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Joan of Arc: The Image of Female Heroism. Marina Warner PDF

410 Pages·2013·5.65 MB·English
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Preview Joan of Arc: The Image of Female Heroism. Marina Warner

JOAN OF ARC Marina Warner isanovelist, historianand critic. Among heracclaimed works on myth,symbolismandfairytaleareJoanofArc,MonumentsandMaidens(winnerof the Fawcett Prize), From the Beast to the Blonde, No Go the Bogeyman, Phantasma- goria, and most recently, Stranger Magic: Charmed States and the Arabian Nights. In1994shegavetheReithLecturesandin2000,theOxfordClarendonLectures, published as Fantastic Metamorphoses, Other Worlds. Her fiction includes Indigo, TheLostFather(shortlistedfortheBookerPrizeandwinnerofaCommonwealth Writers’ Prize) and The LetoBundle. MarinaWarnerhasbeenaGettyScholar,isaVisitingFellowCommoneratTrinity College,Cambridge,aVisitingFellowatAllSoulsCollege,Oxford,isanHonorary Fellow of Lady Margaret Hall, Oxford, a Fellow of the British Academy and the Royal Society of Literature. She is President of the British Comparative Literature Association,andProfessorintheDepartmentofLiterature,Film,andTheatreStudies attheUniversityofEssex.In2008shewasawardedaCBEforservicestoLiterature. ALSO BY MARINA WARNER Fiction In a Dark Wood TheSkating Party TheLost Father Mermaids inthe Basement(shortstories) Indigo (shortstories) Murderers I have known TheLeto Bundle Non-Fiction TheDragon Empress Alone of All Her Sex: The Mythand the Cult of theVirgin Many Monuments andMaidens: The Allegory ofthe FemaleForm From theBeast tothe Blonde: On Fairy Tales andTheir Tellers Wonder Tales(Editor) Managing Monsters:Six Mythsof our Time (The ReithLectures 1994) No Go the Bogeyman: Scaring,Lulling and Making Mock Signs & Wonders: Essays on Literature and Culture FantasticMetamorphoses,Other Worlds Phantasmagoria: Spirit Visions,Metaphors,andMedia StrangerMagic:Charmed States and theArabian Nights TheSymbol Gives Rise toThought: Writings on Art J O A N O F A R C the image of female heroism M A R I N A W A R N E R 1 3 GreatClarendonStreet,Oxford,ox26dp, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries qMarinaWarner,1981 PrefacetotheneweditionqMarinaWarner,2013 Themoralrightsoftheauthorhavebeenasserted FirstPublishedbyWeidenfeld&Nicolson1981 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer BritishLibraryCataloguinginPublicationData Dataavailable ISBN 978–0–19–963993–9 PrintedbytheMPGPrintgroup,UK For Thierry Thatwhichwenowcalltheworldistheresultofahostof errorsandfantasieswhichhavegraduallyariseninthecourse of the total evolution of organic nature, have become en- twined with one another and are inherited by us as the accumulated treasure of the entire past – as a treasure: for thevalueofourhumanitydependsonit.Rigorousscienceis infactabletodetachusfromthisideationalworldonlytoa slightextent...butitcangraduallyandstepbystepillumin- atethehistoryofhowthisworldasideaarose... NIETZSCHE This page intentionally left blank Contents List of Plates ix Introduction to the New Edition xiii Acknowledgements xxvii Chronology xxix Prologue xxxiii PART ONE THE LIFE AND DEATH OF JEANNE LA PUCELLE 1. Maid of France 3 2. A Divided Realm 21 3. The King and his Crown 41 4. Prophet 64 5. Harlot of the Armagnacs 82 6. Heretic 103 7. Ideal Androgyne 125 8. Knight 144 PART TWO THE AFTERLIFE OF JOAN OF ARC 9. The Vindication 171 10. Amazon 184 11. Personification of Virtue 203 12. Child of Nature 221 13. Saint or Patriot? 238 Bibliographical Notes 258 Index 329 This page intentionally left blank List of Plates 1. Jan Van Eyck, John the Fearless, Duke of Burgundy. Muse´e du Louvre, Paris. Photocourtesy Centre Jeanne d’Arc, Orle´ans. 2. Joan of Arc at the stake. Detail of miniature from Martial de Paris dit d’Auvergne’s Les Vigiles du Roi Charles VII, 1484. Bibliothe`que Nationale, Paris.Photo courtesy Centre Jeanne d’Arc, Orle´ans. 3. The Fall of the Rebel Angels. Miniature from the Limbourg brothers’ Les Tre`s RichesHeuresduDucdeBerri,1413–16.Muse´eConde´,Chantilly.PhotoCliche´ Giraudon. 4. Saint Catherine of Alexandria’s Wounds Anointed by the Angels. Miniature from theLimbourgbrothers’BellesHeures,c.1409–12.TheMetropolitanMuseum of Art,New York. The Cloisters Collection, 1954. 5. TheMeetingofSt.MargaretofAntiochandthePrefectOlybrius(detail).Miniature from Jean Fouquet’s Les Heures d’Etienne Chevalier, c. 1452–60. Cabinet des dessins du Muse´e du Louvre, Paris. Photo courtesy Centre Jeanne d’Arc, Orle´ans. 6. GentiledaFabriano,TheArchangelMichael.CharlesPotterKlingFund.Cour- tesy, Museum of Fine Arts, Boston. 7. The Banner of the Town of Orle´ans, carried in the annual procession commemorating the raising of the siege, early sixteenth century. Muse´e Historique d’Orle´ans. Photo courtesyCentre Jeanne d’Arc, Orle´ans. 8. Peter Paul Rubens, Joan of Arc, c. 1620. Collection of the North Carolina Museumof Art,Raleigh. 9. ClaudeDeruet,LeFeu(detail, centralpanel),c.1641.Muse´edesBeaux-Arts d’Orle´ans. Photoby J.Boulas. 10. Jean-Auguste-Dominique Ingres, Joan of Arc at the Coronation of Charles VII, 1854.Muse´eduLouvre,Paris.PhotobyPublicationsFilme´esd’Artetd’His- toire, Montrouge. 11. ChristinedePisaninvokingMinervaasMuse.MiniaturefromherLeLivredes Faictsd’ArmesetdeChevalerie,fifteenthcentury.TheBritishLibrary,London. 12. Sandro Botticelli, Allegory: Fresco of the Villa Lemmi. Muse´e du Louvre, Paris. PhotoCliche´ des Muse´es Nationaux, Paris.

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This is a study of the symbolism of Joan of Arc in her own time and ever since in literature, politics, on the stage, and on screen
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