Judaica Literature Decter Jonathan P. Decter is Assistant Professor This stimulating and graceful book I and the Edmond J. Safra Professor of b explores Iberian Jewish attitudes to- Sephardic Studies in the Department ward cultural transition during the e “Contextualizing Jewish-Hebrew culture in the Iberian of Near Eastern and Judaic Studies at twelfth and thirteenth centuries, when r (Islamo-Arabic and Christian-Latin-Romance) en- Brandeis University. growing intolerance of Jews in Islamic vironment, Decter explores issues such as homeland i al-Andalus and the southward expan- Published with the generous support of and exile, identity, estrangement, nostalgia, cultural a sion of the Christian Reconquista led the Koret Foundation boundaries, hybridity. These issues maintain a vital di- n to their relocation from Islamic to alogue with contemporary literary criticism and cul- Christian domains. By engaging literary topics such as imagery, structure, voice, tural studies.” —Tova Rosen, Tel Aviv University J e landscape, and geography, Jonathan P. Decter traces attitudes that range from w “[A] most welcome and unique contribution to medi- tenacious longing for the Islamic past to eval Hebrew literary studies. Its scholarship is sound, i comfort in the new Christian environ- it offers excellent translations of many primary texts, s ment. Through comparison with Arabic and its prose is well written.” h and European vernacular literatures, —Ross Brann, Cornell University Decter elucidates a medieval Hebrew L poetics of estrangement and nostalgia, poetic responses to catastrophe, and the “[Decter] brings to bear a vast array of scholarship i t refraction of social issues in fictional from the Arabic and Romance fields, as well as medi- narratives. This book brings to life the eval Hebrew literature.” e voices of Jewish writers of the period —Suzanne Pinckney Stetkevych, Indiana University r as they negotiate their identities be- a tween the Islamic and Christian worlds. Decter’s clear and engaging treatment t Iberian Jewish of the interplay among Islamic, Jewish, INDIANA u and Christian cultures in medieval University Press al-Andalus is an important reminder r Liter ature of how these worlds were once inter- Bloomington & Indianapolis e twined. http://iupress.indiana.edu 1-800-842-6796 INDIANA Between al-Andalus and Christian Europe Jonat h a n P. Dec t e r Jacket illustration from the Cervera Bible, c. 1300, by permission of the National Library, Lisbon Iberian Jewish Literature IBERIAN JEW ISH LITERATURE Between al-Andalus and Christian Europe Jonathan P. Decter Indiana University Press Bloomington and Indianapolis Publication of this book is made possible in part by generous support from the Koret Foundation. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2007 by Jonathan P. Decter All rights reserved Chapter 1 of this book is reproduced with permission of Prooftexts, where it appeared in slightly modi¤ed form; part of chapter 7 is a modi¤ed excerpt from an article that appeared in Jewish Studies Quarterly. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Decter, Jonathan P., date Iberian Jewish literature : between al-Andalus and Christian Europe / Jonathan P. Decter. p. cm. Includes bibliographical references and index. ISBN 978-0-253-34913-2 (cloth) 1. Hebrew poetry, Medieval—Spain—Andalusia—History and criticism. 2. Hebrew poetry, Medieval—Spain—History and criticism. 3. Jewish religious poetry, Hebrew—Spain—Andalusia—History and criticism. 4. Jewish religious poetry, Hebrew—Spain—History and criticism. 5. Jews—Spain—Andalusia—Intellectual life. 6. Jews—Spain—Intellectual life. 7. Andalusia (Spain)—In literature. 8. Spain—In literature. I. Title. PJ5023.D43 2007 892.4′1209384—dc22 2006038451 1 2 3 4 5 12 11 10 09 08 07 In loving memory of Lawrence K. Horberg CONTENTS PREFACE ix ACKNOWLEDGMENTS xiii Introduction 1 PART I. POETRY 1. Space: Landscape and Transition 19 2. Form: Varieties of Lamentation and Estrangement 39 3. Imagery: The Protean Garden 72 PART II. NARR ATIVE 4. Context: Imagining Hebrew Fiction between Arabic and European Sources 99 5. Structure: Literature in Transition 125 6. Voice: Maqama and Morality 157 7. Space: Landscape, Geography, and Transition 175 Conclusion: Out of the Garden 207 NOTES 215 BIBLIOGRAPHY 275 INDEX 297 Preface I ¤rst had the idea for writing this book while I was traveling by train from Boston to New York. I was fortunate enough to have two books as my trav- eling companions: Bernard Septimus’s Hispano-Jewish Culture in Transition and Jacob Ben El"azar’s Sefer ha-meshalim (The Book of Stories). Septimus’s book, which detailed the intellectual pro¤le of Rabbi Meir Abula¤a between the Jewish intellectual trends of al-Andalus (Islamic Iberia) and northern France, brought to life remarkable transformations in Iberian Jewish culture during the twelfth and thirteenth centuries, as Andalusian Jewry fell into decline and Jews relocated to Christian Iberia. Because Christian Iberia stood at the crossroads, both physically and culturally, between the Islamic and Christian worlds, Jews in cities such as Toledo and Barcelona were touched by competing intellectual trends internal to Judaism and also by Islamic and Christian culture more generally. At some point (I like to imag- ine somewhere along the scenic shore of Connecticut), I put down Septimus and picked up Ben El"azar, a thirteenth-century Toledan author of Hebrew rhymed prose ¤ction, and re®ected upon the place of the Hebrew author within the culture of transition. I soon recognized the need for a study of medieval Hebrew literature that used cultural transition as a point of departure and as an interpretive lens. Rather than marking the decline of Andalusian Jewry as the dividing line between two periods, I made it the center of my study in order to high- light literary topoi and thematic concerns that persist from the late eleventh century, when Jews began to migrate out of al-Andalus, through the mid- thirteenth century, the late days of the Reconquista, by which time all of Iberian Jewry was living in Christian domains. I found that Jewish authors who migrated out of al-Andalus and those born on Christian soil who were heir to the Andalusian tradition shared a discourse about the signi¤cance of cultural transition and the Andalusian past. Centuries after Jews stopped living under Islamic rule in Iberia, al-Andalus and Andalusian social values remained central topics of concern in Hebrew literature. The subject of this book is twofold: the literary discourse that sur- rounds the topic of Jewish cultural transition between Islamic and Chris- tian Iberia in medieval Hebrew literature; and the transformations that took place in Hebrew literary production between the late eleventh and the mid- thirteenth century. Regarding the ¤rst topic, Hebrew authors memorialize, romanticize, and repudiate the cultural model of the Andalusian past and ix