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I am a process with no subject PDF

651 Pages·1988·1.46 MB·English
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I Am a Process With No Subject University title: of Florida Monographs. Humanities ; No. 61 author: Beitchman, Philip. publisher: University Press of Florida isbn10 | asin: 0813008883 print isbn13: 9780813008882 ebook isbn13: 9780813019048 language: English French literature--20th century--History and criticism, Joyce, James,--1882-1941.-- subject Finnegans wake, Literature, Experimental-- History and criticism, Deconstruction. publication date: 1988 lcc: PQ306.B36 1988eb ddc: 809/.91 French literature--20th century--History and criticism, Joyce, James,--1882-1941.-- subject: Finnegans wake, Literature, Experimental-- History and criticism, Deconstruction. Page i I Am a Process with No Subject University of Florida Monographs Humanities Number 61 Page iii I Am a Process with No Subject Philip Beitchman University of Florida Press Gainesville Page iv EDITORIAL BOARD University of Florida Humanities Monographs Raymond Gay-Crosier, Chairman Professor of Romance Languages and Literatures Alistair Duckworth Professor of English Alexander Stephan Professor of German Gareth Schmeling Professor of Classics Robert Westin Professor of Art Edouard Morot-Sir Kenan Professor of French, Emeritus UNC, Chapel Hill Copyright © 1988 by Philip Beitchman All rights reserved Printed in the U.S.A. on acid-free paper. Orders for books published by all member presses should be sent to University Presses of Florida, 15 NW 15 St., Gainesville, FL 32603. Library of Congress Cataloging in Publication Data Beitchman, Philip, 1939 I am a process with no subject. (University of Florida monographs. Humanities; no. 61) Bibliography: p. Includes index. 1. French literature20th centuryHistory and criticism. 2. Joyce, James, 18821941. Finnegans wake. 3. Literature, ExperimentalHistory and criticism. 4. Deconstruction. I. Title. II. Series. PQ306.B36 1988 809´.91 88-1344 ISBN 0-8130-0888-3 (alk. paper) Page v I dedicate this book to the homeless within and without a text Page vii Contents Acknowledgments ix 1. IntroductionAuthor, Audience, and Work in the 1 Literature of Deconstruction 2. Symbolism in the Streets: Tristan Tzara 27 3. A Question of Culture/Culture in Question: Samuel 53 Beckett 4. The Rules of Leiris' Game: La Règle de jeu, IIV 70 5. The Fragmentary Word of Maurice Blanchot 94 6. The Endless Question: Finnegans Wake, 1, 6 123 7. The Strategy of Interruption: Philippe Sollers' Drame 151 8. A Deconstructed Epiphany: Des Forêts' Le Bavard 182 9. Madness, Theater, Text 216 Renvoi 232 Notes 233 Bibliography 286 Index 300 Page ix Acknowledgments The author acknowledges with thanks the permission granted by the publishers and translators of the following editions to quote copyrighted material from their listed publications. Samuel Beckett. Three Novels: Molloy, Malone Dies, and the Unnamable. New York: Grove Press, 1955. Maurice Blanchot. Madness of the Day. Translated by Lydia Davis. Barrytown, New York: Station Hill Press, 1981. Gilles Deleuze. Logique du sens. Paris: Éditions de Minuit, 1969. Jacques Derrida. Positions. Translated by Alan Bass. Chicago: University of Chicago Press, 1981. Louis-René Des Forêts. Le Bavard. Paris: Gallimard, 1946. English translation of Le Bavard in The Children's Room, translated by Jean Stewart. London: John Calder Ltd., 1963. (John Calder Ltd. has given me permission to quote Des Forêts in French and translate his prose into English, but readers are respectfully reminded that the Stewart translation is the only authorized one.) James Joyce. Finnegans Wake. New York: Viking-Penguin, 1939, 1958. James Joyce. A First Draft Version of Finnegans Wake. Edited and annotated with draft catalogue by David Hayman. Austin: University of Texas Press, 1963. Michel Leiris. La Règle du jeu, II, III, IV. Paris: Gallimard, 1955, 1966, 1976. Emmanuel Lévinas. Otherwise than Being or Beyond Essence. Translated by Alphonso Lingis. The Hague: Martinus Nijhoff, 1981.

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Although in theory deconstruction has pronounced dead the idea of literature as a special category, in practice is has fostered what might be called a literature of a library of deconstruction. In exploring works by seven twentieth-century writers – Tzara, Beckett, Leiris, Blanchot, Joyce, Sollers
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