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Journal of Singing Author Index to Volume 64 Adams, Andrew. The Vocal Point: Simon Estes on Singing. 64:1 Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar- (September/October 2007): 99-109. cia—Composer, Teacher, Singer. 64:2 (November Austin, Stephen. Provenance: Eye Witness Views. 64:2 (Novem- December 2007): 151-166. ber/December 2007): 223-226. Edwin, Robert. Popular Song and Music Theater: Belt is Legit. Austin, Stephen. Provenance: First Things First. 64:1 (Sep- 64:2 (November/December 2007): 213-215. tember/October 2007): 89-93. Emmons, Shirlee, and Alma Thomas. Voice Pedagogy: Under- Austin, Stephen. Provenance: “Lean on Me”: The Art of the standing Performance Anxiety. 64:4 (March/April 2008): Appoggiatura. 64:3 (January/February 2008): 363-368. 461-465. Austin, Stephen. Provenance: Plugging the Holes. 64:4 Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz. (March/April 2008): 497-501. 64:2 (November/December 2007): 175-186. Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- Géliot, Christine. Compositions for Voice by Mel Bonis, French ber/December 2007): 167-173. Woman Composer, 1858-1937. 64:1 (September/October Berg, Gregory. The Listeners Gallery. 64:1 (September/Octo- 2007): 47-57. ber 2007): 123-129; 64:2 (November/December 2007): Goldberg, Leslie. The Private Studio: Le bon mot: Texts for Vocalises. 64:1 (September/October 2007): 81-86. 257-260; 64:3 (January/February 2008): 391-397; 64:4 Greschner, Debra. Bookshelf. 64:1 (September/October 2007): (March/April 2008): 525-529; 64:5 (May/June 2008): 655-660. 111-113; 64:2 (November/December 2007): 239-242; 64:3 Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May/June (January/February 2008): 377-380; 64:4 (March/April 2008): 2008): 565-578. 513-516; 64:5 (May/June 2008): 643-646. Brodovitch, Elizabeth. Language and Diction: The Singing Hawkshaw, Mary J., Venu Divi, Yolanda D. Heman-Ackah, and Qualities of the French Language. 64:1 (September/October Robert T. Sataloff. Care of the Professional Voice: Finding a 2007): 71-75. Voice Doctor and Voice Care Team. 64:5 (May/June 2008): Brunk, Amanda. The Private Studio: Managing Voice Prob- 583-592. | lems in the Private Studio. 64:5 (May/June 2008): 615-618. Hawkshaw, Mary J., Robert T. Sataloff, Venu Divi, and Yolanda Carman, Judith. Music Reviews: A Miscellany of Twos, Plus D. Heman-Ackah. Care of the Professional Voice: How Do Two. 64:4 (March/April 2008): 517-524. I Maintain Longevity of My Voice? 64:4 (March/April 2008): Carman, Judith. Music Reviews: Carmina Obscurita and Other 467-472. Curiosities. 64:2 (November/December 2007): 243-256. Helding, Lynn. Voice Science and Vocal Art, Part One: In Carman, Judith. Music Reviews: Cycles, Sets, and Singles. 64:5 Search of Common Ground. 64:2 (November/December (May/June 2008): 647-654. 2007): 141-150. Carman, Judith. Music Reviews: New Works and Collections II Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor 64:1 (September/October 2007): 115-122. Learning Theory. 64:4 (March/April 2008): 417-428. Carman, Judith. Music Reviews: Vocal Chamber Music, Voice Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk- with Guitar, and a New Collection. 64:3 (January/February shaw, and Venu Divi. Care of the Professional Voice: Find 2008): 381-390. ing a Voice Doctor and Voice Care Team. 64:5 (May/June DeAth, Leslie. Language and Diction: Consonant Clusters in Ger- 2008): 583-592. man, I. 64:3 (January/February 2008): 343-353. Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk DeAth, Leslie. Language and Diction: Consonant Clusters in Ger- shaw, and Venu Divi. Care of the Professional Voice: How man, II. 64:4 (March/April 2008): 477-482. Do I Maintain Longevity of My Voice? 64:4 (March/April De'Ath, Leslie. Language and Diction: Double Consonants and 2008): 467-472. Gemination in Sung French. 64:2 (November/December Hix, Michael, and Margaret Jackson. The Vocal Point: A Friend 2007): 203-211. of Operetta: An Interview with Robert Ward on the Pre Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and miere of His New Operetta, A Friend of Napoleon. 64:3 (Jan- Mary J. Hawkshaw. Care of the Professional Voice: Finding uary/February 2008): 371-376. a Voice Doctor and Voice Care Team. 64:5 (May/June 2008): Holmes, Leslie. The Vocal Point: A Conversation with Judith Ble- 583-592. gen. 64:2 (November/December 2007): 231-238. Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and Holmes, Leslie. The Vocal Point: A Conversation with Richard Mary J. Hawkshaw. Care of the Professional Voice: How Do Stilwell. 64:4 (March/April 2008): 505-511. I Maintain Longevity of My Voice? 64:4 (March/April 2008): Holmes, Leslie. The Vocal Point: A Conversation with Stephanie 467-472. Blythe. 64:5 (May/June 2008): 635-642. 661 May/JUNE 2008 Journal of Singing Author Index to Volume 64 Jackson, Margaret, and Michael Hix. The Vocal Point: A Friend Olson, Margaret. Vibrato vs. Nonvibrato: The Solo Singer in of Operetta: An Interview with Robert Ward on the Pre- the Collegiate Choral Ensemble. 64:5 (May/June 2008): miere of His New Operetta, A Friend of Napoleon. 64:3 561-564. (January/February 2008): 371-376. Pauley, John-Bede. To Turn Singing on its Ear: The Singer’s Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic Voice and the Tomatis Listening Curve, Part II. 64:4 and Perceptual Support for Pedagogic Practice. 64:4 (March/April 2008): 443-457. (March/April 2008): 429-441. Popeil, Lisa. Popular Song and Music Theater: The Multiplic- Kirkpatrick, Adam. The Private Studio: Useful Exercises for ity of Belting. 64:1 (September/October 2007): 77-80. Private Studio Voice Teachers: How to Sing Coloratura. Randall, Martha. From the President: A Meeting of the Minds. 64:3 (January/February 2008): 359-362. 64:4 (March/April 2008): 401-404. Kirkpatrick, Adam. Teaching Methods for Correcting Prob- Randall, Martha. From the President: Amending the Bylaws. lematic Vibratos: Using Sustained Dynamic Exercises to 64:2 (November/December 2007): 133-135. Randall, Martha. From the President: Du holde Kunst. 64:5 Discover and Foster Healthy Vibrato. 64:5 (May/June 2008): (May/June 2008): 533-535. 551-556. Randall, Martha. From the President: Mission-ary Zeal. 64:1 Lines, Carol. The Songs of Lori Laitman. 64:1 (September/ (September/October 2007): 1-3. October 2007): 31-46. Randall, Martha. From the President: Tis the Season. 64:3 Mabry, Sharon. New Directions: Independently Curious. 64:2 (January/February 2008): 265-267. (November/December 2007): 227-229. Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and Mabry, Sharon. New Directions: The Masterful Lori Laitman. the Aging Singer. 64:5 (May/June 2008): 543-550. 64:1 (September/October 2007): 95-97. Rike, Gregory B. Every Night and Every Morn: A Performance Mabry, Sharon. New Directions: The Road Not Taken. 64:4 Study of the Song Cycle by Jeffrey Wood from the Poetry (March/April 2008): 503-504. of William Blake. 64:3 (January/February 2008): 295-315. Mabry, Sharon. New Directions: The Songs of Robert Boury. Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: 64:3 (January/February 2008): 369-370. Reality Check! Training for an Operatic Career. 64:2 (Novem- Manternach, Brian, with Robert T. Sataloff. Care oft he Profes- ber/December 2007): 189-194. sional Voice: Teaching Singers with Emphysema and Other Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda Pulmonary Diseases. 64:3 (January/February 2008): 333-337. D. Heman-Ackah. Care of the Professional Voice: Finding a Marks, Robert. Popular Song and Music Theater: Preparing Voice Doctor and Voice Care Team. 64:5 (May/June 2008): Logical 16-Bar Cuts for Audition Songs. 64:3 (January/ 583-592. February 2008): 355-357. Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on D. Heman-Ackah. Care oft he Professional Voice: How Do the Voice Master Class. 64:3 (January/February 2008): I Maintain Longevity of My Voice? 64:4 (March/April 2008): 329-332. 467-472. McCoy, Scott. Voice Pedagogy: NATS and NASCAR. 64:1 (Sep- Sataloff, Robert T. Care oft he Professional Voice: Sinusitis. tember/October 2007): 59-61. 64:1 (September/October 2007): 63-66. McCoy, Scott. Voice Pedagogy: The Seduction of Nasality. 64:5 Sataloff, Robert T. Care of the Professional Voice: Thyroid Can- (May/June 2008): 579-582. cer. 64:2 (November/December 2007): 195-198. Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby and Perceptual Support for Pedagogic Practice. 64:4 (March/ Larsen: Two Different Approaches to Western Mythology April 2008): 429-441. and Western Mythological Figures. 64:1 (September/Octo- Myers, Myron. Provenance: The Legacy of Garcia. 64:5 (May/ ber 2007): 21-30. June 2008): 619-624. Simpson, C. Blake, and John Nix. Voice Research and Tech- Néron, Martin. Language and Diction: Singing in French: nology: Semi-Occluded Vocal Tract Postures and Their Between Theory and Practice. 64:5 (May/June 2008): Application in the Singing Voice Studio. 64:3 (January/ 595-605. February 2008): 339-342. Nix, John, and C. Blake Simpson. Voice Research and Tech- Sjoerdsma, Richard Dale. Editor's Commentary: -al, -ic, -ical. nology: Semi-Occluded Vocal Tract Postures and Their 64:3 (January/February 2008): 269-271. Application in the Singing Voice Studio. 64:3 (January/ Sjoerdsma, Richard Dale. Editors Commentary: Attention February 2008): 339-342. (Please)! 64:5 (May/June 2008): 537-538. 662 JOURNAL OF SINGING Journal of Singing Author Index to Volume 64 Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb- cific. 64:4 (March/April 2008): 405-407. ruary 2008): 317-327. Sjoerdsma, Richard Dale. Editor’s Commentary: Lied, Leid, and Thomas, Alma, and Shirlee Emmons. Voice Pedagogy: Under- “Leidmotif” 64:2 (November/December 2007): 137-138. standing Performance Anxiety. 64:4 (March/April 2008): Sjoerdsma, Richard Dale. Editor's Commentary: When I Sur- 461-465. vey ... 64:1 (September/October 2007): 5-7. Titze, Ingo. Voice Research and Technology: An Appeal for Sjoerdsma, Richard Dale. Letters to the Editor. 64:1 (Septem- Patience and Longsuffering by Singing Teachers in Their ber/October 2007): 9-10; 64:3 (January/February 2008): Assessment of the Value of Voice Science. 64:5 (May/June 276; 64:4 (March/April 2007): 409-410; 64:5 (May/June 2008): 593-594. 2008): 539-541. Titze, Ingo. Voice Research and Technology: A Hypothesis Sjoerdsma, Richard Dale. New Directions: Chester Biscardi— about Whistle Voice. 64:4 (March/April 2008): 473-475. A Voice for Our Time. 64:5 (May/June 2008): 625-633. Titze, Ingo. Voice Research and Technology: Resurrection from Spivey, Norman. Popular Song and Music Theater: Music The- the Coffin. 64:2 (November/December 2007): 199-201. ater Singing . . . Let's Talk. Part 1: On the Relationship of Titze, Ingo. Voice Research and Technology: Vocal Demands Speech and Singing. 64:4 (March/April 2008): 483-489. on Teachers. 64:1 (September/October 2007): 67-69. Spivey, Norman. Popular Song and Music Theater: Music The- Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March ater Singing... Let's Talk. Part 2: Examining the Debate April 2008): 411-416. on Belting. 64:5 (May/June 2008): 607-614. Westlund, Beth Ray. Letters for a Composer: Dominick Strempel, Eileen. Try Me, Good King: Last Words oft he Wives Argentos Casa Guidi. 64:3 (January/February 2008): 275-285. of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1 White, Robert C., and Lenore Rosenberg. Voice Pedagogy: (September/October 2007): 11-20. Reality Check! Training for an Operatic Career. 64:2 (Novem- Swanson, Carl. The Private Studio: Students with ADHD. 64:2 ber/December 2007): 189-194. (November/December 2007): 217-221. Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the Swanson, Carl. The Private Studio: This is Your Brain on Song. Genre of American Art Song. 64:3 (January/February 2008): 64:4 (March/April 2008): 491-495. 287-293. May/JUNE 2008 Journal of Singing Subject Index to Volume 64 Association Business Smith, W. Stephen, with Michael Chipman. The Naked Voice: Randall, Martha. From the President: Amending the Bylaws. A Wholistic Approach to Singing. 64:2 (November/Decem- 64:2 (November/December 2007): 133-135. ber 2007): 239-240. Stohrer, Sharon. The Singer's Companion. 64:4 (March/April Randall, Martha. From the President: Du holde Kunst. 64:5 (May/June 2008): 533-535. 2008): 513-514. Striny, Denes. Head First. The Language of the Head Voice: A Randall, Martha. From the President: A Meeting of the Minds. Concise Study of Learning to Sing in the Head Voice. 64:2 64:4 (March/April 2008): 401-404. (November/December 2007): 240-242. Randall, Martha. From the President: Mission-ary Zeal. 64:1 (September/October 2007): 1-3. Careers Randall, Martha. From the President: Tis the Season. 64:3 (Jan- uary/February 2008): 265-267. Mabry, Sharon. New Directions: Independently Curious. 64:2 Sjoerdsma, Richard Dale. Editors Commentary: Attention (November/December 2007): 227-229. Marks, Robert. Popular Song and Music Theater: Preparing (Please)! 64:5 (May/June 2008): 537-538. Logical 16-Bar Cuts for Audition Songs. 64:3 (January/Feb- Sjoerdsma, Richard Dale. Editor's Commentary: When I Sur- ruary 2008): 355-357. vey ... 64:1 (September/October 2007): 5-7. Randall, Martha. From the President: A Meeting of the Minds. Sjoerdsma, Richard Dale. Letters to the Editor. 64:1 (Septem- 64:4 (March/April 2008): 401-404. ber/October 2007): 9-10; 64:3 (January/February 2008): Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Real- 276; 64:4 (March/April 2008): 409-410; 64:5 (May/June ity Check! Training for an Operatic Career. 64:2 (November/ 2008): 539-541. December 2007): 189-194. White, Robert C., and Lenore Rosenberg. Voice Pedagogy: Real- Book Reviews ity Check! Training for an Operatic Career. 64:2 (November/ Alba, Lois. Vocal Rescue. Rediscover the Beauty, Power and Free- December 2007): 189-194. dom in Your Singing. 64:3 (January/February 2008): 379-380. Clark, Mark Ross. Guide to the Aria Repertoire. 64:3 (January/ CD/DVD Reviews February 2008): 377-378. American Songs. Patrice Michaels, soprano; Elizabeth Buc- Faure, Jean-Baptiste. The Voice and Singing. Tr. and ed., Fran- cheri, piano. 64:2 (November/December 2007): 257-258. cis Keeping and Roberta Prada. 64:1 (September/October Beverly Sills: Made in America. Beverly Sills, soprano and nar- 2007): 111-112. rator. 64:2 (November/December 2007): 258-259. Fisher, Robin, and Ruth Friedberg, eds. The Selected Writings of Folk Songs oft he British Isles as arranged by Benjamin Britten. John Duke 1917-1984. 64:5 (May/June 2008): 643-646. Maria Jette, soprano; Judith Kogan, harp. 64:4 (March/April Foreman, Edward V. The Art of bel canto in the Italian Baroque. 2008): 528-529. A Study of the Original Sources. 64:4 (March/April 2008): Fritz Wunderlich: Life and Legend. 64:3 (January/February 514-516. 2008): 391-393. Foreman, Edward V. A bel canto Method, or How to Sing Ital- Gabriel Fauré Mélodies. Maria Jette, soprano; Judith Kogan, ian Baroque Music Correctly. 64:4 (March/April 2008): 516. harp. 64:4 (March/April 2008): 528-529. Friedberg, Ruth, and Robin Fisher, eds. The Selected Writings of Gala Concert: 50th Anniversary oft he Reopening oft he Vienna John Duke 1917-1984. 64:5 (May/June 2008): 643-646. State Opera. Edita Gruberova, Violeta Urmana, Deborah Gerhart, Martha. Italian Song Text from the 17th through the 20th Polaski, Soile Isokoski, Ildiko Raimondi, Genia Kuhmeier, Centuries. Volume II: Italian Song Texts from the 18th Cen- Rocarda Merbeth, sopranos; Angelika Kirschlager, Agnes tury. 64:2 (November/December 2007): 242. Baltsa, mezzo sopranos; Placido Domingo, Johan Botha, Glass, Beaumont. The Memoirs of an Opera Bug. 64:3 Michael Schade, tenors; Thomas Hampson, Granz Grund- (January/February 2008): 378-379. heber, Falk Struckmann, baritones; Bryn Terfel, Feruccio Kimball, Carol. Song. A Guide to Art Song Style and Literature. Furlanetto, Walter Fink, basses. Vienna State Opera Orches- 64:1 (September/October 2007): 112-113. tra and Chorus; Seiji Ozawa, Daniele Gatti, Zubin Mehta, Monahan, Brent. The Singer's Companion. A Guide to Improv- Christian Thielemann, Franz Welser-Mést, conductors. 64:3 ing Your Voice and Performance. 64:5 (May/June 2008): (January/February 2008): 394-397. 643-646. He'll Bring It to Pass: The Spirituals of Hall Johnson for Voice Schmidt, Jan, and Heidi Counsell Schmidt. Basics ofS inging, and Piano. Louise Toppin, soprano; Joseph Joubert, piano. Sixth Edition. 64:4 (March/April 2008): 516. 64:5 (May/June 2008): 657-658. 664 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 64 Léos Janaéek: The Diary of One Who Vanished. Stephan Ng, Lines, Carol. The Songs of Lori Laitman. 64:1 (September tenor; Jane Christeson, mezzo soprano; Andrea Marie October 2007): 31-46. Baiocchi, piano. 64:5 (May/June 2008): 658-660. Mabry, Sharon. New Directions: The Masterful Lori Laitman. Menotti, Gian Carlo. Amahl and the Night Visitors—The His- 64:1 (September/October 2007): 95-97, toric 1955 Telecast. Amahi: Bill McIver; Mother: Rosemary Mabry, Sharon. New Directions: The Songs of Robert Boury. Kuhlmann; Kaspar: Andrew McKinley; Melchior: David 64:3 (January/February 2008): 369-370. Aiken; Balthazar: Leon Lishner; Page: Francis Monachino. Rike, Gregory B. Every Night and Every Morn: A Perfor- Symphony of the Air, Thomas Schippers, conductor. 64:4 mance Study of the Song Cycle by Jeffrey Wood from (March/April 2008): 525-527. the Poetry of William Blake. 64:3 (January/February Natalie Dessay: Le miracle d'une voix—Ses plus grands roles 2008): 295-315. sur scene. Natalie Dessay, soprano; Ulf Schirmer, Jossi Wieler, Secrest, Glenda. Songs from Letters and Cowboy Songs by Patrice Caurier, Willliam Christie, Ivan Fischer, Kent Nagano, Libby Larsen: Two Different Approaches to Western Bertrand de Billy, Michel Plasson, Pinchas Steinberg, Sir Mythology and Western Mythological Figures. 64:1 (Sep- Andrew Davis, Marc Minkowski, conductors. 64:5 (May/June tember/October 2007): 21-30. 2008): 655-657. Sjoerdsma, Richard Dale. New Directions: Chester Bis- Schubert, Franz. Die schéne Miillerin. Paul Rowe, baritone; cardi—A Voice for Our Time. 64:5 (May/June 2008): Martha Fischer, piano. 64:3 (January/February 2008): 625-633. 393-394. Strempel, Eileen. Try Me, Good King: Last Words oft he Songs and Encores. Judith Bettina, soprano; James Goldswor- thy, piano. 64:4 (March/April 2008): 527-528. Wives of Henry VIII: Libby Larsen’s Royal Portraits of Songs for Bertha and Brenda: Two Song Cycles for Soprano. Song. 64:1 (September/October 2007): 11-20. Dorothy Maddison, soprano; Lori Piltz, Gabriel Dobner, Taylor, Darryl. Songs ofH . Leslie Adams. 64:3 (January/Feb- piano. 64:1 (September/October 2007): 126-127. ruary 2008): 317-327. Songs of Jean Berger: 1909-2002. Melanie Emelio, soprano; Westlund, Beth Ray. Letters for a Composer: Dominick Barbara Thiagarijian, piano. 64:2 (November/December Argento's Casa Guidi. 64:3 (January/February 2008): 2007): 259-260. 275-285. Under the Bluest Sky . . . Songs of Richard Hundley. David Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the Parks, tenor; Read Ganisford, piano. 64:1 (September/ Genre of American Art Song. 64:3 (January/February October 2007): 127-128. 2008): 287-293. www.youtube.com. 64:1 (September/October 2007): 123-126. Language and Diction Composers Brodovitch, Elizabeth. Language and Diction: The Singing Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May/ Qualities of the French Language. 64:1 (September/Octo- June 2008): 565-578. ber 2007): 71-75. Draayer, Suzanne Rhodes. Canciones de Espana: Manuel DeAth, Leslie. Language and Diction: Consonant Clusters Garcia—Composer, Teacher, Singer. 64:2 (November/ in German, I. 64:3 (January/February 2008): 343-353. December 2007): 151-166. De‘Ath, Leslie. Language and Diction: Consonant Clusters Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz. in German, II. 64:4 (March/April 2008): 477-482. 64:2 (November/December 2007): 175-186. DeAth, Leslie. Language and Diction: Double Consonants Géliot, Christine. Compositions for Voice by Mel Bonis, and Gemination in Sung French. 64:2 (November/Decem- French Woman Composer, 1858-1937. 64:1 (Septem- ber 2007): 203-211. ber/October 2007): 47-57. Néron, Martin. Language and Diction: Singing in French: Hix, Michael, and Margaret Jackson. The Vocal Point: A Between Theory and Practice. 64:5 (May/June 2008): Friend of Operetta: An Interview with Robert Ward on 595-605. the Premiere of His New Operetta, A Friend ofN apoleon. 64:3 (January/February 2008): 371-376. Miscellaneous Jackson, Margaret, and Michael Hix. The Vocal Point: A Mabry, Sharon. New Directions: The Road Not Taken. 64:4 Friend of Operetta: An Interview with Robert Ward on (March/April 2008): 503-504. the Premiere of His New Operetta, A Friend of Napoleon. Sjoerdsma, Richard Dale. Editors Commentary: -al, -ic, - 64:3 (January/February 2008): 371-376. ical. 64:3 (January/February 2008): 269-271. 665 MAyY/JUNE 2008 Journal of Singing Subject Index to Volume 64 Titze, Ingo. Voice Research and Technology: An Appeal for Britten, Benjamin. Complete Folksong Arrangements. 64:1 Patience and Longsuffering by Singing Teachers in Their (September/October 2007): 119. Assessment of the Value of Voice Science. 64:5 (May/June Broustet, Edouard. Dix Mélodies. 64:2 (November/December 2008): 593-594. 2007): 252. Bullock, Edmund Barton. Cycle de Sept Mélodies. 64:5 (May/June Music Criticism 2008): 648. Bullock, Edmund Barton. Cycle ofF ive Troubadour Songs. 64:5 Austin, Stephen. Provenance: First Things First. 64:1 (Sep- tember/October 2007): 89-93. (May/June 2008): 647. Bullock, Edmund Barton. “Mélodie de Troubadour “Lanquan Austin, Stephen. Provenance: “Lean on Me”: The Art of the Appoggiatura. 64:3 (January/February 2008): 363-368. Li Jorn.” 64:5 (May/June 2008): 648. Austin, Stephen. Provenance: Plugging the Holes. 64:4 Bullock, Edmund Barton. Three Spiritualfso r Bass-Baritone, ‘Cello and Piano. 64:3 (January/February 2008): 381. (March/April 2008): 497-501. Bullock, Edmund Barton. Tre ‘Canzonieri’ de Francesco Petrarca. Géliot, Christine. Compositions for Voice by Mel Bonis, French 64:5 (May/June 2008): 649. Woman Composer, 1858-1937. 64:1 (September/October Cantolopera [Series]. 1. Duetti per Soprano-Mezzo-soprano, 2007): 47-57. Volume 2. 2. Belcanto Arie per Soprano. 3. Bellini Arie per Lines, Carol. The Songs of Lori Laitman. 64:1 (September/ Soprano. 4. Donizetti Arie per Soprano. 5. Donizetti Arie October 2007): 31-46. per Tenore. 6. Rossini Arie per Mezzosoprano. 64:2 (Novem- Myers, Myron. Provenance: The Legacy of Garcia. 64:5 ber/December 2007): 254. (May/June 2008): 619-624. Cipullo, Tom. The Husbands. 64:3 (January/February 2008): Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby 381-382. Larsen: Two Different Approaches to Western Mythology De Falla, Manuel. Siete Canciones Populares Espanolas. 64:3 and Western Mythological Figures. 64:1 (September/Octo- (January/February 2008): 389-390. ber 2007): 21-30. Draayer, Suzanne Rhodes, ed. Canciones de Esparia. Songs of Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- Nineteenth Century Spain, Volume 3. 64:3 (January/Febru- cific. 64:4 (March/April 2008): 405-407. ary 2008): 390. Strempel, Eileen. Try Me, Good King: Last Words of the Wives Fuchs, Robert. Lieder, Op. 81. 64:2 (November/December of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1 2007): 249-250. (September/October 2007): 11-20. Fung, Vivian. Six Haiku. 64:1 (September/October 2007): Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb- 115-116. ruary 2008): 317-327. Fung, Vivian. Songs of Childhood. 64:1 (September/October Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/ 2007): 116. April 2008): 411-416. Fiirstenau, Anton. Liebesruffii rS opran, Flote und Klavier. 64:3 Westlund, Beth Ray. Letters for a Composer: Dominick (January/February 2008): 382-383. Argentos Casa Guidi. 64:3 (January/February 2008): 275-285. Goldstein, Sylvia. Birds in Haiku. 64:1 (September/October Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the 2007): 116-117. Genre of American Art Song. 64:3 (January/February 2008): Hennesy, Martin. Songs of Irony/Songs ofL ove. 64:1 (Septem- 287-293. ber/October 2007): 117-118. Hofer, Andreas. Laudate Pueri Dominum. 64:2 (November/ Music Reviews December 2007): 244. Anonymer Meister. Laudate Dominum de Caelis. 64:2 (Novem- Hofer, Andres. Nisi Dominus. 64:2 (November/December ber/December 2007): 244. 2007): 244-245. Bach, Carl Philipp Emanuel. Geistliche Gesdnge nach Christoph Hoiby, Lee. Private First Class Jesse Givens. 64:4 (March/April Christian Sturm. 64:2 (November/December 2007): 246. 2008): 520. Baksa, Robert. Letters from Emily. Sixteen new songs to poems Holliger, Heinz. Lieder nach Gedichten von Christian Morgen- of Emily Dickinson. 64:4 (March/April 2008): 517-518. stern. 64:2 (November/December 2007): 250-251. Bogdanvoic, Dusan. Shuvi, Shuvi Hashulamit (Song of Songs, Jeffreys, George. Three Dialoguefso r soprano, bass and con- Chapter VII). 64:3 (January/February 2008): 389. tinuo. 64:2 (November/December 2007): 243-244. Boury, Robert. To Dream Again. 64:4 (March/April 2008): Jeffreys, George. “With Notes that are both loud and sweet.” 520. 64:2 (November/December 2007): 244. 666 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 64 Kaiser Ferdinand III. Ave Maris Stella. 64:2 (November/ Ristori, Giovanni Alberto. Divoti Affetti alla Passione di Nos- December 2007): 244. tro Signore. 64:2 (November/December 2007): 245-246. Kohn, Steven Mark, arr. American Folk Set, Book 3. 64:4 Rydin, Alexander. Quatro Poémes pour mezzo-soprano, clar- (March/April 2008): 523-524. inette si’ et piano. 64:3 (January/February 2008): 386-387. Kohn, Steven Mark. “The Senator’s Stump Speech.” 64:4 Sargon, Simon. Bubbles. Scoping the Soaps. 64:4 (March/April (March/April 2008): 523. 2008): 522-523. Kuczynski, Paul. Vierzehn Lieder nach Gedichten von Hein- Schocker, Gary. The College Poems. 64:5 (May/June 2008): rich Heine. 64:2 (November/December 2007): 248-249. 651. Laitman, Lori. Equations of Light. 64:4 (March/April 2008): Schocker, Gary. Four Songs of Edna St. Vincent Millay. 64:5 920-521. (May/June 2008): 651-652. Laitman, Lori. Fresh Patterns. 64:4 (March/April 2008): 521-522. Schocker, Gary. Love Songs. 64:5 (May/June 2008): 652. Laitman, Lori. On a Photograph. 64:4 (March/April 2008): Schocker, Gary. “Man Overboard.” 64:5 (May/June 2008): 522. 652-653. Laitman, Lori. The Seed of Dream. 64:3 (January/February Schocker, Gary. “Two Scared Boys.” 64:5 (May/June 2008): 2008): 383-385. 653. Lauridsen, Morten. Cuatro Canciones. 64:3 (January/Febru- Staden, Johann. Gloria in Excelsis Deo. 64:2 (November; ary 2008): 385-386. December 2007): 244. Legrenzi, Giovanni. A Cantata and Two Canzonettas. 64:2 Stanford, Charles Villiers. 14 Songs. 64:2 (November/Decem- (November/December 2007): 244. ber 2007): 253-254. Leroux, Xavier. Les Sérénades. Dix Poésies de Catulle Mendes. Thomas, Richard Pearson. Drum- Taps. 64:5 (May/June 2008): 64:2 (November/December 2007): 252-253. Lyons, Gilda. Three Robes. 64:5 (May/June 2008): 649-650. 653-654. Thomas, Richard Pearson. Race for the Sky. Voices of 9/11. Mayr, Rupert Ignaz. Sacri Concentus. 64:2 (November/ December 2007): 245. 64:3 (January/February 2008): 387-389: Mazzocchi, Domenico. Battaglia per Espugnare Amore. 64:2 Wallach, Joelle. A Camel Lying on My Heart. 64:4 (March (November/December 2007): 244. April 2008): 518-520. Mazzocchi, Domenico. Three Songs for Solo Bass. 64:2 (Novem- ber/December 2007): 244. Music Theater Mendelssohn-Bartholdy, Felix. Sechs geistliche und weltliche Edwin, Robert. Popular Song and Music Theater: Belt is Legit. Lieder. 64:2 (November/December 2007): 246. 64:2 (November/December 2007): 213-215. Novecento Arie per Soprano. 64:2 (November/December 2007): Marks, Robert. Popular Song and Music Theater: Preparing 254-255. Logical 16-Bar Cuts for Audition Songs. 64:3 (January/ Novecento Arie per Tenor. 64:2 (November/December 2007): February 2008): 355-357. 200: Popeil, Lisa. Popular Song and Music Theater: The Multiplic- Owens, Robert. Mortal Storm, Op. 29. 64:5 (May/June 2008): ity of Belting. 64:1 (September/October 2007): 77-80. 650. Sjoerdsma, Richard Dale. Letter to the Editor. 64:5 (May/June Owens, Robert. Tearless, Op. 9. 64:5 (May/June 2008): 650-651. 2008): 539. Part, Arvo. LAbbe Agathon pour soprano, 4 altos et 4 violoncelles. Spivey, Norman. Popular Song and Music Theater: Music The- 64:3 (January/February 2008): 386. ater Singing . . . Let’s Talk. Part 1: On the Relationship of Pistocchi, F. A. M. Doloroso Partenza. 64:2 (November/ Speech and Singing. 64:4 (March/April 2008): 483-489. December 2007): 244. Spivey, Norman. Popular Song and Music Theater: Music The- Poglietti, Alessandro. Ad Matrem Venite. 64:2 (November/ ater Singing . . . Let’s Talk. Part 2: Examining the Debate December 2007): 245. on Belting. 64:5 (May/June 2008): 607-614. Previn, André. Four Songs for Tenor and Piano. 64:1 (Septem- ber/October 2007): 118-119. Opera Purcell, Henry. “Awake ye Dead.” 64:2 (November/December Adams, Andrew. The Vocal Point: Simon Estes on Singing. 2007): 244. Piittlingen, Johann Vesque von. Die Heimkehr nach Texten von 64:1 (September/October 2007): 99-109. Heinrich Heine. 64:2 (November/December 2007): 247-248. Draayer, Suzanne Rhodes. Canciones de Espanta: Manuel Gar- Respighi, Ottorino. Liriche. Art Songs. 64:1 (September/Octo- cia—Composer, Teacher, Singer. 64:2 (November/ ber 2007): 119-122. December 2007): 151-166. 667 MaAy/JUNE 2008 Journal of Singing Subject Index to Volume 64 Hix, Michael, and Margaret Jackson. The Vocal Point: A Friend Brunk, Amanda. The Private Studio: Managing Voice Problems of Operetta: An Interview with Robert Ward on the Pre- in the Private Studio. 64:5 (May/June 2008): 615-618. miere of His New Operetta, A Friend of Napoleon. 64:3 Edwin, Robert. Popular Song and Music Theater: Belt is Legit. (January/February 2008): 371-376. 64:2 (November/December 2007): 213-215. Holmes, Leslie. The Vocal Point: A Conversation with Judith Emmons, Shirlee, and Alma Thomas. Voice Pedagogy: Under- Blegen. 64:2 (November/December 2007): 231-238. standing Performance Anxiety. 64:4 (March/April 2008): Holmes, Leslie. The Vocal Point: A Conversation with Richard 461-465. Stilwell. 64:4 (March/April 2008):.505-511. Goldberg, Leslie. The Private Studio: Le bon mot: Texts for Holmes, Leslie. The Vocal Point: A Conversation with Stephanie Vocalises. 64:1 (September/October 2007): 81-86. Blythe. 64:5 (May/June 2008): 635-642. Helding, Lynn. Voice Science and Vocal Art, Part One: In Jackson, Margaret, and Michael Hix. The Vocal Point: A Friend Search of Common Ground. 64:2 (November/December of Operetta: An Interview with Robert Ward on the Pre- 2007): 141-150. miere of His New Operetta, A Friend of Napoleon. 64:3 Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor (January/February 2008): 371-376. Learning Theory. 64:4 (March/April 2008): 417-428. Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic Reality Check! Training for an Operatic Career. 64:2 (Novem- and Perceptual Support for Pedagogic Practice. 64:4 ber/December 2007): 189-194. (March/April 2008): 429-441. Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/ Kirkpatrick, Adam. The Private Studio: Useful Exercises for April 2008): 411-416. Private Studio Voice Teachers: How to Sing Coloratura. White, Robert C., and Lenore Rosenberg. Voice Pedagogy: 64:3 (January/February 2008): 359-362. Reality Check! Training for an Operatic Career. 64:2 (Novem- Kirkpatrick, Adam. Teaching Methods for Correcting Prob- ber/December 2007): 189-194. lematic Vibratos: Using Sustained Dynamic Exercises to Discover and Foster Healthy Vibrato. 64:5 (May/June 2008): Opinion 5991-556. Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on ber/December 2007): 167-173. the Voice Master Class. 64:3 (January/February 2008): Mabry, Sharon. New Directions: Independently Curious. 64:2 329-332. (November/December 2007): 227-229. McCoy, Scott. Voice Pedagogy: NATS and NASCAR. 64:1 (Sep- Mabry, Sharon. New Directions: The Road Not Taken. 64:4 tember/October 2007): 59-61. (March/April 2008): 503-504. McCoy, Scott. Voice Pedagogy: The Seduction of Nasality. 64:5 Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- (May/June 2008): 579-582. cific. 64:4 (March/April 2008): 405-407. Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic Titze, Ingo. Voice Research and Technology: An Appeal for and Perceptual Support for Pedagogic Practice. 64:4 Patience and Longsuffering by Singing Teachers in Their (March/April 2008): 429-441. Assessment of the Value of Voice Science. 64:5 (May/June Myers, Myron. Provenance: The Legacy of Garcia. 64:5 2008): 593-594. (May/June 2008): 619-624. Nix, John, and C. Blake Simpson. Voice Research and Tech- Pedagogy nology: Semi-Occluded Vocal Tract Postures and Their Adams, Andrew. The Vocal Point: Simon Estes on Singing. Application in the Singing Voice Studio. 64:3 (January/ 64:1 (September/October 2007): 99-109. February 2008): 339-342. Austin, Stephen. Provenance: Eye Witness Views. 64:2 (Novem- Olson, Margaret. Vibrato vs. Nonvibrato: The Solo Singer in ber/December 2007): 223-226. the Collegiate Choral Ensemble. 64:5 (May/June 2008): Austin, Stephen. Provenance: First Things First. 64:1 (Sep- 561-564. tember/October 2007): 89-93. Pauley, John-Bede. To Turn Singing on its Ear: The Singer’s Austin, Stephen. Provenance: “Lean on Me”: The Art of the Voice and the Tomatis Listening Curve, Part II. 64:4 (March/ Appoggiatura. 64:3 (January/February 2008): 363-368. April 2008): 443-457. Austin, Stephen. Provenance: Plugging the Holes. 64:4 Popeil, Lisa. Popular Song and Music Theater: The Multiplic- (March/April 2008): 497-501. ity of Belting. 64:1 (September/October 2007): 77-80. Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and ber/December 2007): 167-173. the Aging Singer. 64:5 (May/June 2008): 543-550. 668 JOURNAL OF SINGING Journal of Singing Subject Index to Volume 64 | Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Performers Reality Check! Training for an Operatic Career. 64:2 (Novem- Adams, Andrew. The Vocal Point: Simon Estes on Singing. ber/December 2007): 189-194. 64:1 (September/October 2007): 99-109. Simpson, C. Blake, and John Nix. Voice Research and Tech- Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar nology: Semi-Occluded Vocal Tract Postures and Their cia—Composer, Teacher, Singer. 64:2 (November Application in the Singing Voice Studio. 64:3 (January/ December 2007): 151-166. February 2008): 339-342. Holmes, Leslie. The Vocal Point: A Conversation with Judith Spivey, Norman. Popular Song and Music Theater: Music The- Blegen. 64:2 (November/December 2007): 231-238. ater Singing .. . Let’s Talk. Part 1: On the Relationship of Holmes, Leslie. The Vocal Point: A Conversation with Richard Speech and Singing. 64:4 (March/April 2008): 483-489. Stilwell. 64:4 (March/April 2008): 505-511. Spivey, Norman. Popular Song and Music Theater: Music The- Holmes, Leslie. The Vocal Point: A Conversation with Stephanie ater Singing... Let's Talk,. Part 2: Examining the Debate on Blythe. 64:5 (May/June 2008): 635-642. Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March Belting. 64:5 (May/June 2008): 607-614. Swanson, Carl. D. The Private Studio: Students with ADHD. April 2008): 411-416. 64:2 (November/December 2007): 217-221. Research Swanson, Carl. The Private Studio: This is Your Brain on Song. 64:4 (March/April 2008): 491-495. Helding, Lynn. Voice Science and Vocal Art, Part One: In Search of Common Ground. 64:2 (November/December Thomas, Alma, and Shirlee Emmons. Voice Pedagogy: Under- 2007): 141-150. standing Performance Anxiety. 64:4 (March/April 2008): Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor 461-465. Learning Theory. 64:4 (March/April 2008): 417-428. Titze, Ingo. Voice Research and Technology: A Hypothesis Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic about Whistle Voice. 64:4 (March/April 2008): 473-475. and Perceptual Support for Pedagogic Practice. 64:4 Titze, Ingo. Voice Research and Technology: Resurrection from (March/April 2008): 429-441. the Coffin. 64:2 (November/December 2007): 199-201. Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic Titze, Ingo. Voice Research and Technology: Vocal Demands and Perceptual Support for Pedagogic Practice. 64:4 on Teachers. 64:1 (September/October 2007): 67-69. (March/April 2008): 429-441. White, Robert C., and Lenore Rosenberg. Voice Pedagogy: Nix, John, and C. Blake Simpson. Voice Research and Tech Reality Check! Training for an Operatic Career. 64:2 (Novem- nology: Semi-Occluded Vocal Tract Postures and Their ber/December 2007): 189-194. Application in the Singing Voice Studio. 64:3 (January February 2008): 339-342. Performance Practice Pauley, John-Bede. To Turn Singing on its Ear: The Singer's Austin, Stephen. Provenance: “Lean on Me”: The Art of the Voice and the Tomatis Listening Curve, Part II. 64:4 Appoggiatura. 64:3 (January/February 2008): 363-368. (March/April 2008): 443-457. De(Ath, Leslie. Language and Diction: Consonant Clusters in Simpson, C. Blake, and John Nix. Voice Research and Tech- nology: Semi-Occluded Vocal Tract Postures and Their German, I. 64:3 (January/February 2008): 343-353. Application in the Singing Voice Studio. 64:3 (January De’Ath, Leslie. Language and Diction: Consonant Clusters in February 2008): 339-342. German. II. 64:4 (March/April 2008): 477-482. Titze, Ingo. Voice Research and Technology: A Hypothesis De Ath, Leslie. Language and Diction: Double Consonants and about Whistle Voice. 64:4 (March/April 2008): 473-475. Gemination in Sung French. 64:2 (November/December Titze, Ingo. Voice Research and Technology: Resurrection from 2007): 203-211. the Coffin. 64:2 (November/December 2007): 199-201. Draayer, Suzanne Rhodes. Canciones de Espana: Manuel Gar- cia—Composer, Teacher, Singer. 64:2 (November/Decem- Song Literature ber 2007): 151-166. Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- June 2008): 565-578. cific. 64:4 (March/April 2008): 405-407. Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar- Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/ cia—Composer, Teacher, Singer. 64:2 (November, April 2008): 411-416. December 2007): 151-166. 669 May/JUNE 2008 [| Journal of Singing Subject Index to Volume 64 Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz. Voice Care 64:2 (November/December 2007): 175-186. Brunk, Amanda. The Private Studio: Managing Voice Problems Géliot, Christine. Compositions for Voice by Mel Bonis, French in the Private Studio. 64:5 (May/June 2008): 615-618. Woman Composer, 1858-1937. 64:1 (September/October Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and 2007): 47-57. Mary J. Hawkshaw. Care oft he Professional Voice: Finding Lines, Carol. The Songs of Lori Laitman. 64:1 (September/ a Voice Doctor and Voice Care Team. 64:5 (May/June 2008): October 2007): 31-46. 583-592. Mabry, Sharon. New Directions: The Masterful Lori Laitman. Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and Mary J. Hawkshaw. Care of the Professional Voice: How Do 64:1 (September/October 2007): 95-97, Mabry, Sharon. New Directions: The Songs of Robert Boury. I Maintain Longevity of My Voice? 64:4 (March/April 2008): 467-472. 64:3 (January/February 2008): 369-370. Hawkshaw, Mary J., Venu Divi, Yolanda D. Heman-Ackah, Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby and Robert T. Sataloff. Care oft he Professional Voice: Find- Larsen: Two Different Approaches to Western Mythology ing a Voice Doctor and Voice Care Team. 64:5 (May/ and Western Mythological Figures. 64:1 (September/Octo- June 2008): 583-592. ber 2007): 21-30. Hawkshaw, Mary J., Robert T. Sataloff, Venu Divi, and Yolanda Sjoerdsma, Richard Dale. New Directions: Chester Biscardi— D. Heman-Ackah. Care of the Professional Voice: How Do A Voice for Our Time. 64:5 (May/June 2008): 625-633. I Maintain Longevity of My Voice? 64:4 (March/April 2008): Strempel, Eileen. Try Me, Good King: Last Words of the Wives 467-472. of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1 Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk- (September/October 2007): 11-20. shaw, and Venu Divi. Care oft he Professional Voice: Find- Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb- ing a Voice Doctor and Voice Care Team. 64:5 (May/June ruary 2008): 317-327. 2008): 583-592. Westlund, Beth Ray. Letters for a Composer: Dominick Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk- Argentos Casa Guidi. 64:3 (January/February 2008): 275-285. shaw, and Venu Divi. Care oft he Professional Voice: How Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the Do I Maintain Longevity of My Voice? 64:4 (March/April Genre of American Art Song. 64:3 (January/February 2008): 2008): 467-472. 287-293. Manternach, Brian, with Robert T. Sataloff. Care oft he Profes- sional Voice: Teaching Singers with Emphysema and Other Technology Pulmonary Diseases. 64:3 (January/February 2008): 333-337. Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on the Aging Singer. 64:5 (May/June 2008): 543-550. the Voice Master Class. 64:3 (January/February 2008): Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda 329-332. D. Heman-Ackah. Care oft he Professional Voice: Finding a Nix, John, and C. Blake Simpson. Voice Research and Tech- Voice Doctor and Voice Care Team. 64:5 (May/June 2008): nology: Semi-Occluded Vocal Tract Postures and Their 583-592. Application in the Singing Voice Studio. 64:3 (January/ Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda February 2008): 339-342. D. Heman-Ackah. Care oft he Professional Voice: How Do Simpson, C. Blake, and John Nix. Voice Research and Tech- I Maintain Longevity of My Voice? 64:4 (March/April 2008): nology: Semi-Occluded Vocal Tract Postures and Their 467-472. Application in the Singing Voice Studio. 64:3 (January/ Sataloff, Robert T. Care of the Professional Voice: Sinusitis. February 2008): 339-342. 64:1 (September/October 2007): 63-66. Titze, Ingo. Voice Research and Technology: Vocal Demands Sataloff, Robert T. Care of the Professional Voice: Thyroid Can- on Teachers. 64:1 (September/October 2007): 67-69. cer. 64:2 (November/December 2007): 195-198. JOURNAL OF SINGING

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