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Joachim Andersen: A Bio-Bibliography (Bio-Bibliographies in Music) PDF

156 Pages·1999·5.59 MB·English
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Joachim Andersen Recent Titles in Bio-Bibliographies in Music Gardner Read: A Bio-Bibliography Mary Ann Dodd and Jay son Rod Engquist Allen Sapp: A Bio-Bibliography Alan Green William Grant Still: A Bio-Bibliography Judith Anne Still, Michael J. Dabrishus, and Carolyn L. Quin Ross Lee Finney: A Bio-Bibliography Susan Hayes Hitchens Gerald Finzi: A Bio-Bibliography John C. Dressier Larry Sitsky: A Bio-Bibliography Robyn Holmes, Patricia Shaw, and Peter Campbell George Whitefield Chadwick: A Bio-Bibliography Bill E Eaucett William Schuman: A Bio-Bibliography K. Gary Adams Malcolm Arnold: A Bio-Bibliography Stewart R. Craggs Manuel de Falla: A Bio-Bibliography Nancy Lee Harper Elvis Costello: A Bio-Bibliography James E. Perone Carole King: A Bio-Bibliography James E. Perone Joachim Andersen A Bio-BitJiograpny Kyle J. Dzapo Foreword by Walfrid Kujala Bio-Bibliographies in Music, Number 73 Donald L. Hixon, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Dzapo, KyleJ. Joachim Andersen : a bio-bibliography / KyleJ. Dzapo ; foreword byWalfridKujala. p. cm.—(Bio-bibliographies in music, ISSN 0742-6968 ; no. 73) Includes bibliographical references and index. Discography: p. ISBN 0-313-30889-6 (alk. paper) 1. Andersen, Joachim, 1847-1909—Bibliography. 2. Andersen, Joachim, 1847-1909—Discography. I. Title. II. Series. ML134.A59D9 1999 780'.92 [B]—dc21 99-30293 British Library Cataloguing in Publication Data is available. Copyright © 1999 by Kyle J. Dzapo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 99-30293 ISBN: 0-313-30889-6 ISSN: 0742-6968 First published in 1999 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). 10 9 8 7 6 5 4 3 21 To my parents, Marjorie and Carl Dzapo, for their love, strength, and support of my musical career. This page intentionally left blank Contents Foreword by Walfrid Kujala ix Acknowledgments xi Biography 1 Early Life and Career 1 The Berlin Years 4 Return to Copenhagen 15 Final Years 31 Catalogue of Compositions 35 Compositions with Opus Numbers 36 Compositions without Opus Numbers 64 Unpublished Manuscripts 69 Discography 71 Flute Compositions 71 Flute Recordings No Longer in Print 73 Other Compositions 74 Annotated Bibliography 75 Primary Sources 75 Secondary Sources 87 Appendix 1: Representative Programs of Concerts in which Joachim Andersen Participated as Flutist or Conductor 101 Appendix 2: Timeline of Events (1816-1944) 113 Index of Musical Compositions 133 General Index 137 This page intentionally left blank Forewori Considering his far-reaching historical importance as a composer, flutist, conductor, and educator, it is surprising that there has been no previously published full-scale biography of Joachim Andersen. But Kyle Dzapo has now filled that void admirably with her Joachim Andersen: A Bio-Bibliography. Her painstakingly thorough research, which included examination of rare archival materials in Copenhagen, Berlin, New York, and Chicago, has resulted in a fascinating and engaging story of a most remarkable and indefatigable musician. When it comes to the etude literature, Joachim Andersen is the undisputed "Chopin of the Flute." For more than a hundred years, this prolific Danish master's eight collections of flute etudes have been revered by flutists the world over. Ironically, the ubiquity of these etudes has in a way diverted too much attention from his substantial legacy of solo works for flute and piano (and flute and orchestra), some of which quite naturally exploit the virtuosic and bravura traits of the instrument, but many others of which highlight Andersen's impressive gift for melodic invention and varied harmonic style. Dzapo's meticulously prepared listing in this volume of all of Andersen's works for flute, many with detailed commentary and analysis, should serve as a strong impetus for us performers to probe more deeply into his solo repertoire and revive some of his undeservedly neglected gems, and for publishers to reprint Andersen's out-of-print works so that they will be more widely accessible. This would go far towards enriching our relatively small romantic period repertoire. Walfrid Kujala

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Joachim Andersen enjoyed an unusually diverse career. It included founding membership in the Berlin Philharmonic Orchestra, composition of eight volumes of etudes which have become standard repertoire for flutists world-wide, and major influence on Danish musical culture during the early years of th
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