, Leslie. The Vocal Point: A Conversation with Michael 579-583. Feinstein, Part 1. 66:3 (January/February 2010): 351-355. Edwin, Robert. Popular Song and Music Theater: Personal and Holmes, Leslie. The Vocal Point: A Conversation with Michael Pedagogic Aesthetics. 66:5 (May/June 2010): 575-577. Feinstein, Part 2. 66:4 (March/April 2010): 481-485. Grogan, David. Provenance: The Roots of American Pedagogy. 66:3 Wigginton, James R. Popular Song and Music Theater: When (January/February 2010): 331-343. “Proper” Is Dead Wrong: How Traditional Methods Fail Aspir- Helding, Lynn. Mindful Voice: Howard Gardner's Theory of Mul- ing Artists. 66:4 (March/April 2010): 447-449. tiple Intelligences. 66:2 (November/December 2009): 193-199. Opera Helding, Lynn. Mindful Voice: Howard Gardner's Theory of Mul- tiple Intelligences: Musical Intelligence. 66:3 (January/February DeAth, Leslie. Language and Diction: Dubroca’s Traité and French 2010): 325-330. style soutenu in the Nineteenth Century, Part 1. 66:1 (Septem- Helding, Lynn. Mindful Voice: The Mind's Mirrors. 66:5 (May/June ber/October 2009): 63-70. DeAth, Leslie. Language and Diction: Dubroca’s Traité and French 2010): 585-589. style soutenu in the Nineteenth Century, Part 2. 66:2 (Novem- Helding, Lynn. Mindful Voice: The Missing Brain. 66:1 (Septem- ber/October 2009): 79-83. ber/December 2009): 171-180. Hurst-Wajszczuk, Kristine. Voice Pedagogy: Do They Really Get Holmes, Leslie. The Vocal Point: A Conversation with Barbara It? Using the Kolb LSI to Reach Every Student. 66:4 (March/April Frittoli. 66:2 (November/December 2009): 213-220. Holmes, Leslie. The Vocal Point: A Conversation with Sherrill 2010): 421-427. Milnes. 66:1 (September/October 2009): 97-101. Indik, Lawrence. The End of Breath for Singing: Exhalation and Holmes, Leslie. The Vocal Point: A Conversation with William the Control of Breath. 66:2 (November/December 2009): Sharp, Part 1. 66:5 (May/June 2010): 605-611. 131-140. Radford, Anthony. Mozart’s First Figaro: The Vocal Skill of Kenaston-French, Karen. The Teachings of Jean-Antoine Bérard: Francesco Benucci. 66:3 (January/February 2010): 281-290. Content, Context, Legagy. 66:2 (November/December 2009): 149-155. Opinion Kimball, Carol. The Song File: A Smorgasbord of Song Groups. Sjoerdsma, Richard Dale. Editor's Commentary: Aging Voice— 66:3 (January/February 2010): 345-350. A Pilgrim's Regress. 66:2 (November/December 2009): 129-130. Kimball, Carol. The Song File: Tweaking the Song Recital. 66:2 (November/December 2009): 207-211. Pedagogy Kirkpatrick, Adam. Chiaroscuro and the Quest for Optimal Res- Ali, Susan. Understanding Our Students’ Self-Regulation Dur- onance. 66:1 (September/October 2009): 15-21. ing Practice: Verbal Protocol as a Tool. 66:5 (May/June 2010): McCoy, Scott. From the President: Our Obligation to Students 529-536. and the Profession. 66:4 (March/April 2010): 381-383. 632 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 66 Michael, Deirdre. Voice Pedagogy: Dispelling Vocal Myths. Part Holmes, Leslie. The Vocal Point: A Conversation with William 1: “Sing From Your Diaphragm!” 66:5 (May/June 2010): 547-551. Sharp, Part 1. 66:5 (May/June 2010): 605-611. Miller, Richard. Voice Pedagogy: In the Beginning: The Genesis Radford, Anthony. Mozart's First Figaro: The Vocal Skill of of the Art of Singing. 66:1 (September/October 2009): 45-50. Francesco Benucci. 66:3 (January/February 2010): 281-290. Myers, Myron. Provenance: Louis Graveure (1888-1965). 66:4 (March/April 2010): 469-475. Research Peeler, Karen. Voice Pedagogy: Training the Artist-Teacher: Voice Bergan, Christine. Mindful Voice: Motor Learning Principles and Pedagogy at The Ohio State University. 66:2 (November/ Voice Pedagogy: Theory and Practice. 66:4 (March/April December 2009): 157-159. 2010): 457-468. Seminatore, Gerald. Teaching Poetry Through Song: A Modest Cowgill, Jennifer Griffith. Breathing for Singers: A Comparative Proposal. 66:5 (May/June 2010): 515-525. Analysis of Body Types and Breathing Tendencies. 66:2 (Novem- Spencer, Martin L. Care oft he Professional Voice: Integration of ber/December 2009): 141-147. Singing into Voice Therapy. 66:2 (November/December 2009): Helding, Lynn. Mindful Voice: Howard Gardner’s Theory of Mul- 161-166. tiple Intelligences. 66:2 (November/December 2009): 193-199. Swanson, Carl. The Private Studio: Ask What You Can Do for Helding, Lynn. Mindful Voice: Howard Gardner's Theory of Mul- NATS. 66:1 (September/October 2009): 75-78. tiple Intelligences: Musical Intelligence. 66:3 (January/February Swanson, Carl. The Private Studio: Humor, Fun, and Novelty in 2010): 325-330. Song. 66:3 (January/February 2010): 319-324. Helding, Lynn. Mindful Voice: The Mind’s Mirrors. 66:5 (May/June Titze, Ingo. Voice Research and Technology: Concone’s Thirty 2010): 585-589. Exercises—An Interesting Variation. 66:3 (January/February Helding, Lynn. Mindful Voice: The Missing Brain. 66:1 (Septem- 2010): 301-302. ber/October 2009): 79-83. Titze, Ingo. Voice Research and Technology: Introducing a Video Hurst-Wajszczuk, Kristine. Voice Pedagogy: Do They Really Get for Using Straw Phonation. 66:5 (May/June 2010): 559-560. It? Using the Kolb LSI to Reach Every Student. 66:4 (March/April Titze, Ingo. Voice Research and Technology: What Signals Phys- 2010): 421-427. ical Strength in a Voice? 66:2 (November/December 2009): Ophaug, Wencke. Language and Diction: The Pronunciation of 169-170. /r/ in German Classical Singing. 66:5 (May/June 2010): 561-574. Wigginton, James R. Popular Song and Music Theater: When Titze, Ingo. Voice Research and Technology: Cells That Maintain “Proper” Is Dead Wrong: How Traditional Methods Fail Aspir- Your Vocal Fold Tissues. 66:4 (March/April 2010): 435-436. ing Artists. 66:4 (March/April 2010): 447-449. Titze, Ingo. Voice Research and Technology: Introducing a Video for Using Straw Phonation. 66:5 (May/June 2010): 559-560. Performance Practice Titze, Ingo. Voice Research and Technology: What Signals Phys- Chisolm, Rose M. Notes on the Hermit Songs Texts. 66:1 (Sep- ical Strength in a Voice? 66:2 (November/December 2009): tember/October 2009): 7-13. 169-170. Heiberg, Harold. Schubert in Singable English: Winter Journey. Song Literature 66:4 (March/April 2010): 387-398. Kenaston-French, Karen. The Teachings of Jean-Antoine Bérard: Andrews, Joyce. Amanda Aldridge, Teacher and Composer: A Content, Context, Legagy. 66:2 (November/December 2009): Life in Music. 66:3 (January/February 2010): 253-268. 149-155. Chisolm, Rose M. Notes on the Hermit Songs Texts. 66:1 (Sep- Radford, Anthony. Mozart’s First Figaro: The Vocal Skill of tember/October 2009): 7-13. Francesco Benucci. 66:3 (January/February 2010): 281-290. DeAth, Leslie, and Andrew Rethazi. Language and Diction: Hungar- ian Vocal Music, with an Introduction to Hungarian Lyric Dic- Performers tion, Part 1. 66:3 (January/February 2010): 303-313. Andrews, Joyce. Amanda Aldridge, Teacher and Composer: A Fugate, Brad. Overshadowed, Not Obsolete: Making a Case for Life in Music. 66:3 (January/February 2010): 253-268. the air de cour. 66:3 (January/February 2010): 269-279. Holmes, Leslie. The Vocal Point: A Conversation with Barbara Heiberg, Harold. Schubert in Singable English: Winter Journey. Frittoli. 66:2 (November/December 2009): 213-220. 66:4 (March/April 2010): 387-398. Holmes, Leslie. The Vocal Point: A Conversation with Michael Kimball, Carol. The Song File: A Smorgasbord of Song Groups. Feinstein, Part 1. 66:3 (January/February 2010): 351-355. 66:3 (January/February 2010): 345-350. Holmes, Leslie. The Vocal Point: A Conversation with Michael Kimball, Carol. The Song File: Art Song on Route 66. 66:5 (May/June Feinstein, Part 2. 66:4 (March/April 2010): 481-485. 2010): 599-603. Holmes, Leslie. The Vocal Point: A Conversation with Sherrill Kimball, Carol. The Song File: “Bright is the Ring of Words.” 66:1 Milnes. 66:1 (September/October 2009): 97-101. (September/October 2009): 89-96, May/JUNE 2010 633 | Journal of Singing Subject Index to Volume 66 Leibel, Jane. The Private Studio: Musical Parody in John Greer’s Titze, Ingo. Voice Research and Technology: Cells That Main- A Sarah Binks Songbook. 66:2 (November/December 2009): tain Your Vocal Fold Tissues. 66:4 (March/April 2010): 183-192. 435-436. Rawlins, Joseph T. Reynaldo Hahn: “Le Vénézuélien Musi- cien de Paris.” 66:1 (September/October 2009): 23-43. Rethazi, Andrew, and Leslie De’Ath. Language and Diction: Hungarian Vocal Music, with an Introduction to Hungar- ian Lyric Diction, Part 1. 66:3 (January/February 2010): All the melodies mysterious 303-313. Through the dreary darkness chaunted; Rice, Rebecca. William Walton's Facade and Its Descendants. Thoughts in attitudes imperious, 66:4 (March/April 2010): 399-407. Voices soft, and deep, and serious, Shannon, Pamela. The Solo Songs of Gioachino Rossini. 66:4 Words that whispered, songs that haunted! (March/April 2010): 409-419. Swanson, Carl. The Private Studio: Humor, Fun, and Novelty in Song. 66:3 (January/February 2010): 319-324. All the soul in rapt suspension, All the quivering, palpitating Technology Chords ofl ife in utmost tension, Hurst-Wajszczuk, Kristine. Voice Pedagogy: Do They Really Get With the fervor of invention, It? Using the Kolb LSI to Reach Every Student. 66:4 (March/ With the rapture ofc reating! April 2010): 421-427. Voice Care Though to all there is not given Arneson, Christopher. Performance Anxiety: A Twenty-First Strength for such sublime endeavor, Century Perspective. 66:5 (May/June 2010): 537-546. Thus to scale the walls of heaven, Berry, Samuel L., and Keith G. Saxon, MD. Care of the Pro- And to leaven with fiery leaven fessional Voice: Vocal Exercise Physiology: New Training Paradigms. 66:1 (September/October 2009): 51-57. All the hearts of men for ever; Sataloff, Robert T. Care oft he Professional Voice: Acoustics: What We Need to Know About Our Environment. 66:4 Yet all bards, whose hearts unblighted (March/April 2010): 429-431. Honor and believe the presage, Sataloff, Robert T. Care oft he Professional Voice: Controver- Hold aloft their torches lighted, sies and Confusions in Diagnosing Laryngopharyngeal Gleaming through the realms benighted, Reflux. 66:5 (May/June 2010): 553-557. Saxon, Keith G., MD, and Samuel L. Berry. Care oft he Pro- As the onward bear the message! fessional Voice: Vocal Exercise Physiology: New Training From “Prometheus” Paradigms. 66:1 (September/October 2009): 51-57. Henry Wadsworth Longfellow Spencer, Martin L. Care of the Professional Voice: Integration of Singing into Voice Therapy. 66:2 (November/December 2009): 161-166. JOURNAL OF SINGING fies