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Intellectuals and the Left in France Since 1968 PDF

166 Pages·1987·17.13 MB·English
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INTELLECfUALS AND THE LEFT IN FRANCE SINCE 1968 By the same author THE CINEMA: A HISTORY CULTURES ON CELLULOID INTELLECTUALS AND THE LEFT IN FRANCE SINCE 1968 Keith A. Reader Senior Lecturer in French Kingston Polytechnic Palgrave Macmillan ISBN 978-1-349-18583-2 ISBN 978-1-349-18581-8 (eBook) DOI 10.1007/978-1-349-18581-8 © Keith A. Reader 1987 Softcover reprint of the hardcover 1st edition 1987 All rights reserved. For information, write: Scholarly & Reference Division, St. Martin's Press, Inc., 175 Fifth Avenue, New York, NY 10010 First published in the United States of America in 1987 ISBN 978-0-312-41894-6 Library of Congress Cataloging in Publication Data Reader, Keith. Intellectuals and the Left in France since 1968. 1. France-Intellectual life-20th century. 2. France-Politics and govemment-1958- 3. Intellectuals-France-Political activity. 4. Politics and culture-France. 5. Right and left (Political science). I. Title DC415.R43 1987 944.092 85-22159 ISBN 978-0-312-41894-6 For E. K. with love Contents Acknowledgements viii Preface ix List ofA bbreviations xii 1. THE MAY 'EVENTS' -WHAT WERE THEY? 1 2. DISILLUSIONMENT AND THE ROLE OF THE INTELLECTUAL IN FRANCE 19 3. INTELLECTUALS AND MARXISM SINCE 1968 - SARTRE 30 4. INTELLECTUALS AND MARXISM SINCE 1968 - THE STRUCTURALISTS 37 5. INTELLECTUALS AND MARXISM SINCE 1968 - MODES OF DISSIDENCE 53 6. THE POLITICS OF PSYCHOANALYSIS 61 7. THE POLITICS OF FEMINISM 69 8. LANGUAGE, POWER AND POLITICS - THE WORK OF FOUCAULT AND DELEUZE 80 9. LANGUAGE, LITERATURE, DECONSTRUCTION ANDPOLIDCS 92 10. THE 'NEW PHILOSOPHERS' 108 11. THE PLACE OF SOCIOLOGY 115 12. CONCLUSION: THE 'SILENCE OF THE LEFT-WING INTELLECTUALS' 136 Notes 141 Bibliography 148 Index 151 vii Acknowledgements I should like to thank in particular: Paul Bensimon, Philippe Binet, Jean-Louis Fabiani, Jill Forbes, Michael Hawkins, Eleonore Kofman, Colin MacCabe, Richard Nice, Catherine Schmidt, and Herve Touboul, for ideas, suggestions, and discussion; the members of the Modem Critical Theory Group, for provoking thought about Chapter 6 in particular; the Nuffield Foundation, for a grant which enabled me to spend part of the summer of 1983 in Paris researching this book; the staff of the Bibliotheque de la Maison des Sciences de l'Homme and of the Bibliotheque du Centre Georges Pompidou (Beaubourg) in Paris, and Madeleine Evans and Claire Hutton of Kingston Polytechnic Library, for their help and kindness; my colleagues in the Faculty of Arts and Languages at Kingston Poly technic, in particular Chris Cobb and all the members of the French section, for enabling me to take a term's study-leave without which the book would never have been completed; Chris Cook, for advice on the world of publishing; and, above all, my parents and Eleonore, for their warm and loving support. viii Preface A great deal has happened during the past seventeen years to draw attention within the English-speaking world to the relationship between intellectuals and the Left in France. The 'events' of 1968, while in many ways anti-intellectual, were inseparable from the universities, where they started and where their most lasting effects were felt. Thirteen years later, the election of a Socialist President-who was also something of an intellectual - was seen variously as the logical consequence or the diluted aftermath of the cultural upheaval of May. Intellectual discussion of the 'two Mays', not only in universities or learned journals, but in the national press and on radio or television, achieved a prominence almost impossible to imagine in the society of Britain or the United States. Intellectuals have always occupied a place at once more influential and more critical of the established social order - hence, loosely, more 'left-wing' - in French than in British or American society. Part of the raison d'e treof this book is to look at why this should be so and how it has manifested itself between 1968 and the present day. The tendency has been for the English-speaking world to encounter major recent developments in French intellectual life by way of a series of 'names' (Althusser, Deleuze, Derrida, Foucault, Kristeva, Lacan) which recur inescapably in any discussion of the period. This, while inevitable given the pervasiveness of the French intellectual 'star-system', is also profoundly ironic, for all the writers mentioned (and not only they) have significantly undermined the notions of individuality and personal autonomy on which Western philosophical and political discourse has been based since its inception. The paradox that Lacan, who gave the first full and radical account of the intimate connections between language and patriarchy, should at the same time have set himself up as the Great Linguistic Patriarch par excellence, or that Derrida, whose deconstructive analyses call the very existence of a pre-given text into question, should regularly figure as a 'set author' on American literary and philosophical syllabuses - these have been often remarked upon, and are not irrelevant to this study. Beyond the scope they afford for ironic amusement, they have important political and institutional ix X Preface implications, reflecting the perception of the French intellectual as a uniquely prolific and privileged species. The Frankfurt School in Germany, the Bloomsbury Group in Britain, Gramsci in Italy are all examples of intellectuals inseparably linked with the social formations from which they arose, but the sheer number and range of 'Latin Quarter' intellectuals sets them apart from any other group, and in so doing may actually divert attention from the importance of the various contexts-political, social, and institutional-within which they worked. 'Althusser', 'Derrida', 'Lacan', often seem to exist in no context other than that bounded, in scholarly journals or tables of reference, by their own names and the litany of which they form part. What will not be found here, then, is yet another summary of the key ideas of 'pantheon' thinkers. Ample work of this kind (some of it excellent, some indifferent or worse) has already been carried out, and it would have been superfluous to add to it. Emphasis falls rather on the specifically French contexts of their work, so that while there is no dearth of intellectual 'names' the focus will also be on the different institutions, from the University of Paris - VIII (Vincennes) to the French Communist Party or the television programme Apostrophes, which have influenced the work here discussed. My hope is that even readers already familiar with many of the ideas and writers dealt with here will find a kind of contextualisation not otherwise readily available in English. There are, on the other hand, a great many thinkers whose work still awaits adequate treatment in English, at least in book form. I cannot claim, in so limited a compass, to have achieved that here; but I hope that what I say about the work of figures as important as Lyotard or Bourdieu may provide a helpful contextualising introduction. Finally, I should make some attempt to explain my choice of writers and texts. For the former, the division just mentioned gives the rationale: certain figures cried out for some form of introduction and treatment, others - the better-known and more extensively written-about - are frequently dealt with out of their French context and benefit from an understanding of that dimension. Those I have omitted have been, inevitably, on grounds of space (with the craven value-judgement that implies), or a feeling of inadequacy in their particular field (which, and not a judgement of value, accounts for, for example, the absence of economists). For text-choice, the criteria were more complex. Obvious key works in an author's output - Bourdieu's La Distinction, Luce Irigaray's Ce sexe qui n'en est pas un - selected themselves if their authors were still (relatively) little-known to an anglophone public. With certain notably

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Lacan, Althusser, Derrida, Foucault - the currency of these names in the world of modern thought is widespread. But all too often in the English-speaking world their work and ideas are considered without reference to the context in which they were produced, and this is the gap that this new study se
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