Journal of Aesthetics and Art Criticism 2012: Vol 70 Index & Table of Contents

2012·0.72 MB·English

Index: Volume 70
Titles: Articles, Discussions, & Symposia
Aesthetic Attributions: The Case of Poetry ANNA CHRISTINA RIBEIRO
Artistic Value Defended ROBERT STECKER
Artwork and Document in the Photography of Louise Lawler SHERRI IRVIN
Artworks Are Not Valuable for Their Own Sake NICHOLAS F. STANG
Beauty, Interest, and Autonomy EILEEN JOHN
Comparing and Sharing Taste: Reflections on Critical Advice STEPHANIE ROSS
Creativity and Rationality BERYS GAUT
Depiction, Detection, and the Epistemic Value of Photography LAURA PERINI
Digital Pictures, Sampling, and Vagueness: The Ontology
of Digital Pictures JOHN ZEIMBEKIS
Drawings of Photographs in Comics ROY T. COOK
Expressiveness, Ineffability, and Nonconceptuality JOHN SPACKMAN
Facing the Camera: Self-Portraits of Photographers as Artists DAWN M. WILSON
Fiction, Nonfiction, and Deceptive Photographic Representation PALOMA ATENCIA-LINARES
Hearing Musicians Making Music: A Critique of Roger Scruton on
Acousmatic Experience ROB VAN GERWEN
Horror and Hedonic Ambivalence MATTHEW STROHL
Introduction DIARMUID COSTELLO AND
DOMINIC MCIVER LOPES
Macro and the Micro: Andreas Gursky’s Aesthetics, The BENCE NANAY
Musical Photograph?, A RICHARD BEAUDOIN AND
ANDREW KANIA
On Being Moved by Architecture JENEFER ROBINSON
Paradox of Horror: Fear as a Positive Emotion, The KATERINA BANTINAKI
Photographic Art: An Ontology Fit to Print CHRISTY MAG UIDHIR
Photography and Knowledge SCOTT WALDEN
Photography as Performative Process RICHARD SHUSTERMAN
Puzzle of Historical Criticism, The CHRISTOPHER BARTEL
Question Concerning Photography, The DIARMUID COSTELLO
Reading Drama TZACHI ZAMIR
Recent Approaches to Aesthetic Experience NOEL CARROLL
Righteous Art Anger DARREN HUDSON HICK AND
CRAIG DERKSEN
Robust Immoralism A. W. EATON
Transparent Representation: Photography and the Art of Casting PETER ALWARD
Authors: Articles, Discussions, Symposia, & Book Reviews
ALCAREZ LEON, MARIA JOSE, Review of Noél Carroll, Art in Three Dimensions
ALWARD, PETER, Transparent Representation: Photography and the Art of Casting
The Journal of Aesthetics and Art Criticism 70:4 2012
© 2012 The American Society for Aesthetics
420 The Journal of Aesthetics and Art Criticism
APPELOVIST, HANNE, Review of Stefan Lorenz Sorgner and Oliver Fiirbeth, eds., Music in German Philosophy:
An Introduction
\TENCIA-LINARES, PALOMA, Fiction, Nonfiction, and Deceptive Photographic Representation
BANTINAKI, KATERINA, The Paradox of Horror: Fear as a Positive Emotion
BARTEL, CHRISTOPHER, The Puzzle of Historical Criticism
BEAUDOIN, RICHARDan d ANDREW KANIA, A Musical Photograph?
CAIN, REBECCA BENSEN, Review of Oleg V. Bychkov and Anne Sheppard, eds., Greek and Roman Aesthetics
CAPPS, TANNER, Review of Sigurd Bergmann, /n the Beginning Is the Icon: A Liberative Theology of Images,
Visual Arts and Culture
ARROLL, NOEL, Recent Approaches to Aesthetic Experience
HYTRY, JOSEF, Review of Jacques Derrida, Athens, Still Remains: The Photographs of Jean-Francois Bonhomme
LOWNEY. DAVID, Review of Carolyn Korsmeyer, Savoring Disgust: The Foul and the Fair in Aesthetics
ONROY, RENEE M., Review of Graham McFee, The Philosophical Aesthetics of Dance: Identity, Performance
and Understanding
COOK, ROY T., Drawings of Photographs in Comics
COSTELLO, DIARMUID, The Question Concerning Photography
COSTELLO, DIARMUID and DOMINIC MCIVER LOPES, Introduction
DADLEZ. E. M.. Review of Garry L. Hagberg and Walter Jost, eds., A Companion to the Philosophy of Literature
DERKSEN, CRAIG and DARREN HUDSON HICK, Righteous Art Anger
EATON, A. W., Robust Immoralism
GAUT, BERYS,. Creativity and Rationality
GIBSON, JOHN, Review of Oren Izenberg, Being Numerous: Poetry and the Ground of Social Life
HEIN, HILDE, Review of Whitney Davis, Queer Beauty: Sexuality and Aesthetics from Winckelmann
to Freud and Beyond
HICK, DARREN HUDSON and CRAIG DERKSEN, Righteous Art Anger
HUOVINEN, ERKKI, Review of Stephen Davies, Musical Understandings and Other Essays on the Philosophy of
Music
IRVIN, SHERRI, Artwork and Document in the Photography of Louise Lawler
JOHN, EILEEN, Beauty, Interest, and Autonomy
KANIA, ANDREW and RICHARD BEAUDOIN, A Musical Photograph?
KNIGHT, DEBORAH, Review of Robert Sinnerbrink, New Philosophies of Film: Thinking Images
LOPES, DOMINIC MCIVER and DIARMUID COSTELLO, Introduction
MAG UIDHIR, CHRISTY, Photographic Art: An Ontology Fit to Print
MCGREGOR, RAFE, Review of Noél Carroll and John Gibson, eds., Narrative, Emotion, and Insight
NANAY, BENCE, The Macro and the Micro: Andreas Gursky’s Aesthetics
NANNICELLI, TED, Review of Havi Carel and Greg Tuck, eds., New Takes in Film Philosophy
NICELY, BRENNA. Review of Freddie Rokem, Philosophers and Thespians: Rethinking Performance
PAPPAS, NICKOLAS, Review of James I. Porter, The Origins of Aesthetic Thought in Ancient Greece: Matter,
Sensation, and Experience
PERINI, LAURA, Depiction, Detection, and the Epistemic Value of Photography
RIBEIRO, ANNA CHRISTINA, Aesthetic Attributions: The Case of Poetry
ROBBINS, CHRISTA NOEL, Review of Rosalind E. Krauss, Under Blue Cup
ROBINSON, JENEFER, On Being Moved by Architecture
ROSS, STEPHANIE, Comparing and Sharing Taste: Reflections on Critical Advice
RYAN, CHEYNEY. Review of Robert Pippin, Hollywood Westerns and American Myth: The Importance of Howard
Hawks and John Ford for Political Philosophy
SALEM-WISEMAN, JONATHAN, Review of Iain D. Thomson, Heidegger, Art, and Postmodernity
SHAW, DANIEL C., Review of Ward E. Jones and Samantha Vice, eds., Ethics at the Cinema
SHUSTERMAN, RICHARD, Photography as Performative Process
SIMUS, JASON, Review of Lambert Zuidervaart, Art in Public: Politics, Economics, and a Democratic Culture
SIZER, LAURA, Review of Paul Bloom, How Pleasure Works: The New Science of Why We Like What We Like
SPACKMAN, JOHN, Expressiveness, Ineffability, and Nonconceptuality
STANG, NICHOLAS F., Artworks Are Not Valuable for Their Own Sake
STECKER, ROBERT, Artistic Value Defended
STROHL, MATTHEW, Horror and Hedonic Ambivalence
PATA, MICHAEL ANGELO, Review of Tiziana Andina, Arthur Danto: Philosopher of Pop
fHOMSON-JONES. KATHERINE. Review of George M. Wilson, Seeing Fictions in Film: The Epistemology of Movies
Index
TRIVEDI, SAAM, Review of Ronald De Sousa, Emotional Truth
VAN GERWEN, ROB, Hearing Musicians Making Music: A Critique of Roger Scruton on Acousmatic Experience
WALDEN, SCOTT, Photography and Knowledge
WALTON, MELANIE, Review of Jean-Francois Lyotard, Sam Francis: Lesson of Darkness: “like the paintings ofa
blind man”
WILSON, DAWN M., Facing the Camera: Self-Portraits of Photographers as Artists
WISEMAN, MARY BITTNER, Review of John B. Ravenal, ed., Xu Bing: Tobacco Project, Duke/Shanghai/Virginia,
1999-2011 and Hsingyuan Tsao and Roger T. Ames, eds., Xu Bing and Contemporary Chinese Art: Cultural
and Philosophical Reflections
ZAMIR, TZACHI, Reading Drama
ZEIMBEKIS, JOHN, Digital Pictures, Sampling, and Vagueness: The Ontology of Digital Pictures
Book Reviews
AMES, ROGER T. and HSINGYUAN TSAO, eds., Xu Bing and Contemporary Chinese Art: Cultural and Philosophical
Reflections (Mary Bittner Wiseman)
ANDINA, TIZIANA, Arthur Danto: Philosopher of Pop (Michael Angelo Tata)
BERGMANN, SIGURD, In the Beginning Is the Icon: A Liberative Theology of Images, Visual Arts and Culture
(Tanner Capps)
BLOOM, PAUL, How Pleasure Works: The New Science of Why We Like What We Like (Laura Sizer)
BYCHKOV, OLEG V. and ANNE SHEPPARD, eds., Greek and Roman Aesthetics (Rebecca Bensen Cain)
CAREL, HAVI and GREG TUCK, eds., New Takes in Film-Philosophy (Ted Nannicelli)
CARROLL, NOEL, Art in Three Dimensions (Maria José Alcaraz Le6n)
CARROLL, NOEL and JOHN GIBSON, eds., Narrative, Emotion, and Insight (Rafe McGregor)
DAVIES, STEPHEN, Musical Understandings and Other Essays on the Philosophy of Music (Erkki Huovinen)
DAVIS, WHITNEY, Queer Beauty: Sexuality and Aesthetics from Winckelmann to Freud and Beyond (Hilde Hein)
DERRIDA, JACQUES, Athens, Still Remains: The Photographs of Jean-Francois Bonhomme (Josef Chytry)
DE SOUSA, RONALD, Emotional Truth (Saam Trivedi)
FURBETH, OLIVER and STEFAN LORENZ SORGNER, eds., Music in German Philosophy: An Introduction
(Hanne Appelgqvist)
HAGBERG, GARRY L. and WALTER JOST, eds., A Companion to the Philosophy of Literature (E. M. Dadlez)
IZENBERG, OREN, Being Numerous: Poetry and the Ground of Social Life (John Gibson)
JONES, WARD E. and SAMANTHA VICE, eds., Ethics at the Cinema (Daniel C. Shaw)
JOST, WALTER and GARRY L. HAGBERG, eds., A Companion to the Philosophy of Literature (E. M. Dadlez)
KORSMEYER, CAROLYN, Savoring Disgust: The Foul and the Fair in Aesthetics (David Clowney)
KRAUSS, ROSALIND E., Under Blue Cup (Christa Noel Robbins)
LYOTARD, JEAN-FRANCOIS, Sam Francis: Lesson of Darkness: “like the paintings of a blind man” (Mélanie Walton)
MCFEE, GRAHAM, The Philosophical Aesthetics of Dance: Identity, Performance and Understanding
(Renee M. Conroy)
PIPPIN, ROBERT, Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for
Political Philosophy (Cheyney Ryan)
PORTER, JAMES L., The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience
(Nickolas Pappas)
RAVENAL JOHN B., ed., Xu Bing:Tobacco Project, Duke/Shanghai/Virginia, 19992011 (Mary Bittner Wiseman)
ROKEM, FREDDIE, Philosophers and Thespians: Rethinking Performance (Brenna Nicely)
SHEPPARD, ANNE and OLEG V. BYCHKOV, eds., Greek and Roman Aesthetics (Rebecca Bensen Cain)
SINNERBRINK, ROBERT, New Philosophies of Film: Thinking Images (Deborah Knight)
SORGNER, STEFAN LORENZ and OLIVER FURBETH, eds., Music in German Philosophy: An Introduction
(Hanne Appelqvist)
THOMSON. IAIN D., Heidegger, Art, and Postmodernity (Jonathan Salem-Wiseman)
TSAO, HSINGYUAN and ROGER T. AMES, eds., Xu Bing and Contemporary Chinese Art: Cultural and Philosophical
Reflections (Mary Bittner Wiseman)
WILSON, GEORGE M.., Seeing Fictions in Film: The Epistemology of Movies (Katherine Thomson-Jones)
ZUIDERVAART, LAMBERT, Art in Public: Politics, Economics, and a Democratic Culture (Jason Simus)