Journal of Singing 2007 - 2008: Vol 64 Index

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Journal of Singing Author Index to Volume 64
Adams, Andrew. The Vocal Point: Simon Estes on Singing. 64:1 Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar-
(September/October 2007): 99-109. cia—Composer, Teacher, Singer. 64:2 (November
Austin, Stephen. Provenance: Eye Witness Views. 64:2 (Novem- December 2007): 151-166.
ber/December 2007): 223-226. Edwin, Robert. Popular Song and Music Theater: Belt is Legit.
Austin, Stephen. Provenance: First Things First. 64:1 (Sep- 64:2 (November/December 2007): 213-215.
tember/October 2007): 89-93. Emmons, Shirlee, and Alma Thomas. Voice Pedagogy: Under-
Austin, Stephen. Provenance: “Lean on Me”: The Art of the standing Performance Anxiety. 64:4 (March/April 2008):
Appoggiatura. 64:3 (January/February 2008): 363-368. 461-465.
Austin, Stephen. Provenance: Plugging the Holes. 64:4 Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz.
(March/April 2008): 497-501. 64:2 (November/December 2007): 175-186.
Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- Géliot, Christine. Compositions for Voice by Mel Bonis, French
ber/December 2007): 167-173. Woman Composer, 1858-1937. 64:1 (September/October
Berg, Gregory. The Listeners Gallery. 64:1 (September/Octo- 2007): 47-57.
ber 2007): 123-129; 64:2 (November/December 2007): Goldberg, Leslie. The Private Studio: Le bon mot: Texts for
Vocalises. 64:1 (September/October 2007): 81-86.
257-260; 64:3 (January/February 2008): 391-397; 64:4
Greschner, Debra. Bookshelf. 64:1 (September/October 2007):
(March/April 2008): 525-529; 64:5 (May/June 2008): 655-660.
111-113; 64:2 (November/December 2007): 239-242; 64:3
Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May/June
(January/February 2008): 377-380; 64:4 (March/April 2008):
2008): 565-578.
513-516; 64:5 (May/June 2008): 643-646.
Brodovitch, Elizabeth. Language and Diction: The Singing
Hawkshaw, Mary J., Venu Divi, Yolanda D. Heman-Ackah, and
Qualities of the French Language. 64:1 (September/October
Robert T. Sataloff. Care of the Professional Voice: Finding a
2007): 71-75.
Voice Doctor and Voice Care Team. 64:5 (May/June 2008):
Brunk, Amanda. The Private Studio: Managing Voice Prob- 583-592. |
lems in the Private Studio. 64:5 (May/June 2008): 615-618.
Hawkshaw, Mary J., Robert T. Sataloff, Venu Divi, and Yolanda
Carman, Judith. Music Reviews: A Miscellany of Twos, Plus
D. Heman-Ackah. Care of the Professional Voice: How Do
Two. 64:4 (March/April 2008): 517-524.
I Maintain Longevity of My Voice? 64:4 (March/April 2008):
Carman, Judith. Music Reviews: Carmina Obscurita and Other
467-472.
Curiosities. 64:2 (November/December 2007): 243-256.
Helding, Lynn. Voice Science and Vocal Art, Part One: In
Carman, Judith. Music Reviews: Cycles, Sets, and Singles. 64:5
Search of Common Ground. 64:2 (November/December
(May/June 2008): 647-654.
2007): 141-150.
Carman, Judith. Music Reviews: New Works and Collections II
Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor
64:1 (September/October 2007): 115-122.
Learning Theory. 64:4 (March/April 2008): 417-428.
Carman, Judith. Music Reviews: Vocal Chamber Music, Voice
Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk-
with Guitar, and a New Collection. 64:3 (January/February
shaw, and Venu Divi. Care of the Professional Voice: Find
2008): 381-390. ing a Voice Doctor and Voice Care Team. 64:5 (May/June
DeAth, Leslie. Language and Diction: Consonant Clusters in Ger-
2008): 583-592.
man, I. 64:3 (January/February 2008): 343-353. Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk
DeAth, Leslie. Language and Diction: Consonant Clusters in Ger- shaw, and Venu Divi. Care of the Professional Voice: How
man, II. 64:4 (March/April 2008): 477-482. Do I Maintain Longevity of My Voice? 64:4 (March/April
De'Ath, Leslie. Language and Diction: Double Consonants and
2008): 467-472.
Gemination in Sung French. 64:2 (November/December Hix, Michael, and Margaret Jackson. The Vocal Point: A Friend
2007): 203-211. of Operetta: An Interview with Robert Ward on the Pre
Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and miere of His New Operetta, A Friend of Napoleon. 64:3 (Jan-
Mary J. Hawkshaw. Care of the Professional Voice: Finding uary/February 2008): 371-376.
a Voice Doctor and Voice Care Team. 64:5 (May/June 2008): Holmes, Leslie. The Vocal Point: A Conversation with Judith Ble-
583-592. gen. 64:2 (November/December 2007): 231-238.
Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and Holmes, Leslie. The Vocal Point: A Conversation with Richard
Mary J. Hawkshaw. Care of the Professional Voice: How Do Stilwell. 64:4 (March/April 2008): 505-511.
I Maintain Longevity of My Voice? 64:4 (March/April 2008): Holmes, Leslie. The Vocal Point: A Conversation with Stephanie
467-472. Blythe. 64:5 (May/June 2008): 635-642.
661
May/JUNE 2008
Journal of Singing Author Index to Volume 64
Jackson, Margaret, and Michael Hix. The Vocal Point: A Friend Olson, Margaret. Vibrato vs. Nonvibrato: The Solo Singer in
of Operetta: An Interview with Robert Ward on the Pre- the Collegiate Choral Ensemble. 64:5 (May/June 2008):
miere of His New Operetta, A Friend of Napoleon. 64:3 561-564.
(January/February 2008): 371-376. Pauley, John-Bede. To Turn Singing on its Ear: The Singer’s
Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic Voice and the Tomatis Listening Curve, Part II. 64:4
and Perceptual Support for Pedagogic Practice. 64:4 (March/April 2008): 443-457.
(March/April 2008): 429-441. Popeil, Lisa. Popular Song and Music Theater: The Multiplic-
Kirkpatrick, Adam. The Private Studio: Useful Exercises for ity of Belting. 64:1 (September/October 2007): 77-80.
Private Studio Voice Teachers: How to Sing Coloratura. Randall, Martha. From the President: A Meeting of the Minds.
64:3 (January/February 2008): 359-362. 64:4 (March/April 2008): 401-404.
Kirkpatrick, Adam. Teaching Methods for Correcting Prob- Randall, Martha. From the President: Amending the Bylaws.
lematic Vibratos: Using Sustained Dynamic Exercises to 64:2 (November/December 2007): 133-135.
Randall, Martha. From the President: Du holde Kunst. 64:5
Discover and Foster Healthy Vibrato. 64:5 (May/June 2008):
(May/June 2008): 533-535.
551-556.
Randall, Martha. From the President: Mission-ary Zeal. 64:1
Lines, Carol. The Songs of Lori Laitman. 64:1 (September/
(September/October 2007): 1-3.
October 2007): 31-46.
Randall, Martha. From the President: Tis the Season. 64:3
Mabry, Sharon. New Directions: Independently Curious. 64:2
(January/February 2008): 265-267.
(November/December 2007): 227-229.
Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and
Mabry, Sharon. New Directions: The Masterful Lori Laitman.
the Aging Singer. 64:5 (May/June 2008): 543-550.
64:1 (September/October 2007): 95-97.
Rike, Gregory B. Every Night and Every Morn: A Performance
Mabry, Sharon. New Directions: The Road Not Taken. 64:4
Study of the Song Cycle by Jeffrey Wood from the Poetry
(March/April 2008): 503-504.
of William Blake. 64:3 (January/February 2008): 295-315.
Mabry, Sharon. New Directions: The Songs of Robert Boury.
Rosenberg, Lenore, and Robert C. White. Voice Pedagogy:
64:3 (January/February 2008): 369-370.
Reality Check! Training for an Operatic Career. 64:2 (Novem-
Manternach, Brian, with Robert T. Sataloff. Care oft he Profes-
ber/December 2007): 189-194.
sional Voice: Teaching Singers with Emphysema and Other
Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda
Pulmonary Diseases. 64:3 (January/February 2008): 333-337.
D. Heman-Ackah. Care of the Professional Voice: Finding a
Marks, Robert. Popular Song and Music Theater: Preparing
Voice Doctor and Voice Care Team. 64:5 (May/June 2008):
Logical 16-Bar Cuts for Audition Songs. 64:3 (January/
583-592.
February 2008): 355-357.
Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda
McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on
D. Heman-Ackah. Care oft he Professional Voice: How Do
the Voice Master Class. 64:3 (January/February 2008):
I Maintain Longevity of My Voice? 64:4 (March/April 2008):
329-332.
467-472.
McCoy, Scott. Voice Pedagogy: NATS and NASCAR. 64:1 (Sep-
Sataloff, Robert T. Care oft he Professional Voice: Sinusitis.
tember/October 2007): 59-61.
64:1 (September/October 2007): 63-66.
McCoy, Scott. Voice Pedagogy: The Seduction of Nasality. 64:5
Sataloff, Robert T. Care of the Professional Voice: Thyroid Can-
(May/June 2008): 579-582. cer. 64:2 (November/December 2007): 195-198.
Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby
and Perceptual Support for Pedagogic Practice. 64:4 (March/ Larsen: Two Different Approaches to Western Mythology
April 2008): 429-441. and Western Mythological Figures. 64:1 (September/Octo-
Myers, Myron. Provenance: The Legacy of Garcia. 64:5 (May/ ber 2007): 21-30.
June 2008): 619-624. Simpson, C. Blake, and John Nix. Voice Research and Tech-
Néron, Martin. Language and Diction: Singing in French: nology: Semi-Occluded Vocal Tract Postures and Their
Between Theory and Practice. 64:5 (May/June 2008): Application in the Singing Voice Studio. 64:3 (January/
595-605. February 2008): 339-342.
Nix, John, and C. Blake Simpson. Voice Research and Tech- Sjoerdsma, Richard Dale. Editor's Commentary: -al, -ic, -ical.
nology: Semi-Occluded Vocal Tract Postures and Their 64:3 (January/February 2008): 269-271.
Application in the Singing Voice Studio. 64:3 (January/ Sjoerdsma, Richard Dale. Editors Commentary: Attention
February 2008): 339-342. (Please)! 64:5 (May/June 2008): 537-538.
662 JOURNAL OF SINGING
Journal of Singing Author Index to Volume 64
Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb-
cific. 64:4 (March/April 2008): 405-407. ruary 2008): 317-327.
Sjoerdsma, Richard Dale. Editor’s Commentary: Lied, Leid, and Thomas, Alma, and Shirlee Emmons. Voice Pedagogy: Under-
“Leidmotif” 64:2 (November/December 2007): 137-138. standing Performance Anxiety. 64:4 (March/April 2008):
Sjoerdsma, Richard Dale. Editor's Commentary: When I Sur- 461-465.
vey ... 64:1 (September/October 2007): 5-7. Titze, Ingo. Voice Research and Technology: An Appeal for
Sjoerdsma, Richard Dale. Letters to the Editor. 64:1 (Septem- Patience and Longsuffering by Singing Teachers in Their
ber/October 2007): 9-10; 64:3 (January/February 2008): Assessment of the Value of Voice Science. 64:5 (May/June
276; 64:4 (March/April 2007): 409-410; 64:5 (May/June 2008): 593-594.
2008): 539-541. Titze, Ingo. Voice Research and Technology: A Hypothesis
Sjoerdsma, Richard Dale. New Directions: Chester Biscardi— about Whistle Voice. 64:4 (March/April 2008): 473-475.
A Voice for Our Time. 64:5 (May/June 2008): 625-633. Titze, Ingo. Voice Research and Technology: Resurrection from
Spivey, Norman. Popular Song and Music Theater: Music The- the Coffin. 64:2 (November/December 2007): 199-201.
ater Singing . . . Let's Talk. Part 1: On the Relationship of Titze, Ingo. Voice Research and Technology: Vocal Demands
Speech and Singing. 64:4 (March/April 2008): 483-489. on Teachers. 64:1 (September/October 2007): 67-69.
Spivey, Norman. Popular Song and Music Theater: Music The- Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March
ater Singing... Let's Talk. Part 2: Examining the Debate April 2008): 411-416.
on Belting. 64:5 (May/June 2008): 607-614. Westlund, Beth Ray. Letters for a Composer: Dominick
Strempel, Eileen. Try Me, Good King: Last Words oft he Wives Argentos Casa Guidi. 64:3 (January/February 2008): 275-285.
of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1 White, Robert C., and Lenore Rosenberg. Voice Pedagogy:
(September/October 2007): 11-20. Reality Check! Training for an Operatic Career. 64:2 (Novem-
Swanson, Carl. The Private Studio: Students with ADHD. 64:2 ber/December 2007): 189-194.
(November/December 2007): 217-221. Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the
Swanson, Carl. The Private Studio: This is Your Brain on Song. Genre of American Art Song. 64:3 (January/February 2008):
64:4 (March/April 2008): 491-495. 287-293.
May/JUNE 2008
Journal of Singing Subject Index to Volume 64
Association Business Smith, W. Stephen, with Michael Chipman. The Naked Voice:
Randall, Martha. From the President: Amending the Bylaws. A Wholistic Approach to Singing. 64:2 (November/Decem-
64:2 (November/December 2007): 133-135. ber 2007): 239-240.
Stohrer, Sharon. The Singer's Companion. 64:4 (March/April
Randall, Martha. From the President: Du holde Kunst. 64:5
(May/June 2008): 533-535. 2008): 513-514.
Striny, Denes. Head First. The Language of the Head Voice: A
Randall, Martha. From the President: A Meeting of the Minds.
Concise Study of Learning to Sing in the Head Voice. 64:2
64:4 (March/April 2008): 401-404.
(November/December 2007): 240-242.
Randall, Martha. From the President: Mission-ary Zeal. 64:1
(September/October 2007): 1-3.
Careers
Randall, Martha. From the President: Tis the Season. 64:3 (Jan-
uary/February 2008): 265-267. Mabry, Sharon. New Directions: Independently Curious. 64:2
Sjoerdsma, Richard Dale. Editors Commentary: Attention (November/December 2007): 227-229.
Marks, Robert. Popular Song and Music Theater: Preparing
(Please)! 64:5 (May/June 2008): 537-538.
Logical 16-Bar Cuts for Audition Songs. 64:3 (January/Feb-
Sjoerdsma, Richard Dale. Editor's Commentary: When I Sur-
ruary 2008): 355-357.
vey ... 64:1 (September/October 2007): 5-7.
Randall, Martha. From the President: A Meeting of the Minds.
Sjoerdsma, Richard Dale. Letters to the Editor. 64:1 (Septem-
64:4 (March/April 2008): 401-404.
ber/October 2007): 9-10; 64:3 (January/February 2008):
Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Real-
276; 64:4 (March/April 2008): 409-410; 64:5 (May/June
ity Check! Training for an Operatic Career. 64:2 (November/
2008): 539-541.
December 2007): 189-194.
White, Robert C., and Lenore Rosenberg. Voice Pedagogy: Real-
Book Reviews
ity Check! Training for an Operatic Career. 64:2 (November/
Alba, Lois. Vocal Rescue. Rediscover the Beauty, Power and Free-
December 2007): 189-194.
dom in Your Singing. 64:3 (January/February 2008): 379-380.
Clark, Mark Ross. Guide to the Aria Repertoire. 64:3 (January/ CD/DVD Reviews
February 2008): 377-378.
American Songs. Patrice Michaels, soprano; Elizabeth Buc-
Faure, Jean-Baptiste. The Voice and Singing. Tr. and ed., Fran-
cheri, piano. 64:2 (November/December 2007): 257-258.
cis Keeping and Roberta Prada. 64:1 (September/October
Beverly Sills: Made in America. Beverly Sills, soprano and nar-
2007): 111-112.
rator. 64:2 (November/December 2007): 258-259.
Fisher, Robin, and Ruth Friedberg, eds. The Selected Writings of
Folk Songs oft he British Isles as arranged by Benjamin Britten.
John Duke 1917-1984. 64:5 (May/June 2008): 643-646.
Maria Jette, soprano; Judith Kogan, harp. 64:4 (March/April
Foreman, Edward V. The Art of bel canto in the Italian Baroque.
2008): 528-529.
A Study of the Original Sources. 64:4 (March/April 2008):
Fritz Wunderlich: Life and Legend. 64:3 (January/February
514-516.
2008): 391-393.
Foreman, Edward V. A bel canto Method, or How to Sing Ital-
Gabriel Fauré Mélodies. Maria Jette, soprano; Judith Kogan,
ian Baroque Music Correctly. 64:4 (March/April 2008): 516.
harp. 64:4 (March/April 2008): 528-529.
Friedberg, Ruth, and Robin Fisher, eds. The Selected Writings of
Gala Concert: 50th Anniversary oft he Reopening oft he Vienna
John Duke 1917-1984. 64:5 (May/June 2008): 643-646. State Opera. Edita Gruberova, Violeta Urmana, Deborah
Gerhart, Martha. Italian Song Text from the 17th through the 20th Polaski, Soile Isokoski, Ildiko Raimondi, Genia Kuhmeier,
Centuries. Volume II: Italian Song Texts from the 18th Cen- Rocarda Merbeth, sopranos; Angelika Kirschlager, Agnes
tury. 64:2 (November/December 2007): 242. Baltsa, mezzo sopranos; Placido Domingo, Johan Botha,
Glass, Beaumont. The Memoirs of an Opera Bug. 64:3 Michael Schade, tenors; Thomas Hampson, Granz Grund-
(January/February 2008): 378-379. heber, Falk Struckmann, baritones; Bryn Terfel, Feruccio
Kimball, Carol. Song. A Guide to Art Song Style and Literature. Furlanetto, Walter Fink, basses. Vienna State Opera Orches-
64:1 (September/October 2007): 112-113. tra and Chorus; Seiji Ozawa, Daniele Gatti, Zubin Mehta,
Monahan, Brent. The Singer's Companion. A Guide to Improv- Christian Thielemann, Franz Welser-Mést, conductors. 64:3
ing Your Voice and Performance. 64:5 (May/June 2008): (January/February 2008): 394-397.
643-646. He'll Bring It to Pass: The Spirituals of Hall Johnson for Voice
Schmidt, Jan, and Heidi Counsell Schmidt. Basics ofS inging, and Piano. Louise Toppin, soprano; Joseph Joubert, piano.
Sixth Edition. 64:4 (March/April 2008): 516. 64:5 (May/June 2008): 657-658.
664 JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 64
Léos Janaéek: The Diary of One Who Vanished. Stephan Ng, Lines, Carol. The Songs of Lori Laitman. 64:1 (September
tenor; Jane Christeson, mezzo soprano; Andrea Marie October 2007): 31-46.
Baiocchi, piano. 64:5 (May/June 2008): 658-660. Mabry, Sharon. New Directions: The Masterful Lori Laitman.
Menotti, Gian Carlo. Amahl and the Night Visitors—The His- 64:1 (September/October 2007): 95-97,
toric 1955 Telecast. Amahi: Bill McIver; Mother: Rosemary Mabry, Sharon. New Directions: The Songs of Robert Boury.
Kuhlmann; Kaspar: Andrew McKinley; Melchior: David 64:3 (January/February 2008): 369-370.
Aiken; Balthazar: Leon Lishner; Page: Francis Monachino. Rike, Gregory B. Every Night and Every Morn: A Perfor-
Symphony of the Air, Thomas Schippers, conductor. 64:4 mance Study of the Song Cycle by Jeffrey Wood from
(March/April 2008): 525-527.
the Poetry of William Blake. 64:3 (January/February
Natalie Dessay: Le miracle d'une voix—Ses plus grands roles
2008): 295-315.
sur scene. Natalie Dessay, soprano; Ulf Schirmer, Jossi Wieler,
Secrest, Glenda. Songs from Letters and Cowboy Songs by
Patrice Caurier, Willliam Christie, Ivan Fischer, Kent Nagano,
Libby Larsen: Two Different Approaches to Western
Bertrand de Billy, Michel Plasson, Pinchas Steinberg, Sir
Mythology and Western Mythological Figures. 64:1 (Sep-
Andrew Davis, Marc Minkowski, conductors. 64:5 (May/June
tember/October 2007): 21-30.
2008): 655-657.
Sjoerdsma, Richard Dale. New Directions: Chester Bis-
Schubert, Franz. Die schéne Miillerin. Paul Rowe, baritone;
cardi—A Voice for Our Time. 64:5 (May/June 2008):
Martha Fischer, piano. 64:3 (January/February 2008):
625-633.
393-394.
Strempel, Eileen. Try Me, Good King: Last Words oft he
Songs and Encores. Judith Bettina, soprano; James Goldswor-
thy, piano. 64:4 (March/April 2008): 527-528. Wives of Henry VIII: Libby Larsen’s Royal Portraits of
Songs for Bertha and Brenda: Two Song Cycles for Soprano. Song. 64:1 (September/October 2007): 11-20.
Dorothy Maddison, soprano; Lori Piltz, Gabriel Dobner, Taylor, Darryl. Songs ofH . Leslie Adams. 64:3 (January/Feb-
piano. 64:1 (September/October 2007): 126-127. ruary 2008): 317-327.
Songs of Jean Berger: 1909-2002. Melanie Emelio, soprano; Westlund, Beth Ray. Letters for a Composer: Dominick
Barbara Thiagarijian, piano. 64:2 (November/December Argento's Casa Guidi. 64:3 (January/February 2008):
2007): 259-260. 275-285.
Under the Bluest Sky . . . Songs of Richard Hundley. David Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the
Parks, tenor; Read Ganisford, piano. 64:1 (September/ Genre of American Art Song. 64:3 (January/February
October 2007): 127-128. 2008): 287-293.
www.youtube.com. 64:1 (September/October 2007): 123-126.
Language and Diction
Composers
Brodovitch, Elizabeth. Language and Diction: The Singing
Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May/
Qualities of the French Language. 64:1 (September/Octo-
June 2008): 565-578. ber 2007): 71-75.
Draayer, Suzanne Rhodes. Canciones de Espana: Manuel DeAth, Leslie. Language and Diction: Consonant Clusters
Garcia—Composer, Teacher, Singer. 64:2 (November/ in German, I. 64:3 (January/February 2008): 343-353.
December 2007): 151-166. De‘Ath, Leslie. Language and Diction: Consonant Clusters
Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz. in German, II. 64:4 (March/April 2008): 477-482.
64:2 (November/December 2007): 175-186. DeAth, Leslie. Language and Diction: Double Consonants
Géliot, Christine. Compositions for Voice by Mel Bonis, and Gemination in Sung French. 64:2 (November/Decem-
French Woman Composer, 1858-1937. 64:1 (Septem- ber 2007): 203-211.
ber/October 2007): 47-57. Néron, Martin. Language and Diction: Singing in French:
Hix, Michael, and Margaret Jackson. The Vocal Point: A Between Theory and Practice. 64:5 (May/June 2008):
Friend of Operetta: An Interview with Robert Ward on 595-605.
the Premiere of His New Operetta, A Friend ofN apoleon.
64:3 (January/February 2008): 371-376. Miscellaneous
Jackson, Margaret, and Michael Hix. The Vocal Point: A Mabry, Sharon. New Directions: The Road Not Taken. 64:4
Friend of Operetta: An Interview with Robert Ward on (March/April 2008): 503-504.
the Premiere of His New Operetta, A Friend of Napoleon. Sjoerdsma, Richard Dale. Editors Commentary: -al, -ic, -
64:3 (January/February 2008): 371-376. ical. 64:3 (January/February 2008): 269-271.
665
MAyY/JUNE 2008
Journal of Singing Subject Index to Volume 64
Titze, Ingo. Voice Research and Technology: An Appeal for Britten, Benjamin. Complete Folksong Arrangements. 64:1
Patience and Longsuffering by Singing Teachers in Their (September/October 2007): 119.
Assessment of the Value of Voice Science. 64:5 (May/June Broustet, Edouard. Dix Mélodies. 64:2 (November/December
2008): 593-594. 2007): 252.
Bullock, Edmund Barton. Cycle de Sept Mélodies. 64:5 (May/June
Music Criticism 2008): 648.
Bullock, Edmund Barton. Cycle ofF ive Troubadour Songs. 64:5
Austin, Stephen. Provenance: First Things First. 64:1 (Sep-
tember/October 2007): 89-93. (May/June 2008): 647.
Bullock, Edmund Barton. “Mélodie de Troubadour “Lanquan
Austin, Stephen. Provenance: “Lean on Me”: The Art of the
Appoggiatura. 64:3 (January/February 2008): 363-368. Li Jorn.” 64:5 (May/June 2008): 648.
Austin, Stephen. Provenance: Plugging the Holes. 64:4 Bullock, Edmund Barton. Three Spiritualfso r Bass-Baritone,
‘Cello and Piano. 64:3 (January/February 2008): 381.
(March/April 2008): 497-501.
Bullock, Edmund Barton. Tre ‘Canzonieri’ de Francesco Petrarca.
Géliot, Christine. Compositions for Voice by Mel Bonis, French
64:5 (May/June 2008): 649.
Woman Composer, 1858-1937. 64:1 (September/October
Cantolopera [Series]. 1. Duetti per Soprano-Mezzo-soprano,
2007): 47-57.
Volume 2. 2. Belcanto Arie per Soprano. 3. Bellini Arie per
Lines, Carol. The Songs of Lori Laitman. 64:1 (September/
Soprano. 4. Donizetti Arie per Soprano. 5. Donizetti Arie
October 2007): 31-46.
per Tenore. 6. Rossini Arie per Mezzosoprano. 64:2 (Novem-
Myers, Myron. Provenance: The Legacy of Garcia. 64:5
ber/December 2007): 254.
(May/June 2008): 619-624.
Cipullo, Tom. The Husbands. 64:3 (January/February 2008):
Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby
381-382.
Larsen: Two Different Approaches to Western Mythology
De Falla, Manuel. Siete Canciones Populares Espanolas. 64:3
and Western Mythological Figures. 64:1 (September/Octo-
(January/February 2008): 389-390.
ber 2007): 21-30.
Draayer, Suzanne Rhodes, ed. Canciones de Esparia. Songs of
Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe-
Nineteenth Century Spain, Volume 3. 64:3 (January/Febru-
cific. 64:4 (March/April 2008): 405-407.
ary 2008): 390.
Strempel, Eileen. Try Me, Good King: Last Words of the Wives
Fuchs, Robert. Lieder, Op. 81. 64:2 (November/December
of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1
2007): 249-250.
(September/October 2007): 11-20.
Fung, Vivian. Six Haiku. 64:1 (September/October 2007):
Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb-
115-116.
ruary 2008): 317-327.
Fung, Vivian. Songs of Childhood. 64:1 (September/October
Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/
2007): 116.
April 2008): 411-416.
Fiirstenau, Anton. Liebesruffii rS opran, Flote und Klavier. 64:3
Westlund, Beth Ray. Letters for a Composer: Dominick
(January/February 2008): 382-383.
Argentos Casa Guidi. 64:3 (January/February 2008): 275-285.
Goldstein, Sylvia. Birds in Haiku. 64:1 (September/October
Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the
2007): 116-117.
Genre of American Art Song. 64:3 (January/February 2008):
Hennesy, Martin. Songs of Irony/Songs ofL ove. 64:1 (Septem-
287-293.
ber/October 2007): 117-118.
Hofer, Andreas. Laudate Pueri Dominum. 64:2 (November/
Music Reviews
December 2007): 244.
Anonymer Meister. Laudate Dominum de Caelis. 64:2 (Novem- Hofer, Andres. Nisi Dominus. 64:2 (November/December
ber/December 2007): 244. 2007): 244-245.
Bach, Carl Philipp Emanuel. Geistliche Gesdnge nach Christoph Hoiby, Lee. Private First Class Jesse Givens. 64:4 (March/April
Christian Sturm. 64:2 (November/December 2007): 246. 2008): 520.
Baksa, Robert. Letters from Emily. Sixteen new songs to poems Holliger, Heinz. Lieder nach Gedichten von Christian Morgen-
of Emily Dickinson. 64:4 (March/April 2008): 517-518. stern. 64:2 (November/December 2007): 250-251.
Bogdanvoic, Dusan. Shuvi, Shuvi Hashulamit (Song of Songs, Jeffreys, George. Three Dialoguefso r soprano, bass and con-
Chapter VII). 64:3 (January/February 2008): 389. tinuo. 64:2 (November/December 2007): 243-244.
Boury, Robert. To Dream Again. 64:4 (March/April 2008): Jeffreys, George. “With Notes that are both loud and sweet.”
520. 64:2 (November/December 2007): 244.
666
JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 64
Kaiser Ferdinand III. Ave Maris Stella. 64:2 (November/ Ristori, Giovanni Alberto. Divoti Affetti alla Passione di Nos-
December 2007): 244. tro Signore. 64:2 (November/December 2007): 245-246.
Kohn, Steven Mark, arr. American Folk Set, Book 3. 64:4 Rydin, Alexander. Quatro Poémes pour mezzo-soprano, clar-
(March/April 2008): 523-524.
inette si’ et piano. 64:3 (January/February 2008): 386-387.
Kohn, Steven Mark. “The Senator’s Stump Speech.” 64:4 Sargon, Simon. Bubbles. Scoping the Soaps. 64:4 (March/April
(March/April 2008): 523. 2008): 522-523.
Kuczynski, Paul. Vierzehn Lieder nach Gedichten von Hein-
Schocker, Gary. The College Poems. 64:5 (May/June 2008):
rich Heine. 64:2 (November/December 2007): 248-249. 651.
Laitman, Lori. Equations of Light. 64:4 (March/April 2008):
Schocker, Gary. Four Songs of Edna St. Vincent Millay. 64:5
920-521. (May/June 2008): 651-652.
Laitman, Lori. Fresh Patterns. 64:4 (March/April 2008): 521-522.
Schocker, Gary. Love Songs. 64:5 (May/June 2008): 652.
Laitman, Lori. On a Photograph. 64:4 (March/April 2008):
Schocker, Gary. “Man Overboard.” 64:5 (May/June 2008):
522.
652-653.
Laitman, Lori. The Seed of Dream. 64:3 (January/February
Schocker, Gary. “Two Scared Boys.” 64:5 (May/June 2008):
2008): 383-385.
653.
Lauridsen, Morten. Cuatro Canciones. 64:3 (January/Febru-
Staden, Johann. Gloria in Excelsis Deo. 64:2 (November;
ary 2008): 385-386.
December 2007): 244.
Legrenzi, Giovanni. A Cantata and Two Canzonettas. 64:2
Stanford, Charles Villiers. 14 Songs. 64:2 (November/Decem-
(November/December 2007): 244.
ber 2007): 253-254.
Leroux, Xavier. Les Sérénades. Dix Poésies de Catulle Mendes.
Thomas, Richard Pearson. Drum- Taps. 64:5 (May/June 2008):
64:2 (November/December 2007): 252-253.
Lyons, Gilda. Three Robes. 64:5 (May/June 2008): 649-650. 653-654.
Thomas, Richard Pearson. Race for the Sky. Voices of 9/11.
Mayr, Rupert Ignaz. Sacri Concentus. 64:2 (November/
December 2007): 245. 64:3 (January/February 2008): 387-389:
Mazzocchi, Domenico. Battaglia per Espugnare Amore. 64:2 Wallach, Joelle. A Camel Lying on My Heart. 64:4 (March
(November/December 2007): 244. April 2008): 518-520.
Mazzocchi, Domenico. Three Songs for Solo Bass. 64:2 (Novem-
ber/December 2007): 244. Music Theater
Mendelssohn-Bartholdy, Felix. Sechs geistliche und weltliche Edwin, Robert. Popular Song and Music Theater: Belt is Legit.
Lieder. 64:2 (November/December 2007): 246. 64:2 (November/December 2007): 213-215.
Novecento Arie per Soprano. 64:2 (November/December 2007): Marks, Robert. Popular Song and Music Theater: Preparing
254-255. Logical 16-Bar Cuts for Audition Songs. 64:3 (January/
Novecento Arie per Tenor. 64:2 (November/December 2007): February 2008): 355-357.
200: Popeil, Lisa. Popular Song and Music Theater: The Multiplic-
Owens, Robert. Mortal Storm, Op. 29. 64:5 (May/June 2008): ity of Belting. 64:1 (September/October 2007): 77-80.
650. Sjoerdsma, Richard Dale. Letter to the Editor. 64:5 (May/June
Owens, Robert. Tearless, Op. 9. 64:5 (May/June 2008): 650-651.
2008): 539.
Part, Arvo. LAbbe Agathon pour soprano, 4 altos et 4 violoncelles.
Spivey, Norman. Popular Song and Music Theater: Music The-
64:3 (January/February 2008): 386.
ater Singing . . . Let’s Talk. Part 1: On the Relationship of
Pistocchi, F. A. M. Doloroso Partenza. 64:2 (November/
Speech and Singing. 64:4 (March/April 2008): 483-489.
December 2007): 244.
Spivey, Norman. Popular Song and Music Theater: Music The-
Poglietti, Alessandro. Ad Matrem Venite. 64:2 (November/
ater Singing . . . Let’s Talk. Part 2: Examining the Debate
December 2007): 245.
on Belting. 64:5 (May/June 2008): 607-614.
Previn, André. Four Songs for Tenor and Piano. 64:1 (Septem-
ber/October 2007): 118-119.
Opera
Purcell, Henry. “Awake ye Dead.” 64:2 (November/December
Adams, Andrew. The Vocal Point: Simon Estes on Singing.
2007): 244.
Piittlingen, Johann Vesque von. Die Heimkehr nach Texten von 64:1 (September/October 2007): 99-109.
Heinrich Heine. 64:2 (November/December 2007): 247-248. Draayer, Suzanne Rhodes. Canciones de Espanta: Manuel Gar-
Respighi, Ottorino. Liriche. Art Songs. 64:1 (September/Octo- cia—Composer, Teacher, Singer. 64:2 (November/
ber 2007): 119-122. December 2007): 151-166.
667
MaAy/JUNE 2008
Journal of Singing Subject Index to Volume 64
Hix, Michael, and Margaret Jackson. The Vocal Point: A Friend Brunk, Amanda. The Private Studio: Managing Voice Problems
of Operetta: An Interview with Robert Ward on the Pre- in the Private Studio. 64:5 (May/June 2008): 615-618.
miere of His New Operetta, A Friend of Napoleon. 64:3 Edwin, Robert. Popular Song and Music Theater: Belt is Legit.
(January/February 2008): 371-376. 64:2 (November/December 2007): 213-215.
Holmes, Leslie. The Vocal Point: A Conversation with Judith Emmons, Shirlee, and Alma Thomas. Voice Pedagogy: Under-
Blegen. 64:2 (November/December 2007): 231-238. standing Performance Anxiety. 64:4 (March/April 2008):
Holmes, Leslie. The Vocal Point: A Conversation with Richard 461-465.
Stilwell. 64:4 (March/April 2008):.505-511. Goldberg, Leslie. The Private Studio: Le bon mot: Texts for
Holmes, Leslie. The Vocal Point: A Conversation with Stephanie Vocalises. 64:1 (September/October 2007): 81-86.
Blythe. 64:5 (May/June 2008): 635-642. Helding, Lynn. Voice Science and Vocal Art, Part One: In
Jackson, Margaret, and Michael Hix. The Vocal Point: A Friend Search of Common Ground. 64:2 (November/December
of Operetta: An Interview with Robert Ward on the Pre- 2007): 141-150.
miere of His New Operetta, A Friend of Napoleon. 64:3 Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor
(January/February 2008): 371-376. Learning Theory. 64:4 (March/April 2008): 417-428.
Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic
Reality Check! Training for an Operatic Career. 64:2 (Novem- and Perceptual Support for Pedagogic Practice. 64:4
ber/December 2007): 189-194. (March/April 2008): 429-441.
Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/ Kirkpatrick, Adam. The Private Studio: Useful Exercises for
April 2008): 411-416. Private Studio Voice Teachers: How to Sing Coloratura.
White, Robert C., and Lenore Rosenberg. Voice Pedagogy:
64:3 (January/February 2008): 359-362.
Reality Check! Training for an Operatic Career. 64:2 (Novem- Kirkpatrick, Adam. Teaching Methods for Correcting Prob-
ber/December 2007): 189-194. lematic Vibratos: Using Sustained Dynamic Exercises to
Discover and Foster Healthy Vibrato. 64:5 (May/June 2008):
Opinion
5991-556.
Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on
ber/December 2007): 167-173. the Voice Master Class. 64:3 (January/February 2008):
Mabry, Sharon. New Directions: Independently Curious. 64:2 329-332.
(November/December 2007): 227-229. McCoy, Scott. Voice Pedagogy: NATS and NASCAR. 64:1 (Sep-
Mabry, Sharon. New Directions: The Road Not Taken. 64:4 tember/October 2007): 59-61.
(March/April 2008): 503-504. McCoy, Scott. Voice Pedagogy: The Seduction of Nasality. 64:5
Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe- (May/June 2008): 579-582.
cific. 64:4 (March/April 2008): 405-407. Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic
Titze, Ingo. Voice Research and Technology: An Appeal for and Perceptual Support for Pedagogic Practice. 64:4
Patience and Longsuffering by Singing Teachers in Their (March/April 2008): 429-441.
Assessment of the Value of Voice Science. 64:5 (May/June Myers, Myron. Provenance: The Legacy of Garcia. 64:5
2008): 593-594. (May/June 2008): 619-624.
Nix, John, and C. Blake Simpson. Voice Research and Tech-
Pedagogy nology: Semi-Occluded Vocal Tract Postures and Their
Adams, Andrew. The Vocal Point: Simon Estes on Singing. Application in the Singing Voice Studio. 64:3 (January/
64:1 (September/October 2007): 99-109. February 2008): 339-342.
Austin, Stephen. Provenance: Eye Witness Views. 64:2 (Novem- Olson, Margaret. Vibrato vs. Nonvibrato: The Solo Singer in
ber/December 2007): 223-226. the Collegiate Choral Ensemble. 64:5 (May/June 2008):
Austin, Stephen. Provenance: First Things First. 64:1 (Sep- 561-564.
tember/October 2007): 89-93. Pauley, John-Bede. To Turn Singing on its Ear: The Singer’s
Austin, Stephen. Provenance: “Lean on Me”: The Art of the Voice and the Tomatis Listening Curve, Part II. 64:4 (March/
Appoggiatura. 64:3 (January/February 2008): 363-368. April 2008): 443-457.
Austin, Stephen. Provenance: Plugging the Holes. 64:4 Popeil, Lisa. Popular Song and Music Theater: The Multiplic-
(March/April 2008): 497-501. ity of Belting. 64:1 (September/October 2007): 77-80.
Bean, Matt. Why Is Acting in Song So Different? 64:2 (Novem- Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and
ber/December 2007): 167-173. the Aging Singer. 64:5 (May/June 2008): 543-550.
668 JOURNAL OF SINGING
Journal of Singing Subject Index to Volume 64 |
Rosenberg, Lenore, and Robert C. White. Voice Pedagogy: Performers
Reality Check! Training for an Operatic Career. 64:2 (Novem- Adams, Andrew. The Vocal Point: Simon Estes on Singing.
ber/December 2007): 189-194. 64:1 (September/October 2007): 99-109.
Simpson, C. Blake, and John Nix. Voice Research and Tech-
Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar
nology: Semi-Occluded Vocal Tract Postures and Their cia—Composer, Teacher, Singer. 64:2 (November
Application in the Singing Voice Studio. 64:3 (January/ December 2007): 151-166.
February 2008): 339-342.
Holmes, Leslie. The Vocal Point: A Conversation with Judith
Spivey, Norman. Popular Song and Music Theater: Music The- Blegen. 64:2 (November/December 2007): 231-238.
ater Singing .. . Let’s Talk. Part 1: On the Relationship of Holmes, Leslie. The Vocal Point: A Conversation with Richard
Speech and Singing. 64:4 (March/April 2008): 483-489. Stilwell. 64:4 (March/April 2008): 505-511.
Spivey, Norman. Popular Song and Music Theater: Music The- Holmes, Leslie. The Vocal Point: A Conversation with Stephanie
ater Singing... Let's Talk,. Part 2: Examining the Debate on Blythe. 64:5 (May/June 2008): 635-642.
Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March
Belting. 64:5 (May/June 2008): 607-614.
Swanson, Carl. D. The Private Studio: Students with ADHD. April 2008): 411-416.
64:2 (November/December 2007): 217-221.
Research
Swanson, Carl. The Private Studio: This is Your Brain on Song.
64:4 (March/April 2008): 491-495. Helding, Lynn. Voice Science and Vocal Art, Part One: In
Search of Common Ground. 64:2 (November/December
Thomas, Alma, and Shirlee Emmons. Voice Pedagogy: Under-
2007): 141-150.
standing Performance Anxiety. 64:4 (March/April 2008):
Helding, Lynn. Voice Science and Vocal Art, Part Two: Motor
461-465.
Learning Theory. 64:4 (March/April 2008): 417-428.
Titze, Ingo. Voice Research and Technology: A Hypothesis
Kenny, Dianna T., and Helen Mitchell. Open Throat: Acoustic
about Whistle Voice. 64:4 (March/April 2008): 473-475.
and Perceptual Support for Pedagogic Practice. 64:4
Titze, Ingo. Voice Research and Technology: Resurrection from
(March/April 2008): 429-441.
the Coffin. 64:2 (November/December 2007): 199-201. Mitchell, Helen, and Dianna T. Kenny. Open Throat: Acoustic
Titze, Ingo. Voice Research and Technology: Vocal Demands and Perceptual Support for Pedagogic Practice. 64:4
on Teachers. 64:1 (September/October 2007): 67-69. (March/April 2008): 429-441.
White, Robert C., and Lenore Rosenberg. Voice Pedagogy: Nix, John, and C. Blake Simpson. Voice Research and Tech
Reality Check! Training for an Operatic Career. 64:2 (Novem- nology: Semi-Occluded Vocal Tract Postures and Their
ber/December 2007): 189-194. Application in the Singing Voice Studio. 64:3 (January
February 2008): 339-342.
Performance Practice Pauley, John-Bede. To Turn Singing on its Ear: The Singer's
Austin, Stephen. Provenance: “Lean on Me”: The Art of the Voice and the Tomatis Listening Curve, Part II. 64:4
Appoggiatura. 64:3 (January/February 2008): 363-368. (March/April 2008): 443-457.
De(Ath, Leslie. Language and Diction: Consonant Clusters in Simpson, C. Blake, and John Nix. Voice Research and Tech-
nology: Semi-Occluded Vocal Tract Postures and Their
German, I. 64:3 (January/February 2008): 343-353.
Application in the Singing Voice Studio. 64:3 (January
De’Ath, Leslie. Language and Diction: Consonant Clusters in
February 2008): 339-342.
German. II. 64:4 (March/April 2008): 477-482.
Titze, Ingo. Voice Research and Technology: A Hypothesis
De Ath, Leslie. Language and Diction: Double Consonants and
about Whistle Voice. 64:4 (March/April 2008): 473-475.
Gemination in Sung French. 64:2 (November/December
Titze, Ingo. Voice Research and Technology: Resurrection from
2007): 203-211. the Coffin. 64:2 (November/December 2007): 199-201.
Draayer, Suzanne Rhodes. Canciones de Espana: Manuel Gar-
cia—Composer, Teacher, Singer. 64:2 (November/Decem- Song Literature
ber 2007): 151-166. Brister, Wanda. The Songs of Madeleine Dring. 64:5 (May
Sjoerdsma, Richard Dale. Editors Commentary: Gender Spe-
June 2008): 565-578.
cific. 64:4 (March/April 2008): 405-407. Draayer, Suzanne Rhodes. Canciones de Esparia: Manuel Gar-
Walker, Evan. The Fable of Adolphe Nourrit. 64:4 (March/ cia—Composer, Teacher, Singer. 64:2 (November,
April 2008): 411-416. December 2007): 151-166.
669
May/JUNE 2008
[| Journal of Singing Subject Index to Volume 64
Enns-Hildebrand, Kimberley. The Songs of Oskar Morawetz. Voice Care
64:2 (November/December 2007): 175-186. Brunk, Amanda. The Private Studio: Managing Voice Problems
Géliot, Christine. Compositions for Voice by Mel Bonis, French in the Private Studio. 64:5 (May/June 2008): 615-618.
Woman Composer, 1858-1937. 64:1 (September/October Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and
2007): 47-57. Mary J. Hawkshaw. Care oft he Professional Voice: Finding
Lines, Carol. The Songs of Lori Laitman. 64:1 (September/ a Voice Doctor and Voice Care Team. 64:5 (May/June 2008):
October 2007): 31-46. 583-592.
Mabry, Sharon. New Directions: The Masterful Lori Laitman. Divi, Venu, Yolanda D. Heman-Ackah, Robert T. Sataloff, and
Mary J. Hawkshaw. Care of the Professional Voice: How Do
64:1 (September/October 2007): 95-97,
Mabry, Sharon. New Directions: The Songs of Robert Boury. I Maintain Longevity of My Voice? 64:4 (March/April 2008):
467-472.
64:3 (January/February 2008): 369-370.
Hawkshaw, Mary J., Venu Divi, Yolanda D. Heman-Ackah,
Secrest, Glenda. Songs from Letters and Cowboy Songs by Libby
and Robert T. Sataloff. Care oft he Professional Voice: Find-
Larsen: Two Different Approaches to Western Mythology
ing a Voice Doctor and Voice Care Team. 64:5 (May/
and Western Mythological Figures. 64:1 (September/Octo-
June 2008): 583-592.
ber 2007): 21-30.
Hawkshaw, Mary J., Robert T. Sataloff, Venu Divi, and Yolanda
Sjoerdsma, Richard Dale. New Directions: Chester Biscardi—
D. Heman-Ackah. Care of the Professional Voice: How Do
A Voice for Our Time. 64:5 (May/June 2008): 625-633.
I Maintain Longevity of My Voice? 64:4 (March/April 2008):
Strempel, Eileen. Try Me, Good King: Last Words of the Wives
467-472.
of Henry VIII: Libby Larsen’s Royal Portraits of Song. 64:1
Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk-
(September/October 2007): 11-20.
shaw, and Venu Divi. Care oft he Professional Voice: Find-
Taylor, Darryl. Songs of H. Leslie Adams. 64:3 (January/Feb- ing a Voice Doctor and Voice Care Team. 64:5 (May/June
ruary 2008): 317-327. 2008): 583-592.
Westlund, Beth Ray. Letters for a Composer: Dominick Heman-Ackah, Yolanda D., Robert T. Sataloff, Mary J. Hawk-
Argentos Casa Guidi. 64:3 (January/February 2008): 275-285. shaw, and Venu Divi. Care oft he Professional Voice: How
Ziegler, Meredith. Jake Heggie’s Paper Wings: Feeding the Do I Maintain Longevity of My Voice? 64:4 (March/April
Genre of American Art Song. 64:3 (January/February 2008): 2008): 467-472.
287-293. Manternach, Brian, with Robert T. Sataloff. Care oft he Profes-
sional Voice: Teaching Singers with Emphysema and Other
Technology Pulmonary Diseases. 64:3 (January/February 2008): 333-337.
Rayapati, Sangeetha. Teaching Reaches Out: Class Voice and
McCoy, Scott. Voice Pedagogy: Getting Wired: A New Twist on
the Aging Singer. 64:5 (May/June 2008): 543-550.
the Voice Master Class. 64:3 (January/February 2008):
Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda
329-332.
D. Heman-Ackah. Care oft he Professional Voice: Finding a
Nix, John, and C. Blake Simpson. Voice Research and Tech-
Voice Doctor and Voice Care Team. 64:5 (May/June 2008):
nology: Semi-Occluded Vocal Tract Postures and Their
583-592.
Application in the Singing Voice Studio. 64:3 (January/
Sataloff, Robert T., Mary J. Hawkshaw, Venu Divi, and Yolanda
February 2008): 339-342.
D. Heman-Ackah. Care oft he Professional Voice: How Do
Simpson, C. Blake, and John Nix. Voice Research and Tech- I Maintain Longevity of My Voice? 64:4 (March/April 2008):
nology: Semi-Occluded Vocal Tract Postures and Their
467-472.
Application in the Singing Voice Studio. 64:3 (January/ Sataloff, Robert T. Care of the Professional Voice: Sinusitis.
February 2008): 339-342. 64:1 (September/October 2007): 63-66.
Titze, Ingo. Voice Research and Technology: Vocal Demands Sataloff, Robert T. Care of the Professional Voice: Thyroid Can-
on Teachers. 64:1 (September/October 2007): 67-69. cer. 64:2 (November/December 2007): 195-198.
JOURNAL OF SINGING