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Imperialism and the Wider Atlantic: Essays on the Aesthetics, Literature, and Politics of Transatlantic Cultures PDF

332 Pages·2017·2.57 MB·English
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THE NEW URBAN ATLANTIC IMPERIALISM AND THE WIDER ATLANTIC Essays on the Aesthetics, Literature, and Politics of Transatlantic Cultures Edited by TANIA GENTIC FRANCISCO LARUBIA-PRADO The New Urban Atlantic Series Editor Elizabeth Fay University of Massachusetts Boston Cambridge, MA, USA The early modern period was witness to an incipient process of transcul- turation through exploration, mercantilism, colonization, and migration that set into motion a process of globalization that continues today. The purpose of this series is to bring together a cultural studies approach - which freely and unapologetically crosses disciplinary, theoretical, and political boundaries - with early modern texts and artefacts that bear the traces of transculturalization and globalization in order to deepen our understanding of sites of exchange between and within early modern culture(s). This process can be studied on a large as well as on a small scale, and this new series is dedicated to both. Possible topics of interest include, but are not limited to: texts dealing with mercantilism, travel, exploration, immigration, foreigners, enabling technologies (such as shipbuilding and navigational instrumentation), mathematics, science, rhetoric, art, architecture, intellectual history, religion, race, sexuality, and gender. More information about this series at http://www.springer.com/series/14425 Tania Gentic · Francisco LaRubia-Prado Editors Imperialism and the Wider Atlantic Essays on the Aesthetics, Literature, and Politics of Transatlantic Cultures Editors Tania Gentic Francisco LaRubia-Prado Georgetown University Georgetown University Washington, DC, USA Washington, DC, USA The New Urban Atlantic ISBN 978-3-319-58207-8 ISBN 978-3-319-58208-5 (eBook) DOI 10.1007/978-3-319-58208-5 Library of Congress Control Number: 2017943626 © The Editor(s) (if applicable) and The Author(s) 2017 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover image: © caracterdesign/Getty Images Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland C ontents Introduction 1 Tania Gentic and Francisco LaRubia-Prado Part I Cultural and Historical Frontiers On Hercules’ Threshold: Epistemic Pluralities and Oceanic Realignments in the Euro-Atlantic Space 19 Nicoletta Pireddu Imperial History and the Postnational Other 47 Gonzalo Navajas Transatlantic Sovereignty and the Creation of the Modern Colonial Subject 65 Gerard Aching Part II Literary and Aesthetic Exchanges From Granada to Havana: Federico García Lorca, the Avant-Garde, and Orientalism 87 José Luis Venegas v vi CONTENTS Mexican Muralism and the North American Anti-Aesthetics 113 Eduardo Subirats Transatlantic Musical Crossover: Miguel Bosé in the U.S.A. and Bruce Springsteen in Spain 135 Elizabeth Scarlett Part III Ideas in Circulation Traveling Objects in Flora Tristán’s Pilgrimages of a Pariah and Frances Calderón’s Life in Mexico 159 Leila Gómez The Discovery of the Mediterranean: Alfonso Reyes and the Spanish American Claim to Spanish Culture 179 Ignacio M. Sánchez Prado Translocal Misreadings: Eugeni d’Ors in Latin America and Transatlantic Studies Today 207 Tania Gentic Part IV Repression and Expression Language and Empire: Postcolonial “english” and Unamuno’s “archi-Castilian” 239 Francisco LaRubia-Prado A Transatlantic Discourse of Empowerment: Gendering Slavery in Sab 273 Brígida M. Pastor A Disconcerting Language: Valle-Inclán’s Tirano Banderas and the Hispanic Atlantic 297 Javier Krauel CONTENTS vii Epilogue: Reflections on the Geographical Turn 323 Roberta Johnson Index 327 C ontributors Gerard Aching Cornell University, Ithaca, NY, USA Tania Gentic Georgetown University, Washington, DC, USA Leila Gómez University of Colorado Boulder, Boulder, USA Roberta Johnson University of Kansas, Lawrence, KS, USA; UCLA, Los Angeles, CA, USA Javier Krauel University of Colorado Boulder, Boulder, CO, USA Francisco LaRubia-Prado Georgetown University, Washington, DC, USA Gonzalo Navajas University of California, Irvine, CA, USA Brígida M. Pastor CSIC-Consejo Superior de Investigaciones Científicas, Madrid, Spain; Swansea University, Wales, UK Nicoletta Pireddu Georgetown University, Washington, DC, USA Ignacio M. Sánchez Prado Washington University, Saint Louis, USA Elizabeth Scarlett University at Buffalo, Buffalo, USA Eduardo Subirats New York University, New York, USA José Luis Venegas Wake Forest University, Winston-Salem, NC, USA ix Introduction Tania Gentic and Francisco LaRubia-Prado The transatlantic field of study has had a relatively short but varied history, despite the fact that the Atlantic as a space, and the crossings between continents that comprise it, have shaped culture locally and globally for centuries. Developed by historians working from an Anglo- European perspective, as a field, the Atlantic emerged in the second half of the twentieth century as a challenge to the nation-state model.1 Its development paralleled that of the transatlantic political union between the United States and Europe following World War II, when intellec- tuals and politicians on both sides of the ocean sought to open up the tight linkages between nation-states and ethnicities that had allowed nationalism to produce such horrifying consequences. One result was the development of entities such as the North Atlantic Treaty Organization (NATO) and a universal declaration of human rights, which sought to break down the rigid differentiation of peoples based on e thnicity. Scholars who followed suit produced new area studies models for T. Gentic (*) · F. LaRubia-Prado Georgetown University, Washington, DC, USA © The Author(s) 2017 1 T. Gentic and F. LaRubia-Prado (eds.), Imperialism and the Wider Atlantic, The New Urban Atlantic, DOI 10.1007/978-3-319-58208-5_1

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The essays in this volume broaden previous approaches to Atlantic literature and culture by comparatively studying the politics and textualities of Southern Europe, North America, and Latin America across languages, cultures, and periods. Historically grounded while offering new theoretical approach
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