Teach® Yourself HOW TO CRAFT A, GREAT STORY What is a story? (page 1) Hoco find a plot (page 19) Building a plot (page 36) Using a plot ladder (page 47) Conflict in storytelling (page 71) Story versus plot (page 99) P r o b l e m s _ with plot (page , ,1 115) Climax and w resolution (page 169) Form and structure: music and poetry ( )Stor 7 (page 195) The three--act structure(1eW8fifl \‘éfifi fig?” CHRIS SYKES ‘Chris Is a fine tutor — organized, knowledgeable, someone "-"10 makes learning a pleasure.’ Former student, Oxford Creative Wn'ting Course ® Teach Yourself ‘ Find writing success with a perfectly crafted story Whatever the style, genre or form of your writing, create spellbinding stories_ following the guidance on plot and structure in this insightful book. Knowing and understanding structure is central to producing successful creative writing. The step—by- step process in this book will guide you through all the techniques for crafting an absorbing narrative, from plot and structure to form and genre. Chris Sykes is the author of three books of poems and three staged plays. An experienced teacher of creative writing, he currently directs the International Summer School for the University of Sussex. 'ISBN 978-1-4441-6756-6 ISBN 1-4441-6756-1 I I Coverlmage: III II ||| I 9 7 4 © Creative Studios/Alamy 81 44 1 67566 I — $70 ‘8" 3 ® \ Teach Yourself How to Craft a Great Story Creating perfect plot and structure Chris Sykes "and—Er- n- e-5 5¢ m“. ‘ . :- vW- T-m' aa?. ?? .u—': . m‘vs , I {-‘::;m‘i-‘‘b s‘.“ ir‘K uhn“ .1 ' I s. *— “as H‘c :: -;.:‘m“2 15-”. 005.23 3563.33”; 1 § .' 5“w‘‘. ‘PJ -:h ‘u"fi fipz. ‘”f‘9é fI .f Iva h. ' -14.; 1' . u‘nl fluv- aw First published in Great Britain in 2013 by Hodder 86 Stoughton. An Hachette UK company. This edition published 2013 Copyright © Chris Sykes The right of Chris Sykes to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Database right Hodder Education (makers) The Teach Yourself name is a registered trademark of Hachette UK. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher, or as expressly permitted by law, or under terms agreed with the appropriate reprographic rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Hodder 8c Stoughton, at the address below. You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer. British Library Cataloguing in Publication Data: a catalogue record for this title is available from the British Library. 10987654321 The publisher has used its best endeavours to ensure that any website addresses referred to in this book are correct and active at the time of going to press. However, the publisher and the author have no responsibility for the websites and can make no guarantee that a site will remain live or that the content will remain relevant, decent or appropriate. The publisher has made every effort to mark as such all words which it believes to be trademarks. The publisher should also like to make it clear that the presence of a word in the book, whether marked or unmarked, in no way affects its legal status as a trademark. Every reasonable effort has been made by the publisher to trace the copyright holders of material in this book. Any errors or omissions should be notified in writing to the publisher, who will endeavour to rectify the situation for any reprints and future editions. Cover image © Cre8tive Studios / Alamy Typeset by Cenveo® Publisher Services. Printed in Great Britain by CPI Cox 8C Wyman, Reading. Hodder 86 Stoughton policy is to use papers that are natural, renewable and recyclable products and made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin. Hodder Sc Stoughton Ltd 338 Euston Road London NW1 3BH www.hodder.co.uk Every effort has been made to trace the copyright for material used in this book. The autho.rs and publishers would be happy to make arrangements with any holder of copynght whom It has not been possible to trace by the time of going to press. Also available in check Contents About the author vi Acknowledgements vi Introduction viii The basics of a story Whatisastoq? Finding and making plots 17 How to find a plot Relationship between character andplot The plot-maker Constructing a plot with pace and movement 33 Building a plot Motivation Revision The plot ladder 47 Making a plot ladder Conflict 69 Conflict in storytelling How to create conflict in a scene where there is none Objectives 35d super-objectives A summary: character need and inner and outer story What is structu re? 85 Story structure: beginning, middle and end A simple story structure Losing control jumps Story and plot: the principles'of connectedness and causality 99 Connectedness Causality . Plot holes and problems with plot 115 Plotholes Otherplot holes Watertight plots Other problems with plot How to solve problems with plot Do plot holes matter? The 'gold' and the 'MacGuffin': plot-drivers, confrontation and disaster 133 The 'gold’ Fool’s gold Disaster Goals lead to action Building tension Rising action Falling action Action and reaction 10 The four stages of a story 155 Storyshape Exposition Complication Obstacles The climax Resolution 11 Understanding form and structure 175 Sonata form The sestina The sonnet Lipogram Writing to a format 12 Finding perfect story shape: proportion 195 Elegance and efficiency Structuring the story Proportion The time/tension relationship 13 Screenwriting theory: using the three-act stru ctu re 217 The value of writing theory The writing process Planning and using a plan Screenwriting 14 Using mythic structure 235 Mythic structure The writer'sjourney Technology The hero quest Story types The relevance ofscreenwriting theory 15 Other story models 255 Change and tradition Other story models Visualization The end Afterword 270 Glossary 272 Taking it further 276 Index 278 Contents ® About the author Early in his career Chris Sykes gained a B.Ed. and an MA in Philosophy of Education from the University of London and subsequently made a living as a writer and teacher, working extensively in higher education. Over the past 30 years he has written many poems which have been published in the UK and USA. He has had three stage plays produced and worked extensively on radio as a writer and, for a brief while, as a sports commentator. He has taught creative writing in major UK Universities such as Warwick, Oxford, City University London and the University of Sussex, as well as a variety of starting to write courses at the City Literary Institute, London. He is the author of Your Evening Class: Creative Writing and The Writer’s Source Book (both Hodder 8C Stoughton). He is well versed in helping people get started, develop the necessary skills to tell a story, create believable characters and develop narrative and has had many pupils go on to publish their writing. He currently lives in Lewes, East Sussex, with his wife and chocolate Labrador, where he walks the south downs, writes, plays bowls, guitar and piano (not at the same time) and is the director of the International Summer School at the University of Sussex. Acknowledgements Iwant to thank both Siobhan Boyer and Paula Jhung for reading several drafts of this book, asking acute questions and making helpful comments and suggestions. All poems in Chapter 11 written by Chris Sykes. Figures 12.3 to 12.15 based on originals by Siolbhan Boyer. All other figures based on originals by Chris Sykes. For G. Knight Boyer (1937—2009)