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Irish Art in the Romanesque period 1020-1170 AD PDF

398 Pages·1970·61.69 MB·English
by  Henry
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Preview Irish Art in the Romanesque period 1020-1170 AD

i. :^ 9j^ ^^^^^rv_. o^^y'^h- jN "Che ROj^iANesque peRjoô (I020-II70A.Ù.) pRANçojse heNRy Although the Romanesque period in Ireland covered less than two centuries, it yielded an extraordinary wealth of art of all kinds. In this third and final vol- ume of her series, Françoise Henry once again demonstrates her prodigious knowledge and special insights as she discusses Irish art of the eleventh and twelfth centuries. Illuminated manu- scripts, metal objects, carved stone crosses, and churches are her principal topics. She notes the appearance of new decorative styles combining native orna- ment with borrowed elements. The Norman invasion of 1169-1170, she de- clares, virtually ended the development of truly native Irish art. While most ofthe manuscripts that re- main from the Romanesque period are poorly preserved, Miss Henry describes three notable exceptions: the Gospel- book of Corpus Christi College, the Book of Leinster, and a small, late- twelfth-century psalter of surpassing brilliance and perfection. The crowning glory of the era, however, was the work of craftsmen in metal, the magnificence of which is evidenced by a series of nearly complete objects: three croziers, the reliquary-cross of Cong, and the shrines of St. Lachtin's Arm and St. Manchan. (continued on back flap) ART IRISH ART IRISH in the Romanesque Period (1020—1 1 70A.D.J FRANÇOISE HENRY Cornell University Press ITHACA, NEW YORK © Copyright 1970 by Françoise Henry Allrightsreserved. Exceptforbriefquotationsin areview, thisbook, orparts thereof, mustnotbe reproducedin anyformwithoutpermission in writingfrom thepublisher. For information address Cornell University Press, 124 Roberts Place, Ithaca, New York M850. Firstpublished 1970 SBN 8014 0526 2 Library ofCongress Catalog Card Number: 76-82117 Text printed in Great Britain by W. & J. Mackay & Co. Ltd, Chatham, Kent Colour and monochrome plates printed by Les Presses Monastique and L'Imprimerie Darantière, Dijon, France Monochromegravureplatesprinted byL'Imprimerie Braun, Mulhouse, France Contents Abbreviations used in the text page vi List ofmaps and drawings vii List ofcolour plates ix Preface xiii 1. Historical Data 1 2. The Sites 26 3. The Decoration of Manuscripts a.d. 1020-1170 46 4. Metalwork A.D. 1020-1170 74 5. The Crosses A.D. 1020-1170 123 6. The Churches A.D. 1020-1170 148 7. Conclusions 190 Index of bibliographical abbreviations 211 General Index 217 List of Monochrome Plates 236 List of Documentary Plates 240 ABBREVIATIONS USED IN THE TEXT B.L. Bodleian Library, Oxford Br.M. British Museum, London N.M.D. National Museum ofIreland, Dublin O.P.W. Office ofPublic Works in Ireland R.I.A. Royal Irish Academy, Dublin St.M. Stockholm Museum T.C.D. Trinity College, Dublin V.L. Vatican Library .. List of Maps and Drawings MAPS [drawn by J. Leuridan) Principal sites page x Counties xi Churches, towers and crosses 129 DRAWINGS 1 Plan of the cemetery ofClonmacnois 37 2. Plan of Inis Cealtra 43 3. Capitals from the Drummond Missal 52 4. Capitals from the Liber Hymnorum (Franciscan Library) 58 5. Capitals from the Rosslyn Missal 70 6. Foliage on metalwork 84 7. Decoration ofone ofthe short sides ofthe Cumdach ofthe Cathach 92 8. Details of the ornament on the shrine of the arm of St Lachtin 105 9. Detail ofthe ivory crozier from Aghadoe 115 10. Daniel in the Lions' den, base of the Dysert O'Dea cross 133 11. Cross near Temple Brecan (Aran) 135 12 FragmentofaScandinavianweather-vanefromWinchester 136 13. Reconstruction ofthe Killeany cross (Aran) 137 14. Fragment of a stone cross found at Cong 142 15. Floral motifs on crosses 144 16. Portal ofDysert O'Dea, detail 161 17. Portal of Dysert O'Dea, detail 163 18. Carved heads 164 19. Detail from the window of tlie church at Dysert O'Dea 165 20. Tuam portal, detail 166 vii LIST OF MAPS AND DRAWINGS 21. Killaloe portal, detail 167 22. Capital from the portal at Inchagoill 169 23. Section and plan of Cormac's Chapel at Cashel 171 24. Tympana of English churches 174 25. Foliage from the portal at Killeshin 177 26. Killeshin portal, detail 179 27. Plan ofSt Saviour's Priory, Glendalough plan of Ferns ; Priory 82 1 28. Plan of the Cistercian monastery at Mellifont 186 29. Detail ofDysert O'Dea portal 187 30. Animal-interlacings 193 31. Animals 194 32. Fohage 199 33. Capital, Ms. 155, Municipal Library, Amiens 200 34. Serpents 201 35. Detail, Book ofKells 202 36. Animal from a Gotland runestone 203 37. Crozier ofthe abbots of Clonmacnois, details 204 38. Capital, Ms. 228, Municipal Library, Le Mans 205 39. Arches with animals 206 40. Friezes ofanimals 208 41. Inisfallen crozier, detail ofcrook 209 viu

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Although the Romanesque period in Ireland covered less than two centuries, it yielded an extraordinary wealth of art of all kinds. In this third and final volume of her series, Françoise Henry once again demonstrates her prodigious knowledge and special insights as she discusses Irish art of the el
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