Table Of Content

AUTHOR INDEX “Spectacle” in Contemporary Wildlife temporary Wildlife Documentary. Documentary. Spring 29. Karen D. Scott. Spring 29. Chaney, Michael A. Coloring Whiteness Shu, Yuan. Reading the Kung Fu Film in Reading the Kung Fu Film in an American and Blackvoice Minstrelsy: Representa- an American Context: From Bruce Lee Context: From Bruce Lee to Jackie tions of Race and Place in Static Shock, to Jackie Chan. Summer 50. Chan. Yuan Shu. Summer 50. King of the Hill, and South Park. Winter Watson, Mary Ann. Ethics in Entertain- Russian “Sitkom” Adaptation: The Push- 167. ment Television (Introduction). Winter kin Principle. Dana Heller. Summer 60. Dennis, Jeffery P. “The Same Thing We Do 146. “The Same Thing We Do Every Night”: Every Night”: Signifying Same-Sex Yu, Emily. Sounds of Cinema: What Do Signifying Same-Sex Desire in Televi- Desire in Television Cartoons, Fall 132. We Really Hear? Summer 93. sion Cartoons, Jeffery P. Dennis. Fall Egan, Kathryn Smoot. The Ethics of Zani, Steven J. Traumatic Disaster and 132. Entertainment Television: Applying Titanic Recuperation: Popular/Histori- Sleazy Riders: Exploitation, “Otherness,” Paul Ricoeur’s Spiral of Mimesis for cal Representations of the Titanic. Fall and Transgression in the 1960s Biker Authenticity as a Moral Standard. Win- 125. Movie. Bill Osgerby. Fall 98. ter 158. Sounds of Cinema: What Do We Really Forman, Murray. Television before Televi- TITLE INDEX Hear? Emily Yu. Summer 93. sion Genre: The Case of Popular Music. Television before Television Genre: The Spring 5. Audiences Talking Genre: Television Talk Case of Popular Music. Murray Forman. Gallagher, Mark. What’s So Funny about Shows and Cultural Hierarchies. Jason Spring 5. Tron Chef? Winter 176. Mittell. Spring 36. Traumatic Disaster and Titanic Recupera- Heller, Dana. Russian “Sitkom” Adapta- Channeling Hollywood: Picture Palace tion: Popular/Historical Representations tion: The Pushkin Principle. Summer Employees and Celebrity Culture. Janna of the Titanic. Steven J. Zani. Fall 125. 60. Jones. Fall 109. TV Genres Re-Viewed (Introduction). Jones, Janna. Channeling Hollywood: Pic- Coloring Whiteness and Blackvoice Min- Brian Rose. Spring 2. ture Palace Employees and Celebrity strelsy: Representations of Race and Vox Populi as Cable Programming Strate- Culture. Fall 109. Place in Static Shock, King of the Hill, gy. Jeffrey P. Jones. Spring 18. Jones, Jeffrey P. Vox Populi as Cable Pro- and South Park. Michael A. Chaney. What’s So Funny about /ron Chef? Mark gramming Strategy. Spring 18. Winter 167. Gallagher. Winter 176. MacKenzie, S. P. Nazis into Germans: Dreams, Dharma, and Mrs. Doubtfire: Went the Day Well? (1942) and The Exploring Hindi Popular Cinema via Its BOOK REVIEWS Eagle Has Landed (1976). Summer 83. “Chutneyed” Western Scripts. Sheila J. Mascaro, Thomas A. The Network Execu- Nayar. Summer 73. Enns, Anthony, and Christopher R. Smit. tive Did It: Law & Order Indicts Net- Errol Flynn, Cuba, and Film Noir: Revi- Screening Disability: Essays on Cinema work Programming Practices for Ethical sioning The Big Boodle. Thomas Sanfil- and Disability. Rev. Prakash Younger. Lapses in Reality TV. Winter 149. ip. Fall 140. Winter 188. Mittell, Jason. Audiences Talking Genre: Ethics in Entertainment Television (Intro- Pettitt, Lance. Screening Ireland: Film and Television Talk Shows and Cultural duction). Mary Ann Watson. Winter Television Representation. Rev. Peter Hierarchies. Spring 36. 146. Flynn. Winter 185. Nayar, Sheila J. Dreams, Dharma, and The Ethics of Entertainment Television: Pratt, Ray. Projecting Paranoia: Conspira- Mrs. Doubtfire: Exploring Hindi Popu- Applying Paul Ricoeur’s Spiral of torial Visions in American Film. Rev. lar Cinema via Its “Chutneyed” Western Mimesis for Authenticity as a Moral Marco Calavita. Winter 186. Scripts. Summer 73. Standard. Kathryn Smoot Egan. Winter Rose, Brian. Directinfgo r Television: Con- Osgerby, Bill. Sleazy Riders: Exploitation, 158. versations with American TV Directors. “Otherness,” and Transgression in the Nazis into Germans: Went the Day Well? Rev. Claudia Clark. Spring 47. 1960s Biker Movie. Fall 98. (1942) and The Eagle Has Landed Slide, Anthony. Eccentricities of Comedy. Rose, Brian. TV Genres Re-Viewed (Intro- (1976). S. P. MacKenzie. Summer 83. Rev. Christofer Meissner. Winter 186. duction). Spring 2. The Network Executive Did It: Law & Watson, Mary Ann. Defining Visions: the Sanfilip, Thomas. Errol Flynn, Cuba, and Order Indicts Network Programming American Experience since 1945. Rev. Film Noir: Revisioning The Big Boodle. Practices for Ethical Lapses in Reality Robin R. Means Coleman. Spring 47. Fall 140. TV. Thomas A. Mascaro. Winter 149. Wexman, Virginia Wright, ed. Jane Cam- Scott, Karen D. Popularizing Science and Popularizing Science and Nature Program- pion Interviews. Rev. David Callahan. Nature Programming: The Role of ming: The Role of “Spectacle” in Con- Winter 187. 190