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J. D. Salinger's The Catcher in the Rye: A Routledge Guide (Routledge Guides to Literature) PDF

143 Pages·2007·1.47 MB·English
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J. D. Salinger’s The Catcher in the Rye J. D. Salinger’s The Catcher in the Rye (1951) is a twentieth-century classic. Despite being one of the most frequently banned books in America, generations of readers have identified with the narrator, Holden Caulfield, an angry young man who articulates the confusion, cynicism and vulnerability of adolescence with humour and sincerity. This guide to Salinger’s provocative novel offers: • an accessible introduction to the text and contexts of The Catcher in the Rye; • a critical history, surveying the many interpretations of the text from publication to the present; • a selection of new critical essays on the The Catcher in the Rye by Sally Robinson, Renée R. Curry, Pia Livia Hekanaho, Denis Jonnes and Clive Baldwin, providing a range of perspectives on the novel and extending the coverage of key critical approaches identified in the survey section; • cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism; • suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of The Catcher in the Rye and seeking not only a guide to the novel but also a way through the wealth of contextual and critical material that surrounds Salinger’s text. Sarah Graham is a lecturer in American Literature at the University of Leicester. She is particularly interested in twentieth-century American novels and poetry, especially in relation to gender, sexuality and trauma theory. Rout ledge Gu ides to L i tera ture Editorial Advisory Board: Richard Bradford (University of Ulster at Coleraine), Shirley Chew (University of Leeds), Mick Gidley (University of Leeds), Jan Jedrzejewski (University of Ulster at Coleraine), Ed Larrissy (University of Leeds), Duncan Wu (St. Catherine’s College, University of Oxford) Routledge Guides to Literature offer clear introductions to the most widely studied authors and texts. Each book engages with texts, contexts and criticism, highlighting the range of critical views and contextual factors that need to be taken into consideration in advanced studies of literary works. The series encourages informed but independent readings of texts by ranging as widely as possible across the con- textual and critical issues relevant to the works examined, rather than presenting a single interpretaion. Alongside general guides to texts and authors, the series includes ‘Sourcebooks’, which allow access to reprinted contextual and critical materials as well as annotated extracts of primary text. Already available:* Geoffrey Chaucer by Gillian Rudd Ben Jonson by James Loxley William Shakespeare’s The Merchant of Venice: A Sourcebook edited by S. P. Cerasano William Shakespeare’s King Lear: A Sourcebook edited by Grace Ioppolo William Shakespeare’s Othello: A Sourcebook edited by Andrew Hadfield William Shakespeare’s Macbeth: A Sourcebook edited by Alexander Leggatt William Shakespeare’s Hamlet: A Sourcebook edited by Sean McEvoy John Milton by Richard Bradford John Milton’s Paradise Lost: A Sourcebook edited by Margaret Kean Alexander Pope by Paul Baines Mary Wollstonecraft’s A Vindication of the Rights of Woman: A Sourcebook edited by Adriana Craciun Jonathan Swift’s Gulliver’s Travels: A Sourcebook edited by Roger D. Lund Jane Austen by Robert P. Irvine Jane Austen’s Emma: A Sourcebook edited by Paula Byrne Jane Austen’s Pride and Prejudice: A Sourcebook edited by Robert Morrison Byron, by Caroline Franklin Mary Shelley’s Frankenstein: A Sourcebook edited by Timothy Morton The Poems of John Keats: A Sourcebook edited by John Strachan The Poems of Gerard Manley Hopkins: A Sourcebook Edited by Alice Jenkins Charles Dickens’s David Copperfield: A Sourcebook edited by Richard J. Dunn Charles Dickens’s Bleak House: A Sourcebook edited by Janice M. Allan Charles Dickens’s Oliver Twist: A Sourcebook edited by Juliet John * Some titles in this series were first published in the Routledge Literary Sourcebooks series, edited by Duncan Wu, or the Complete Critical Guide to Literature series, edited by Jan Jedrzejewski and Richard Bradford. Charles Dickens’s A Tale of Two Cities: A Sourcebook edited by Ruth Glancy Herman Melville’s Moby-Dick: A Sourcebook edited by Michael J. Davey Harriet Beecher Stowe’s Uncle Tom’s Cabin: A Sourcebook edited by Debra J. Rosenthal Walt Whitman’s Song of Myself: A Sourcebook and Critical Edition edited by Ezra Greenspan Robert Browning by Stefan Hawlin Henrik lbsen’s Hedda Gabler: A Sourcebook edited by Christopher Innes Thomas Hardy by Geoffrey Harvey Thomas Hardy’s Tess of the d’Urbervilles edited by Scott McEathron Charlotte Perkins Gilman’s The Yellow Wallpaper: A Sourcebook and Critical Edition edited by Catherine J. Golden Kate Chopin’s The Awakening: A Sourcebook edited by Janet Beer and Elizabeth Nolan D. H. Lawrence by Fiona Becket Joseph Conrad by Tim Middleton The Poems of W. B. Yeats: A Sourcebook edited by Michael O’Neill E. M. Forster’s A Passage to India: A Sourcebook edited by Peter Childs Samuel Beckett by David Pattie Richard Wright’s Native Son by Andrew Warnes J. D. Salinger’s The Catcher in the Rye by Sarah Graham Ian McEwan’s Enduring Love by Peter Childs Arundhati Roy’s The God of Small Things by Alex Tickell J. D. Salinger’s The Catcher in the Rye Sa rah G ra ham First published 2007 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2007. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 2007 Sarah Graham All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Graham, Sarah. J.D. Salinger’s The catcher in the rye / Sarah Graham. p. cm. — (Routledge guides to literature) Includes bibliographical references. 1. Salinger, J. D. (Jerome David), 1919– Catcher in the rye. 2. Caulfield, Holden (Fictitious character) 3. Runaway teenagers in literature. 4. Teenage boys in literature. I. Title. PS3537.A426C327 2006 813′.54—dc22 2006022256 ISBN 0-203-49601-9 Master e-book ISBN ISBN 10: 0–415–34452–2 (hbk) ISBN 10: 0–415–34453–0 (pbk) ISBN 10: 0–203–49601–9 (ebk) ISBN 13: 978–0–415–34452–4 (hbk) ISBN 13: 978–0–415–34453–1 (pbk) ISBN 13: 978–0–415–49601–5 (ebk) Contents Acknowledgements ix Notes and references x Introduction xi 1: Text and contexts 1 Salinger: life and works 3 Post-war America: society and culture 9 Catcher and censorship 17 The Catcher in the Rye: detailed discussion 19 At Pencey 20 At the Edmont Hotel 23 Out in the city 26 Going home 30 2: Critical history 35 ‘Unbalanced as a rooster on a tightrope’: reviews on publication 37 ‘One of the loneliest characters in fiction’: the first wave of criticism (1950s and 1960s) 40 ‘Poised between two worlds’: criticism of the 1970s and 1980s 50 ‘A classic American hero’?: criticism from the 1990s to the present 59 3: Critical readings 67 ‘Masculine protest in The Catcher in the Rye’, by Sally Robinson 69 ‘Holden Caulfield is not a person of colour’, by Renée R. Curry 77 ‘Queering Catcher: flits, straights, and other morons’, by Pia Livia Hekanaho 89 v i i i C O N T E N T S ‘Trauma, mourning and self-(re)fashioning in The Catcher in the Rye’, by Denis Jonnes 98 ‘Digressing from the point: Holden Caulfield’s women’, by Clive Baldwin 109 4: Further reading and web resources 119 Index 125 Acknowledgements I would like to express my gratitude for the professional and personal support I have received during the completion of this study. First, the research leave awarded to me by University of Leicester in 2005 enabled me to make substantial progress with the project. I would also like to thank the publisher for efficiency and friendly advice, especially Polly Dodson. I am very grateful to the academics who contributed excellent essays to the study, responded to ideas with enthusi- asm and met deadlines with unfailing good humour: warmest thanks to Sally Robinson, Renée R. Curry, Pia Livia Hekanaho, Denis Jonnes and Clive Baldwin. In addition, I would like to thank my colleagues in the Department of English and the Centre for American Studies at the University of Leicester for their support and advice, especially Emma Parker and George Lewis. The opportunity to dis- cuss The Catcher in the Rye with students in recent years has also been invaluable. This book is dedicated with love to my parents.

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