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Jem Sultan : the adventures of a captive Turkish prince in Renaissance Europe PDF

379 Pages·2004·12.902 MB·English
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JEM SULTAN The Adventures of a Captive Turkish Prince in Renaissance Europe JOHN FREELY HarperCollinsPz^/zs^ers HarperCollins Publishers 77-85 Fulham Palace Road, Hammersmith, London w6 8jb www.harpercollins.co.uk Published by HarperCollinsPwfr/is/iers 2004 1 Copyright © John Freely 2004 John Freely asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library isbn 0 00 715066 0 Set in PostScript Linotype Minion with Spectrum display by Rowland Phototypesetting Ltd, Bury St Edmunds, Suffolk Printed and bound in Great Britain by Clays Ltd, St Ives pic All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. For Toots, Brendan and Ulrike in memory of our journey together in search of Jem Note on Turkish Spelling and Pronunciation Throughout this book, modern Turkish spelling has been used for most Turkish names and for things that are specifically Turk­ ish, with a few exceptions for Turkish words that have made their way into English. Modern Turkish is rigorously logical and phonetic, and the few letters that are pronounced differently than in English are indicated below. Turkish is very slightly accented, mostly on the last syllable, but all syllables should be clearly and almost evenly accented. Vowels are pronounced as in French or German, i.e.: a as in father, e as in met, i as in machine, o as in oh, u as in mute. In addition, there are three other vowels that do not occur in English; these are: i pronounced as the u in but, 6 as in German or the oy as in annoy, ii as in German or as the ui in suit. Consonants are pronounced as in English, except the following: c as j in jam, e.g.: cami (mosque) = jahmy 9 as ch in chat, e.g.: forba (soup) = chorba g as in get, never as in gem g is almost silent and tends to lengthen the preceding vowel 5 as in sugar, e.g.: fe$me (fountain) = cheshme I would like to express my gratitude to those who helped me in various ways in my work on this book: Anthony E. Baker, Ulrike Ammicht and Dolores Freely for their photographs; Emin Saatci for help with translations; Ulrike Ammicht for help with transla­ tions and computer graphics; Sinan Ozay for his help with com­ puter problems; Ronald Newburgh for the photograph of Jem’s flfcfe; Dr Anthony Greenwood, Director of the American Research Center in Istanbul, and Professor Gun Kut, Head Librarian of Bosphorus University, for making all of the resources of their libraries available for my research; Meral Bayiilgen, and Professor Talat Halman for translating poems; Roderick Conway-Morris and Roderick O’Connor for many illuminating discussions about Jem; Marcel Chaussade for sharing with me his knowledge of Jem’s life in Bourganeuf. Marcel in particular is to be thanked for having preserved the local traditions concerning Jem and for bringing them to life in the museum he has created in the Tower of Zizim. I would also like to express my thanks to my agent Derek Johns and my editor Michael Fishwick for their help in bringing this book into being, and to Kate Johnson for her very helpful editorial suggestions. I am also grateful to Cem Kozlu of Turkish Airlines, and to Peter and Rose Lauritzen for their hospi­ tality at the Palazzo da Silva in Venice. PROLOGUE xvu 1 The Grand Turk l 2 Death of the Conqueror 23 3 Flight into Egypt 39 4 Escape to Rhodes 58 5 The Castle of the Knights 71 6 Across the Mediterranean 89 7 La Belle Helene 103 8 La Dame a la Licorne 118 9 The Tower at Bourganeuf 135 10 Sold to the Pope? 152 11 From Bourganeuf to Rome 163 12 A Prisoner in the Vatican 182 13 A New Pope 199 14 In the Court of the Borgias 215 15 The French Invade Italy 236 16 A Captive of the French King 250 17 From Rome to Naples 267 18 From Naples to Istanbul 280

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.