Jan van Noordt Jan van Noordt Painter of History and Portraits in Amsterdam David A. de Witt McGILL-QUEEN’S UNIVERSITY PRESS Montreal & Kingston • London • Ithaca ©McGill-Queen’s University Press 2007 isbn978-0-7735-3275-5 Legal deposit fourth quarter 2007 Bibliothèque nationale du Québec Printed in Canada on acid-free paper. Publication of this book was made possible in part by the generous financial support of Alfred and Isabel Bader. McGill-Queen’s University Press acknowl- edges the support of the Canada Council for the Arts for our publishing program. We also acknowledge the financial support of the Government of Canada through the Book Publishing Industry Development Program (bpidp)for our publishing activities. Library and Archives Canada Cataloguing in Publication De Witt, David A. Jan van Noordt : painter of history and portraits in Amsterdam / by David A. de Witt. Includes bibliographical references and index. isbn978-0-7735-3275-5 1.Noordt, Jan van, 1624?–1676.2.Noordt, Jan van, 1624?–1676?—Catalogs. 3. Painting—Netherlands—Amsterdam. 4. Painting, Dutch— 17th century. 5.Painters— Netherlands—Amsterdam—Biography.6. Painters—Netherlands—Biography. I. Title. nd653.n67w58 2007 759.92 c2007-901856-4 This book was designed and typeset by studio oneonone in Janson 10/13 Contents Acknowledgments ix introduction 3 1 “Konstrijk schilder te Amsterdam”: The Life of Jan van Noordt 7 2 The Development of Jan van Noordt’s Style 16 3 From Open Market to Private Network: Buyers and Patrons of Jan van Noordt’s Paintings 38 4 Exempla of Love and Virtue: A Penchant in the Themes of Jan van Noordt’s History Paintings 51 5 Jan van Noordt’s Drawings: Pictorial Technique and Function 75 conclusion 82 catalogue Paintings History Paintings 89 Genre 157 Portraits:Women 177 Portraits: Men 183 Portraits: Children 189 Portraits: Groups 201 Paintings Known Only through Reproductions 211 Paintings That Cannot with Any Certainty 215 Be Attributed to Jan Van Noordt Rejected Paintings 219 Paintings Known Only from Literary Sources 277 Drawings Drawings 289 Rejected Drawings 311 Drawings Known Only from Literary Sources 317 Prints Prints 321 Rejected Prints 329 Prints Known Only from Literary Sources 333 appendix Documents Pertaining to the Life of Jan van Noordt 335 Notes 347 Works Cited 367 Index 387 Index of Locations of Works by Van Noordt 395 This page intentionally left blank To Franziska This page intentionally left blank Acknowledgments The path of this monograph started at the Department of Art of Queen’s Univer- sity in Kingston, Canada, moved through various institutions in the United States, the Netherlands, and elsewhere in Europe, and then returned to Kingston. Along the way, a number of people lent their assistance, both improving this study and has- tening its progress. First and foremost is Professor Volker Manuth of Nijmegen University. His guidance and experience extended over several years as dissertation adviser at Queen’s University, and the time before and after as well. His engagement and generosity will always remain for me a model for the scholarly life. Anumber of other scholars in the field of Dutch art graciously shared their spe- cialized knowledge and material. I am grateful to Willem van de Watering, Albert Blankert, and Robert Schillemans for discussing with me the problems associated with the study of Van Noordt and for providing numerous important leads to rele- vant information. A special thanks is owed to the musicologist Jaap den Hertog, who is presently completing a dissertation on Anthoni van Noordt, and who directed me to pertinent archival material on Anthoni’sbrother Jan. For their help in searching for and interpreting archival documents I would also like to thank S.A.C. Dudok van Heel, Jaap van der Veen, and Marten Jan Bok. At the Amsterdam archive, Johan Giskes shared his views on the interpretation of specific documents related to his own research on Jacobus van Noordt. In its earlier state as a dissertation, this study benefited from the input of Jane Russell-Corbett, Professor Emeritus J. Douglas Stewart, Professor David McTavish, and William Robinson, who contributed as readers or defence committee members. Ialso thank Philip Knijff, Odilia Bonebakker,Jonathan Bikker,and Alfred Bader for their informal supportby way of discussions of Jan van Noordt’slife and work.
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