H VEg# iffw rVdVNlS3 101)-SON9S Al-lH dlvN vo,f,fowdvNrwtN-l sd sll gevHiw JolLd!laP q^ d^nlpro Het+ou dreu ovcro,r.{dEurueut V!pu66p qfL-a'fr N!Isl.'ers 9UD r,rpspo curuougl.p ru6risu ox lr/eo hersni'Ere He+tor! ixdreuB:oA rroxes o^ !xnlpro A>) a4 -60 a9 @ v reD coNrtNIs o i)e *>9 Jqarr ^glossouls ' " :" 8 @++& l-ntleq^ " "" " "" L0 @ {sag g +lF 1' oe NPorqeu-qesqr " "" " '"'" lz @Yqcq sou8 os,osqtrrle " " " '. '. tg @ *gH*er sou8s o t'lserezn """ "" "" " tL @ #r+E go usouS o ]lqltqlqn ""'.""" "" z0 @# F4 souBs o] lso """"""""" "" Z€ @ ,HrtEgBC ]oel-nluar.s sou8s o ]foqeu " " Z9 @+#c! souBs o )lnselsn ' " .' """""""" Z6 @+EgWsedH €ou souSs ol soue ' " " " " " " ' . 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' " " ' L, @ { 8:r.gq ^osel)or sou8s o|ose @ +.(tl4vEt Joel nluar. sSouS otj )lnsqn L8t @ ql(4YH !B yr sltrurero sPu o+ tqa nonureru 80 @ +@ E!-El{.Y/e. lqa sou8-fouqet o] njue az @ Xrt + 4r !E Iqa i\! ot/ai.. ssouBs 8t ' @ EYo++& l'nlleq o, lrsnll 89 @ *6-c B gq Hra-donuPluS sou8s 88 @HHg! souSs oj )nJoPe " @ @ffg{slE 9gg oqe rs€ouSs o ,)PSosqlue 6v ' ' ' @ ME,gz.6 vsepo^e ^nure o| 'ollue\/^e 69 ' @$J,Lcq so l-r_r9 ._^r, -I_ ,'b_, ^_,"-e '-'- 68 PREFACTEO THEF IRSTE DITION Studentso { music have on occasionsa tiemptedt o put the melodieso f some of ihe more outstandingJ apanesefo lk songst o ihe noiaiion of Western music in order to pre- serve ihem from oblivion. Frorn the literary poini of v;ew, ihese folk-songsh ave been translatedi nto English and co lectedb y scholarss incet he beginningo f modernj apan. However,a completec ol- lectiono f ihe melodiesh as not beena ssembled. A rhoroughs tirdyo { these folk songsw h'ch are characterizedb y the placeso f iheir origin requir€s the effods of specializeds cholars:n d experisi n musica nd liieraiure. My efforis in compilingi his book does noi preiend io be such a specializeds iudy of lapanesef olk songs lt is iniendedt o be a collectiono f the mosi repr€sentatives ongs ol our countrya nd to offer a handbooko f the iolk-songsw hich are still beings ungt hrough- Folk-songsa re disiinguishedf rom ihe so-calledp opular songs which may be in voguef or a periodo f iime but which ares oonf orgotten. Someo { the folk,songsc olleciedi n ihis book were ai one time pcpular songs but have developedi nto {olk-songsb y thei. being sung over half a century though their authorsv /ere forgotten. All rhe songsa s- sembledh aveb eens ungb efore 1900 and are sii I beings ung and may riehtly be regarded as folk'songso f Japan. True folk songsh ave slch individualp ecullariiiesa nd characteristictsh at their nota- iion in Western nrusicc an be accomplishedo nly imperfecily,f or it is noi only dl{ficult to indicatet he {requenty occurringg race nores of JEpaneses ongsw hich include even quaftert one iniervalsb ut there is alsoa rremendousd ifference in the manner of singing them amongt hc Japanesep eoplet hemselves. Moreover,i o isol:ie rhe melody of a Japanesseo ngf rorn ihe rhyihm of its accom- parim ent of hayashi,l he orchestrao f {lute. drum and samiseni,s io give only half of the realiiy of the song. This is particularlyi rue in songso f which the rhythm of iis accom- panimenth as been emphaslzeda. nd any attemptt o notatet hem in the Westerns iyle is not only a violaiiono f the sp rii of the songsb ui also fails to revealt he true melody Again, ihese folk songsc ome to life only when they are sung in the style pecutiar to the lapanesea nd especiallylo ihe people of ihe region from which they originated, and they lose nrLch of thelr beauty and appeal if they are.sungb y vocalisisw ho have been trained n ihe Western mannero f singingv ibrtao. Since these folk-songsc ont:in ihe individuald ialectso f ihe variousd istricts,i t is ideal that rhey are sune by the nativeso f th€ regiont o which ihe songsb elona. The impossibilityo f adequatelyi ranslaiingt he catchy, rhythmic phrasesw, hich in themselvesh lve no nreaningb ui which give a deflniie personaliryio the folk-songso f Japan,h as requiredm e to om't ihem in my book. These phrasesm ay be comparedt o ihe hi, ho. the merry-o, "ta ra,ra boom de ay, "yo ho,ho' and similar portionso f Englishs ongs. Despitet hese technicald i{ficulties,I have endeavoredio compiles omeo f the repre- seniativet olk songso f lapan becauseo f my e:rnest wlsh to introducet hem to Western pecpies For these reasons,I have h:d to chooseo nly ihosef olk songsw iih simplem e- lodiesa nd rhyihm, avoidingt hose which are full of irills and iurns and at the samet ime lowerings omewhati he key of the melodiess ungs ottov oce in ihe higher registero r rais- ing to a certaine xteni ihose of lower tones which are us'r:lly sung by men. ln receni years atiempts have been made to arranges ome Japanesef olk-songss o thai they may be sung wiih the accompanimenot f a piano or in the style of iazz. It is my hope in cornpii ng ihis book that through this colleciiono f lapanesef olk songsw hich are in the main in ihe minor scale and are characterizedb y melodia lamen- toso m:y coniributet o ihe birth of a new style of comdositions. Tokyo. Japan RYUTAROH ATTORI November,1 950 4 dUllVCl rO lH Sl TCONO tOt. ON jon r^aers qe ^lCaEssa PsrrLra ]q3 dnqlirelou o] rqa +rs ]ap+rou o+ \ialopras o] led€ uaa. io llsouBs 0nuu3 lqaso ^sers +q aaPr+or qes qaau auronr€5ap o rep^,sap qI uot € ,aa BooP arsqais eup rrrl rs VuP rq abnas+lou rqe+ ]qa rlalrais eup prar+ ^orps qron€qr ]o +q aruruP o,|L aaPr+or ^es lq s+qPl. slure rq ualatoP!5s o JJ€dEuasa +ot )souE slLe^a qaau 31^au lu }qa \^aslaru unslre ulo+errou 'rnjt{. uo l)lLa ap lo rsqontp Bo ou esl.ad uLora so es +o ePP deu oerroudPu:ruaur I IlL ar3^rsa PaPr+rou rs e uet+auLd lE+ +q3 solnlrou o+ ]qts bnasL;1e11uB dlerLo r sqoadl.Lisl,rEleP er.lr] lPrrr€lreuFau.,3u1 ^q pL !LpuI ertrorudeulrueu+' :o'!Ldos3rs era Pd1 }loLLei)a nsa o} s {^lllinllI e^o pap euP rusla€p FLa utcsl srlr|dt €eup +e rurlre rl.alqurona es ooss q a r srosor]aP +o lu rqrs ae^ r+ sqodaP +qe rrl-'a uL.loP a sqar.a 31^au lr(€^ qa eibnerulaP qi lq L3er8asl. unjuqai o+ daodla ru ]qar rqorlras lu lll sra^!saP ap lou soua ualoPras lu llLa jrrs 3rPr+rou era atl on reUP ua\^ ouas era ePpaP snrl LsorlSs es lnlleq isouSs o+ lrsnlr' Hr 3donuPruS souBs Pup eunruqar. o+ olqa rsouE s\'l-Lrrq qe^3 l€]al ^qarorue ^au fdoCnler era 3r^3u lu rqls aPlllou qnl el lqa seula rlua souLa snr qrsdrasaulelt^a PUP ^3ut qlBq l^eddrsrreraP jotj >souEs es lzesqr or\^e)a er'p fsn8e rnnonurPru3sr-souBs er3 qa roauLrll.aP arrq treer r3:itl ]or +qa slluda raesou lqP+ rqas aaleqorerel ^!ta]oProns euP Saun u aIedeuasa jol)-sou:s era ^aii Pt'ttrntr' + uo+ rudossrqla o juLelruS uorerlous o jdreu Eor.orudeurruaul' ldq.ntt t6gv dullvtl Lo rHl lonurH lqlrtoN ll ls ll'roa iaers srLra ll.r asorolL paPl+lou \^€s dnq lsqaP Onrtug ]qasa +qraa ^aers llLa 3Prlor qes u€pa e ron rlllronBq lqa leuP 'oj ]qa dnrdosa o1 to ar+ru3 ,ot )sou8s es 'unrtq es q s+!ULa e loaaP \^IL pL \^es Pu axdsus ^a qnl irlr a raM.erPruF \^,or)' tu rqssa Ia€rs qa qes qaa uauronreBaP qI uo+ e 14\^ lalrs +reLL eqioeP der.+l]ntert^ 1Loh/a^3r' ,rou tll'La nur+.P slelas oua o l]qau L\r^es lqE] o] srl^ar 8nrpai] ):oudeul ru Naa farsa^ ^qo eslaP d3r''rtiss o'L +or l\,o dra:3s o] ]lla io larrLou l.o qa dlulap l1u1-r3 !Lnsrr +3xr qool +or aleuaulEr^ MqLrq ^es SlePl i31^au Ps r1 a €s8re]!,^luB ro laer urlLel .+q3 ,lL lPiau BreP3' lu +qel ronulr^ !L 8qr qa €tbnErulaP ^rlq ]qosa o ]rlLr srtonulu +flLronSl rq alpdeuasa jot)- souts' vuolqar 'P s+rorlL l1 nBo CrCro o] Na 'r ^ori )foLla8a oj \tnsr rrta' bnasrLuS lqa aPrlor,s rood3re+rou ru lLr sdrodos srpouLdosr+rou o o]r.plsslre lsnr]3 ou ] 9[€edeuaso ,ol)- sou8s ^l!r3lL el ]qrs drasaul uoruaul ls srlll nuPar MeX' Vs e uellar o+ ronrsa lqa 3nl]nrel ax'qeu8a ]ltrongq ]ol)'souFs sqonlp uo+ roulrua qa ]^aau lqa rMo ronulrias led€u euP l.q3 nuraP slPlas: r+ rs pas jeqta ]o qa axraupsp 10 ell olqar ronulilas ru Iqa \!/orlP es ]lLa aruolrouel lrla ol €!I uellou ue^ q3t]ar qa tult- luel3P ]qronFq ]q3 +ol j)souBs l.qeu ]qa qool$ or larrar o' eu^ deodla tr ls $!3]a+oia qodaP ]qe+ lqa IPdeuas a+oli)-sou8s qa j)uo\^u lo B€ rae+3 rrLnuLqar orr daodla a^a!\^lLara lrr 1lt3 ^orlp ior llLa sPla uo.l oul^ o] ledeu qnr o, rq anuParslEuP uB euP aalleie oj etl olqs urelror.'s ru rqa 'rorlP so sruell E ronu]i^ es Iedeu ls' l) ls Jrrq ru rqa ^Pral^ o+ dltls oSuouli es \r3 ps prulela: r] !esqonuPaP ^rllL l.q €ol prnslouLs eu pPrelarrs \^qllL qe^a ]rePlrou asxlouprrLS o^ar ou alqonseuP \^lrqonr ]lLa qer)Fronup o+ rnl]nra euP ]rePrLou uo u€]!ou ^aers- axsls ru llLa s+rrr lsausa oJ }qa laruL ledeu lLes qaa quLassap \/Llq eu olP )nllnra eup p Lor!3 PUP eqo^a ell er+lL dlau+^ o] ]o Isougs lq asouBs ]qel .Pra 8r^au ru llrls lrepiqou' roliarlrou er3 qnr e derr o, rq l3uunr-uareqla eup ^erra psouEs o1 lla doodla ca:auqar L 690 ! PREFACETO THE REVISEDE DITION ln the previouse ditions,m erely 33 songs out of ihe innumerabJen umber of Japanesefo lk-songsw ere selecteda nd iniroducedw hich left much to be desireds o that, in this RevisedE dition,I have addedf ive orher songs. In making this addition I have sej€cted sonSsw hrch are most popularlys ung by the lapaneset oday,n amely," Bon Songs of Soma , of.Saitara', Songso f Picking Safflowers, Songso f Kokkiriko" and -'Songs >on-e s ot 5hrrnotsul Japanesef olk songs are yearly atiracting more attention and interest by the p€oples of the world as might b€ ndicaied, In part, from the correspondencesa ddressed to the compiler fror vafiousp arrs o{ the wor,u. Of ihe growing number of such persons,f he one who mrght be consrdereda s the most ardent ioler of Japanesero lk songs,I shoujd like ro me4iion ihe narre of Vafla Jllo Reinh.rot a proless,oral+ olksine;r.o f W.sh,n8fon. D.C. LSA Thrs person I was nformed,p racticeds ix hoursd aily, such piecesa s. for instance, ''YasuEi Bushr", The Mower's Sones' and "EzashiO iwake",w hiah ared ifficult numbers to render even for the lapaneset hemselves. She even expressedh erself as follows; ''My problemi s this: To obtain iransliterationos f theses ongss o ihat I can learn ihe lapanesew ords. I shouldm ost like to learnf irst in the hopet hat you could help me with such transliterationslE nglishl etterse quivalenti o ihe lapanesew ords.)" There are other pefsons no less ardent than this lady who have written me {rom Canadaa nd lsrael. And it is a well-known siory thai ihe Soviet baritones inger.A rtur ' Eizen,d uring his concertt our of japan, sel€cted "Soran Bushi as one of his tavorite However,s ince japanes€ folk songs emergedf .om a backgroundo f peculiart radi- tions rernotef rom Western countries,o ne invari3blye ncouniersd iJficultiesin 'ndicating the musica ccordingio \ /esternm usicaln oiations. The Wesiern musical notations are inadequateto tfanscribet he characteristifcin enesso f the melodico rnamentationo f Japa- nesef olk-songs.E veni f perforcedlytr anscribedt,h e transcribehr imselfm ayo ft€n be unabe io reproduce the music fforn the music note. ConsequentlyI, should like to recomm€nd thosep ersonsd eeplyi nterestedin japa- nese folk-songss houJdn ot, merely, follow the scor€ but, ai the samer ime, shouldh ear the songsp layedo n recordedd iscs. Needlessto meniion,a ll Japanesere cordm akersh ave on sale Japanesefo lk-songsb ut, in the United Staies,ih ere ;s the one set of "Traditional ' Folk-Songos f Japan selecteda nd arrangedb y R. Hattorif rom his collectionr eleasedfr om FolkwayR ecord. Ishould also like to add rhat the lapanesee mbassies:n d consulates locatedt hroughoutt he main cities of th€ world are prepared to show the color movie, "Folk Songso f Japan"p resentedb y the Ministry of ForeignA {fairs of Japan (th€ musical dir€ction of this film is undert he supervisiono f R. Hatiori). February,1 964. No larl ol this book m.rj bc rcprodrced rtitho i" per)njsslonin wriririg lom lhe auihor 6