In presenting this thesis in partial fulfillment of the requirements for an advanced degree at Idaho State University, I agree that the Library shall make it freely available for inspection. I further state that permission to download and/or print my thesis for scholarly purposes may be granted by the Dean of the Graduate School, Dean of my academic division, or by the University Librarian. It is understood that any copying or publication of this thesis for financial gain shall not be allowed without my written permission. Signature _________________________________ Date _____________________________________ i TRANSGRESSING POSTCOLONIAL INDIFFERENCE, RECOVERING HISTORY: WOMEN AND DESIRE IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS, AHDAF SOUEIF’S THE MAP OF LOVE, AND EDWIDGE DANTICAT’S THE FARMING OF BONES by Kelly Louise Meyer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Philosophy Idaho State University Spring 2014 ii Copyright (2014) Kelly Louise Meyer iii To the Graduate Faculty: The members of the committee appointed to examine the dissertation of KELLY LOUISE MEYER find it satisfactory and recommend that it be accepted. _________________________________________ Alan Johnson, Major Advisor ________________________________________ Margaret Johnson, Committee Member ________________________________________ Jennifer Eastman Attebery, Committee Member _________________________________________ Pamela Park, Graduate Faculty Representative TABLE OF CONTENTS Abstract ............................................................................................................................. vii Chapter One: Introduction ..................................................................................................1 (Post)Colonial Indifference: An Introduction ..........................................................4 Recovering Sexuality from Colonial Discourse ....................................................10 Methodology and Aims: Desire, Sexuality, and the Novels ..................................15 Romance and the Private Realm ............................................................................21 Notes ......................................................................................................................27 Chapter Two: Ammu’s ‘Unmixable Mix’: Transgressing Smallness in Arundhati Roy’s The God of Small Things....................................................................................................30 A Context of Indifference: Class, Caste, and Patriarchy .......................................32 The Cruelty of Family ............................................................................................38 Baby Kochamma Gives Us Another Lesson in Indifference .................................42 Children of Indifference .........................................................................................45 Ammu Shows Her ‘Unsafe Edge’ ..........................................................................48 Ammu and Velutha Transgress Fear: The Audacity of Love ................................52 Conclusion: Where Smallness Meets History ........................................................61 Notes ......................................................................................................................64 Chapter Three: Lady Winterbourne in the Harem: Rewriting the Fantasy in Ahdaf Soueif’s The Map of Love ..................................................................................................66 Writing the East, Fighting the West .......................................................................70 Becoming ‘That Son’ .............................................................................................78 Frustrated Female Agency and Desire ...................................................................86 ‘Life in the Harem’: Fantasy Fulfilled ...................................................................90 Conclusion .............................................................................................................97 Notes ....................................................................................................................100 Chapter Four: ‘Mine Enough’: Amabelle’s Miracle in Edwidge Danticat’s The Farming of Bones ............................................................................................................................103 A Context of Indifference ....................................................................................104 Between Traumas: A Life of Under-Living.........................................................109 Racism, Fear, and the Dark Secret .......................................................................115 Inciting a Massacre ..............................................................................................122 After the Massacre: Amabelle’s Silent Testimony ..............................................126 Amabelle and Sebastien: Reaching for Wholeness .............................................131 Conclusion ...........................................................................................................139 Notes ....................................................................................................................142 Chapter Five: Conclusion: A Framework of Postcolonial Indifference .........................144 Fear and Order .....................................................................................................145 The Unnaturalness of Indifference .......................................................................151 Revising History ..................................................................................................155 v Other Implications for the Study of Indifference .................................................159 Final Remarks ......................................................................................................160 Notes ....................................................................................................................162 Chapter Six: Embracing Discomfort and Reconsidering Empathy in the Postcolonial Literature Classroom: A Pedagogical Essay ....................................................................163 Defining and (Re)Valuing Empathy ....................................................................167 Course Goals ........................................................................................................171 Primary and Secondary Texts ..............................................................................175 Class Assignments ...............................................................................................182 Conclusion ...........................................................................................................183 Notes ....................................................................................................................185 Works Cited .....................................................................................................................187 Appendix: Postcolonial Literature Syllabus ...................................................................199 vi ABSTRACT This dissertation examines the concept of postcolonial indifference at play in three contemporary novels by female writers: Arundhati Roy’s The God of Small Things (1997), Ahdaf Soueif’s The Map of Love (1999), and Edwidge Danticat’s The Farming of Bones (1998). All three novels are rooted in the homelands of their authors—India, Egypt, and Haiti, respectively—and a consideration of the texts in their specific historical and cultural contexts further illuminates the postcolonial worlds portrayed in the novels as well as revealing how colonialism took different forms at each site. However, by linking the three works, I establish common aspects among these postcolonial experiences that shape a framework for postcolonial indifference. Extrapolating the idea of postcolonial indifference as introduced by Rukmini Nair, my study draws from existing scholarship in postcolonial studies and postcolonial feminist critique. I also employ crucial sources from other fields of study, including philosophy, trauma studies, and history. In this dissertation, I argue that the female characters in these three novels transgress environments of postcolonial indifference by engaging in romantic relationships and expressing their sexuality. Pursuing their desires allows these women to counteract the effects of monstrous indifference in their individual lives. They experience deeply-felt personal emotions and connect intimately with fellow humans; these acts challenge the legacy of colonial indifference in the postcolonial world. From a consideration of Ammu’s clear, decisive challenge to indifference in The God of Small Things and Anna’s transgression of colonial apathy among the British in The Map of Love to Amabelle’s subtle, perhaps incomplete breaking with numbness in The Farming vii of Bones, I shape a trajectory that reveals how postcolonial subjects are held captive by and, more importantly, how they can break with indifference to varying degrees. A conclusion chapter acknowledges such diverse experiences but draws on commonalities, allowing the novels themselves to establish a working theory of indifference in postcolonial literary studies. This dissertation culminates in a pedagogical essay that applies my work to the postcolonial literature classroom, where I address potential challenges and explore avenues for students to connect with difficult texts and ideas in the field. viii Chapter One: Introduction The worst sin towards our fellow creatures is not to hate them, but to be indifferent to them: that’s the essence of inhumanity. —George Bernard Shaw, The Devil’s Disciple Haiti, Egypt, and India are postcolonial nations whose news occasionally lands them on the front pages of Western media outlets. Haiti’s 2010 earthquake likely still comes to mind relatively easily among an English-speaking public—and the island nation continues to recover and reconstruct itself—but its postcolonial struggles, of course, by no means begin there. Haitian-American author Edwidge Danticat has become a spokesperson for her motherland, and she has made an effort through her writing “to sustain international attention on the country’s continuing woes” (Tillotson). Turning to India’s own “continuing woes,” we see a nation that seems to be handling one international publicity nightmare after the next, including cases that exemplify the widespread sexual violence against women.1 In an interview following the horrific gang rape and death of a young woman in New Delhi in December of 2012, Indian activist and writer Arundhati Roy observes that “violence against women—particularly rape—is a means of asserting power, particularly from the perspective of men who feel they lack power in other dimensions of their life. . . . There is ‘an anger and psychosis building up and women at the top, middle and the bottom are going to pay the price for it’ ” (Le Quesne). Most recently, Egypt has reached its own postcolonial boiling point, and the tumult and revolution of the summer of 2013 made international headlines. Speaking to 1 this crisis among the people, Egyptian author Ahdaf Soueif states, “It’s an extraordinary moment, really, where everything—nothing is to be taken for granted—no presidencies, no procedures, no constitutions, nothing. Everything has to be rethought again and again and again” (qtd. in Goodman). This time of great change in Egypt takes a darker turn as women are sexually assaulted at alarming rates in an effort to discourage them from participating in the public sphere of activism.2 Rape in Haiti, too, is an urgent issue, while its judicial system has historically failed to protect victims and prosecute offenders.3 Though news sources decry such instances of violence against women, as Jacqueline Bhabha explains on the subject, “Popular outcries can be intense but short-lived, as we’ve seen with gun control efforts in the U.S.” (qtd. in Pazzanese). The cases of these postcolonial nations reveals how women in particular suffer in such times of crisis, while their stories and their voices disappear all too quickly. As Peter Hulme relates, the most apt definition of the term “postcolonial”4 is to consider it “a process of disengagement from the whole colonial syndrome” (qtd. in Loomba 19, emphasis in the original). It is understandable, then, that dealing with so-called “women’s rights issues” is commonly postponed work while the endlessly complex process of postcolonial nation-building takes priority. Women writers in these nations, then, are particularly important voices. As the focus of my dissertation, the writing of Danticat, Roy, and Soueif speaks to a Western audience but from unique hybrid perspectives. As Emily Davis explains, “Soueif's status as the only major Egyptian-born novelist writing in English underscores her singular position as a translator between cultures and languages, a difficult position both politically and aesthetically.” Danticat and Roy, too, have certainly positioned themselves 2
Description: