Table Of Content

INDEX TO THE JOURNAL OF BAND RESEARCH VOLUMES 20-30 John J. Deal The index to Volumes 1-19 can be found in Volume 20, Number 1, Fall, 1984. Volumes 20-30 are cross-indexed in this article. There is an Author Index, a Title and Keyword Index, and a Subject Index which is further divided into: “Analysis,” “Bibliography, ok Biography, cot History,” “Literature,” “Miscellaneous, 7 kk Pedagogy,” and Reviews.” Author Index Anderson, Gene, Analysis: Musical Metamorphoses in Hindemith's "March" from Symphonic Metamorphosis of Themes by Carl Maria Von Weber, 30/1:1-10, (Corrections in 30/2:95). Barrow, Gary W., Col. Earl D. Irons and the Early Development of Texas Bands, 21/2:9-30. Bierley, Paul E., That Curious Sousa Voice Tape, 22/1:45-47. Boyer, D. Royce, The American Expeditionary Forces, General Headquarters Band, Victory Loan Tour — 1919, 26/1:44-51. Brandt, Thompson, A Review of Research and Literature Concerned with Private and Class Instruction in Instrumental Music, 22/1:48-55. Brittin, Ruth V., Effects of Interference, Age, and Ability on Wind Instrumentalists’' Rhythmic Notation, 26/2:44-53. Brittin, Ruth V., Effects of Upper and Lower Register Accompaniment on Intonation, 29 /1:43-50. Brown, Michael R., Analysis: American Hymn: Variations on An Original Melody by William Schuman, 27/2:67-79. Bryan, Paul, Review: Das Neue Lexikon Des Blasmusikwesens by Wolfgang Suppan, 26/2:72-75. Burnsed, Vernon, Dennis Hinkle, Steve King, Performance Evaluation Reliability at Selected Concert Festivals, 21/1:22-29. Burton, John Bryan, A Study to Determine the Extent to Which Vocalization Is Used as an Instructional Technique in Selected Public School, Public Junior College, and State University Band Rehearsals, 23/2:30-39. Byo, James L., Effects of Barlines, Pitch, and Meter on Musicians’ Rhythm Reading Performance, 27 /2:34-44. Deal Byo, James L., and Kenneth R. Austin, Comparison of Expert and Novice Conductors: An Approach to the Analysis of Nonverbal Behaviors, 30/1:11-34. Byrne, Frank, The Santelmann Legacy, 22/1:29-44. Byrne, Frank, The United States Marine Band Music Library, 21/1:70. Callahan, Gary L., The Measurement of Finger Dexterity in Woodwind and Brass Instrumentalists: A Developmental Study, 23/1:50-60. Capperella-Sheldon, Deborah A., Self-Perception of Aesthetic Experience Among Musicians and Non-Musicians in Response to Wind Band Music, 28/1:57-71. Casey, J. Warren, An Analysis of Band Conductor Sight-Reading Behavior and Ensemble Preparation for Sight Reading, 27 /1:66-74. Condaris, Christine, The Creatore Band Library, 22/2:73-77. Crane, Frederick, Band Research Materials in the University of lowa Library's Chautauqua Collection, 25/2:83-86. Cutter, Paul F., Dewey O. Wiley and the Texas Tech Band: The Depression Years, 30/2:71-86. Danner, Gregory, William Robyn and His St. Louis Brass Band, 29/2:93-96. DeCarbo, Nicholas, The Effects of Teaching Level and Teaching Experience on Common Performance Errors of Instrumental Music Teachers, 22/1:20-28. DeCarbo, Nicholas, and Richard Fiese, The Effect of Nonplaying Time on the Pitch of Selected Instruments in the High School Concert Band, 25/1:68-77. DeFoor, Keith, Analysis: Arthur Gottschalk's Concerto for Wind and Percussion Orchestra, 22/1:9-19. Dieker, Ronald J., Victor Herbert: American Bandmaster and March Composer, 24/2:55-72. Droste, Paul, Review: Heralds of Victory by Ronald W. Holz, 24/1:87-89. Duke, Robert A, Bringing the Art of Rehearsal into Focus: The Rehearsal Frame as Model for Prescriptive Analysis of Rehearsal Conducting, 30/1:78-95. Duke, Robert A., Clifford K. Madsen and John M. Geringer, The Effect of Speed Alterations on High School Musicians’ Tempo Note Selections, 21/2:37-46. Dunnigan, Patrick, Stravinsky and the Circus Polka, 30/1:35-52. Elliott, Charles A., All-State Band Practices and Procedures: A Nation- Wide Survey, 30/2:87-94. Farrington, James, and Jon R. Piersol, Index to the Journal of Band Research Vol. I, No. 1, through Vol. XIX, No. 2, 20/1:41-78. Fiese, Richard K., College and University Wind Band Repertoire, 1980-1985, 23/1:17-42. Fiese, Richard K., The Effects of Nonmusical Cues on the Rankings of Music Scores by Undergraduate Conducting Students Based on Judgements of Quality, Index to Volumes 20-30 25 /2:13-21. Fiese, Richard K., An Examination of Public Secondary School Band Directors’ Qualitative Judgments, 28 /2:27-36. Flowers, Patricia J., and Robert A. Duke, The Effect of Counting Versus Listening on Performance Accuracy and Attention to Musical Elements, 25 /2:38-46. Fonder, Mark, A Bibliography of Doctoral Dissertations Pertaining to the Wind Band, 1979 through 1992, 29/2:28-92. Fonder, Mark, The Instrument Manufacturing Industry and the School Band Movement: A Look At the "Holton School Band Plan," 24/1:44-51. Fonder, Mark, Patrick Conway and the Central New York Firemen's Convention Band Contests of 1893 to 1900, 27/2:1-19. Fry, William E., Books and Dissertations on the Technique of Instrumental Conducting: A Select Bibliography, 26/1:30-43. Gleason, Bruce P., A History of the Royal Artillery Mounted Band, 1878-1939, 27 /1:16-29. Gregory,Dianne, Preferences of Middle School and Undergraduate Instrumentalists for Acoustic and Synthesized Transcriptions, 29/2:97-105. Gresham, W. Jonathan, Kurt Weill's Threepenny Opera and Littlepenny Music: Comparisons and Observations, 29/2:14-27. Guion, David M., French Military Music and the Rebirth of the Trombone, 21/2:31-36. Hall, Harry H., The Columbian Band: Bethlehem Moravians in the Early Nineteenth Century Pennsylvania Militia, 20/2:40-49. Hall, Harry H., Review: A Pictorial History of Civil War Era Musical Instruments & Military Bands by Robert Garofalo & Mark Elrod, 21/2:60-63. Harbinson, William G., Analysis: The Passing Bell of Warren Benson, 21/2:1-8. Hartley, Linda A., A Comparison of Music Performance Ratings between Eighth-Grade Instrumental Music Students Who Began in Fifth Grade and Those Who Began in Sixth Grade, 26/2:66-71. Hazelman, Herbert, The Second Conference of the World Association for Symphonic Bands and Ensembles, 21 /2:55-59. Hazelman, Herbert, The Third Conference of the World Association for Symphonic Bands and Ensembles, 23 /2:79-83. Hilfiger, John Jay, Edvard Grieg's Funeral March in Memory of Rikard Nordraak for Military Band, 24/2:12-16. Hilfiger, John Jay, Funeral Marches, Dirges, and Wind Bands in the Nineteenth Century, 28/1:1-20. Holz, Ronald W., Erik William Gustav Leidzen (1894-1962): His Deal Contributions to Concert Band Literature, 25/1:78-92. Hopkins, Stephen, Analysis: Gunther Schuller's In Praise of Winds, 24/1:28-43 Howard, Colonel George S., Comments on the Air Force and its Music, 9,9 f5o.d6”7 9é Humphreys, Jere T., Instrumental Music in American Education: In Service of Many Masters, 30/2:39-70. Jachens, Darryl L., The Pedagogical Approaches of Eight Important Midwestern Band Conductors During the Late 1920s and 1930s, 22/2:44-54. Johnson, Christopher M., and William E. Fredrickson, The Effect of Aural Commentary, Written Comments, and Behavioral Self-Assessment on Conductor Intensity, 30/2:27-38. Johnson, Robert E., Band Program Enrollment Trends in Alabama Schools, 26/1:52-58 Jooste, Fanie, The British Influence on South African Wind Music During the Latter Half of the Nineteenth Century, 27/1:56-65. Jooste, Fanie, The History of Wind Bands in South Africa: Part I, 22/2:34-43. Jooste, Fanie, The History of Wind Bands in South Africa: Part IL, 1:43-49. Jooste, Fanie, The Primary Influences on South African Wind Music of the Seventeenth and Eighteenth Centuries, 26/2:54-65. Julian, Faye D., Nonverbal Communication: Its Application to Conducting, 24/2:49-54. Kalib, Sylvan, Analysis: Anthony lIannaccone's Apparitions, 25/1:2-64. Kendall, Michael J., A Review of Selected Research in Elementary Instrumental Music Education with Implications for Teaching, 25/2:64-82. Kinzer, Charles E., The Excelsior Brass Band of New Orleans, 1879-1889: A Decade in the Development of a Vernacular Archetype, 29/1:14-24. Kloecker, John H. (Jay), An Analysis of Ingolf Dahl's Sinfonietta for Concert Band, 28/2:37-91. Kolman, Barry H., Early American Wind Music in General Instrumental Tutors, 1800-1836, 23/1:61-77. Kopetz, Barry E., Karl L. King: A Biographical Sketch of the Early Years (1891-1920), 25/2:47-63. LeCroy, Hoyt F., James Robert Gillette: The Carleton Symphony Band and the "Pagan," 24/2:39-48. LeCroy, Hoyt F., Music of the Atlanta Expositions: 1881, 1887, 1895, 30 /1:53-68. Lee , William R., Wind Music of the Baroque: J. G. C. Stoerl and His Tower Sonatas, 20/1:2-8. Index to Volumes 20-30 Lester, Noel, Richard Franko Goldman and the Goldman Band, 24/1:1-27. Locke , John R., An Analysis of Report by Lubos Fiser, 20/1:9-19. Long, John M., A Tribute to Paul Yoder, 26/1:89-91. Madeja, James T., The Anglo-Canadian Concert Band: A Unique Episode in the History of the Band Movement in North America, 26/1:1-13. Madeja, James T., Herbert L. Clarke: His Contribution to the Revitalization of the American Band of Providence, 28/2:1-10. Madsen, Clifford K., Robert A. Duke, John M. Geringer, Pitch and Tempo Discrimination in Recorded Band Music among Wind and Percussion Musicians, 20/1:20-29. Maloney, S. Timothy, A History of the Wind Band in Canada, 23/2:10-29. Markoch, Jerome R., Analysis: Music for Eighteen Winds by John Harbison, 30/2:1-26. Markovich, Victor A., John William Wainwright: Pioneer Band Master/ Music Educator, 26/2:33-43. Mathes, James, Analysis: Piece of Mind by Dana Wilson, 25/2:1-12. Mathes, James, Analysis: Winds of Nagual by Michael Colgrass, 23/1:3-16. Mazzaferro, Anthony P., Roger A. Nixon and His Works for Band, 24/1:67-83. Mazzola, Sandy R., Chicago Concert Bands at the Turn of the Century, 29/1:1-13. Michaelson, jerrold M., Bands in Marquette (1866-1890), 21/1:30-42. Miller, Stephen W., Darius Milhaud: Musique de Theatre, 27 /1:75-79. Milligan, Terry G., Charles Ives: Musical Activity at Poverty Flat (1898-1908), 20/1:30-36. Mitchell, Jon C., The Holst Septet for Winds, 24/1:52-58. Mitchell, Jon C., James Causley Windram's Military Band Settings of Gustav Holst's Choral Hymns from the Rig Veda, 30/1:69-77. Mitciell, Jon C., The Ninth Conference of the Internationale Gesellschaft zur Erforschung und Foérderung der Blasmusik, 26/2:76. Mitchell, Jon C., Paul Robert Marcel Fauchet: Symphonie Pour Musique D'‘harmonie (Symphony in B-Flat), 20/2:8-26. Mitchell, Jon C., Sketches for Holst's “A Moorside Suite," 22/2:1-6. Molineux, Allen, The Elements of Unity and Their Applications on Various Levels of the First Movement of Karl Husa's Concerto for Wind Ensemble, 21/1:43-49. Morris, Donald, Persichetti Rediscovered: the Manuscripts of Vincent Persichetti's Band Works--Part One: Pageant and the Symphony for Band (Symphony No. 6), 28/1:21-30. Nimmo, Douglas J., Factors of Attrition among High School Band Directors, Dea ] 24/2:17-38. O'Neal, Thomas J., Analysis: Gregory Youtz's Fire Works, 27/1:44-55. Olfert, Warren D., An Analysis of John Corigliano's Gazebo Dances for Band, 29/1:25-42. 7 Piersol, Jon R., The Eighth Conference of the Internationale Gesellschaft zur Erforschung und Férderung der Blasmusik, 24/1:84-86. Plank, Max, Anthony Iannaccone, An Introduction to His Work, 25/1:65-67. Prescott, John, Treatment of the Cornet and Trumpet in Selected T'wentieth-Century Band Compositions, 21/1:50-60. Price, Harry E., A Competency-Based Course in Basic Conducting Techniques: A Replication, 21/1:61-69. Price, Harry E., and Suzanne E. Winter, Effect of Strict and Expressive Conducting on Performances and Opinions of Eighth-Grade Band Students, 27 /1:30-43. Reimer, Mark U., The Stadtorchester Friedrichshafen: A Model for American Community Bands, 29/1:51-72. Rideout, Roger R., An Informal Application of Gordon's Timbre Preference Test, 24/1:59-66. Rocco, Emma S., A History of Italian-American Bands in Western Pennsylvania, 26/1:59-85. Rogers, Robert Mark, A Chronology of the Hill-Songs of Percy Aldridge Grainger, 27/1:1-15. Shive, Jr., Clyde S., Programming Marches from the U.S., 1775-1825, 22/1:1-8. Shive, Jr., Clyde S., William Henry Fry's Music for Band, 29/2:1-13. Simmons, Gregory C, Analysis: Elegy by Mark Camphouse, 27/2:45-50. Simpson, Anne, I Haven't Played Opera: An Interview with Merle Evans, 21/2:47-54. Simpson, Anne K., The Stauth Brothers American Circus Music Museum, Inc.: A Tribute to Ward Stauth, 23/1:78-81. Smialek, William, Josef Elsner and Military Band Music in Nineteenth Century Poland, 20/2:27. Spalding, Dan Charles, The Use and Interpretation of the Percussion in Traditional American March Music, 20/2:50-70. Speck, Frederick, Analysis: Martin Mailman's For Precious Friends Hid in Death's Dateless Night, 26/1:14-29. Spradling, Robert L., Perception and Preference of Tone Quality /Intonation Variables in Flute/Oboe Duets by Woodwind/Brass Performers, 20/2:27-39. Suppan, Wolfgang, The Tenth Conference of the International Society for the Promotion and Investigation of Band Music (Internationale Gesellschaft zur Index to Volumes 20-30 Erforschung und Férderung der Blasmusik), 28/1:72-74. Tacke, Thomas J., A Study of the Technical Difficulty of the Repertoire of Seven Small Liberal Arts College Wind Ensembles, 27/2:51-66. Toering, Ronald J., An Analysis of Elliot Del Borgo's Do Not Go Gentle into That Good Night, 21/1:1-21. Ullery, Victoria L., Frank Simon: History and Influence, 23/2:40-78. Votta, Michael, Nineteenth-Century Transcriptions and Editions: Wagner Revisited, 28/1:31-56. Votta, Jr.Michael, Pitch Structure and Extramusical References in Alban Berg's Kammerkonzert, 26/2:1-32. Wagner, Lavern John, The Humboldt, Kansas, Town Band: Its Times and Its Music from 1866 to 1881, 24/2:1-11. Wagner, Lavern John, Volunteering Twice: The Brodhead, Wisconsin, Brass Band in the Civil War, 25/2:22-37. Whitwell, David, Review: Das ist CEstterreichs Militarmusik by Eugene Brixel, Gunther Martin, and Gottfried Pils, 20/2:71-74. Wiecki, Ronald V., The Stahl Band Partbooks: A New Source of Turn-of-the-Century American Band Music, 23/2:1-9. Williams, Frederick P, The American Band of Providence (1902) and Clarke's Band of Providence (1903): The Recordings, 30/1:96-106. Williams, Frederick P., The Conway Band Recordings 1912-1922, 27/2:20-33. Williams, Frederick P., Some Thoughts about the Collecting of Old Band Records, 22/1:70-73. Williams, Frederick P., The Victor Black Label Military Band Recordings from 1900 to 1930: Part I, 22/1:56-69. Williams, Frederick P., The Victor Black Label Military Band Recordings from 1900 to 1930: Part II: The Phasing Out of the Professional Bands (1917-1930), 22/2:7-33. Wilson, Bruce D., The ABA Research Center at the University of Maryland, 20/1:37-40. Woodford, Paul G., The Wind Band Tradition of Newfoundland and Labrador, Canada, 28/2:11-26. Yoder, Paul, The First ABA Band, 23/2:84. Yoder, Paul, Review: March Music Notes by Norman E. Smith, 22/2:78. Yoder, Paul, Review: My Bands and I (A Love Story) compiled by Mark Hindsley, 20/2:75-76. Title and Keyword Index ABA Band, First, Paul Yoder, 23/2:84. D ea l ABA Research Center at the University of Maryland, Bruce Wilson, D., 20/1:37-40. Ability on Wind Instrumentalists’ Rhythmic Notation, Effects of Interference, Age, and, Ruth V. Brittin, 26/2:44-53. Accompaniment on Intonation, Effects of Upper and Lower Register, Ruth V. Brittin, 29/1:43-50. Accuracy and Attention to Musical Elements, the Effect of Counting Versus Listening on Performance, Patricia J. Flowers and Robert A. Duke, 25/2:38-46. Acoustic and Synthesized Transcriptions, Preferences of Middle School and Undergraduate Instrumentalists for, Dianne Gregory, 29/2:97-105. Aesthetic Experience Among Musicians and Non-Musicians in Response to Wind Band Music, Self-Perception of, Deborah A. Capperella-Sheldon, 28 /1:57-71. Age, and Ability on Wind Instrumentalists’ Rhythmic Notation, Effects of Interference, Ruth V. Brittin, 26/2:44-53. Air Force and Its Music, Comments on the, Colonel George S. Howard, 2:55-72. Alabama Schools, Band Program Enrollment Trends in, Robert E. Johnson, 1:52-58. Alban Berg's Kammerkonzert, Pitch Structure and Extramusical References , Michael Votta, Jr., 26/2:1-32. All-State Band Practices and Procedures: A Nation-Wide Survey, Charles A. Elliott, 30/2:87-94. American Band of Providence, Herbert L. Clarke: His Contribution to the Revitalization of the, James T. Madeja, 28/2:1-10. American Expeditionary Forces, General Headquarters Band, Victory Loan Tour — 1919, D. Royce Boyer, 26/1:44-51. American Band of Providence (1902) and Clarke's Band of Providence (1903): the Recordings, Frederick P. Williams, 30/1:96-106. Analysis: American Hymn: Variations on An Original Melody by William Schuman, Michael R. Brown, 27/2:67-79. Analysis: Anthony Iannaccone's Apparitions, Sylvan Kalib, 25/1:2-64. Analysis: Arthur Gottschalk's Concerto for Wind and Percussion Orchestra, Keith DeFoor, 22/1:9-19. Analysis: Elegy by Mark Camphouse, Gregory C. Simmons, 27/2:45-50. Analysis: Gregory Youtz's Fire Works, Thomas J. O'Neal, 27/1:44-55. Analysis: Gunther Schuller's In Praise of Winds, Stephen Hopkins, 24/1:28-43. Analysis: Martin Mailman's For Precious Friends Hid in Death's Dateless Night, Frederick Speck, 26/1:14-29. Index to Volumes 20-30 Analysis: Musical Metamorphoses in Hindemith's "March" From Symphonic Metamorphosis of Themes by Carl Maria Von Weber, Gene Anderson, 30/1:1-10, (Corrections in 30/2:95). Analysis: Music for Eighteen Winds by John Harbison, Jerome R. Markoch, 30 /2:1-26. Analysis: Piece of Mind by Dana Wilson, James Mathes, 25/2:1-12. Analysis: The Passing Bell of Warren Benson, William G. Harbinson, 21/2:1-8. Analysis: Winds of Nagual by Michael Colgrass, James Mathes, 23/1:3-16. Analysis of Band Conductor Sight-Reading Behavior and Ensemble Preparation for Sight Reading, An, J. Warren Casey, 27/1:66-74. Analysis of Elliot Del Borgo's Do Not Go Gentle into That Good Night, Ronald J. Toering, 21/1:1-21. Analysis of Ingolf Dahl's Sinfonietta for Concert Band, John H. (Jay) Kloecker, 28/2:37-91. Analysis of John Corigliano's Gazebo Dances for Band, Warren D. Olfert, 29 /1:25-42. Analysis of Report by Lubos Fiser, John R. Locke, 20/1:9-19. Anglo-Canadian Concert Band: A Unique Episode in the History of the Band Movement in North America, James T. Madeja, 26/1:1-13. Anthony Iannaccone's Apparitions, Analysis:, Sylvan Kalib, 25/1:2-64. Anthony Iannaccone, An Introduction to His Work, Max Plank, 25/1:65-67. Arthur Gottschalk's Concerto for Wind and Percussion Orchestra, Analysis:, Keith DeFoor, 22/1:9-19. Atlanta Expositions: 1881, 1887, 1895, Music of the, Hoyt F. LeCroy, 30 /1:53-68. Attention to Musical Elements, the Effect of Counting Versus Listening on Performance Accuracy and, Patricia J. Flowers and Robert A. Duke 25/2:38-46. Attrition Among High School Band Directors, Factors of, Douglas J. Nimmo, 24 /2:17-38. Band Program Enrollment Trends in Alabama Schools, Robert E. Johnson, 26/1:52-58. Band Rehearsals, A Study to Determine the Extent to Which Vocalization Is Used as an Instructional Technique in Selected Public School, Public Junior College, and State University Band Rehearsals, John Bryan Burton, 23/2:30-39. Band Research Materials in the University of lowa Library's Chautauqua Collection, Frederick Crane, 25/2:83-86. Bands in Marquette (1866-1890), Jerrold M. Michaelson, 21/1:30-42. Baroque: J. G. C. Stoerl and His Tower Sonatas, Wind Music of the, William R. Lee, 20/1:2-8. Deal Basic Conducting Techniques: A Replication, A Competency-Based Course in, Harry E. Price, 21/1:61-69. Benson, Analysis: The Passing Bell of Warren, William G. Harbinson, 21/2:1-8. Bibliography, Books and Dissertations on the Technique of Instrumental Conducting: A Select, William E. Fry, 26/1:30-43. Bibliography of Doctoral Dissertations Pertaining to the Wind Band, 1979 through 1992, Mark Fonder, 29/2:28-92. Books and Dissertations on the Technique of Instrumental Conducting: A Select Bibliography, William E. Fry, 26/1:30-43. Brass Band in the Civil War, Volunteering Twice: The Brodhead, Wisconsin, Lavern John Wagner, 25/2:22-37. Brass Instrumentalists: A Developmental Study, the Measurement of Finger Dexterity in Woodwind and, Gary L. Callahan, 23/1:50-60. Bringing the Art of Rehearsal into Focus: the Rehearsal Frame as Model for Prescriptive Analysis of Rehearsal Conducting, Robert A Duke, 30/1:78-95. British Influence on South African Wind Music During the Latter Half of the Nineteenth Century, Fanie Jooste, 27/1:56-65. Camphouse, Analysis: Elegy by Mark, Gregory C. Simmons, 27/2:45-50. Canada, A History of the Wind Band in, S. Timothy Maloney, 23/2:10-29. Canada, the Wind Band Tradition of Newfoundland and Labrador, Paul G. Woodford, 28/2:11-26. Carleton Symphony Band and the "Pagan," James Robert Gillette: The, Hoyt F. LeCroy, 24/2:39-48. Charles Ives: Musical Activity at Poverty Flat (1898-1908), Terry G. Milligan, 20/1:30-36. Chautauqua Collection, Band Research Materials in the University of Iowa Library's, Frederick Crane, 25/2:83-86. Chicago Concert Bands at the Turn of the Century, Sandy R. Mazzola, 29/1:1-13. Choral Hymns From the Rig Veda, James Causley Windram's Military Band Settings of Gustav Holst's, Jon C Mitchell, 30/1:69-77. Chronology of the Hill-Songs of Percy Aldridge Grainger, Robert Mark Rogers, 27/1:1-15. Circus Music Museum, Inc.: A Tribute to Ward Stauth, The Stauth Brothers American, Anne K. Simpson, 23/1:78-81. Circus Polka, Stravinsky and the, Patrick Dunnigan, 30/1:35-52. Civil War Era Musical Instruments & Military Bands by Robert Garofalo & Mark Elrod, Review: A Pictorial History of, Harry H. Hall, 21/2:60-63. Civil War, Volunteering Twice: The Brodhead, Wisconsin, Brass Band in