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Invisible Terrain: John Ashbery and the Aesthetics of Nature PDF

223 Pages·2017·1.04 MB·English
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OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi OXFORD ENGLISH MONOGRAPHS GeneralEditors PAULINA KEWES LAURA MARCUS ’ PETER MCCULLOUGH HEATHER O DONOGHUE SEAMUS PERRY LLOYD PRATT FIONA STAFFORD OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi Invisible Terrain John Ashbery and the Aesthetics of Nature STEPHEN J. ROSS 1 OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi 3 GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries ©StephenJ.Ross2017 Themoralrightsoftheauthorhavebeenasserted FirstEditionpublishedin2017 Impression:1 Allrightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermitted bylaw,bylicenceorundertermsagreedwiththeappropriatereprographics rightsorganization.Enquiriesconcerningreproductionoutsidethescopeofthe aboveshouldbesenttotheRightsDepartment,OxfordUniversityPress,atthe addressabove Youmustnotcirculatethisworkinanyotherform andyoumustimposethissameconditiononanyacquirer PublishedintheUnitedStatesofAmericabyOxfordUniversityPress 198MadisonAvenue,NewYork,NY10016,UnitedStatesofAmerica BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressControlNumber:2017931318 ISBN 978–0–19–879838–5 Printedandboundby CPIGroup(UK)Ltd,Croydon,CR04YY LinkstothirdpartywebsitesareprovidedbyOxfordingoodfaithand forinformationonly.Oxforddisclaimsanyresponsibilityforthematerials containedinanythirdpartywebsitereferencedinthiswork. OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi For Jane OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi Acknowledgments My first thanks go to John Ashbery and David Kermani for graciously hosting me in their home and patiently answering my many questions. I am also grateful to my two anonymous readers for their deft and challenging comments on my manuscript. Special thanks also go to my Ph.D.examiners,ProfessorJamesLongenbachandProfessorJeriJohnson. At Oxford, I was privileged to work with Ron Bush, a rigorous editor andpeerlessmentorwhomIamnowhonoredtocallafriend(and,when theweathercooperates,tennispartner).Ioweahugedebtofgratitudeto Patrick Hayes, my college advisor at St. John’s for five years, who sup- portedmeinsomanywaysasafledglingteacherandscholar.Abigthank you to all of my students at St. John’s and at other Oxford colleges for teachingmesomuch—specialthanksareduetoRowlandBagnall,Adelais Mills, Luke Maxted, and Bevil Luck, brilliant young writers all, for their very generous recommendations. I’m grateful to the staff at St. John’s who facilitated my stay at the college and to the English Faculty which provided key administrative and financial aid. The Clarendon Fund Scholarship allowed me to begin my graduate work and the Rothermere AmericanInstitutehelpedmecompleteit.SpecialthankstoNigelBowles and the RAI staff for hosting such a congenial space for Americanist scholarship.TheHoughtonLibraryatHarvardUniversityprovidedessen- tialaccesstothearchiveofJohnAshberypapers.Veryspecialthanksalso go to Dr.Tara Stubbs,who voluntarilyread this bookwhen it was still a thesis and led me through a mock-viva, and who has helped me with so muchelsebesides. I was very fortunate to work with a brilliant and inspiring group of colleaguesanddearfriendsatOxford:AlysMoody;TimSmith-Laing;Ed Sugden; Alexandra Manglis; Susan Barbour; April Pierce; Alex Niven; Angus Brown; Jenny Oliver; Mike Smith; Rachel Abramowitz; Tom Cutterham; Jon Day; Charlotta Salmi; Matt Kerr; Hannah Field; Chris Maughan;JudytaFrodyma;JonGharraie;MichelleWiten;BeckyRoach; StephanieYorke;DavidSoud;AaronHanlon;OrenGoldschmidt;David Shackleton; Piers Pennington; Katie Murphy; Amy Cutler; Alex Bubb; Sally Bayley; Oli Hazzard; Vid Ravinthiran; Scarlett Baron; John Maloney; Paul Sweeten; Matt Sperling; Sarah Bennett; Mike Molan; Ed Gibbons; Alex Barker; Iason Gabriel. OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi viii Acknowledgments As a Teaching Fellow at the University of Warwick, I could not have asked for smarter and more engaged students or for a livelier and more congenial community of friends and colleagues: Rochelle Sibley (a shey- nemdank!);MykaTucker-Abramson;MichaelMeeuwis;LauraSchwartz; Anna Hájková; Carina Hart; Joe Jackson; George Ttoouli; Jonathan Skinner; Nick Lawrence; Stephen Shapiro; Jack McGowan; Joe Shafer; Simon Turner; Rhys Williams; Emanuelle Santos; Christian Smith; Gemma Goodman; Mark Storey; Christina Britzolakis; Madhumita Lahiri;HeatherPilbin;PabloMukherjee;RossForman;GraemeMacdonald; Emma Mason; Mike Niblett; Chris Campbell; and Dan Katz (but more onhimlater). Over the years, Ihave been immensely fortunate to cross paths with a hostofpoetsandscholarswhosepresenceiseverywherefeltinthisthesis: OmarBerrada;SarahRiggs;PeterGizzi;DavidHerd;RichCole;Marjorie Perloff; Ernest Hilbert; James Byrne; Andrew Dubois; Olivier Brossard; Ian Heames; Alex Howard; Joshua Corey; Charles Bernstein; Jay Parini; BenLerner;andMarkFord.Iwouldalsoliketothankthe(former)staffof Brick: A Literary Journal: Nadia Szilvassy; Laurie Graham; Tara Quinn; andStefLenk. A massive hug for the Lovatt and Borlase families: Tamsin, Marc, Cooks, Bups, William, Katie, and Pip, my first and best English friends. So many delicious meals and good times to remember. Thinking of our orchard! Verybigthanks—andahugedebtofgratitude—areduetoBirgitden Outerforbeingtheconfidanteofmyconfidante! There are many dear friends I have had to live apart from, or be in intermittent contact with, over the years who have been constantly in my thoughts: Stuart Jeckel; Hunter Simpson; Andrew Shah; Glenn Kern; Alisa Eanes; Zane “van” Beckwith; Katie McLean; Natasha McCurley;Simon Rose; Travis Smith; BrianTaylor;Zack Cheshire; Vera Fabian; Gordon Jenkins; Hannah Prentice-Dunn; Alan Kinlaw; Toby Giachetti; Alexis Seccombe; Robin Smith; Nate McCosbe; Sarah Pickle; LucaSemprini;ShruthiDhoopati.KevinBrown;MayaGoldenberg;Angel Chen;CarolynLionais. AaronBelz,myfavoritelivingpoetafterJohnAshbery,wasaconsummate menschtoJaneandmeduringthefinalmonthsofourstayinNorthCarolina inthesummerof2016.Wewillalwaysrememberourtimeat“SantaMaria” as the halcyon days, and are eagerly plotting our return to Hillsborough. Thanks as well to Araceli Cruz and to Eli, Natalie, and Amelia Belz for sharingyourhomewithusduringthosespecialmonthsoftransition. ZoharAtkinsandArielResnikoff,akhim,barelytolerated,livingonthe margin in our technological society: “And for what, except for you, do OUPCORRECTEDPROOF–FINAL,15/5/2017,SPi Acknowledgments ix I feel love? / Do I press the extremest book of the wisest man / Close to me,hiddeninmedayandnight?” Thankyoutomywonderfulin-laws—Jack,Jean,Jena,Jill,Keith,and Alec—for so warmly welcoming me into the family and supporting my academic aspirations over all these years. It’s been an absolute pleasure hostingyouatourvariousfar-flunghomesintheUKandNorthAmerica. I could not have made it here without you. I send these thanks also in lovingmemoryofJane’sbelovedauntNora,whomIwassoluckytomeet andwhoisdearlymissed. My family has lovingly and unconditionally encouraged me always. Here’stomyaunts,uncles,andcousins:Marcy,Brian,Sandy,andLetty; Ellis, Bryan, and Joanna; Peter, Sonia, and Chloe; Jim and Tiepa. My dearest grandparents, Honey and Bumps, Grandma Helen and Papoo (Z”L), are always near me. To my parents, Robyn and Doug: you are behind every letter of this book. I love you, and hope I’ve made you proud.Andtomybrother,Jacob: “Hey,Bubi!” At UNC Chapel Hill, Larry Goldberg and David Ross were my first andbestmentors.Thankyou,David,forinstillinginmethepleasuresof custom and ceremony in poetry, teaching, scholarship, and, above all, cooking. Thank you, Larry, for our ongoing tea-fueled conversation and the fleeting glimpses of “what is” which they have afforded. To both of you, I say with Yeats: “Think where man’s glory most begins and ends,/ And say my glorywas I hadsuch friends.” I giveaffectionate thanksaswelltoLi-lingHsiaoandFei-feiRoss,and,inlovingmemory,to RaquelPrado-TotaroGoldberg. DanKatz,whosecounsel,kvetching,andkvellingcomesecondonlyto my mother’sinquality andpersistence, taughtme whatit means tobea professional, a mentor, and a friend. Thank you for keeping me afloat duringoneofthehardestyearsofmylife. JohnSteen,with“thisfeelingofexultation”:myfirstfriendatcollege, myfirstfriendinpoetry.Maythereneverbeaworldforusexcepttheone wesingand,singing,make. And, finally, Jane, to whom this book is dedicated, along with every- thingelse.Riversandmountainsoflove.

Description:
In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?' When Ashbery asks this strange question, he joins a host of t
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.