Janson's History of Art The Western Tradition, 8th Edition PDF
Preview Janson's History of Art The Western Tradition, 8th Edition
00_FM_COMBINED_PI-XXXI.qxp 5/10/09 12:38 Page i Janson s History of Art 00_FM_COMBINED_PI-XXXI.qxp 23/10/09 16:10 Page ii 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 12:40 Page iii Janson s History of Art T H E W E S T E R N T R A D I T I O N Eighth Edition P E N E L O P E J . E . D A V I E S W A L T E R B . D E N N Y F R I M A F O X H O F R I C H T E R J O S E P H J A C O B S A N N M . R O B E R T S D A V I D L . S I M O N Prentice Hall Upper Saddle River London Singapore Toronto Tokyo Sydney Hong Kong Mexico City A01_JANS5172_08_SE_FM.QXD 10/27/10 10:00 AM Page iv Editorial Director:Leah Jewell This book was designed by Editor in Chief:Sarah Touborg Laurence King Publishing Ltd, London. Senior Sponsoring Editor:Helen Ronan www.laurenceking.com Editorial Project Manager:David Nitti Editorial Assistant:Carla Worner Senior Editor: Susie May Media Director:Brian Hyland Copy Editor: Robert Shore Media Editor:Alison Lorber Proofreader: Lisa Cutmore Director of Marketing:Brandy Dawson Picture Researcher: Amanda Russell Senior Marketing Manager:Laura Lee Manley Page and Cover Designers: Nick Newton and Randell Harris Marketing Assistant:Ashley Fallon Production Controller: Simon Walsh Senior Managing Editor:Ann Marie McCarthy Assistant Managing Editor:Melissa Feimer Senior Operations Specialist:Brian Mackey Production Liaisons:Barbara Cappuccio and Marlene Gassler AV Project Manager:Gail Cocker Cartography:Peter Bull Art Studio Senior Art Director:Pat Smythe Site Supervisor, Pearson Imaging Center:Joe Conti Pearson Imaging Center:Corin Skidds, Robert Uibelhoer, and Ron Walko Cover Printer:Lehigh-Phoenix Color Printer/Binder:Courier/Kendallville Cover image: Titian, Man with a Blue Sleeve.ca. 1520. Oil on canvas, 32 x 26"(81.2 *66.3 cm). The National Gallery, London. Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on the appropriate page within text or on the credit pages in the back of this book. Copyright © 2011, 2007, 2004 Pearson Education, Inc., publishing as Prentice Hall, 1 Lake St., Upper Saddle River,NJ 07458. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, 1 Lake St., Upper Saddle River, NJ 07458 Library of Congress Cataloging-in-Publication Data Janson, H. W. (Horst Woldemar) Jansons history of art : the western tradition / Penelope J.E. Davies ... [et. al]. -- 8th ed. p. cm. Includes bibliographical references and index. ISBN 978-0-205-68517-2 (hardback) 1. Art--History. I. Davies, Penelope J. E., II. Janson, H. W. (Horst Woldemar), History of art. III. Title. IV. Title: History of art. N5300.J29 2009b 709--dc22 2009022617 10 9 8 7 6 5 4 3 2 ISBN 10: 0-205-68517-X ISBN 13: 978-0-205-68517-2 Exam Copy ISBN 10: 0-205-69518-3 ISBN 13: 978-0-205-69518-8 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:06 Page v Contents Preface xiv Architecture: The Ziggurat of Ur 32 Faculty and Student Resources for Teaching Sculpture: Figures of Gudea 32 and Learning with Janson s History of Art xix * PRIMARY SOURCE: Texts on Gudea Figures from Introduction xxi Lagash and Surrounding Areas, ca. 2100 33 BABYLONIAN ART 33 The Code of Hammurabi 34 ASSYRIAN ART 34 PART ONE Art of Empire: Expressing Royal Power 34 THE ANCIENT WORLD * PRIMARY SOURCE: The Code of Hammurabi 35 LATE BABYLONIAN ART 37 The Royal Palace 38 1 Prehistoric Art 1 REGIONAL NEAR EASTERN ART 38 PALEOLITHIC ART 2 The Hittites 38 * MATERIALS AND TECHNIQUES: Cave Painting 5 The Phoenicians 38 Interpreting Prehistoric Painting 5 The Hebrews 40 Paleolithic Carving 7 IRANIAN ART 41 * INFORMING ART: Telling Time: Labels and Periods 9 Early Iranian Art 41 Paleolithic houses 11 The Persian Empire: Cosmopolitan Heirs to the Mesopotamian Tradition 41 NEOLITHIC ART 11 Mesopotamia Between Persian and Islamic Settled Societies and Neolithic Art 11 Dominion 45 Architecture in Europe: Tombs and Rituals 15 * INFORMING ART: Dating Techniques 17 3 Egyptian Art 49 2 Ancient Near Eastern Art 21 PREDYNASTIC AND EARLY DYNASTIC ART 50 The Palette of King Narmer 50 SUMERIAN ART 22 * INFORMING ART: Egyptian Gods and Goddesses 52 Temple Architecture: Linking Heaven and Earth 23 THE OLD KINGDOM: A GOLDEN AGE 53 * MATERIALS AND TECHNIQUES: Mud Brick 23 Old Kingdom Funerary Complexes 53 Sculpture and Inlay 25 * INFORMING ART: Major Periods in Ancient Egypt 54 * PRIMARY SOURCE: The Gilgamesh Epic 25 The Pyramids at Giza: Reflecting a New Royal Role 55 Visual Narratives 27 * MATERIALS AND TECHNIQUES: Building the Pyramids 56 Cylinder Seals 29 * PRIMARY SOURCE: Excerpt from the Pyramid Text of * THE ART HISTORIANS LENS: Losses Through Looting 29 Unis (r. 2341 2311 BCE) 58 ART OF AKKAD 30 Representing the Human Figure 59 Sculpture: Power and Narrative 30 THE MIDDLE KINGDOM: REASSERTING NEO-SUMERIAN REVIVAL 32 TRADITION THROUGH THE ARTS 62 V 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:07 Page vi Royal Portraiture: Changing Expressions and * PRIMARY SOURCE: Aristotle (384 322 BCE) 133 Proportions 62 * THE ART HISTORIANS LENS: Repatriation of Funerary Architecture 63 Cultural Heritage 134 THE NEW KINGDOM: RESTORED GLORY 65 * PRIMARY SOURCE: Plutarch (ca. 46 after 119 CE) 136 Royal Burials in the Valley of the Kings 65 THE LATE CLASSICAL PERIOD 141 Temples to the Gods 67 Late Classical Architecture: Civic and Sacred 141 Block Statues 70 Late Classical sculpture 142 Images in New Kingdom Tombs 71 Painting in the Late Classical Age 146 AKHENATEN AND THE AMARNA STYLE 72 THE AGE OF ALEXANDER AND THE The Amarna Style 72 HELLENISTIC PERIOD 147 Tutankhamun and the Aftermath of Amarna 75 Architecture: The Scholarly Tradition and Theatricality 148 * THE ART HISTORIANS LENS: Interpreting Ancient Travel Writers 75 City Planning 150 Hellenistic Sculpture: Expression and Movement 154 PAPYRUS SCROLLS: THE BOOK OF THE DEAD 77 * THE ART HISTORIANS LENS: J.J. Winckelmann and the Apollo Belvedere 157 * PRIMARY SOURCE: The Book of the Dead 77 Hellenistic Painting 161 LATE EGYPT 78 4 Aegean Art 81 6 Etruscan Art 165 FUNERARY ART 165 EARLY CYCLADIC ART 82 Tombs and Their Contents 166 MINOAN ART 84 * MATERIALS AND TECHNIQUES: Etruscan Gold-Working 169 The Palace at Knossos 84 ARCHITECTURE 173 Wall Paintings: Representing Rituals and Nature 86 City Planning 174 * THE ART HISTORIANS LENS: Two Excavators, Legend, and Archaeology 87 SCULPTURE 175 Minoan Pottery 89 Dynamism in Terra Cotta and Bronze 175 Carved Minoan Stone Vessels 90 Late Minoan Art 92 7 Roman Art 181 MYCENAEAN ART 93 EARLY ROME AND THE REPUBLIC 181 Architecture: Citadels 93 * THE ART HISTORIANS LENS: Recognizing Copies: Mycenaean Tombs and Their Contents 96 The Case of the Laocoön 183 Sculpture 99 NEW DIRECTIONS IN ARCHITECTURE 183 Sculpture 188 5 Greek Art 103 * PRIMARY SOURCE: Cicero (106 43 BCE) 192 THE EMERGENCE OF GREEK ART: THE * MATERIALS AND TECHNIQUES: Copying Greek GEOMETRIC STYLE 104 Sculptures 193 * INFORMING ART: Greek Gods and Goddesses 105 Painting and Mosaic 194 Geometric Style Pottery 105 * PRIMARY SOURCE: Polybius (ca. 200 ca. 118 BCE) 194 Geometric Style Sculpture 107 THE EARLY EMPIRE 195 THE ORIENTALIZING STYLE: HORIZONS Architecture 196 EXPAND 107 * THE ART HISTORIANS LENS: Two Pantheon Problems 202 Miniature Vessels 108 Portrait Sculpture 203 ARCHAIC ART: ART OF THE CITY-STATE 109 Relief Sculpture 207 The Rise of Monumental Temple Architecture 109 * PRIMARY SOURCE: Josephus (37/8 ca. 100 CE) 210 STONE SCULPTURE 113 Art and Architecture in the Provinces 213 Architectural Sculpture: The Building Comes Alive 115 Domestic Art and Architecture 216 Vase Painting: Art of the Symposium 119 THE LATE EMPIRE 222 THE CLASSICAL AGE 123 Architecture 222 Classical Sculpture 123 * MATERIALS AND TECHNIQUES: Painted Stone in Greece and Rome 223 * MATERIALS AND TECHNIQUES: The Indirect Lost-Wax Process 128 Architecture in the Provinces 227 Architecture and Sculpture on the Athenian Portrait Sculpture 228 Akropolis 131 Relief Sculpture 229 VI CONTENTS 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:07 Page vii PART TWO * MATERIALS AND TECHNIQUES: The Oriental Carpet 301 THE MIDDLE AGES The Ottomans in Europe and Asia 302 The Safavid Period in Iran 304 The Mughal Period in India 308 8 Early Jewish, Early Christian, * PRIMARY SOURCE: Abd Al-Hamid Lahori (d. 1654) 309 and Byzantine Art 235 CONTINUITY AND CHANGE IN ISLAMIC ART 310 EARLY JEWISH ART 237 EARLY CHRISTIAN ART 240 10 Early Medieval Art 313 Christian Art before Constantine 240 * INFORMING ART: The Life of Jesus 241 ANGLO-SAXON ART 314 * PRIMARY SOURCE: The Book of the Popes (Liber * MATERIALS AND TECHNIQUES: Metalwork 315 Pontificalis) 244 The Animal Style 316 Christian Art after Official Recognition of HIBERNO-SAXON ART 318 Christianity 245 Manuscripts 318 * MATERIALS AND TECHNIQUES: Mosaics 248 * PRIMARY SOURCE: Lindisfarne Gospels 320 BYZANTINE ART 254 VIKING ART 322 Early Byzantine Art 254 CAROLINGIAN ART 324 * PRIMARY SOURCE: Procopius of Caesarea (Sixth Century) 260 Sculpture 324 The Iconoclastic Controversy 265 Illuminated Books 325 Middle Byzantine Art 265 Architecture 328 * PRIMARY SOURCE: St. Theodore the Studite * PRIMARY SOURCE: Hariulf (ca.1060 1143) 331 (759 826 CE) 266 * PRIMARY SOURCE: St. Angilbert (ca. 750 814) 332 Late Byzantine Art 273 OTTONIAN ART 333 * INFORMING ART: Biblical and Celestial Beings 273 Architecture 333 Metalwork 336 9 Islamic Art 279 Ivories and Manuscripts: Conveyors of Imperial THE FORMATION OF ISLAMIC ART 280 Grandeur 340 Religious Architecture 280 Sculpture 343 * PRIMARY SOURCE: Muhammad Ibn Mahmud Al-Amuli (Iran, 14th Century) 281 11 Romanesque Art 347 * INFORMING ART: Islam and Its Messenger 283 FIRST EXPRESSIONS OF ROMANESQUE Secular Architecture 284 STYLE 349 THE DEVELOPMENT OF ISLAMIC STYLE 285 Architecture 349 Religious Architecture 285 Monumental Stone Sculpture 350 Luxury Arts 287 MATURE ROMANESQUE 351 ISLAMIC ART AND THE PERSIAN Pilgrimage Churches and Their Art 351 INHERITANCE 287 * PRIMARY SOURCE: The Pilgrims Guide 352 Architecture 287 Cluniac Architecture and Sculpture 356 Figural Art Forms in Iran 288 * PRIMARY SOURCE: St. Bernard of Clairvaux THE CLASSICAL AGE 290 (1090 1153) 359 * THE ART HISTORIANS LENS: Spanish Islamic Art Cluniac Wall Painting 365 and Europe in the Middle Ages 290 Cistercian Architecture and Art 366 The Fatimid Artistic Impact 291 Other Benedictine Architecture and Wall Painting 367 The Ayyubids and the Seljuk Turks of Asia Minor 292 Book Illustration 368 LATER CLASSICAL ART AND * THE ART HISTORIANS LENS: Preserving and ARCHITECTURE 294 Restoring Architecture 369 Mongol Patronage 295 OTHER REGIONAL VARIANTS OF Timurid Patronage 295 ROMANESQUE STYLE 372 Mamluk Patronage 296 Western France: Poitou 372 Nasrid Patronage: The Alhambra 299 Southeastern France: Provence 373 THE THREE LATE EMPIRES 300 The Holy Land 374 Tuscany 375 * PRIMARY SOURCE: The Ottoman Sultan Selim II (1524 1574) 300 Germany 378 CONTENTS VII 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:13 Page viii The Meuse Valley: Mosan Style 379 Expanding Florence Cathedral 445 * MATERIALS AND TECHNIQUES: Vaulting 380 Building for the City Government: The Palazzo Normandy and England 381 della Signoria 448 THE PARADOXICAL MEANING OF PAINTING IN TUSCANY 449 ROMANESQUE 386 Cimabue and Giotto 449 Siena: Devotion to Mary in Works by Duccio 12 Gothic Art 389 and Simone 453 * PRIMARY SOURCE: Agnolo di Tura del Grasso 454 EARLY GOTHIC ART IN FRANCE 391 * THE ART HISTORIANS LENS: The Social Work of Saint-Denis: Suger and the Beginnings of Gothic Images 455 Architecture 391 Pietro and Ambrogio Lorenzetti 458 * PRIMARY SOURCE: Suger of Saint-Denis Artists and Patrons in Times of Crisis 461 (1081 1151) 393 * PRIMARY SOURCE: Inscriptions on the Frescoes in Chartres Cathedral 395 the Palazzo Pubblico, Siena 461 Laon Cathedral 397 NORTHERN ITALY 465 Cathedral of Notre-Dame in Paris 398 Venice: Political Stability and Sumptuous HIGH GOTHIC ART IN FRANCE 399 Architecture 465 The Rebuilding of Chartres Cathedral 400 Milan: The Visconti Family and Northern * PRIMARY SOURCE: Theophilus Presbyter Influences 465 (12th Century) 402 * MATERIALS AND TECHNIQUES: Stained Glass 405 14 Artistic Innovations in * THE ART HISTORIANS LENS: Modules and Fifteenth-Century Northern Proportions 406 Amiens Cathedral 408 Europe 469 Reims Cathedral 408 COURTLY ART: THE INTERNATIONAL RAYONNANT OR COURT STYLE 413 GOTHIC 471 Sainte-Chapelle 413 Sculpture for the French Royal Family 471 Saint-Urbain in Troyes 415 Illuminated Manuscripts: Books of Hours 473 Manuscript Illumination 416 Bohemia and England 474 LATE GOTHIC ART IN FRANCE 418 URBAN CENTERS AND THE NEW ART 476 Manuscript Illumination 418 Robert Campin in Tournai 477 Sculpture 420 Jan van Eyck in Bruges 479 Architecture: The Flamboyant Phase 422 * MATERIALS AND TECHNIQUES: Panel Painting in Tempera and Oil 479 THE SPREAD OF GOTHIC ART 423 Rogier van der Weyden in Brussels 485 Spain 423 * PRIMARY SOURCE: Cyriacus of Ancona (1449) 485 England 426 LATE FIFTEENTH-CENTURY ART IN THE Germany 430 NETHERLANDS 487 Aristocratic Tastes for Precious Objects, Personal Books, and Tapestries 487 * THE ART HISTORIANS LENS: Scientific and PART THREE Technical Study of Paintings 488 Panel Paintings in the Southern Netherlands 490 THE RENAISSANCE The Northern Netherlands 492 THROUGH ROCOCO REGIONAL RESPONSES TO THE EARLY NETHERLANDISH STYLE 494 France 494 13 Art in Thirteenth- and * PRIMARY SOURCE: Fray José de Sigüenza Fourteenth-Century Italy 437 (1544? 1606) 494 Spain 495 THE GROWTH OF THE MENDICANT ORDERS AND THE VISUAL ARTS IN ITALY 438 Central Europe 495 The Franciscans at Assisi and Florence 438 * PRIMARY SOURCE: From the Contract for the St. Wolfgang Altarpiece 499 Churches and Their Furnishings in Urban Centers 441 PRINTING AND THE GRAPHIC ARTS 499 * MATERIALS AND TECHNIQUES: Fresco Painting and Conservation 441 Printing Centers in Colmar and Basel 501 Pulpits in Pisan Churches 442 * MATERIALS AND TECHNIQUES: Printmaking 501 VIII CONTENTS 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:13 Page ix 15 The Early Renaissance in 17 The Late Renaissance and Fifteenth-Century Italy 505 Mannerism in Sixteenth-Century FLORENCE IN THE FIFTEENTH CENTURY 507 Italy 591 The Baptistery Competition 507 LATE RENAISSANCE FLORENCE: THE * PRIMARY SOURCE: In Praise of the City of Florence CHURCH, THE COURT, AND MANNERISM 593 (ca. 1403 4) by Leonardo Bruni 507 Florentine Religious Painting in the 1520s 593 Architecture and Antiquity in Florence 509 The Medici in Florence: From Dynasty to Duchy 595 * PRIMARY SOURCE: Lorenzo Ghiberti (ca. 1381 1455) 509 * PRIMARY SOURCE: Benvenuto Cellini (1500 1571) 600 * MATERIALS AND TECHNIQUES: Brunelleschis Dome 512 ROME REFORMED 603 * PRIMARY SOURCE: Leon Battista Alberti on what Michelangelo in Rome 603 makes a building beautiful 514 * PRIMARY SOURCE: Michelangelo the Poet 603 Ancient Inspirations in Florentine Sculpture 515 The Catholic Reformation and Il Gesù 607 * MATERIALS AND TECHNIQUES: Perspective 516 Painting in Florentine Churches and Chapels 525 NORTHERN ITALY: DUCAL COURTS AND URBAN CENTERS 609 * THE ART HISTORIANS LENS: Patronage Studies 525 The Palazzo del Te 609 Florentine Painters in the Age of the Medici 530 PARMA AND CREMONA 611 DOMESTIC LIFE: PALACES, FURNISHINGS, AND PAINTINGS IN MEDICEAN FLORENCE 533 Correggio and Parmigianino in Parma 611 Palace Architecture 533 Cremona 613 * PRIMARY SOURCE: Domenico Veneziano Solicits VENICE: THE SERENE REPUBLIC 613 Work 534 Sansovino in Venice 613 Paintings for Palaces 536 Andrea Palladio and Late Renaissance * PRIMARY SOURCE: Giovanni Dominici Urges Architecture 614 Parents to Put Religious Images in Their Homes 539 * PRIMARY SOURCE: Andrea Palladio (1508 1580) 616 Portraiture 541 Titian 617 RENAISSANCE ART THROUGHOUT ITALY, * MATERIALS AND TECHNIQUES: Oil on Canvas 618 1450 1500 543 * PRIMARY SOURCE: From a Session of the Piero della Francesca in Central Italy 543 Inquisition Tribunal in Venice of Paolo Veronese 620 Alberti and Mantegna in Mantua 546 Titian s Legacy 621 Venice 550 Rome and the Papal States 553 18 Renaissance and Reformation in Sixteenth-Century Northern 16 The High Renaissance in Italy, Europe 625 1495 1520 557 FRANCE: COURTLY TASTES FOR ITALIAN THE HIGH RENAISSANCE IN FLORENCE FORMS 625 AND MILAN 558 Chateaux and Palaces: Translating Italian Leonardo da Vinci in Florence 559 Architecture 626 Leonardo in Milan 559 Art for Castle Interiors 628 * PRIMARY SOURCE: Leonardo da Vinci (1452 1519) 562 * MATERIALS AND TECHNIQUES: Making and Leonardo Back in Florence and Elsewhere 564 Conserving Renaissance Tapestries 629 ROME RESURGENT 565 SPAIN: GLOBAL POWER AND RELIGIOUS Bramante in Rome 565 ORTHODOXY 631 Michelangelo in Rome and Florence 568 The Escorial 632 * PRIMARY SOURCE: Michelangelo Interprets the El Greco and Religious Painting in Spain 633 Vatican Pietà 568 CENTRAL EUROPE: THE REFORMATION Michelangelo in the Service of Pope Julius II 571 AND ART 634 * MATERIALS AND TECHNIQUES: Drawings 575 Catholic Contexts: The Isenheim Altarpiece 635 Raphael in Florence and Rome 577 Albrecht Dürer and the Northern Renaissance 638 * THE ART HISTORIANS LENS: Cleaning and Restoring * PRIMARY SOURCE: Albrecht Dürer (1471 1528) 641 Works of Art 578 Religious and Courtly Images in the Era of * PRIMARY SOURCE: On Raphaels Death 583 Reform 643 VENICE 584 Painting in the Cities: Humanist Themes and Giorgione 584 Religious Turmoil 646 Titian 585 ENGLAND: REFORMATION AND POWER 647 CONTENTS IX 00_FM_COMBINED_PI-XXXI.qxp 5/10/09 13:14 Page x * PRIMARY SOURCE: Elizabethan Imagery 649 The Haarlem Community and Frans Hals 714 THE NETHERLANDS: WORLD The Next Generation in Haarlem: Judith MARKETPLACE 650 Leyster 717 The City and the Court: David and Gossaert 651 Rembrandt and the Art of Amsterdam 718 * THE ART HISTORIANS LENS: The Economics of Art 651 * THE ART HISTORIANS LENS: Authenticity and Workshops: Rubens and Rembrandt 718 Antwerp: Merchants, Markets, and Morality 652 * MATERIALS AND TECHNIQUES: Etching, Drypoint, * PRIMARY SOURCE: Karel van Mander Writes and Selective Wiping 722 About Pieter Bruegel the Elder 656 THE MARKET: LANDSCAPE, STILL-LIFE, AND GENRE PAINTING 725 19 The Baroque in Italy and Spain 661 Landscape Painting: Jan van Goyen 725 PAINTING IN ITALY 663 City Views: Jacob van Ruisdael 726 Caravaggio and the New Style 664 Architectural Painting: Pieter Saenredam 728 Artemisia Gentileschi 667 Still-life Painting: Willem Claesz. Heda 729 * PRIMARY SOURCE: Artemisia Gentileschi Flower Painting: Rachel Ruysch 729 (1593 ca. 1653) 669 Genre Painting: Jan Steen 730 Ceiling Painting and Annibale Carracci 670 Intimate Genre Painting: Jan Vermeer 732 ARCHITECTURE IN ITALY 675 Exquisite Genre Painting: Gerard ter Borch 734 The Completion of St. Peter s and Carlo Maderno 675 Bernini and St. Peter s 676 21 The Baroque in France and Architectural Components in Decoration 678 A Baroque Alternative: Francesco Borromini 679 England 737 The Baroque in Turin: Guarino Guarini 682 FRANCE: THE STYLE OF LOUIS XIV 738 The Baroque in Venice: Baldassare Longhena 684 Painting and Printmaking in France 739 SCULPTURE IN ITALY 684 * PRIMARY SOURCE: Nicolas Poussin (1594 1665) 742 Early Baroque Sculpture: Stefano Maderno 684 * THE ART HISTORIANS LENS: Forgeries and The The Evolution of the Baroque: Gianlorenzo Book of Truth 747 Bernini 684 French Classical Architecture 748 A Classical Alternative: Alessandro Algardi 687 Sculpture: The Impact of Bernini 753 * MATERIALS AND TECHNIQUES: Berninis Sculptural BAROQUE ARCHITECTURE IN ENGLAND 754 Sketches 688 Inigo Jones and the Impact of Palladio 754 PAINTING IN SPAIN 689 Sir Christopher Wren 755 Spanish Still Life: Juan Sánchez Cotán 690 John Vanbrugh and Nicholas Hawksmoor 758 Naples and the Impact of Caravaggio: Jusepe de Ribera 690 Diego Velázquez: From Seville to Court Painter 691 Monastic Orders and Zurbarán 695 22 The Rococo 761 * PRIMARY SOURCE: Antonio Palomino (1655 1726) 695 FRANCE: THE RISE OF THE ROCOCO 762 Culmination in Devotion: Bartolomé Esteban Painting: Poussinistes versus Rubénistes 763 Murillo 696 * PRIMARY SOURCE: Jean de Jullienne (1686 1767) 766 * MATERIALS AND TECHNIQUES: Pastel Painting 769 20 The Baroque in the Netherlands 699 Chinoiserie 771 FLANDERS 701 The French Rococo Interior 772 Peter Paul Rubens and Defining the Baroque 701 THE ROCOCO IN WESTERN EUROPE * PRIMARY SOURCE: Peter Paul Rubens (1577 1640) 704 OUTSIDE OF FRANCE 774 Anthony van Dyck: History and Portraiture at William Hogarth and the Narrative 774 the English Court 707 Canaletto 775 Local Flemish Art and Jacob Jordaens 708 THE ROCOCO IN CENTRAL EUROPE 776 The Bruegel Tradition 709 Johann Fischer von Erlach 777 Still-Life Painting 710 Egid Quirin Asam 779 THE DUTCH REPUBLIC 713 Dominikus Zimmermann 779 The Haarlem Academy: Hendrick Goltzius 713 Balthasar Neumann 780 The Caravaggisti in Holland: Hendrick Giovanni Battista Tiepolo and Illusionistic Terbrugghen 713 Ceiling Decoration 781 X CONTENTS
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