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If I were another PDF

232 Pages·2009·4.41 MB·English
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S2B.OD mabmou&DAflwis was that rare literary phenomenon: a poet both a claimed by critics as one of the most in the Arab wor S3 . I! . '"! I '. dence and imagery of the Palestinian struggle, shi: between the most intimate individual experienc marjmou* DARWISH and the burdens of history and collective memory. Brilliantly translated by Fady Joudah, If I Wer Another—which collects the greatest epic works c Darwish's mature years —is a powerful yet elegari IF I W E RE ANOTHER work by a master poet and demonstrates why Dai w wish was one of the most celebrated poets of hi time and was hailed as the voice and conscience o an entire people. > Z • H i I m TJ FADY JOUDAH ALSO BY MAHMOUD DARWI SH AR ivDeireo sfT hitrJ:uos rnals AlmoBnldo sasnoJ?dme syn od ThBeu tteBruflryd'esn WhyD iYdo Lue atvheHe o rAsleo ne? UnofrtunIaWtta ePsla ydr,sai eS:e lePcoteemds MemofrroyFo rgetfuAlungeuBssesti:,ri u9t8,2 IF I WERE ANOTHER FARRAR, STRAUS AND GIROUX 18W es1t8 tSht reNeetw,Y or1k0 011 Copyrig2h0t0©b9 y t hMe� hmoud DarEwsitsaht e Translactoipoynr ig2h0t0©b9 y F adJyo udah Alrli ghrtess erved DistribiunCt aenda dbayD &M PublisIhnecr.s , Prinitentd h Uen itSetda toefAs m erica Firesdti ti2o0n0,9 Grateafuclk nowledigsmm aednetto t hfoel lowpiungb licaitniw ohniscs,ho moef t hepsoee ms originaaplpleya rCeadll:a l"oAHo o:r sfoert hSet rangHearr"va;Rr edv ie"wT:h 'eR eIdn dian's' PenultiSmpaeteetc oht hWeh itMea n"M;o derPno etirnTy r ansla"tLiiokanH:e a nTda ttionto h e JahPioleit O'dse "N;e wA merican Wr"iCtoiunngt:e rpPoNi R�etv"i;e" wR:u bai"yTartu;c'e with thMeo ngoblyst hHeo lmO akF oresatn;d"' AM usiSce ntenPcoee"t;Rre yv ie"wT:u esdaanydt he WeathIesCr l eaAr P"u;b lSipca c"eO:n t hlea esvte nionntg h iesa rtThh"eT; h reepeRnenvyi ew: "TakCea roef t hSet agFsa,t heTri"nH; o us"e:AC anaanRiotceik n t hDee adS eaT"w;o L ines: "RitWai'nst. e"Arp ortoioftn h ien troduwcatsoi roing inpaubllliys ihnTe hdeT hreepeRnenvyi ew. LibroafrC yo ngrCeastsa loging-in-DPautbal ication DarwiMsahh,m ud. [PoemEsn.g liSsehl.e ctions] IfI wearneo thIMe arh mouDda rwi;st hranslbayFt aeddJy o uda-h1.se td . p.c m. Inclubdiebsl iogrraepfehriecnaaclne dis n dex. ISBN-91738:- 0-374(-h1a7r4d2c9:o-a v3le kpr.a per) ISBN-01-03:7 4-1(7h4a2r9d-c6:o a vlekpr.a per) IJ.o udaFha,d iy9,7 1I-IT.i tle. PJ782A02.1A2570 09 8972'.1 6 -dc22 Designaenddt ypebsyeQ tu emadura www.fsgbooks.com 1 3 57 9018 64 2 Thet ranswloautloldri kteot hanJko natGhaalna sLsoiu,iG sleu cMka,r ilHyanc ker, andt heed itooftr hsje o urnianwl hsi cthh aeb ovpeo emfisr satp peared. CONTENTS INTRODUCTION: MahmoDuadr wiLsyhrE'ipsciv 1c1 IS EEW HAT IW ANT (1990) Rubai4 yat TakeC aroeft hSet aFgast,h s er Trucwei tthhM eo ngsbo ylt hHeo lOma kF ore1 ss t AM usSiecn te21n ce ThTera geydo fN arcitshCseoum se doyfS ivle2rs The Ho4o 2p oe ELEVENP LANETS( 1992) ElevPelna naettth Esen odf t hAen daluSsciean5 ne7 I.O nt hlea esvte nointn hgi s earth II.H owd oIw rite tahbeo vcel ouds? IIII.h avbee hitnhsdek ays ky IV.A nda mIo noeft he okiftn hegens d v. Oned aIyw ,i slioltn t hsei dewalk VI.T ruhtahts w faoc easn d stnhoiewbs l ack VII.W hoa mI a ftetrhs et ranngiegrh'ts? VIIIW. atebrea,s trtiomn ygg uitar IX.I ne xodIlu osyv oemu o re x. Iw anfrto ml oovnel tyhb ee ginning XI.T he violins The "IRneddi Paenn'ulst"i mSapteeeto cthhW eh iMtaen s 9 A CanataRen oiciknt hDee aSde a7 s WeW ilClh ooSsohepo lcesss RitWai'nst se sr AH orfsoret her.aSntgs4e r MURAL( 200990 ) EXILE( 2005) IT.u esadnatdyh Wee atIsh Celre a14r 9 IID.e nFosge otvheBerr id1g seo IILIi.ka He a nTdat tionto h Jea hPioleit '1s7 1 Ode IVC.ou ntpeori1n st s NOTES 195 GLOSSARY 197 1 NTRO o uC TI 0 N MahmouDda nvisLhy'rsEi pci c t u heMna hmoud DaanrIdmw eiotsn Ah u gu4s2,t0 0fi8v,de a ybse ­ forhee u ndertwhesenu tr gtehrwayot u elndd lhihifeesr, e iterated thcee ntraanlidim tpyo rtMuarnahcloe l fodrts h ciosl leIcnt ion. Murhaelg raswpheahdtefe arweodu bled lhaicssht a ntcowe r iatftees ru rviving cardiovdaesafoctruh l tsaherec otnidmi en1 99T9h.pe o ewma ass onogf praise thaaffitr mlsia fen tdh heu mannioottny l oyf mtahreg inPaalliezsebtdui tn ian alosfo itnhdei vitdhuiasl a enooadnfrM tahh,m oud DarwMiusrhwa alhs i mself. madien atp ol bayyt hPea lesNtaitniiToahnnea alst hroera tftleirytp su blication in2 00w0i thaonupytr ompfrtoimDn agr w(ihspihos e htarosyft ebne esnet to film, maunssdoi nc.Tg, h) set apgoeedhm a cso ntitnotu oetudhr we o rtload s ­ tounadcicnlgia nPi amr,Ei dsi,n bTuurngihsR,ia am,a lHlaaihafa,n,e d l sewhere. A consumpmoaeattte atchmeoe fi nneremxopsetr siiemnuclet,a neously per­ sonalu nainvdeb restawtleh,ede ne aotflh a ngaunapdgh ey sdiecaaDtlah r,w ish creastoemde tuhniinqghu ietslh:yte r eaotfaip srei vsapteeeb cehc ocmoel lec­ tiMvuer.wa alts h oen mea gnum oofwp huihsce wh a cse rtara airne, conviction forap owehtro e fleocnht icsso mplweotrewkdis th ha rdsohu ebqtu oanltl ohy is ecsteamtbircwa hceeon nt hteh resohfno elpwdo e.m s Hifisr esxtp eroifde enacitenh1 ,9 8w4a,ps e acaenfupdla infillelswesid,t h VII "whiteTnhseees csw.oa"nms �o rter aumaanwtdai psca ckweidti hn tevnissei ons. Murgaalt hDearrewdi esxhp'esr oifleinacfere,ats n,d d e aittnhh ,e irs ewrheint­e itayn vdi olaewnantkie nagn,ad c ceerlahtie"sdl astteyi lnept"ro o lific, progres­ sively experiinsm eeanortfcna hel wp o osustipbiuinltl a intgiuaeanfosgdr e m , undtehrse h adoofaw b seanncadte h iarnfiddn adle a"tWhh.ao m It od isappoint thveo /iwhdoa mI ;a'st kh e lfiinnoaefTlsh e DPilcaeyD earr,w ilsauhsn'tcs o l­ lecltyeredip ciw cr,i twteeebnke sfo hrieds e aotnAh u gu9s2,t 0 0B8u.Its triel­l member his boyliasuwhgh,he Inst artiiohdu i mmp":hT haDeni tc e Pilasa yer distMiulrliaenled n tiredliyc tnieohwnsi ; 'r e"apoSnlmdyfre :i enedvsec nai ltl _ thaent i-MuHreha alod.v "e rchoiomswe an r (tad nd eafotrho )nl ea tsitmh ee,l d iatp afrrotmh imsseotl hfia tt wouludt aaibnnlsddyi i nsgpublealrotlnohy gi m anhdet oi t. IfIW erAen tohieasrt ribtouD taer wilsyhre'ipscia cnt,dot he eosfhs iesn ce "lastteyt lhece,u "l minoafat nei notnli irifeend i altohgmaueter gtehssee wlift h itsst raintogste hrie,ncr o ,n tinuous rtehwneie dweapnlei rnwigip othfhhe uir­ny mang raTchete.w coo llecltoinpogon estm hsoba fet g inb otoIhkS i,eWse h aIt Wan(t1 9a9n0Ed)l evPelna n(e1t9sm9 a2r)t,khc eo mploefDt airowni msihd'dsl e perdiI.on t hehmew ovae" spfoarct ehj ea smainn(des "u per)iiotmn tp hoes ed oppreesxscilvuoeshf ii vsittaoynr adin ctailn noamriraaIntn1 i9 v9b0ee,.t wteheen persaonntdah lce o llecti[vweaa,sr ]i" dbdbilurett,1 h"9i 9bn6i rth "bae came cloiund [Dahrawni"Ads n.hdb' yMs u]r aeln'(ds2 00t0h)ew,ra e"s n o cilno ud [his]In oeh laenpvdle annI oe n[t hsti esm]p Ilnes.tt"eh aedr teh vweoa wsie nl his namteh,le et teWra w",l otyoa lbw ihretrhpe ovsesr Biyb2 l05e0,D. a"r wish would retutrhnr,ot uhgmehe diourvm i soifao lnm ond btlhofleso swooefhmr is bs,i rth inM arcthor, e vismietm otarhnyemd e anoifnp gl aacnetd,h "eI i"np lace, througho tsheevre irsEnaex lli hvlileesa,s s,t cloolpnlogee cDmti.ea dl elcytriicc,, anddr aompae nuepadn eswp afocrte i mien phoiesta "r lya,t einnefusswsei"dt h agaen sdu rvwihviialdtleo enso" tg goe nitnlteo g �t)Onhdia gth t:' VI II - Iitns e cestosr eaDarday r wsit srha'n sforomfa lttoihnoegn opvoteehrmme o st ac­ complishyeeda orfifsft l ehi:eitfe nsh seh iiftnd ictfriooman gnoamnhidic g hly metapdhroirtvioasec t roofml ilx aendcd o nverssapteietochpnheaa; rl a dboex­es tweperni vaanptdue b lpirce,sa ennadcb es etnhcee ;bb eotnwdte heienn dividual antdh eea rptlha,ac nend,a turiel;l utmhieon fta htceio onnt empSouarfiea sr­y themteitch aotsd he es seonfpc oee ktniocw loend gitenh,te e orfrfa ecaeas nodn thsee nsiomrayg,i nattihroeen at lhar,ene daa nlid tv sa nishitnhg"e I wi"hs e re interchwaintg(hea annbdosl tpe frl oitmi )to st haenrhd;i asaff ir with dialogue antdh ea(ttercraa, gb isuorrod t,h ertwpoi rsoeda)ul cyere ipsciu cgi e neIrDfia sr.­ wisfrhi'estn hdge r ecartiE tdiwcaS radhi adad l eantionwga rd tDhaer wniosvhe l, wausn doubatp eldalyywa rthi egahTrtht ih.sa bde eenv idseinnhtci yeso uth, whetihnpe ore lmisAk Seo ldDireearmo sfW hiLtiel (iwersi itn1t 9e6an7n n do w ap art Noofr wtehlgeii vaen- efirlfomr-mpaIndceenot fti htSeyo lu[ 200i8n] , whiDcahr wiifessa ht uorreWd ri)tg it not hLei gohfatR ifi(e1 970)h,ib sro irl ­in liaenatrp lryob soeoa kni dtt si ptileeDc iea,ro ifOe rsd inSaorrryo( w1 9)7.3 YetD arwwiasnshe vceorm fortwaibtllhoe o kbiancagkht i gsl orpiaosHutes. waasn e mbodiomfee xnital sbe o,te hx istaennmdte itaalp hsytsaibtceeay,lo nd thmee reelxyt earnnbdae ly,om nedt apihnho iirsn, t erreiloarwt iitsohena lsnf d arNta.t uraanlpdle yr,hr aepflse xDiavrewleiyxs,ph r eafls eseetdri ensge ravta tion myd estioir nec lhuedrteeh t ew ool der Iv oSlWeuhemaI etW s an ta nEdl even PlanTerutest,.h t ew aor lei ntkoael da rhgiesrt orretiehclaia nMslu roarlE xile, sintchfeero mevro luwmeerwser itdtuernti hnfiegr Psatl estinian Intifada, which begian1n 9 8a7m ,a jdoerfi neivnegin ntt h ied enatnihdto ypo efasd ispossessed peopalniedrn, e sptoton hsseep ecottfah cpele ea ced sa cDcaokrrnweiwwso hu ld follBouwt. miomrpeo ritnta hnettsw,evo o luDmaersw hiaswdhr ithtiCesan n to GenehriaNslo ,t eboofaoR ke tutroMny N atiLvaenh di,Os m erodse,s tabilizing IX

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The "Red Indian's" Penultimate Speech to the White Man Did I say, The Dead? There is no Death here, there is only a change of worlds. - Duwamish Chief Seattle 1 . Then, we are who we are in the Mississippi. We have what is left to us of yesterday But the sky's col or has changed, and the sea to the
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