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Ilro manzo II Ilr omanzo Progeed titroe zFiroannMeco:or etti Comitsactioe ntEirfnieFcsrota:on Fcroe,dJ ar miecs Aobnd,e lfKaitltiatho , PiVeir nceMneznog aMlardioVo,ar gaLsl osa I Lac ultudrearl o manzo I.I lr omanszifoa s pazio 2.N arrazeim oennet alità 3.G entceh sec rigveen,ct he el egge 4R·a cconltaam roed ernità II Lef orme .I g enelreit terari I 2.L as critrtoumraan zesca 3.A lteob asso 4I·n cecrotnif ini III Storeig ae ografia I.P oligenesi 2.L 'acceleeruarzoipoenae 3·V ersloal ettermaotnudriaa le 4·F utupraos sato IV Temi, luoghi, eroi Lal undguar ata I. 2.T emi 3·L uoghi 4E·r oi v Lezioni Il romanzo A curdaiF ranMcoor etti Volumsee condo Lef orme GiulEiion aueddii tore Curead itoecri oadoleir namdeiln rteoBn aeb boni RedaziVoal neen:t ina VBearrboenBriuocz,az eaP naot rMiazsicai telli Ricebriicboalfig craaV:i nceQnuzaiogo ltti Rciericcaoo rgnaifcLau:c Bai anco SegreetdeirtioCariar amleeZn:u elli Revisdieoltnlere ai dounGziu:i dMoa zzoMnait,tR eeos ied oGruiSi adcoc hi Trazdiuodnalilg 'elisnNeo:r mGaonb e(tstaidg iDg iiP iKerrios,Wt ianlt,h rop-Young, BrooMkusk,h erZjiemer,a ) Sylvia GreedniQu upa y(ssoang)g io MariMoar che(tstaigd giBi aol ) BianPciaa z(zseasdgeig Jie hDluennc,a n) AnnRau sc(osnaigd giAi nod erson) MarTieol (òs agdgiMi uol hern) GiovaTnunrar (isnaigd gii oF isher) daflar nceSstee:fC ahnioo di d(iCs oaugégginoa s) SabiMnarai ne(tstaigd giOi lol ier) SabrSitnrao (pspaadg iPg aiv el, HPeiresrhrboetr)g IdZai lGiroa n(dsia gdgiKi iloi to) dallos paoglnPoa:o Tloom sain(eslaldgiiRg iic Foo,r nSeartl,o ) dalt eedscUom:b erGtaon d(isnaig dgiGi aoil us) IndiSctfiea:nP iiac o Lac asedai tersipceelr,epi r taet piecarhc eq uisiidr ier ritetulttaitat ilir lviaip roduzione debir acniit eaa tlci o rriecdoon ogdreallpfari ecsoe ntrei moapncleeir saap, o sizione diq uanatvie scsoemruon que raa gviaionnpnt riao rpeo sito. © 2002G iulEiion aeuddiit so.r.peT,. o arino .eina.u dii t www ISB8N 8--0165291-2 Indice Lef orme Parptrei ma Ig enlettereir ari MASSIMOF USILLO Frae piecr ao manzo p.5 rL.' ossssiedoenlel 'originario IJ 2L.' epciocmfaeo rnmoalb iitante I7 3L·' eppiecrade u trlaia c errocmaa nzesca 2I 4L·' epciocmate e ntaeznicoincel opedica z6 5L·' epriicvtara otGau:e rrepa a ce 32 6.A ffrepsocshtim oderni. THOMASP AVEL Ilr omanazlorl iac edrisc eas tesso. Saggdiimo o rfolsotgoirai ca I.Da lolrei gafi inSniee icento 36 r.A vveneti urdae alizzraozmiaoennllzeei:n irsotmiaccniaz,vi a llereschi r. 39 I. 2Q.u otniiditimàap feertiltr ao:m anpzaos toepr ialcear esco 44 13..La n oveold lea'l,idl nuzione 46 2.I Sle tteec eglneatn ode esrlio manmzodoe rno 47 z.Lri'.n teriordiezlzla'zliiafdoo enraeeml paei :s tolare 49 2.L2a'.u toarllreai lbtalaat:r adiczoimoincea 5 I 23..U n sao vrabbodnifd oarnmilzg eao: t iilrc oom,a dnizc oo stuilsm een,t imentalismo pessimista 53 3·L a'pogdeerolo manlz'oOo:tc tento 54 3·I dre.a lmiisilmeaoun,,t i-idealismo 57 3.T2e.n tadtisi ivnitE elsiiTo:ot l,s Dtoosjt,o eFvosnkitjaG,na el,d 6s 6o 4·I Nlo veceonvtvoet,ru otl:tfe e o rrmiet ornano Indice VI Letture Ip roteo gtiei npeiri p. 6M7A SSIMFOU SILLO Etpiioc(hEeii odmo roo srv, e dcC..) 75 ABDELFATIKILAIHT O Lem aqiim(iiHta madhàdneil,s efcionleo ) x 83 MARIE-LOtnSOEL LIER Condtue G(rCahalr édtei eTnr oIy9ec0sir ,c aI) 89 FRANCISRCIOC O Lazlaodri el To(r«mLeasdz areTo o rm>e1,s5 >5c3i rca) 97 THOMADSIP IERO LeG rand (CMyarudse ldeeSi cnued éIr46y9,- 53) 105 PERRAYN DERSON Lettpeerrsei( aCnhea rledseM- oLnotueissq Iu7i)2e Iu, II 9 IAND UNCAN Il castdeO'lltor a(nHtoor Waaclep o1l67e4,) I 2 G7I ULIANBOAI ONI Glain dniia p rpendidsiWta ihtleol Mme is(tJeorhW aonlfng aGnoge tIh9e76,) I35 IAND UNCAN Waver(lWaey l tSecro It8t),q I34 PAOLTOO RTONESE Im istdeiPr airi( gEiu gSèuneeI, 48 2-43) I53 EFRINA KRISTAL Facun(dDoo miFn.Sg aor mieIn8t4o5,) 163 MARIA DIS ALVO Deliect atsot (iFgeodD oors toeIv8s6k6i)j , I7IG EOFFRWEIYN THROP-YOUNG Lag uedrreai m(oHn.d WieG ll.s I,9B 7) I79A MBROSFIOOR NET Il rengod iq uemsotno d(oA lCeajrop en1t9i4e9r), Partsee conda Las critrtoumnrzaae sca MIEKEB AL Descrizcioosntir,u dziimo onnede it empdoe llnaa rrazione I 9 rI.R obin (la cornice) 2oi 2.A lber(tli'noeg getto) 2 I 3o.L ucre('lzu icac isione) 2I54 ·Na n(àld ae composizione) 220 5·Em ma( lfai ne) Indice VII MARCOP RALORAN Ilt empnoe rlo manzo p.2 52 rL.o' rchestdreatlze imopnoe 225 r.P rre.li minari 227 r2.V. e locità 23I r.L a3s o.g gettività 2372 .La p oliftoenmipaon rearllo em anzo 237 2.Lr'.er netlacement 240 2.Il2n .o sctroom uanmei co 245 2.T3e.m peos composdiezlilo'nieo FRANCOF IDO Dialogo/monologo 2 5 II.D ialmoognoo,l ogo e romanzo 253 Pur2od. i alpourgoom ,o nol(ooqgu oa nseiNl)o vecento 255 3·Pl uridiivsiect oàmr osnoilnotgeor iore 2574 ·An tagon(ies msoo lidfarrpiaee rtsào)en f argnagar ir ateop reer sonnaegglgr iaon de romanotztooc entesco 2625 .Po lifedo enmiiaur ngeiriao marnuzsis i 264 6.Di alcogolhleit tnoeSrlee t tecento 267 7.C erva«nptdaerdsee ria cc>o?n ti> ENRICOT ESTA Stidlies,c oirnstor,e ccio 2 7 rIL. e a podreilesl toi le 2772 .St iodl ies corso 2B o 3.Id iscdoerrlso im anzo 2884 ·Di sceoi rnstor eccio 2945 .Di scontesi inlueintzài o MARIOB ARENGHI Manifedsipt oie tica 30I r«.Q uesntooèn u nr omanzo» 303 2.Un g enecroen tlrpeoo etiche 306 3.L as olitduedllie ntet ore 3084 ·Da l<lp<ee tihtiesests o»im roadle rrnoom aniznog lese 3 I 5I.V erusnota e odreirlao manzo Indice VIII Apparactroi tico: p.3 41 Pie-rDraenHiueelLt e,t at edSrgeinloH rue atSl gi norS eadgiers suolrigli'dneeRi o ma(n6zr7io ) 318V alinLceoturts,eu rl<Pela<ri ncidpiCe lèsvsea(s 17»68 ) 32r DuP laiOpsiinri,so unlSilat o(rri6a8 3) 324 WilliCaomn grPervaeezf,i ao< n<Ien cog(n1i6t9a1») 326 DenDiisd eErlootdg,iiR o i cha(rd16s72o)n 330 FriedvroiBncl ha nckeSnabggursiguor, lo ma(n1z4o7) 7 332 ClarRae evLeos, v ildueprlpo om a(n71c8e5 ) 336 D.A .F .d eS adIed,es aur io ma(n8rzoio ) Iconografia Figduerle dseogeglrndiooi Ai n tonFiaoe ti Parttee rza Atloeb asso ALFONSOB ERARDINELLI L'incocnotnlr aro e altà 342 I.G liar chetipi 342 r.I clra .v alieerrrea nte 348 r2..I nl a ufrago 354 1.L3'.oum os incero 360 2.P eripeed ziiger e:su snsi eocndoiileos perimenti 369 3·F uocrain ocnoes:mp or,o vvifdaetnoz a, BEATRISZA RLO Segndie lplaas sione. Ilr omanszeon time1n7t0a0l-e20,0 0 384 I.L as cedneall leat tura 386 2.P eriec oilnis egnamenti 388 3·S eglnleie: t tere 392 4·S egdnii:a era iu tobiorgormaafnizee sche 393 5·S eglnbaial: b uezil ip ei anto 396 6.T eordielal' ostacolo 399 7·L 'girnensesmloo ndo 400 8.V a raiz idoenlil 'apmaosrseeis: oe nnet imento 405 9·M elodrear mommia anp zuin tate 407 IO.A morset oer ia

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Il romanzo. Le forme PDF

807 Pages·2002·89.45 MB·Italian
by  A cura di Franco Moretti
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Ilro manzo II Ilr omanzo Progeed titroe zFiroannMeco:or etti Comitsactioe ntEirfnieFcsrota:on Fcroe,dJ ar miecs Aobnd,e lfKaitltiatho , PiVeir nceMneznog aMlardioVo,ar gaLsl osa I Lac ultudrearl o manzo I.I lr omanszifoa s pazio 2.N arrazeim oennet alità 3.G entceh sec rigveen,ct he el egge 4R·a cconltaam roed ernità II Lef orme .I g enelreit terari I 2.L as critrtoumraan zesca 3.A lteob asso 4I·n cecrotnif ini III Storeig ae ografia I.P oligenesi 2.L 'acceleeruarzoipoenae 3·V ersloal ettermaotnudriaa le 4·F utupraos sato IV Temi, luoghi, eroi Lal undguar ata I. 2.T emi 3·L uoghi 4E·r oi v Lezioni Il romanzo A curdaiF ranMcoor etti Volumsee condo Lef orme GiulEiion aueddii tore Curead itoecri oadoleir namdeiln rteoBn aeb boni RedaziVoal neen:t ina VBearrboenBriuocz,az eaP naot rMiazsicai telli Ricebriicboalfig craaV:i nceQnuzaiogo ltti Rciericcaoo rgnaifcLau:c Bai anco SegreetdeirtioCariar amleeZn:u elli Revisdieoltnlere ai dounGziu:i dMoa zzoMnait,tR eeos ied oGruiSi adcoc hi Trazdiuodnalilg 'elisnNeo:r mGaonb e(tstaidg iDg iiP iKerrios,Wt ianlt,h rop-Young, BrooMkusk,h erZjiemer,a ) Sylvia GreedniQu upa y(ssoang)g io MariMoar che(tstaigd giBi aol ) BianPciaa z(zseasdgeig Jie hDluennc,a n) AnnRau sc(osnaigd giAi nod erson) MarTieol (òs agdgiMi uol hern) GiovaTnunrar (isnaigd gii oF isher) daflar nceSstee:fC ahnioo di d(iCs oaugégginoa s) SabiMnarai ne(tstaigd giOi lol ier) SabrSitnrao (pspaadg iPg aiv el, HPeiresrhrboetr)g IdZai lGiroa n(dsia gdgiKi iloi to) dallos paoglnPoa:o Tloom sain(eslaldgiiRg iic Foo,r nSeartl,o ) dalt eedscUom:b erGtaon d(isnaig dgiGi aoil us) IndiSctfiea:nP iiac o Lac asedai tersipceelr,epi r taet piecarhc eq uisiidr ier ritetulttaitat ilir lviaip roduzione debir acniit eaa tlci o rriecdoon ogdreallpfari ecsoe ntrei moapncleeir saap, o sizione diq uanatvie scsoemruon que raa gviaionnpnt riao rpeo sito. © 2002G iulEiion aeuddiit so.r.peT,. o arino .eina.u dii t www ISB8N 8--0165291-2 Indice Lef orme Parptrei ma Ig enlettereir ari MASSIMOF USILLO Frae piecr ao manzo p.5 rL.' ossssiedoenlel 'originario IJ 2L.' epciocmfaeo rnmoalb iitante I7 3L·' eppiecrade u trlaia c errocmaa nzesca 2I 4L·' epciocmate e ntaeznicoincel opedica z6 5L·' epriicvtara otGau:e rrepa a ce 32 6.A ffrepsocshtim oderni. THOMASP AVEL Ilr omanazlorl iac edrisc eas tesso. Saggdiimo o rfolsotgoirai ca I.Da lolrei gafi inSniee icento 36 r.A vveneti urdae alizzraozmiaoennllzeei:n irsotmiaccniaz,vi a llereschi r. 39 I. 2Q.u otniiditimàap feertiltr ao:m anpzaos toepr ialcear esco 44 13..La n oveold lea'l,idl nuzione 46 2.I Sle tteec eglneatn ode esrlio manmzodoe rno 47 z.Lri'.n teriordiezlzla'zliiafdoo enraeeml paei :s tolare 49 2.L2a'.u toarllreai lbtalaat:r adiczoimoincea 5 I 23..U n sao vrabbodnifd oarnmilzg eao: t iilrc oom,a dnizc oo stuilsm een,t imentalismo pessimista 53 3·L a'pogdeerolo manlz'oOo:tc tento 54 3·I dre.a lmiisilmeaoun,,t i-idealismo 57 3.T2e.n tadtisi ivnitE elsiiTo:ot l,s Dtoosjt,o eFvosnkitjaG,na el,d 6s 6o 4·I Nlo veceonvtvoet,ru otl:tfe e o rrmiet ornano Indice VI Letture Ip roteo gtiei npeiri p. 6M7A SSIMFOU SILLO Etpiioc(hEeii odmo roo srv, e dcC..) 75 ABDELFATIKILAIHT O Lem aqiim(iiHta madhàdneil,s efcionleo ) x 83 MARIE-LOtnSOEL LIER Condtue G(rCahalr édtei eTnr oIy9ec0sir ,c aI) 89 FRANCISRCIOC O Lazlaodri el To(r«mLeasdz areTo o rm>e1,s5 >5c3i rca) 97 THOMADSIP IERO LeG rand (CMyarudse ldeeSi cnued éIr46y9,- 53) 105 PERRAYN DERSON Lettpeerrsei( aCnhea rledseM- oLnotueissq Iu7i)2e Iu, II 9 IAND UNCAN Il castdeO'lltor a(nHtoor Waaclep o1l67e4,) I 2 G7I ULIANBOAI ONI Glain dniia p rpendidsiWta ihtleol Mme is(tJeorhW aonlfng aGnoge tIh9e76,) I35 IAND UNCAN Waver(lWaey l tSecro It8t),q I34 PAOLTOO RTONESE Im istdeiPr airi( gEiu gSèuneeI, 48 2-43) I53 EFRINA KRISTAL Facun(dDoo miFn.Sg aor mieIn8t4o5,) 163 MARIA DIS ALVO Deliect atsot (iFgeodD oors toeIv8s6k6i)j , I7IG EOFFRWEIYN THROP-YOUNG Lag uedrreai m(oHn.d WieG ll.s I,9B 7) I79A MBROSFIOOR NET Il rengod iq uemsotno d(oA lCeajrop en1t9i4e9r), Partsee conda Las critrtoumnrzaae sca MIEKEB AL Descrizcioosntir,u dziimo onnede it empdoe llnaa rrazione I 9 rI.R obin (la cornice) 2oi 2.A lber(tli'noeg getto) 2 I 3o.L ucre('lzu icac isione) 2I54 ·Na n(àld ae composizione) 220 5·Em ma( lfai ne) Indice VII MARCOP RALORAN Ilt empnoe rlo manzo p.2 52 rL.o' rchestdreatlze imopnoe 225 r.P rre.li minari 227 r2.V. e locità 23I r.L a3s o.g gettività 2372 .La p oliftoenmipaon rearllo em anzo 237 2.Lr'.er netlacement 240 2.Il2n .o sctroom uanmei co 245 2.T3e.m peos composdiezlilo'nieo FRANCOF IDO Dialogo/monologo 2 5 II.D ialmoognoo,l ogo e romanzo 253 Pur2od. i alpourgoom ,o nol(ooqgu oa nseiNl)o vecento 255 3·Pl uridiivsiect oàmr osnoilnotgeor iore 2574 ·An tagon(ies msoo lidfarrpiaee rtsào)en f argnagar ir ateop reer sonnaegglgr iaon de romanotztooc entesco 2625 .Po lifedo enmiiaur ngeiriao marnuzsis i 264 6.Di alcogolhleit tnoeSrlee t tecento 267 7.C erva«nptdaerdsee ria cc>o?n ti> ENRICOT ESTA Stidlies,c oirnstor,e ccio 2 7 rIL. e a podreilesl toi le 2772 .St iodl ies corso 2B o 3.Id iscdoerrlso im anzo 2884 ·Di sceoi rnstor eccio 2945 .Di scontesi inlueintzài o MARIOB ARENGHI Manifedsipt oie tica 30I r«.Q uesntooèn u nr omanzo» 303 2.Un g enecroen tlrpeoo etiche 306 3.L as olitduedllie ntet ore 3084 ·Da l<lp<ee tihtiesests o»im roadle rrnoom aniznog lese 3 I 5I.V erusnota e odreirlao manzo Indice VIII Apparactroi tico: p.3 41 Pie-rDraenHiueelLt e,t at edSrgeinloH rue atSl gi norS eadgiers suolrigli'dneeRi o ma(n6zr7io ) 318V alinLceoturts,eu rl<Pela<ri ncidpiCe lèsvsea(s 17»68 ) 32r DuP laiOpsiinri,so unlSilat o(rri6a8 3) 324 WilliCaomn grPervaeezf,i ao< n<Ien cog(n1i6t9a1») 326 DenDiisd eErlootdg,iiR o i cha(rd16s72o)n 330 FriedvroiBncl ha nckeSnabggursiguor, lo ma(n1z4o7) 7 332 ClarRae evLeos, v ildueprlpo om a(n71c8e5 ) 336 D.A .F .d eS adIed,es aur io ma(n8rzoio ) Iconografia Figduerle dseogeglrndiooi Ai n tonFiaoe ti Parttee rza Atloeb asso ALFONSOB ERARDINELLI L'incocnotnlr aro e altà 342 I.G liar chetipi 342 r.I clra .v alieerrrea nte 348 r2..I nl a ufrago 354 1.L3'.oum os incero 360 2.P eripeed ziiger e:su snsi eocndoiileos perimenti 369 3·F uocrain ocnoes:mp or,o vvifdaetnoz a, BEATRISZA RLO Segndie lplaas sione. Ilr omanszeon time1n7t0a0l-e20,0 0 384 I.L as cedneall leat tura 386 2.P eriec oilnis egnamenti 388 3·S eglnleie: t tere 392 4·S egdnii:a era iu tobiorgormaafnizee sche 393 5·S eglnbaial: b uezil ip ei anto 396 6.T eordielal' ostacolo 399 7·L 'girnensesmloo ndo 400 8.V a raiz idoenlil 'apmaosrseeis: oe nnet imento 405 9·M elodrear mommia anp zuin tate 407 IO.A morset oer ia

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