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In the Beginning Was the Image: Art and the Reformation Bible PDF

441 Pages·2020·28.152 MB·English
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In the Beginning Was the Image In the Beginning Was the Image • • y • • A RT A N D T H E R EFOR M AT ION BIBLE David H. Price 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2021 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging- in- Publication Data Names: Price, David, 1957– author. Title: In the beginning was the image : art and the Reformation Bible / David H. Price. Description: New York, NY, United States of America : Oxford University Press, [2021] | Includes bibliographical references. | Identifiers: LCCN 2020034968 (print) | LCCN 2020034969 (ebook) | ISBN 9780190074401 (hbk) | ISBN 9780190074425 (epub) | ISBN 9780190074432 Subjects: LCSH: Dürer, Albrecht,—1471–1528. | Cranach, Lucas,—1472–1553. | Holbein, Hans,—1497–1543. | Art, Renaissance. | Bible—History—16th century. | Reformation. | Arts in the Bible—History. | Christianity and art—History. Classification: LCC N7862.P75 2021 (print) | LCC N7862 (ebook) | DDC 246—dc23 LC record available at https://lccn.loc.gov/2020034968 LC ebook record available at https://lccn.loc.gov/2020034969 DOI: 10.1093/oso/9780190074401.001.0001 1 3 5 7 9 8 6 4 2 Printed by Integrated Books International, United States of America For Sam, Valerie, Bonnie, and Jeremy Contents List of Illustrations ix Acknowledgments xxi 1 In the Beginning Was the Image: Art and the Renaissance of the Bible 1 2 The Artist as Biblical Humanist 17 3 The Artist as Reformer 85 ü 4 D rer’s Reformation: Art and Politics of Biblicism 161 5 Word Made Image: Cranach’s Biblical Iconography 209 6 Holbein and the Art of the Heterogeneous Bible 261 7 Epilogue: For the God- Fearing and the Art- Loving 319 Notes 333 Bibliography 379 Index 393 vii List of Illustrations 1.1. Masaccio, The Trinity (fresco painting, Santa Maria Novella, Florence, ca. 1425), detail of upper segment. 4 ü 2.1. D rer, title page for St. Jerome, Epistolare beati hieronymi (Basel: Kessler, 1492; woodcut). 19 ü 2.2. D rer, Bookplate for Willibald Pirckheimer (woodcut, ca. 1501). 24 ü 2.3. D rer, title frame for publication of Willibald Pirckheimer, Luciani Piscator, seu reviviscentes (Nuremberg: Friedrich Peypus, 1517; woodcut, ca. 1513). 26 ü םירישה רפס 2.4. D rer School, (Book of Songs), often titled Fortuna, with Hebrew verses from the Song of Songs (woodcut, ca. 1505). 27 ü 2.5. D rer School, Jesus of Nazareth, King of the Jews (woodcut, ca. 1505), from Der Titel des Creutzs in drey sprach. 28 ü 2.6. D rer, St. Jerome, verso of title page for Pseudo- Eusebius of Cremona, Beschreibung des heyligen Bischoffs Eusebii, trans. ö Lazarus Spengler (Nuremberg: H ltzel, 1514; woodcut, 1512). 30 ü 2.7. D rer, St. Jerome in His Study (engraving, 1514). 31 ü 2.8. D rer, St. Jerome in His Study (drawing, ca. 1520). 34 ü 2.9. D rer, St. Jerome in His Study (painting, 1521). 35 ix

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