JK Hartman

337 Pages·2012·37.22 MB·English

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Top
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DrdTurmrr
Strdcr (M2rlo)
........277
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Bottom Out Paae 169
r45
Top Suggestion Box Page 32
..-----.--.--..-.............. ......1 47
Cutting Discover (Elias) Cut Fight Page 154
_..___-._..................... 152
154 (Robenson) Subterhxe Page 59
-------_--.........-................. 161 Doublc L;ft Grrden ofErten I age 48
.--..-...--......................... I 65
Brek Cut Fight Page 154
_----_--.........-.......... .....169
t73 Eom Crd Box (Mado) (1) Sqgestion Box Page 32
178 &om Card Box (2) Boxome Beauty PaAe72
r81
Gom Card Box (3) Pig Our Page 43
ta7 One of a Mind II Page 249
189 Swing Cur Fourway Foray l'^ge 129
t92
Add-in Bonom Out ?agc 169
203 Gucss Star Page 253
206 Dtepo Force (Balducc, Deeper Dupers Page 5
210
Dorrble Deeper Pag€ 19
216
h"s(r) (lP
)).4 Force Page 14
C-
227 Pass (2) Passkey Page 16
)31 Ddle
Deat (1) I ThNrK I. C. A. A. N, Page 25
238
Ild$le Deal (2) Page 28
247
)45 Itn$le Dmt (3) Invisibull Pase 105
249 ILuble Hir Top Change (Marlo) Back to Back to Back... Page 86
253
Ilmble Lift Change (Andrug Thought Up Page 227
.256
Frced De& Turnovcr Three to the Founh Power PaAe72
263
267 Hand Shake I ag€ 178
270 Ece-Up Sranler (Marlo) Re-Orienr Express II Page 81
Back to Bacl to tsack... Page 86
Else Interlacc Garden of Earcn Page 48
Iarsc rurlovE' \ rrusr/ Jna
Out
Five-Cent Switci (FulveO Pig Page 43
ofErten l.K
Carden P.rge 48
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Flushtrarion Count (Hamman) A Likely Srory Page 122
SpeedGap
Force Fad (Fulves) Page 141
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trorefinger Drop Switch 'lhree to the Founh Power Page 72 of
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Aitches
FuFu Switch (Mrrlo) JK Pagc 125 (f e
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Green Lift Jo-Con Page 95 Ef at ir En-r-.r.
lirp Rrp Page 114 = of drirdy q r
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Hmman Count .urd variants Less is Pagc 101 Llad*!hadr
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lorda. Count subsdture Set-Two Page 91
fumping Card Box (Fr. Cyprian) Boxsomc Beauty Page72 - dt hoof [= bra I
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KM Move (Kards,'Ma o) Back to Back to Back... Page 86
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Knuckle log Class Cut Page 165 rqoapor 'Itc Jfl drrr
Mexican Chmseover (Mullica) (luess Star Page 253 ddc oacrirl rdis o ri
Hmdle :nd panrr zr s H
One Below Break Slcight of tlage 231
tE.Pirturc.
Pushovcr Switch (rtiatn,n) Subterfuse lage 59
Reverse-Fingered KM Move Cur Fight Page 154 ir E r p.im.r.rd&llE,
.t.*r-Ii."d
Spced'ltap l4l Eotts ed Erirl
Sandswirch Page
lly
Foray zrguc dat 6cv arc c-
Siva t)ount (Avis) Four-way Page 129 i o indude : sleight d.sqirri.
Spin Cur Revelation (ht I'ight Page I54 r rl6cqu6lr rorr.in s dE rE L
Tenkai Optical Reverse Poker Facc to Face P e 147 Eftug tbmryh de m:E -
ofEaten ird m rernind onesdfofdc q
Thru-the-Fist Move ffernon) Guden Page 48
Fddiry, €ad .E tic il,
Tumovcr Turnovo Rc-Orient Express TI ?agc 81 ,. some yari"rions itr S. ;r, A
'Inrnover Unlo.rd Gardcn ofEatcn l'}age 48 lzined and re-ilustnrcd
&lills
Johns Pagc 55 ofillusuations, thc bot o i
Uncoupler Numiracle P.tge 238 dcg r free-hand dnwings b Tq
Under chc-Spread Switch Subterluse Pagc 59 and anistic quality for rhi<f, |
Uppercut Spcaking orJokers I'age 109 a in ate mderstanding of c d r.
Fight
Cut Page 154
Go
V rnon Transfer Onc Down, Two to Page 68
Zachrellis-Allerton Lift Nurnirade Page 238
::: E\pre5s I1 Pag. El
[': I'.rgc 43
Pagc 48
r.:. l2l
':::ll Prge
Iug€ 111
l: ,, :. ; rL:rh I'orvcr Page 72 ..r, ;I :oofr tCv<onntcc nhtasv co nl oCt lbrele Dn p,/ugb.l4nh lcisd6 p sreixvirorL-rrs*lov, irnt dlievaidru nalr slcciigr.hursr reann.Lt
Lragc 12i '.:rions. Ol ihose rhar have been in prinr befire more oL less rs wrirren,
Irage 95 :ppcarcd on\ in limiied ci,cularion iomnals. lLe bulk of rhe v.rriour
:cr are ol relativclv rccenr origin, aldn,ugh n nunrber are revistrs ro
lage I 14
' rhemes and nvo l.ere Lrncoverd h mll agcd nores. l:1lir-onr additional
l0l
}'.rgc .:i1r nidcrcd slelghts and uxes arc dcsoibed in conrexr.
lage 91
,. in
i2 i(em e book has been tcsred bcl'orc lay spectators: their succcss in
Prgc
:.tinhgnnd deceillrrg in rharseiring is ns sole guaranrec. Allbur mo (vhich
:r- . -.:r Br.:k... Page 86 .:re casiLv accessible safls) use regular eds onlr Mosr rrc imprompm or
!.rgc I ti5 ::rllr' irnprcmpru. l1,c skill denards roughout.rre well slut ol.rdr.rnced,
Page 253 : ooJIe ofdr.narerial relies on *ricr angle,confincd pcrfinrance cordirions.
.;ntarions and paner arc ser forih in derail, as inrcgral ro rhe mcdrods as rhe
Pige 231 :
ni(al rcquirements.
Page 59
Pagc l5'1 . book;s nora prnler rnd assumcs a rhorough knorvlcdge ofsr.rnct.rrd slc;gh rs.
rc ryecialized moves and manipd.riions ,rc eipl.rined ln tull. In lacL, somc
Page 141
lrige 129 .:n is o hcludc a slelght clcscriprior in one rourhc. and rhen m.rke relercnce
Page I 54 Lr in subscquenr routines fiat usc ir. thc price ofthn efficiencr is dre Dcccssir\
lt7 r) !-orking rluough rhe marcrial in consecurivc order and/or b) paeing back
Lragc I
:d lorth to remind oncscllofrhe e:iacr proccdure. At the rtsl ofcoming .rcross
Page 48 .. redLurdant padding, each rouiinc is complere in irsclt slcighrs, panic erh if
r - r.-.,tT Page 8I :rere arc soD,c \,rritions h rhc nav rhev .rre pcLturmcd ;n tltllirenr setrings, are
-rcxpl,rined
and re'illusrrercd.
I'agc 48
-
. -\ lilLi Page 5 5 }eaking ofiilusrrarions, rhe book ro its grear good fonure is gr.rced ivirh over
Pagc 23i3 l)0 elcgrnr liee hind drar-hgs bl.Tony Dunn. Thcy retlect thc uniquc claritv,
r( curacv, and arrisric qualiw lor thlch he is dcsc n ed\ acclaim.d, io srl nothing
I'aee 59
olan lnnate undesrancline oi carcL magic. \Ih.rt a pleasurc ir is ro $o < s.idl
::::.,rs oi lohers Page 109 him.
I -: i ighr Page 154
Lr:: Dou n, Trvo ro Co P,rge 68
Iage 238
'Ilc decision by Gordon Bean and Bill Goodwin to edoPt a senior cirizcn over 7
'lheir
reccnt r.ears has becn the source ofenornous joy and deeP aPPreciation a.-
much-too-gererous forewords may possibly' its publhhers hope, be uplifting to
(
the s.rles of this book drey are cenainly uplifting to its author,
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Gordon Bean
,.: dte one hand, he's a mystcry, avoidiog any direct contact wi$ odrer
rrgicians: no meerings, no phone ca1ls, no vldeo clips, no online photos.
!
rhe other hand, hei rcrcaled more of his crearions v;a publication rhan
a1 rur a selecr Few. rnd rhe one online ittervies, I've read rvas as frank and
-snable as he is in private correspondencc.
rit
uing both drose hands his secrecy complementing his articulate charm-
t performs olten for family, friends, and colleagnes. lt has long been a poinr of
r.i< rhat each ol his published iterns has been rcstcd in live performance, and
15 drenaining scripts show as much care in their subtle emphases and elisions
a 3o the construcrions thcy accompany.
i:
rhough virmally no one readnrg this booL will ever meet J.K. Hartmar or
e
him perform, dre exquisite pieces that follow constiture r warm welcome to
-= rhe sho*- bcgh.
bd iust staltcd working oo sleighr ofhand with cards whcn I discovered his
iprs ar one ofrhe lirst conventions I ancnded. \Vithirr ir vear or rwo I
porchasccl all sevcn. Whar I found inside thrse volumc' q.as a wcalth of
rll constructed card nragic and I bec,rme r firn instanrly.
trr
rhcn I h.rrc kcpr up wirh Jcrn ! prodigious r.rrupur. reading cvcn book rnd
rtd<
ofhis I crn 6nd. AII rhese ycrrs hr<r. his magic srill inspires me. I rcgularll.
F6rm onc oihn morc recenr crcarions, CAAN Kick€r liom his book a-7,4I/
Go{. in nry show.
,{ rr collccrion ofJ.K. Hartman marcrial is rlwrys.r rhrill lir m<. sccoud only
r
rrually nreeting the mah hnnscll Unril th.t dry, horvcvrL, I know I can rely
- his vritints (o inspirc nrc and t rotiden my knowledgc of rhc craft of c;rrd