Iron House PDF
Preview Iron House
For Pete Wolverton and Matthew Shear ACKNOWLEDGMENTS A time came in the writing of this book where I almost walked away from it. It was just one of those things, a prolonged moment of doubt and discouragement. Nothing was working as I hoped; the pages fought me. I might have done it, too—let it fall, started something else —if not for my editor, Pete Wolverton, and my publisher, Matthew Shear, who read the first big piece of the manuscript, saw the potential, and assured me that I could pull it off. Their confidence saw me through a few long months, and I would like to thank them first and above all. Matthew, Pete … this book would never have happened without you. Thanks for the faith, and for keeping my feet on the trail. I would also like to thank the other members of my editorial team, Anne Bensson and Katie Gilligan. Your keen insights made the book better every time you looked at it. Thanks for that! And thanks again to you, Pete. Every trip south is worth it. For the fire being built under Iron House, my publishers deserve tremendous appreciation. Sally Richardson, Matthew Shear, Tom Dunne … I know you oversee a lot of books, but I always felt your eye on this one. Few great things happen without you firmly behind a novel, and I thank you for having faith in what I do. In the marketing of this book, Matt Baldacci, as always, does a fabulous job, as does his team, Nancy Trypuc, Kim Ludlam, and Laura Clark. My publicists, Stephen Lee and Dori Weintraub, are spectacular. Thank you both for all you’ve done. I truly appreciate it. Thanks as well to Kenneth J. Silver, the production editor, Cathy Turiano, the production manager, and Jonathan Bennett, who did the interior design. You guys make a beautiful book, and I do love a beautiful book! I would also like to thank my copy editor, Steven A. Roman, who tries very hard to keep me from embarrassing myself. Any errors in the book are mine, not his. I also need to thank the many people in the Art Department who worked diligently to create the right jacket. Never an easy job. As always, I’d like to give an especially loud shout-out to the hardworking sales force at St. Martin’s Press and Griffin Books. Mickey Choate deserves my gratitude, as does Esther Newberg. You are both wonderful, wonderful agents. I also need to thank my great friend Neal Sansovich, whose pure heart and perpetual optimism lifted me from some dark troughs when the days got especially long. Your friendship means a lot to me, Neal. Thanks for deep talks and good soil. Foreign publishers all over the world have worked hard to make this book a success, but my team in the U.K. deserves special thanks. So, to Roland Philipps, Kate Parkin, and Tim Hely Hutchinson, I offer special thanks, as I do to everyone else at John Murray Publishers, who have gone out of their way to make me feel like part of the Murray family. I come at last to the most important people of all. Only the family of working writers understands the unique challenge of living with a novelist. The process takes a while; we tend to get distracted and work strange hours. It’s not always pretty, and no one deserves a deeper bow of appreciation than my wife, Katie and my girls, Saylor and Sophie. I’d be nothing without you. CONTENTS Title Page Dedication Acknowledgments Prologue Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Chapter Twenty-Five Chapter Twenty-Six Chapter Twenty-Seven Chapter Twenty-Eight Chapter Twenty-Nine Chapter Thirty Chapter Thirty-One Chapter Thirty-Two Chapter Thirty-Three Chapter Thirty-Four Chapter Thirty-Five Chapter Thirty-Six Chapter Thirty-Seven Chapter Thirty-Eight Chapter Thirty-Nine Chapter Forty Chapter Forty-One Chapter Forty-Two Chapter Forty-Three Chapter Forty-Four Chapter Forty-Five Chapter Forty-Six Chapter Forty-Seven Chapter Forty-Eight Chapter Forty-Nine Chapter Fifty Chapter Fifty-One Chapter Fifty-Two Chapter Fifty-Three Chapter Fifty-Four Chapter Fifty-Five Chapter Fifty-Six Also by John Hart Copyright Trees thrashed in the storm, their trunks hard and black and rough as stone, their limbs bent beneath the weight of snow. It was dark out, night. Between the trunks, a boy ran and fell and ran again. Snow melted against the heat of his body, soaked his clothing then froze solid. His world was black and white, except where it was red. On his hands and under his nails. Frozen to the blade of a knife no child should own. For one instant the clouds tore, then darkness came complete and an iron trunk bloodied the boy’s nose as he struck a tree and fell again. He pulled himself up and ran through snow that piled to his knees, his waist. Branches caught his hair, tore skin. Light speared out far behind, and the sound of pursuit welled like breath in the forest’s throat. Long howls on the bitter wind … Dogs beyond the ridge … CHAPTER ONE Michael woke reaching for the gun he no longer kept by the bed. His fingers slid over bare wood, and he sat, instantly awake, his skin slick with sweat and the memory of ice. There was no movement in the apartment, no sounds beyond those of the city. The woman beside him rustled in the warm tangle of their sheets, and her hand found the hard curve of his shoulder. “You okay, sweetheart?” Weak light filtered through the curtains, the open window, and he kept his body turned so she could not see the boy that lingered in his eyes, the stain of hurt so deep she had yet to find it. “Bad dream, baby.” His fingers found the swell of her hip. “Go back to sleep.” “You sure?” The pillow muffled her voice. “Of course.” “I love you,” she said, and was gone. Michael watched her fade, and then put his feet on the floor. He touched old scars left by frostbite, the dead places on his palms and at the tips of three fingers. He rubbed his hands together, and then tilted them in the light. The palms were broad, the fingers long and tapered. A pianist’s fingers, Elena often said. Thick and scarred. He would shake his head. The hands of an artist … She liked to say things like that, the talk of an optimist and dreamer. Michael flexed his fingers, and heard the sound of her words in his head, the lilt of her accent, and for that instant he felt ashamed. Many things had come through the use of his hands, but creation was not one of them. He stood and rolled his shoulders as New York solidified around him: Elena’s apartment, the smell of recent rain on hot
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