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Jonathan Swift: A Literary Life PDF

182 Pages·1991·17.794 MB·English
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JONATHAN SWIFT Macmillan Literary Lives General Editor: Richard Dutton, Reader in English, University of Lancaster This series offers stimulating accounts of the literary careers of the most widely read British and Irish authors. Volumes follow the outline of writers' working lives, not in the spirit of traditional biography, but aiming to trace the professional, publishing and social contexts which shaped their writing. The role and status of 'the author' as the creator of literary texts is a vexed issue in current critical theory, where a variety of social, linguistic and psycho logical approaches have challenged the old concentration on writers as specially gifted individuals. Yet repvrts of the 'death of the author' in literary studies are (as Mark Twain said of a premature obituary) an exaggeration. This series aims to demons trate how an understanding of writers' careers can promote, for students and general readers alike, a more informed historical reading of their works. Published titles WILLIAM SHAKESPEARE Richard Dutton JONATHAN SWIFf Joseph McMinn PERCY BYSSHE SHELLEY Michael O'Neill JOHN DONNE George Parfitt ALEXANDER POPE Felicity Rosslyn JOSEPH CONRAD Cedric Watts CHARLOTfE AND EMILY BRONTE Tom Winnifrith and Edward Chitham D. H. LAWRENCE John Worthen Forthcoming titles JAMES JOYCE Morris Beja JOHN MILTON Cedric Brown GEORGE ORWELL Peter Davison JANE AUSTEN Jan Fergus THOMAS HARDY James Gibson HENRY JAMES Kenneth Graham JOHN DRYDEN Paul Hammond WILLIAM WORDSWORTH Keith Hanley BEN JONSON David Kay W. B. YEATS Alastair MacRae GEORGE ELIOT Kerry McSweeney VIRGINIA WOOLF John Mepham ALFRED, LORD TENNYSON Leonee Ormond JOHN KEATS David B. Pirie T. S. ELIOT A. E. Sharpe GEOFFREY CHAUCER Barry Windeatt EDMUND SPENSER Gary Waller Series Standing Order If you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. Jonathan Swift A Literary Life Joseph McMinn Ledurer, Department of English University of Ulster at Jordanstoum M MACMILLAN ©JosephMcMinn 1991 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 33-4 Alfred Place, London WCIE 7DP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1991 Published by MACMILLAN ACADEMIC AND PROFESSIONAL LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world British Library Cataloguing in Publication Data McMinn, Joseph Jonathan Swift. - (Macmillan literary lives). 1. English literature. Swift, Jonathan, 1667-1745 I. Title 828.509 ISBN 978-0-333-48585-9 ISBN 978-1-349-21253-8 (eBook) DOI 10.1007/978-1-349-21253-8 For Edna Contents Preface, with Suggestions for Further Reading ix 1 Secretary and Apprentice 1 2 'Pox on the Dissenters and Independents!' 21 3 A Pact with Power 38 4 A Deceptive Retirement 80 5 Literary Triumph in Ireland and England 106 6 Thave stretched out my Hand, and no Man regarded' 130 7 A Poetic Valediction 146 Notes 156 Index 168 vii Preface, with Suggestions for Further Reading The guiding emphasis of the following narrative is that of a career and a life devoted to writing. This excludes textual interpretation and comprehensive biographical detail whenever such factors do not bear on Swift's practice as poet, pamphleteer and correspon dent. Steering between literary criticism and a biographical history, I have tried to present an account of Swift's formation and development as a writer. Occasionally, such a pure course is impossible, given the historical character of Swift's status as a writer. For example, since politics and friendship play such a central role in his literary career, some contextual information is necessary if the coherence of the narrative is to be sustained. A literary life, therefore, tries to give imaginative attention to the practice and process of writing. One of the constant tensions in Swift's career is that between his self-image as a principled amateur and the emergent commercialisation of his trade. Printers and publishers are crucial to that career. Swift's ambivalent resist ance to the literary market-place is partly reflected by a love of anonymity and pseudonymity (he hardly ever signed his name to anything he wrote) and by the large number of writings he withheld from publication. Also, his duty and outlook as a clergy man should never be ignored or underestimated in trying to appreciate the zeal and consistency of his public writings: the material welfare of his Church provided one of his favourite literary pulpits. Yet he rarely wrote well when defending his own views: the most testing contradiction in his writings is that between the radical style of his assault on others and the uncompli cated conservatism of his personal values. Swift discriminated very emphatically between different kinds of writing and audiences, especially between public and private work, or 'literary' and 'necessary' publications. In studying his career, we must enlarge our understanding of the very term 'literature'. Anyone writing about Swift's career has no excuse for being poorly armed. The canon of his writings is a magisterial achieve ment. This consists of The Prose Works of Jonathan Swift, edited by H. Davis, 14 vols (Oxford, 1939-{)8); H. Williams' edition of The ix x Preface and Further Reading Journal to Stella, 2 vols (Oxford, 1948), which has been added to Davis as Vols XV and XVI, and completes the set; The Poems of Jonathan Swift, edited by H. Williams, 3 vols, 2nd edn rev. (Oxford, 1958) (a handier and, in many details, more up-to-date text is Jonathan Swift: The Complete Poems, edited by Pat Rogers (London, 1983»; The Correspondence of Jonathan Swift, edited by H. Williams, 5 vols (Oxford, 1963-5), (Vols IV and V now partially revised by D. Woolley, 1972). In my notes, these three editions are abbrevi ated as PW, Poems, and Corr. An authoritative, fully annotated selection of Swift's main writings may be read, conveniently, in Jonathan Swift, The Oxford Authors Series, edited by Angus Ross and David Woolley (Oxford, 1984). For comprehensive information on editions of Swift, see H. Teerink, A Bibliography of the Writings of Jonathan Swift (1937, 2nd edn rev., A. H. Scouten, Philadelphia, 1963). The most up-to-date review of Swift scholarship is Swift Studies - 1965-1980: An Annotated Bibliography, by R. Rodino (New York, 1984). There is now a Supplemental Bibliography of Swift Studies 1965-1980, by R. Rodino, H. Real and H. Vienken, published in Swift Studies, 1987, Universitat Miinster. Such journals are the best source for keeping abreast of Swift scholarship and of pursuing specialist interests in this large field. Three other valuable journals deserve note: Eight eenth-Century Ireland, Eighteenth-Century Studies, and The Scrible rians. My own narrative would have been impossible without the resources and arguments opened up by other critics and biog raphers. Foremost amongst these, inevitably, is Irvin Ehrenpreis, whose Swift: The Man, His Works, and The Age, 3 vols (London, 1962-83), displays an eloquent synthesis of all scholarly skills. Shorter, more specialised biographies worth consultation are J. Downie, Jonathan Swift: Political Writer (London, 1984), and D. Nokes, Jonathan Swift: A Hypocrite Reversed (Oxford, 1985). An excellent book, the only full-length one of its kind, is O. Ferguson, Jonathan Swift and Ireland (Urbana, Ill., 1962). The standard historical work on Swift as clergyman is 1. Landa, Swift and the Church of Ireland (Oxford, 1954). A superb interdisciplinary study which applies contemporary literary theory with precision and power, is C. Fabricant's Swift's Landscape (Baltimore and London, 1982). I would like to thank Andrew Carpenter for initial inspiration; Richard Dutton, my editor, for efficient and regular advice; Her mann Real, for inviting me to speak on the subject at Munster; Preface and Further Reading xi Ronnie Bailie, for having read the draft-text with his usual scrupu lousness; and Janet Campbell, a typist to beat them all. My wife has endured all this, with understanding and humour, longer than anyone: such friendship helped finish the work, and I thank her above all. J. MCMINN

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