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Japanese Fiction of the Allied Occupation (Brill's Japanese Studies Library) PDF

535 Pages·2006·2.84 MB·English
by  Orbaugh
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Preview Japanese Fiction of the Allied Occupation (Brill's Japanese Studies Library)

JAPANESE FICTION OF THE ALLIED OCCUPATION BRILL’S JAPANESE STUDIES LIBRARY edited by H. BOLITHO AND K.W. RADTKE VOLUME 26 JAPANESE FICTION OF THE ALLIED OCCUPATION Vision, Embodiment, Identity BY SHARALYN ORBAUGH LEIDEN•BOSTON 2007 Cover illustration: Children and soldiers watching a performance of Kamishibai. Used with permission from Nagano Shigeichi. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Orbaugh, Sharalyn. Japanese fiction of the Allied occupation : vision, embodiment, identity / by Sharalyn Orbaugh. p. cm. — (Brill’s Japanese studies library, ISSN 0925-6512 ; vol. 26) Includes bibliographical references and index. ISBN-13: 978-90-04-15546-6 ISBN-10: 90-04-15546-5 (hardback : alk. paper) 1. Japanese fiction—1945-1989—History and criticism. 2. Military occupation in literature. 3. Japan—History—Allied occupation, 1945-1952. I. Title. PL747.82.M54O73 2006 895.6’3509358—dc22 2006049274 ISSN 0925-6512 ISBN-13:978-90-04-15546-6 ISBN-10:90-04-15546-5 © Copyright 2007 by Koninklijke Brill NV, Leiden, The Netherlands Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA. Fees are subject to change. printed in the netherlands To my parents Phyllis and Harry Orbaugh, who taught me how to think and how to write; and Tomie and Hiroaki Yamasaki, who—though only a few years older than I—acted like true parents in opening my eyes to a new world and making me at home in it. One has a feeling it is all coming to an end; no, not that. One has a feeling it is like that war whose last battle was fought long after the treaty was signed. The imminence relates to a past doom. We look back to one time, some time, something that already has happened. Look, we are still here, but note that nothing of moment has happened for an age, an age, for as long as we can piece together, not since the time it happened. Was there that time? Once there must have been. When will it end? William Bronk, “The Feeling” CONTENTS List of Plates .............................................................................. xi Acknowledgements ...................................................................... xiii Note to the Reader .................................................................... xv PART I MEMORY AND HISTORY Chapter One Introduction: Memory, Trauma, Narrative .... 3 Chapter Two The Allied Occupation .................................... 26 PART II VISION Chapter Three The Mirror and the Masquerade: Theories of Vision .................................................................. 57 Chapter Four Vision in Fiction .............................................. 103 PART III THE BODY Chapter Five Theories of Embodiment ................................ 157 Chapter Six National Mobilization: From Nation to Gunkoku (A Country at War) ................................................ 213 Chapter Seven The Disarticulated Body: Men Writing Men .................................................................. 272 Chapter Eight Production and Reproduction: Women Writing Women ...................................................... 335

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The reconstruction of identity in post World War II Japan after the trauma of war, defeat and occupation forms the subject of this latest volume in Brill's monograph series Japanese Studies Library. Closely examining the role of fiction produced during the Allied Occupation, Sharalyn Orbaugh begins
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