Table Of Content

INDEX TO VOLUME 984 AUTHOR INDEX Ideology in William Wyler’s Ben- Moral Growth and Personal Narrative Adams-Price, Carolyn, Jim Codling, Hur. Fall 116. in Saturday Night Fever: “Stayin” Mark Goodman, Kevin Kern, C. M. Vint, Sherry. The New Backlash: Alive.” Joseph Kupfer. Winter 170. Kleinmann, Bonnie Oppenheimer, Popular Culture’s “Marriage” with The New Backlash: Popular Culture’s Rebekah Ray, Porter Roberts, and Feminism, or Love Is All You Need. “Marriage” with Feminism, or Love Pete Smith. Empathic Resonance Winter 160. Is All You Need. Sherry! Vint. Win- and Mery! Streep. Fall 98 Wee, Valerie. Resurrecting and Updat- ter 160. Arnett, Robert. Eighties Noir: The Dis- ing the Teen Slasher: The Case of Reading the Ungraspable Double-Cod- senting Voice in Reagan's America. Scream. Summer 50. edness of The Simpsons. Simone Fall 123. Knox. Summer 72. TITLE INDEX Brasfield, Rebecca. Rereading Sex and Rereading Sex and the City: Exposing the City: Exposing the Hegemonic An Audience for Mel Brooks’s The the Hegemonic Feminist Narrative. Feminist Narrative Fall 130. Producers: The Avant-garde of the Rebecca Brasfield. Fall 130. Etheridge, Brian C. In Search of Ger- Masses. Alex Symons. Spring 24. Resurrecting and Updating the Teen mans: Contested Germany in the Blockbuster Meets Superhero Comic, Slasher: The Case of Scream. Val- Production of The Search. Spring or Art House Meets Graphic Novel? erie Wee. Summer 50. 34. The Contradictory Relationship Watching Charmed: Why Teen Televi- Ewing, Marilyn M. “Gotta Dance!” between Film and Comic Art. Matt sion Appeals to Women. Rebecca Structure, Corruption, and Syphilis McAllister. Fall 108. Feasey. Spring 2 in Singin’ in the Rain. Spring 12 Carrying Concealed Weapons: Gen- BOOK REVIEWS Feasey, Rebecca. Watching Charmed: dered Makeover in Calamity Jane. Why Teen Television Appeals to Tamar Jeffers McDonald. Winter Balfour, Ian, and Atom Egoyan, eds. Women. Spring 2. 180. Subtitles: On the Foreignness of Haspel, Paul. Future Shock on the \ Cold War Cautionary Tale: Hetero- Film. Rev. Angelica Fenner. Sum- National Mall: Washington, DC, as sexuality and Ideology in William mer 95. Disputed Ideological Space in Rob- Wyler’s Ben-Hur. Susan Tuszynski. Baron, Lawrence. Projecting the Holo- ert Wise’s The Day the Earth Stood Fall 116. caust into the Present: The Chang- Still. Summer 62. Eighties Noir: The Dissenting Voice in ing Focus of Contemporary Holo- Hersey, Eleanor. Love and Micro- Reagan’s America. Robert Arnett. caust Cinema. Rev. Frank Manchel. phones: Romantic Comedy Heroines Fall 123. Spring 47 as Public Speakers. Winter 148. Empathic Resonance and Meryl Streep. Heisner, Beverly. Production Design in Hirsch, Joshua. Film Gris Reconsid- Carolyn Adams-Price, Jim Codling, the Contemporary American Film: ered. Summer 82. Mark Goodman, Kevin Kern, C. M. { Critical Study of 23 Movies and Knox, Simone. Reading the Ungrasp- Kleinmann, Bonnie Oppenheimer, Their Designers. Rev. Robert War- able Double-Codedness of The Rebekah Ray, Porter Roberts, and ren Davis Jr. Winter 191. Simpsons. Summer 7 Pete Smith. Fall 98. Moore, Andrew. Powell & Pressburg- Kupfer, Joseph. Moral Growth and Per- Film Gris Reconsidered. Joshua Hirsch. er: A Cinema of Magic Spaces. Rev. sonal Narrative in Saturday Night Summer 82. D. H. Fleming. Winter 191. Fever: “Stayin’ Alive.” Winter 170 Future Shock on the National Mall: Murray, Susan, and Laurie Ouellette, McAllister, Matt. Blockbuster Meets Washington, DC, as Disputed Ideo- eds. Reality TV: Remaking Tele- Superhero Comic, or Art House logical Space in Robert Wise’s The vision Culture. Rev. Kyoung-Lae Meets Graphic Novel? The Contra- Day the Earth Stood Still. Paul Has- Kang. Summer 94. dictory Relationship between Film pel. Summer 62. Stein, Atara. The Byronic Hero in Film, and Comic Art. Fall 108. “Gotta Dance!” Structure, Corruption, Fiction, and Television. Rev. Lorrie McDonald, Tamar Jeffries. Carrying Con- and Syphilis in Singin’ in the Rain. Palmer. Fall 140 cealed Weapons: Gendered Makeover Marilyn M. Ewing. Spring 12 Street, Sarah. Black Narcissus: Turner in Calamity Jane. Winter 180. In Search of Germans: Contested Germa- Classic Movies British Film Guide Symons, Alex. An Audience for Mel ny in the Production of The Search. Series. Rev. Robert Keser. Winter Brooks’s The Producers: The Avant- Brian C. Etheridge. Spring 34. 189. garde of the Masses. Spring 24. Love and Microphones: Romantic Vernallis, Carol. Experiencing Music Tuszynski, Susan. A Cold War Cau- Comedy Heroines as Public Speak- Video: Aesthetics and Cultural Con- tionary Tale: Heterosexuality and ers. Eleanor Hersey. Winter 148. text. Rev. Ann M. Savage. Fall 141. 192 INDEX TO VOLUME 984 AUTHOR INDEX Ideology in William Wyler’s Ben- Moral Growth and Personal Narrative Adams-Price, Carolyn, Jim Codling, Hur. Fall 116. in Saturday Night Fever: “Stayin” Mark Goodman, Kevin Kern, C. M. Vint, Sherry. The New Backlash: Alive.” Joseph Kupfer. Winter 170. Kleinmann, Bonnie Oppenheimer, Popular Culture’s “Marriage” with The New Backlash: Popular Culture’s Rebekah Ray, Porter Roberts, and Feminism, or Love Is All You Need. “Marriage” with Feminism, or Love Pete Smith. Empathic Resonance Winter 160. Is All You Need. Sherry! Vint. Win- and Mery! Streep. Fall 98 Wee, Valerie. Resurrecting and Updat- ter 160. Arnett, Robert. Eighties Noir: The Dis- ing the Teen Slasher: The Case of Reading the Ungraspable Double-Cod- senting Voice in Reagan's America. Scream. Summer 50. edness of The Simpsons. Simone Fall 123. Knox. Summer 72. TITLE INDEX Brasfield, Rebecca. Rereading Sex and Rereading Sex and the City: Exposing the City: Exposing the Hegemonic An Audience for Mel Brooks’s The the Hegemonic Feminist Narrative. Feminist Narrative Fall 130. Producers: The Avant-garde of the Rebecca Brasfield. Fall 130. Etheridge, Brian C. In Search of Ger- Masses. Alex Symons. Spring 24. Resurrecting and Updating the Teen mans: Contested Germany in the Blockbuster Meets Superhero Comic, Slasher: The Case of Scream. Val- Production of The Search. Spring or Art House Meets Graphic Novel? erie Wee. Summer 50. 34. The Contradictory Relationship Watching Charmed: Why Teen Televi- Ewing, Marilyn M. “Gotta Dance!” between Film and Comic Art. Matt sion Appeals to Women. Rebecca Structure, Corruption, and Syphilis McAllister. Fall 108. Feasey. Spring 2 in Singin’ in the Rain. Spring 12 Carrying Concealed Weapons: Gen- BOOK REVIEWS Feasey, Rebecca. Watching Charmed: dered Makeover in Calamity Jane. Why Teen Television Appeals to Tamar Jeffers McDonald. Winter Balfour, Ian, and Atom Egoyan, eds. Women. Spring 2. 180. Subtitles: On the Foreignness of Haspel, Paul. Future Shock on the \ Cold War Cautionary Tale: Hetero- Film. Rev. Angelica Fenner. Sum- National Mall: Washington, DC, as sexuality and Ideology in William mer 95. Disputed Ideological Space in Rob- Wyler’s Ben-Hur. Susan Tuszynski. Baron, Lawrence. Projecting the Holo- ert Wise’s The Day the Earth Stood Fall 116. caust into the Present: The Chang- Still. Summer 62. Eighties Noir: The Dissenting Voice in ing Focus of Contemporary Holo- Hersey, Eleanor. Love and Micro- Reagan’s America. Robert Arnett. caust Cinema. Rev. Frank Manchel. phones: Romantic Comedy Heroines Fall 123. Spring 47 as Public Speakers. Winter 148. Empathic Resonance and Meryl Streep. Heisner, Beverly. Production Design in Hirsch, Joshua. Film Gris Reconsid- Carolyn Adams-Price, Jim Codling, the Contemporary American Film: ered. Summer 82. Mark Goodman, Kevin Kern, C. M. { Critical Study of 23 Movies and Knox, Simone. Reading the Ungrasp- Kleinmann, Bonnie Oppenheimer, Their Designers. Rev. Robert War- able Double-Codedness of The Rebekah Ray, Porter Roberts, and ren Davis Jr. Winter 191. Simpsons. Summer 7 Pete Smith. Fall 98. Moore, Andrew. Powell & Pressburg- Kupfer, Joseph. Moral Growth and Per- Film Gris Reconsidered. Joshua Hirsch. er: A Cinema of Magic Spaces. Rev. sonal Narrative in Saturday Night Summer 82. D. H. Fleming. Winter 191. Fever: “Stayin’ Alive.” Winter 170 Future Shock on the National Mall: Murray, Susan, and Laurie Ouellette, McAllister, Matt. Blockbuster Meets Washington, DC, as Disputed Ideo- eds. Reality TV: Remaking Tele- Superhero Comic, or Art House logical Space in Robert Wise’s The vision Culture. Rev. Kyoung-Lae Meets Graphic Novel? The Contra- Day the Earth Stood Still. Paul Has- Kang. Summer 94. dictory Relationship between Film pel. Summer 62. Stein, Atara. The Byronic Hero in Film, and Comic Art. Fall 108. “Gotta Dance!” Structure, Corruption, Fiction, and Television. Rev. Lorrie McDonald, Tamar Jeffries. Carrying Con- and Syphilis in Singin’ in the Rain. Palmer. Fall 140 cealed Weapons: Gendered Makeover Marilyn M. Ewing. Spring 12 Street, Sarah. Black Narcissus: Turner in Calamity Jane. Winter 180. In Search of Germans: Contested Germa- Classic Movies British Film Guide Symons, Alex. An Audience for Mel ny in the Production of The Search. Series. Rev. Robert Keser. Winter Brooks’s The Producers: The Avant- Brian C. Etheridge. Spring 34. 189. garde of the Masses. Spring 24. Love and Microphones: Romantic Vernallis, Carol. Experiencing Music Tuszynski, Susan. A Cold War Cau- Comedy Heroines as Public Speak- Video: Aesthetics and Cultural Con- tionary Tale: Heterosexuality and ers. Eleanor Hersey. Winter 148. text. Rev. Ann M. Savage. Fall 141. 192 w i n n i e itheg a’ . a ae > « “¢