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Humanities Network, Vol. 18, No. 1 (Winter 1996) PDF

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HUmaN/TIeS Winter 1996 • Volume 18 / Number 1 Citizenship and the Humanities by Robert Benedetti Dean of the College University of the Pacific Knowing more bt March, Robert Benedetti will begin about nuclear a two-year term as chair of the Califor¬ nia Council for the Humanities. energy does not Please Note: To join an online discussion of issues raised in this clarify whether we article, please see the directions at the T bottom of page six. should value here are many reasons to electricity more than reflect on literature, philoso¬ phy, history and cultural wilderness. criticism (the humanities). These excursions focus our personal meditations and fulfill our private I -^ needs. They exercise the mind and help us find meaning within the technological advance can be seen humdrum of life. Who would deny as the primary goal of public that the humanities refresh the Robert Benedetti policy. Therefore, an understand¬ soul? ing of the science which makes culture. Even commentators who technology possible has often been Loss of Confidence do not share Professor Bloom's given priority. But the humanities promise perspective agree that humanities Further, the methods of science public as well as private rewards. have not received enough attention applied to society promised to Republics throughout history have in our public squares. The Heritage create a social science which urged citizens to reflect upon their Foundation and Harvard's JFK would allow government to cultural heritage. Cicero encour¬ School, in preparing our congres¬ organize the rest of us in useful aged every Roman to master the sional representatives for leader¬ ways. If we could learn the natural liberal arts. In a letter, Jefferson ship, rehash the economics of the laws of society, couldn't we usher outlined a broad education for his federal budget, but ignore larger in a golden age? This dream is still second cousin, arguing that great questions about the values govern¬ alive even if the reality eludes our Grants Award... page 2 books should become lifelong ment should serve. grasp. The Council awards friends for serious democrats. In Some justify this neglect with the $140,000 in major grants fact, Jefferson expected all citizens logic of C.P. Snow and suggest that Arguments for to 13 public humanities to know the humanities, founding a science is more relevant for those Reflection projects. university to provide them access. making political decisions. We Students of the humanities are However, our generation has lost encourage legislators to govern by sometimes slow to take up such Humanities confidence in cultural reflection. the utilitarian standard, the great¬ challenges and sometimes confuse Caiendar.poge 4 Allen Bloom, in The Closing of the est good for the greatest number. the public with arguments over American Mind, worries that our Since we increasingly define the what and how to read. Still, there Prepesai- Writing brightest and best have educations greatest good in material terms, it Workshops are strong arguments for placing too narrow to appreciate Western is not difficult to understand why Scheduied.poge 6 literature, philosophy, history, and other works of cultural reflection Discuss "Citizenship on every citizen's agenda, reasons and the Humanities" that science does not subsume and Oniine.poge 6 “Memories of Chester and Billy” that are persuasive no matter what the "canon." Councii Elects Four Commemorating Theodore Dreiser’s An American Tragedy First, while science details the New Members .. page 7 16 27 means available to reach our goals, Santa Monica gallery February - March it does not uncover what our goals owner Ruth Bloom, should be. To create communities consultant Mary Curtin, and to move them forward, we State Librarian Kevin need to discover common commit¬ Starr and UC Davis ments; means are secondary when professor Patricia A. traditions remain diverse and Turner will join the board confused. Knowing more about in March. nuclear energy does not clarify whether we should value electric¬ Become a Friend ity more than wilderness. We need of the to ask such questions directly, and Humanities.page 7 T 1906. Brown in 1905. the humanities do precisely that. Secondly, values grow out of he conviction and execution of Chester Gillette for the 1906 individual experience. We often murder of his pregnant sweetheart Grace "Billy" Brown inspired lack words to articulate feelings. Theodore Dreiser's great novel An American Tragedy. The humanities provide linguistic The "Memories of Chester and Billy" project will commemorate the 70th strategies to communicate what anniversary of the pubheation of the book that marked a second literary we hold dear and would preserve. renaissance in America and profoundly influenced writers and artists of In other words, the humanities not The California Council for succeeding generations. The project features more than a dozen events, only focus attention on values, but the Humanities is a state’ including lectures, exhibits, performances, film discussions, and readings. provide a vocabulary for sharing based affiliate of the All will be held in San Diego between February 16 and March 27. them. Without Wordsworth, could National endowment for For additional information and for a listing of separate events, please we have captured the sublime the Humanities. The call 619/594-6902. A partial listing of events can also be found in the connection between nature and the Humanities Network is Humanities Calendar on pages four and five of this newsletter and on the human spirit? published quarterly and Calendar page of the CCH web site at http://www.calhum.org/. mailed to anyone who Continued on page six. requests it from the San Francisco office. Grants Awarded PROGRAMS A.C.T. Perspectives Sponsor: American Conservatory Theater, San Francisco Project Director: Larry Biederman and Jerome Moskowitz Amount of Award: $10,000 in outright funds This award supports the presentation of three panel discussion programs in the American Conservatory Theater's "A.C.T.'s Perspec¬ tives," a series of free public programs exam¬ ining humanities themes raised by the plays in A.C.T.'s mainstage productions. "The Trans¬ formation of Character," scheduled for Febru¬ ary 5, will explore issues of character, lan¬ guage and metaphor in Shakespeare's The Tempest. On March f 1, "Adventures in Language" will explore the relationship between the language of drama and the language of contemporary culture, based in part on Eric Overmyer's Dark Rapture. And on April 29, "The Playwright and the Actor" will link the development of Stanislavsky's revolu¬ tionary actor training methods to such works of psychological realism as Chekov's The Cherry Orchard. From "A.C.T. Perspectives." Themes raised in From "San Francisco: From Diversity to Inclusivity." Shakespeare's The Tempest are the focus of the first Civil rights pioneers Joseph and Mary Tape sued the San discussion in the series. Shown here, David Strathairn as Francisco Board of Education in 1884 because their Prospero. Photo by Scott Peterson, courtesy of the daughter was denied access to public school. Photo courtesy American Conservatory Theater. of the San Francisco Public Library and Jeannette Kim. Symposium on California and Philippine History: 1571 to 1996 Sponsor: University of the Pacific, Stockton Project Director: Dennis O. Flynn and James Sobredo PRODUCTION Comrades and Chicken Ranchers Amount of Award: $ 10,000 in outright funds Sponsor: Film Arts Foundation, San Francisco Project Director: Zelda Bronstein Though the Filipino community established The U.S.-Mexican War (1846-1848) Amount of Award: $20,000 in matching funds if itself in California in the 16th century, the Sponsor: KERA, North Texas Public Broadcast¬ $40,000 is raised in outside gifts contributions of Filipino culture to California ing, Dallas, TX history and American life are largely un¬ Project Director: Sylvia Komatsu This grant is for the production of a six-part known. This grant funds a public symposium Amount of Award :$ 10,000 in matching funds if radio documentary about the history of the on California and Philippine history intended $20,000 is raised in outside gifts radical Jewish chicken ranchers who settled in to explore the evolution of Filipino culture in Petaluma, California in the early twentieth North America. Panelists and participants As a result of the U.S.-Mexican War, Mexico century. The documentary explores the conti¬ will examine the contemporary Philippine lost nearly half its territory, and the U.S. nuity and discontinuity among three genera¬ American community, now comprising the gained more than half a million square miles tions of this community and moves between the largest Asian American presence in California, of land, including California, effectively larger political events which affected it— and discuss the ramifications of its long reshaping the cultural and political landscape including the Depression, the Holocaust, the history, from the founding of Manila and the of the continent. This grant funds production founding of the state of Israel, the sixties coun¬ rise of the Spanish galleon trade up to the of a three-hour series examining the causes terculture—and dimensions of local experience present. Scheduled for April 5 - 7, 1996 at the and legacies of the war from both the Mexican ranging from the daily work of chicken ranching University of the Pacific in Stockton. and the American perspectives. The project to the 1935 tar-and-feathering of a Jewish includes a unique collaboration of scholars rancher and political organizer. from both nations which seeks to illuminate the full range of historical, social and cultural From "Yield to forces that influenced this struggle for land, Total Elation." San Francisco: From Diversify to identity and power. Achilles Rizzoli's Inclusivity "Mr.Deichmann's Sponsor: San Francisco Public Library Mother Project Director: Laura Lent Symbolically Amount of Award: $ 10,000 in outright funds Yield to Total Elation: The Life and Sketched." Mr. Work of Achilles Rizzoli Deichmann was Rizzoli's boss at This award supports a two-part symposium Sponsor: Hearts and Hands Media Arts, San the architectural exploring ideas of culture and citzenship by Francisco firm. Image focusing on the history of San Francisco, one Project Director: Pat Ferrero courtesy of of the three most ethnically diverse communi¬ Amount of Award:$ 10,000 in matching funds if Hearts and ties in the United States. The symposium $20,000 is raised in outside gifts Hands Media sessions, which begin in late 1996, comple¬ Arts. ment two exhibitions about diversity and This grant funds production of a half-hour inclusivity that will mark the opening of San film depicting the life and work of Achilles G. Francisco's new Main Library. Session one Rizzoli (1896-1981), son of Italian-Swiss looks at how city residents and the city's immigrants, a lifelong bachelor, and an archi¬ public spaces exemplify both diverse, tectural draftsman who worked quietly for multicultural social practices and an American decades at a San Francisco design firm while spirit of innovation and inventiveness. Ses¬ engaged in a secret effort to record and inter¬ sion two addresses dilemmas of contemporary pret the hallucinations he experienced. The political philosophy as illustrated by San film focuses on three themes: the distinction Francisco's history of social protest and between inspiration and madness, the artist as political activism. visionary, and the role of the working-class artisan in the era of mass culture. Grants Awarded Wheels: An Interactive Excavation SCRIPTS of San Francisco's Lost History Sponsor: Bay Area Center for Art and Technol¬ Capture the Muse with Rita Dove ogy, San Francisco Sponsor: Big Idea Media, San Francisco Project Director: Chris Carlsson Project Director: Pamela May Amount of Award: $ 10,000 in outright funds Amount of Award: $ 10,000 in outright funds This award supports the production of an This three-part video documentary will ex¬ interactive multimedia project drawing on plore how poetry, though often unnoticed, public and private archival materials to pervades everyday life. Guided by former illustrate the largely untold stories of people's Poet Laureate Rita Dove, the series also seeks daily lives in San Francisco since its earliest to deepen our understanding of poetry and its days, as well as the hidden environmental relationship to human experience by discuss¬ history of the region. The project, which will ing the continuing presence of ancient oral also attempt to link the separated histories of traditions in modern life, exploring connec¬ San Francisco and illustrate the historical tions between language and rhythm, and connections existing between San Francisco's seeking the sources of poetic inspiration in various communities, will bt presented in a poems written by everyday Americans. number of interactive formats—kiosks, a CD- ROM and as a Web site—in hopes of pioneer¬ ing a new kind of "participatory history" available only through these newer digital technologies. The Transforming Spirit: The Pentecostal Movement in Hispanic From “The Transforming Spirit." Pentecostal minister blessing Los Angeles Guatemalan immigrant in a converted pornographic movie Sponsor: Regents of the University of California, house on Western Avenue in Los Angeles. Photo courtesy of The Legend of Bop City Los Angeles Dr. Steven C. Williams. Sponsor: Bay Area Video Coalition, San Fran¬ Project Director: Carlos Alberto Torres cisco Amount of Award: $ 10,000 in outright funds Project Director: Carol P. Chamberland Amount of Award: $ 10,000 in outright funds The worldwide growth of the Pentecostal Riding the Rails: Children of the movement is nowhere more evident than in its Great Depression From 1950 to 1965, Jimbo's Bop City in San rapid expansion into the Hispanic community Sponsor: Media Network, New York, NY Francisco's Fillmore district was a world of 20th century Los Angeles. This script for a Project Director: Michael Uys and Lexy Lovell famous spot for jazz musicians to play and half-hour video focuses on the proliferation of Amount of Award: $ 10,000 in outright funds socialize. Such jazz legends as Billie Holiday, storefront churches and their congregations Duke Ellington, Louis Armstrong, and Miles and examines how this emerging movement Among those whose lives were deeply affected Davis were regulars at Jimbo's Bop City, often of Hispanic Pentecostalism relates to the more by the Great Depression was a surprisingly arriving at the club after their formal gigs in general historical traditions and cultural large population of youths who rode out the Bay Area hotels and dinner clubs. This script attributes of Pentecostalism in the U.S. Depression by riding the rails. This script for a project relies on access to a vast private one-hour 16mm documentary film focuses on 10 collection of memorabilia, recordings, and individuals who recount their personal experi¬ photographs to tell the story of the rise and ences as youngsters riding the freight trains. demise of this popular San Francisco land¬ The film illustrates the social, economic, and mark. The project also examines the relation¬ Black Westerners political phenomenon of the Great Depression ship of Bop City to the jazz scene in America Sponsor: Utah Film and Video Center, Salt Lake as told through these stories, and examines how and abroad, and how Bop City's unique City, Utah cultural influences, poverty, and racism were environment was shaped by the political and Project Director: Anne Watson factors in this railway movement of children social scene of postwar America and the Amount of Award: $10,000 in outright funds and adolescents. dawning of the Civil Rights movement. African Americans have been living west of the Mississippi since the days of Spanish exploration and have participated in the settlement of the West in roles ranging from explorers and traders to journalists, artists, and investors. This script project for five one- hour film documentaries draws on a cross- section of humanities perspectives to tell this story. This award is in particular support of the final episode, which focuses on the black experience in California from statehood to the present. The History of Affirmative Action Sponsor: Catticus Corporation, Berkeley Project Director: Marjorie Dobkin Amount of Award: $10,000 in outright funds This award supports script development for a video documentary on the history of affirma¬ tive action policy, which has generated debate in California from the Bakke decision in 1978 to the pending Civil Rights Initiative. The project seeks to inform the discussion by providing a politically balanced interpretation that places the current debate in a broader historical context. From "The Legend of Bop City." Jamming at Jimbo's Bop City in the 1950s. Courtesy of the collection of Jimbo Edwards and Carol P. Chamberland. The public humanities programs listed on these Through "Between Two Worlds: The Mar. 1 - "Gum San: Land of the Golden two pages were either created or supported by the Mor. 31 People of the Border" is a CERA- 31 Mountain" is a CERA-sponsored California Council for the Humanities. Please sponsored exhibit of photographs exhibit of artifacts, historical note that dates and times should be confirmed by photojournalist Donald Bartletti photographs and other documents with the local sponsors. These listings are often exploring perspectives on border exploring the presence and impor¬ provided to CCH well before final arrangements life and migration. At the Grace tance of the Chinese in the region's are made. Hudson Museum, 431 S. Main St., history. At the Community Memo¬ Please also check the monthly calendar listings Ukiah. 707/459-2736. rial Museum, 1333 Butte House on the Council's world wide web pages at http:// Road, Yuba City. 916/741-7141. Keep us flying! www.calhum.org/. Apr. 10 - The "Between Two Worlds: The May 12 People of the Border" exhibit (see above) travels to the Museum of EXHIBITS History & Art, 225 South Euclid Ave., Ontario. 909/983-3198. Through "Legacy: Portrait of Holocaust Apr. 17 - The "Gum San" exhibit (see above) Feb. 11 Survivors" is an exhibition of Jun. 16 travels to the Grace Hudson Mu¬ photographs of Bay Area Holocaust seum, 431 S. Main St., Ukiah. 707/ survivors taken by Evvy Eisen with 459-2736. accompanying autobiograhical texts. Marin Theater Company, May 1 - The "Produce for Victory" exhibit 397 Miller Avenue, Mill Valley. Jun. 16 (see above) travels to the Corona 415/499-8350 for information. Public Library Heritage Room, 650 S. Main, Corona. 909/736-2386. Through "ar'kiv: The California File" is an Feb. 18 exhibit of historical photographs from the California Museum of Photography's archives including images of landscape, industry, From the "Produce for Victory" people, events, architecture, adver¬ exhibition. The "Keep Us Flying" poster Jan. 28 "California Native Literature: The tising and others subjects. The (1943) featuring airman Robert Deitz Poetry of Janice Gould" is a photographs of the West date from was one of the few World War 11 posters discussion held in conjunction with 1880 to the late 1960s. They are depicting African Americans. Courtesy "The Carver's Art" exhibition. of the Smithsonian Institution Traveling complemented by a computer- Exhibition Service (SITES) and the U.S. Gould will discuss the sources of based display allowing visitors to Treasury. contemporary Native Californian investigate other aspects of Califor¬ literature. 2 p.m. At the Phoebe nia history. At the California Through "Produce for Victory: Posters on Hearst Museum, 103 Kroeber Hall, Museum of Photography, UC Mar. 31 the Homefront, 1941-1945" is a UC Berkeley. For more informa¬ Riverside. Please call 909/787-4787 CERA-sponsored SITES exhibit of tion, please call 510/642-3681. for more information. World War II patriotic posters. The exhibit explores the history and effect on production of these efforts to increase agricultural and industrial output. At the Lompoc Museum, 200 South H Street, Lompoc. 805/736-3888. Through "Theodore Dreiser: His World Apr. 7 and Legacy" is a photographic exhibit about the author of such classic American novels as An American Tragedy. Part of the "Memories of Chester and Billy" project. San Diego Public Library, 820 E Street. "Women in Wartime," circa 1945 photo from the Will Feb. 11 - The "Legacy: Portrait of Holocaust Theodore Dreiser at age 54 in 1925, about Connell Archive is part of the "ar 'kiv" project. Photo Mar. 4 Survivors" exhibit (see above) the time he was working on An American courtesy of the UC Riverside California Museum of moves to the Dance Palace in Point Tragedy. Photo courtesy of the Van Pelt Photography. Reyes Station. 415/663-1075. Library, University of Pennsylvania. Vr—f-n rr"^ Feb. 21 "Thomas Jefferson in Sonora" Mar. 15 "Theodore Dreiser: Journalist and features award-winning scholar Artist" is a discussion presented as . Clay Jenkinson in a three-part part of the "Memories of Chester chautauqua presentation about the and Billy" symposium. James K. nation's third president. 7 p.m. At Buckalew, journalism professor, Opera Hall, 250 S. Washington. and Thomas P. Riggio, professor M;# 'it'® Contact Pat Perry at 209/532-4541 and editor of The Pennsylvania W 9 for more information. Edition of Theodore Dreiser, will lead the discussion. 6:30 p.m. Smith Feb. 24 Public events for the opening of the Recital Hall, San Diego State From the "Shades of LA." project. Photo of "California Indian Basketweaver- University. 619/594-6902. relatives of the Esfandiari family in Kerman, Iran Continuing Traditions" exhibit (circa 1935). Courtesy of the Los Angeles include talks, films, demonstrations Mar. 15 Art historian Betsy Fahlman will Public Library Photo Collection. and discussions. Beginning at 11 lead a discussion exploring themes a.m. History Museum of Santa of the "Produce for Victory" Feb. 4 The "Shades of L.A." project sympo¬ Cruz County, First & Cooper exhibition (see exhibits listings). 7 sium will mark the opening of an Streets, Santa Cruz. 408/425-7278 p.m. Lompoc Museum, 200 H exhibit of photographs drawn from the Street. 805/736-3888 latest series of Photo Days in this Feb. 28 "Thomas Jefferson in Murphys" broad effort to document individual features award-winning scholar Apr. 5 - 7 The "California and Philippine and community life in Los Angeles Clay Jenkinson in a three-part History: 1571-1996" symposium and Southern Cahfornia. 1 p.m. At the chautauqua presentation about the will be held at UOP in Stockton. Los Angeles Central Library, 630 E. nation's third president. 7 p.m. At Sessions include participants from Fifth Street. 213/228-7403. the Black Bart Playhouse. Contact Spain, the Philippines and the U.S. Penny West at 209/754-1774 for covering the history and contribu¬ Feb. 5 "The Transformation of Character" is more information. tions of Filipino culture in Califor¬ a panel discussion held as part of the nia and North America. Various "A.C.T. Perspectives" series. Profes¬ locations on the University of sors Stephen Greenblatt and Harry Pacific Stockton campus, 3601 N. Berger and theater historian Larry Pacific Ave. 209/946-2913. Reed will facilitate this discussion on Shakespeare's The Tempest. 7 p.m. At Apr. 12 "On-Going Traditions and Rituals the Geary Theater, 413 Geary Street, of Being" is a lecture/perfor¬ San Francisco. Please call 415/439-2449. mance/ discussion by Native American flutist R. Carlos Nakai. Feb. 6 "The Persistence of the 'Frontier Part of the "Border Voices III: The Thesis' in America" is a lecture by Dr. Clay Jenkinson as Thomas Jefferson. Search for American Identity" Howard Kushner, professor of history series. 7 p.m. Copley Symphony at San Diego State University. Kushner Hall, San Diego. 619/594-3007. will discuss how the view of early Mar. 1 "Working Girls, Morality and American settlers as heroes mythologizes Urban Dangers in Dreiser's An their suicidal and self-destructive American Tragedy" is a panel behavior. Part of the "Border Voices discussion presented as part of the 111; The Search for American Identity" "Memories of Chester and Billy" series. 7 p.m. At Scripps Ranch High symposium. A staged reading of School, 10410 Treena Street, San Diego. love letters of Chester and Billy, 619/594-3007. whose lives inspired Dreiser's novel, will accompany the discus¬ Feb. 6 "Thomas Jefferson in Sutter Creek" sion. 6:30 p.m. At the Smith Recital features award-winning scholar Clay Hall, San Diego State University. Jenkinson in a three-part chautauqua 619/594-6902. R. Carlos presentation about the nation's third Nakai president. 7:30 p.m. At the Sutter Creek Theater. Contact Ron Mar. 3 & Screenings of films based on Apr. 13 "Crossing Borders: Construction Mittelbrunn at 209/223-0351. 17 Theodore Dreiser's An American of a Fluid National Identity" is a Tragedy will be held as part of the lecture/discussion by Dr. Paula Feb. 15 "Thomas Jefferson in San Juan symposium "Memories of Chester Gunn Allen, professor of English at Bautista" features award-wirming and Billy." The films include von UCLA. It is the culminating pro¬ scholar Clay Jenkinson in a three-part Sternberg's 1931 An American gram in the "Border Voices III; The chautauqua presentation about the Tragedy and George Stevens' 1951 Search for American Identity" nation's third president. 7 p.m. At A Place in the Sun. The screening New Humanities lecture series. 7 Plaza Hall Ballroom, San Juan Bautista will be followed by a panel discus¬ p.m. Copley Auditorium, Balboa State Historic Park, comer of Second sion led by professor Michael Real, Park, San Diego. 619/594-3007. St. & Washington. Please contact filmmaker Jack Ofield ,and film Veronica Murray at 408/623-4661 for lecturer Greg Kahn. 2 p.m. At the Apr. 12 - "Border Voices/New Voices more information. San Diego Central Library Audito¬ 13 Poetry and Humanities Fair," San rium. 619/594-6902 to confirm Diego's third annual multicultural Feb. 16 "Theodore Dreiser: The Road to dates and times. poetry and humanities fair, will be Tragedy" is a lecture/discussion by held in Balboa Park. Call 619/594- Richard Lingeman, executive editor of Mar. 11 "American Language in Contem¬ 3007 for more information. The Nation and biographer of porary Literature" is a panel Theodore Dreiser. It's the first of more discussion held as part of the Apr. 29 "The Playwright and the Actor: than a dozen lectures, performances "A.C.T. Perspectives" series. New Forms and New Methods" is and exhibits in the "Memories of Humanities professor Marjorie a panel discussion held as part of Chester and Billy" project, a CCH- Perloff, drama professor Marc the "A.C.T. Perspectives" series. supported six-week commemoration Robinson, and playwright Mac The discussion will focus on of the 70th armiversary of the publica¬ Wellman will lead this discussion Chekov's play The Cherry Orchard tion of Theodore Dreiser's great novel of themes explored in the play Dark and Stanislavsky's method of study An American Tragedy. 6:30 p.m. At Rapture. 7 p.m. At the Geary The¬ and acting. 7 p.m. At the Geary Smith Recital Hall, Music Building, ater, 413 Geary Street, San Fran¬ Theater, 413 Geary Street, San San Diego State University. For more cisco. 415/439-2449. Francisco. 415/439-2449. information, call 619/594-6902. Humanities Heivs Council Meets in Riverside in March Proposal-Writing Workshops Offered The California Council for the Humanities' quarterly meeting will be Workshops are scheduled during February for people interested in held at the Mission Inn, 3649 Seventh Street, Riverside on March 7, 8, and submitting grant proposals at the Council's April 1 deadline 9. Exact times for Council sessions had not been determined as this issue went to press. For additional information, please contact the Council's In San Francisco: San Francisco office. For Media Project proposals Wednesday, February 14 10:30 a.m. to noon Katie McMurran Joins Council Staff For Public Project proposals Katie McMurran, a 1995 graduate of UC Berkeley, has joined the Thursday, February 14 1 p.m. to 3 p.m. Council's San Francisco staff as office assistant. It's her voice you are most likely to hear first when you call the San Francisco office. In Los Angeles McMurran holds a bachelor's degree in music and graduated from Thursday, February 15 2:30 p.m. to 4 p.m. Berkeley with high honors. While an undergraduate, she was a member Friday, February 16 10:30 a.m. to noon of the Cal Performances Student Committee for the Arts and the Univer¬ sity Art Museum/Pacific Film Archive Student Committee. She was also In San Diego a member of the Albany Community Orchestra and the UC Berkeley Tuesday, February 20 10:30 a.m. to noon Chorus. McMurran succeeds Chin-ju (Justine) Park, who has taken a position at the Commonwealth Club of California. The workshops are free, but advance registration is required. Please call the nearest Council office (415/391-1474 in San Francisco, 213/623- Central Valley Literature Project Coordinator 5993 in Los Angeles, and 619/232-4020 in San Diego) to register and Hired confirm dates and locations. Please also request and read the 1995-1996 Ann Andersen, a native of Modesto and a resident of Merced, has been Guide to the Grant Program before attending the workshop. selected to coordinate the Council's "Rambling Routes" project, the first- ever large-scale public exploration of writers and writings from More Summer Institutes for High School History California's Central Valley. and English Teachers Andersen is currently a special consultant for CSU Sacramento and a trustee for the Merced Union High School District. She has broad experi¬ In 1996 the National Humanities Center in Research Triangle Park, ence in community leadership, library services and grant writing and North Carolina, will sponsor summer institutes for high school history management. In 1992, she was part of the team that organized the very and English teachers. successful Merced leg of the Council's "Columbus and After" traveling For history teachers the Center will offer "Nature Transformed: Imagi¬ Chautauqua program, and in 1988 she was project director for Council- nation and the North American Landscape," an institute that will explore supported public exhibition at the Merced County Library. the relationship between the ways men and women have thought about "Rambling Routes" is a vast literature project scheduled to take place in their surroundings and the ways that they have acted toward them. In Redding, Chico, Yuba City, Sacramento, Stockton, Modesto, Merced, "The Writing of African American Identity: Self, Race, and Gender," Fresno, Visalia and Bakersfield beginning in the Fall of 1996 and continu¬ English teachers will have the opportunity to study themes of freedom ing into the Spring of 1997. Public programs will include a "Writers in and identity in twelve key works by African American writers. Both Discussion" series featuring such prominent writers as Gary Soto, Maxine programs will run from June 24 to July 12,1996. Hong Kingston, Richard Rodriquez, Ernest J. Finney, and Gerald Haslam. The National Humanities Center will provide participants with travel In-depth reading-and-discussion groups, local exhibits, and a variety of expenses, lodging, most meals, texts, and a stipend of $750. For an additional community-created historical and literary programs are also application or more information, contact: Summer Institute Office, planned. Watch for additional information about the "Rambling Routes" National Humanities Center, PO Box 12256, Research Triangle Park, NC Central Valley literature project in upcoming issues of this newsletter. 27709. 919/ 549-0661. E-mail: [email protected]. The application deadline is March 15,1996. Summer Seminars and Institutes for School Teachers Internships Available The National Endowment for the Humanities' Division of Education The Council has a number of internship opportunities available for the Programs is offering 50 seminars and 18 institutes on a variety of topics Spring for undergraduate and graduate students in humanities disci¬ for K-12 teachers. A listing of the 1996 summer institutes and seminars plines. Opportunities exist in each of the Council's offices. Interested can be obtained by contacting the Division of Education Programs, students should contact Margo McBane or Khisna Griffin in the Los National Endowment for the Humanities, 1100 Pennsylvania Avenue, Angeles officer(213/623-5993) or Alden Mudge in the San Francisco N.W., Washington, D.C. 20506; 202/606-8377. But PLEASE NOTE: officer (415/391-1474). Teachers interested in participating in either a seminar or an institute need to write to the project director directly to request additional informa¬ tion and application materials. The deadline for most applications is Smithsonian Institution Fellovy^ships in Museum Practice March 1, 1996. Participants in Summer Institutes generally have their room, board and Prosposals are invited for the fifth annual Fellowships in Museum supplies paid for by the project and receive an additional stipend. All Practice program, a professional development opportunity dedicated to teachers selected to participate in a Summer Seminar will be awarded a helping museums increase their expertise and leadership. An award stipend of $2,450, $2,825, or $3,200 (depending on the length of the semi¬ enables experienced staff to spend time at the Smithsonian conducting nar) to cover travel costs to and from the seminar location, books and research on a topic of importance to the field. Fellowships are individu¬ other research expenses, and living expenses. ally designed. Applications are accepted until February 16,1996 for Generally speaking, Americans teaching full time in public, private, projects beginning after October 15,1996. For guidelines and application and church-affiliated schools are eligible to apply to seminars and insti¬ procedures, contact Nancy Fuller, Center for Museum Studies, tutes. Librarians and school administrators are eligible to apply for Smithsonian Institution, MRC-427, Washington, D.C. 20560; telephone: seminars and may also be eligible for some institutes. 202/357-3101; fax: 202/357-3346; e-mail: [email protected] Citizenship continued Discuss “Citizenship and THE Humanities” Onune Our Search for What define our own universe, but also establish a life together, we must If you'd like to discuss the ideas to Value introduce us to other "universes." enrich our understanding of broached in this article online, They teach empathy, offer alterna¬ ourselves, learn to communicate please join our e-mail conversa¬ Finally, the search for values and tive "structures of feeling," and what we believe, and appreciate tion. To find out how to join, the language to express them can search for universals. In The Souls beliefs which differ from our own. check the Discussions page on lead to prejudice and intolerance. of Black Folk, W.E.B. DuBois We are not the first multi-cultural the CCH world wide web site Fascism followed in the wake of glimpsed behind the veil of race; he generation nor are we without [http://www.calhum.org/j 19th century Romanticism, a forged an empathetic link that contemporaries worthy of consid¬ after January 29, or send an e- treasure trove of humanistic bloomed into the bi-racial Civil eration. Our republic must review mail inquiry to tendencies. However the humani¬ Rights movement. its humanistic treasures and revisit [email protected] and we'll ties also provide antidotes for these The humanities aid our search the language of goals. send you sign-on instructions. tendencies. They not only help us for what to value. If we are to re¬ s Ch air and New Council Members Announced At its December meeting in Los Angeles, the Council elected Robert Benedetti, dean of the College of the Pacific, the liberal arts college within the University of the Pacific in Stockton, as chair of the Council. Benedetti succeeds Jay Mechling, professor of American Studies at UC Davis. He will serve a two-year term beginning in March. At the same meeting, the Council selected four new members who begin their three-year terms in March of 1996. Ruth Bloom is the owner of Ruth Bloom Kevin Starr is the State Librarian of California, a professor in the School Gallery in Santa Monica. She brings of Urban and Regional Planning at the University of Southern California, extensive experience in education and and a contributing editor for the Los Angeles Times. He is the author of a community work to the board, having number of award-winning books, including Endangered Dreams: The Great been an elementary school teacher in Depression in California, Material Dreams: Southern California Through the the 1970s, a trustee of the Los Angeles 1920s, Over California, and Land's End, as well as numerous prefaces, book Board of Education from 1980 to 1989, chapters, articles and reviews on all aspects of social, cultural, political, and a member of the California and religious affairs. In 1978 he was the Rome/Vatican correspondent for Legislature's Task Force on Arts Educa¬ the Hearst newspapers. Starr has also been a senior consultant for Hill tion from 1987 to 1991. Bloom also and Knowlton, USA in San Francisco and the principal in Kevin Starr currently serves on the advisory board Associates. He has taught at Harvard University, UC Berkeley and UC of the Los Angeles Children's Museum Davis, served as the executive aide to the mayor of San Francisco and as and the board of directors of the Venice the city librarian of San Francisco. His awards include a Danforth Fellow¬ Family Clinic. In 1988 she was presi¬ ship to Harvard, and a John Simon Guggenheim Memorial Foundation dent of the California County Boards of Fellowship. In 1986 he was elected a fellow of the Society of American Education. She has also been a commis¬ Historians and, in 1987, a fellow of the American Antiquarian Society. sioner on the Children-Youth Mental Health Association, a member Starr received his master's degree and his doctorate from Harvard Univer¬ of the Joint Powers Board for the L.A. County High School for the sity and holds a bachelors degree from the University of San Diego. Arts, and a member of the Curators Council for the Los Angeles Museum of Art. Bloom is the recipient of a number of awards for distinguished service to the educational community. She holds a Patricia A. Turner is an associate professor master's degree in educational psychology from California State in both the African-American and African University at Northridge and a bachelor's degree in English from Studies and the American Studies programs the University of Southern California. at UC Davis. She is the author of Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture and I Heard It Mary Curtin is the sole proprietor of a firm specializing in commu¬ Through the Grapevine: Rumor in African nity and governmental relations located in Riverside. She cur¬ American Culture, as well as numerous rently serves as a board member on the Federation of State Hu¬ articles on topics in American folklore and manities Councils, the organization representing the state humani¬ the significance of contemporary images in ties councils in Washington, D.C, and is on the advisory board of the media. Turner also serves on the board the Salvation Army. Curtin previously served on the CCH board of Signifyin' Works, the group that contin¬ from 1984 to 1988 and is the first alumna to be re-elected to the ues to manage the documentary films of board. From 1975 to 1987, Curtin was executive officer for the Marlon Riggs after his death, and as first Central Labor Council of the AFL-CIO of San Bernardino and vice president of the California Folklore Riverside counties, in which capacity she represented approxi¬ Society. Turner was a consulting scholar on mately 100,000 workers in the region. Curtin has also been a very several of Marlon Riggs' documentaries, including the award-winning active volunteer for diverse community non-profit organizations, films. Color Adjustment and Black Is...Black Ain't. In 1994 she was elected a helping to develop the Inland Empire Educational Foundation's fellow of the Davis Humanities Institute. She was voted Outstanding Humanities Division, a coalition of humanities organizations Faculty Member by the UC Davis Delta Sigma Theta Sorority chapter in supported by CCH, as well as serving on the local boards of Habi¬ 1992 and has been nominated this year for the Distinguished Teacher tat for Humanity, the League of Women Voters, the San Bernar- Award. Before accepting her position at UC Davis, Turner was assistant dino-Riverside Urban League, and Survive Food Bank. Curtin has professor in the Black Studies department at the University of Massachu¬ also been a teacher at Riverside Community College. She holds a setts, Boston. Turner received her master's degree and her doctorate from master's degree from UC Riverside. UC Berkeley. The California Council for the Humanities Needs Your Support! As a reader of Humanities Network, please become a Fnend of the Humanities today. □ $25 ❖ Become a contributing subscriber of this Humanities Network newsletter. ❖ Receive printed acknowledgment in the next newsletter. □ $50 ❖ Monthly insider's preview of Council-supported free hu¬ manities activities. Acknowledgment in the Council's Annual Report. □ $75 ❖ Above plus: ❖ Audio cassette tape of historian Clay Jenkinson as Thomas Jefferson. □ $100 ❖ Above (except tape) plus: ❖ Autographed copy of Epitaph for a Peach by Council member Mas Masumoto, critically acclaimed book that chronicles the seasons on a California family farm. s e e n [Z The humanities explore human histories, JAY MECHLING, CHAIR LINDA CROWE ANN NICKOLL cultures and values. They inform the conversations that are vital to a thriving Professor of American Studies System Director Political Activist demcKrocy. They constitute our most UC Davis Peninsula Library System, San Mateo Beverly Hills important human inheritance. The purpose of the California Council for the Humanities is create a state in which all ISABEL ALEGRIA PENELOPE ELORES PETER H. PENNEKAMP Californians have lifelong access to this shared inheritance. The Council is gov¬ Journalist Associate Professor of Secondary Education Executive Director, Humboldt Area erned by a volunteer board drawn from San Erancisco San Erancisco State University Foundation leaders in public and academic life. It is an Eureka independent state affiliate of the National Endowment for the Humanities (NEH) and PAUL APODACA DAVID K. GLIDDEN oraptehreart eths aans aa gpouvbelircn-mpreivnat taeg peanrctyn.e rship Curator of Native American Art, Bowers Professor of Philosophy GAINES POST, JR, UC Riverside The Council creates and supports public Museum Professor of History humanities programs througnout Califor¬ Santa Ana Claremont McKenna College nia. These include California Exhibition ISABEL HERNANDEZ-SERNA Resources Alliance (CERA), which provides administrative support and a means for Assistant Vice President for ROBERT BENEDETTI SANTIAGO RODRIGUEZ sharing exhibits among members of a Academic Affairs statewide network of small museum; Dean, College of the Pacific Director, Multicultural Programs, Motheread, a family reading program in Stockton CaUfomia State University at Sacramento Apple Computer, Inc. Los Angeles; a statewide chautauqua tour with Clay Jenkinson portraying Thomas Cupertino MARIE G. KELLEY Jefferson; Humanities Online, a world wide GLORIA BUSMAN web project providing scholar - led President, Kelley Productions discussions via e-mail and hypertextual Labor Educator and Writer La Jolla CHRISTINE SISLEY links to cultural calendars and humanities Carlsbad Executive Director, The Ralph M. Parsons resources of interest to the online commu¬ nity; publications distributed to libraries, J. JORGE KLOR DE ALVA Foundation scholars, and the public; and, in 1996 and ELLIOTT BUTLER-EVANS Los Angeles 1997, "Ramblinp Routes," a first-ever, Class of 1940 Professor of Comparative Ethnic large-scale public exploration of writers Associate Professor of English Studies and Anthropology and writing from California's Great Central UC Santa Barbara UC Berkeley RICHARD YARBOROUGH Valley. The Cauncil also conducts a competitive Associate Professor of English grants program. Since 1975, it has SHARLEEN COOPER COHEN DAVID MAS MASUMOTO UCLA awarded nearly $13 million to over 1,700 non-profit organizations, enabling them to Writer Writer and Farmer prociuce exhibits, film and radio programs, Encino Del Rey and lecture series and conferences on topics significant to Californians. The Council is an independent, not-for- profit organization. It is supported by grants from NEH, corporations and foundations, and by contributions from individuals. It receives no state funds. Major grant proposals are due on April 1 and Octcmer 1. Out-of-cycle grants— James Quay Ralph Lewin Teri X. Yazdi Khisna Griffin Alden Mudge proposal planning grants, minigrants, and Executive Director Assistant Director Office Manager Motheread Coordinator Director of tilm-and-speaker grants—are accepted on Communications the first day of each month. Interested Elliot Klein Margo McBane Craig Phillips Mary Beth Sheehan cnoopny-p orfo ftiht eo Grguaindiez atoti othnes Gshroaunltd P rreoqguraemst a Development Director Program Officer Administrative Assistant Museum Program Helen Min Coordinator from the San Francisco office. Editorial Intern Jeannie Mac Gregor Rosalino Dizon Elizabeth Heider Katie McMurran Page proofs for this publication were created on Assistant Director Fiscal Administrator Typist Office Assistant equipment donated by Apple Computer. NEXT PROPOSAL DEADLINE: April 1,1996 Proposals must conform to the Guide to the Grant Program. Send 15 copies to the San Francisco office by the due date. -Tnr»nr■ ■■ ^ winter 1996 • Volume 18/ Number 1 312 Sutter Street 315 W. Ninth Street 614 Fifth Avenue Suite 601 Suite 702 Suite C Non-Profit Org. U.S. Postage San Francisco, CA 94108 Los Angeles, CA 90015 San Diego, CA 92101 PAID 415/391-1474 213/623-5993 619/232-4020 San Francisco, CA Permit No. 11379 CALIFORNIA COUNCIL FO THE HUMANITIES Printed on recycled paper

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