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It’s All About HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship PDF

278 Pages·2008·2.732 MB·English
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More praise for It’s All About HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship “As the so-called ‘worship-wars’ continue to ravish the church of Christ, some have stepped up to offer wise, biblical insight. Donn LeVie Jr. is one of these. In It's All About HYMN, Donn provides well-informed, scripturally based criteria by which to select and use music appropriate for worship of our holy God. All who are serious about corporate worship will greatly benefit from a careful study of this thought-provoking book.” Dr. Gary Gilley Pastor, Southern View Chapel Author of This Little Church Went to Market; This Little Church Stayed Home; Is That You, Lord?: Hearing the Voice of the Lord, A Biblical Perspective; I Just Wanted More Land – Jabez “Donn LeVie Jr. has provided biblically based, balanced, and sound arguments for the use in modern worship of sacred music in traditional forms. He points out that we often ask the wrong questions about our worship music: ‘Do we like it?’ ‘Is it popular?’ ‘Will it attract crowds?’ rather than ‘Does it fit with scriptural principles of worship?’ ‘Does it help us grow in the faith?’ ‘Who is being honored by and through our music?’ LeVie clearly points out that worship and its music is not a matter of our personal likes and dislikes or of the commercial success of the music, but of obedience to the principles laid out in the Bible. This book should be read by all leaders of Christian worship—and by members of their congregations as well.” Dr. David W. Music Professor of Church Music, Baylor University Author of Christian Hymnody in Twentieth-Century Britain and America: An Annotated Bibliography; Oliver Holden (1765 – 1844): Selected Works; Hymnology; Instruments in Church; A Survey of Christian Hymnody; Christmas Sinfonias: Piano/Organ Book “For the last couple of decades or so many churches from almost all the Western traditions have been tempted to adopt the empire’s assumption that music is for selling. They have used it as a tool to market their version of Christianity and to attract customers. Groups not so enamored by musical instruments, like the Eastern Orthodox, have maintained more ballast. Now, voices from the Western traditions are finding courage to raise questions in search of their own integrity and ballast. It’s All About HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship is a thoughtful one, though – as would be expected – it will not evoke unanimity either in all its historical and theological suppositions or in all its conclusions. It will indicate, however, that church music is worthy of serious conversation from various perspectives like this one, and not a trivial marketing device or personal preference.” Dr. Paul Westermeyer Director, Master of Sacred Music, Luther Seminary, St. Paul, MN Organist and Cantor, St. Olaf’s College, Northfield, MN Board Member, National Leadership Program for Musicians (LPM) Author of Te Deum: The Church and Music; The Church Musician; With Tongues of Fire: Profiles in 20th-Century Hymn Writing; The Heart of the Matter: Church Music as Praise, Prayer, Proclamation, Story, and Gift; Let the People Sing: Hymn Tunes in Perspective “Church music leaders in the 21st century face a unique challenge as we respond to technology, paradigm shifts in society, relevance and how best to preserve the church’s rich heritage of music and liturgy for future generations. Donn LeVie Jr. offers articulate, insightful and diverse essays framed from his varied experience as a church musician of many years. It provokes concerns that all leaders in the contemporary Christian church share. Let the dialogue continue!” Dr. John Marsh Vice-Chair, National Leadership Program for Musicians (LPM) Board Dir. of Music Ministries, Christ the King Lutheran Church Norcross, GA “Through the varied chapters of this collection runs an admirable commitment to the importance of congregational song in the formation and expression of Christian faith and practice. The warnings to worship planners and musicians concerning the trap of choosing music merely by personal preference (regardless of whether it is classical or rock or anything else) are especially worth attention.” Dr. Carl P. Daw, Jr. Executive Director, The Hymn Society in the United States and Canada “. . . It is refreshing to find a book in which the author has succeeded in making a non-confrontational appeal to reasoned consideration of the matter of worship and how we ought to choose the music we use for worship if we are to be consistent with the biblical directives we find in Holy Scripture. . . This is a book that would serve well as a manual for a discussion group whose purpose is to explore the use music in worship and how one should go about determining what music is appropriate for use in worship for the 21st century church. One of the strengths of It’s All About HYMN that makes it an excellent resource for group study is that Donn LeVie Jr. poses many questions that can be used to stimulate discussion.” (From the Afterword) Dr. John Hamm Former Music Department Chairman, Covenant College Choral Director, Christ Presbyterian Church, Marietta, GA Former Board Member, Church Music National Conference With so many contemporary evangelical voices calling for “redefining,” “rethinking,” “remaking,” and “repackaging” Christian worship, now comes a new voice for reclaiming its sacred and traditional precepts for worshipping God through sung prayer. Praised by some of the world’s leading authorities in the church music field, It’s All About HYMN: Essays on Reclaiming Sacred and Traditional Music for Worship opens up new doors to dialogue, sheds light on factors that influence the Western Christian worship model, and challenges all Christians to reassess how they approach the act of worship. Kings Crown Publishing I ’ A A HYMN T S LL BOUT E R S SSAYS ON ECLAIMING ACRED T M AND RADITIONAL USIC FOR W ORSHIP IT’S ALL ABOUT HYMN: ESSAYS ON RECLAIMING SACRED AND TRADITIONAL MUSIC FOR WORSHIP Copyright © 2008 by Donn LeVie Jr. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system – with the exception of a reviewer who may quote brief passages in a review to be printed in a newspaper or magazine or posted on a website – without written permission from the publisher. For information, send email to [email protected]. This book includes information from many sources and gathered from many personal experiences. The publisher and author disclaim any personal liability, directly or indirectly, for advice or information presented within. Although the author and publisher have prepared this manuscript with utmost care and diligence and have made every effort to ensure the accuracy and completeness of the information contained within, we assume no responsibility for errors, inaccuracies, omissions or inconsistencies. Library of Congress Cataloging-in-Publication Data LeVie Jr. Donn, 1951 - It’s all about hymn: essays on reclaiming sacred and traditional music for worship/Donn LeVie, Jr. Includes bibliographical references – 1st ed. First Printing (May 2008) LCCN: 2008902193 ISBN-13: 978-0-9814857-0-6 ISBN-10: 0-9814857-0-7 QUANTITY DISCOUNTS ARE AVAILABLE TO YOUR HOUSE OF WORSHIP, EDUCATIONAL INSTITUTION, OR RELIGIOUS ORGANIZATION for reselling, educational purposes, subscription incentives, gifts, or fundraising campaigns. For more information, contact the publisher at Kings Crown Publishing: [email protected] Cover art: “Angel with Lute” by Melozzo da Forti (1438 – 1494) PRINTED IN THE UNITED STATES OF AMERICA I ’ A A T S LL BOUT HYMN: E SSAYS ON R S ECLAIMING ACRED AND T M RADITIONAL USIC W FOR ORSHIP D L V J . ONN E IE R ACKNOWLEDGEMENTS Every book project requires the contributions of time, effort, expertise, and inspiration from many individuals. Some have provided valuable input directly, while others have served in more anonymous capacities through the work they do, such as the great folks at KMFA classical radio in Austin, Texas who host such programs as “Classical Guitar Alive,” “Choral Classics,” “Pipe Works,” and “Ancient Voices.” Heartfelt thanks go to my friend and editor, Dick Carozza. Besides being a top-notch wordsmith, Dick serves his church as a deacon and choir member, and in so doing also brings a reinforcing perspective to this project. I am grateful to those individuals and organizations who granted permission to quote content; if I omitted any reference or permission request, I will rectify any such instances at the my website (www.donnleviejr.com). I owe an immense debt of gratitude to the many church musicians, church music directors, worship leaders, congregations, and church music experts who have shared their thoughts, questions, feelings, ideas, and encouragement that helped keep this important project moving forward. The detailed comments and insight from Dr. Paul Westermeyer, Dr. Calvin Johansson, and Dr. Carl Daw proved invaluable for this effort. I have truly stood on the shoulders of giants to offer this perspective. And finally, to my wife Jeanette who graciously and patiently allowed me to barricade myself in my upstairs office to work on this manuscript and hibernate in my music studio to work on the companion CD to this book. You are the best. All the stories in this book are true, though in some I changed names (or didn’t use any) to protect confidentiality. Unless otherwise noted, all Bible quotations are from the King James Version. CONTENTS Preface /i Introduction /v Essay Chapter 1: The Congregation is the Praise Band 1 Essay Chapter 2: The Worship Music Debate Through the Ages 7 Essay Chapter 3: Contemporary Christian Music, Praise and Worship Music, Christian Pop Music: What Are We Really Talking About? 23 Essay Chapter 4: Assumptions, Fallacies, Reason, and Groupthink in the Worship Music Debate 39 Essay Chapter 5: Why Personal Preference Can Not Be An Option for Selecting Music for Worship 51

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.