8 ees RE peas Sne E ee HOW MUSIC DIES (OR LIVES) FIELD RECORDING AND THE BATTLE FoR DEMOCRACY IN THE ARTS /AN BRENNAN PHOTOS BY MARILENA DELLI FOREWORD BY CORINT UCKER a ALLWORTH PRESS NEW YORK Copyright © 2016 by Ian Brennan All rights reserved. Copyright under Berne Copyright Convention, Universal Copyright Convention, and Pan American Copyright Convention. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Allworth Press, 307 West 36th Street, 11th Floor, New York, NY 10018. Allworth Press books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Allworth Press, 307 West 36th Street, 11th Floor, New York, NY 10018 or [email protected]. 1918171615 54321 Published by Aliworth Press, an imprint of Skyhorse Publishing, Inc. 307 West 36th Street, 11th Floor, New York, NY 10018. Allworth Press® is a registered trademark of Skyhorse Publishing, Inc.®, a Delaware corporation. www.allworth.com Cover design by Mary Belibasakis Cover photo credit Marilena Delli Library of Congress Cataloging-in-Publication Data is available on file. Print ISBN: 978-1-62153-487-7 Ebook ISBN: 978-1-62153-497-6 Printed in the United States of America. Other Books by Ian Brennan Fiction Sister Maple Syrup Eyes Nonfiction Anger Antidotes: How Not to Lose Your S#&! Hate-Less: Violence Prevention & How to Make Friends with a F&#!ed Up World This book is not meant for academics. Any words about music should at least try to sing. Table of Contents Acknowledgments xi Foreword xiii Preface: Proximity Bias and the Irrationality of Fear xv Introduction: Learning Through Failure | SECTION I: The Value of Democratizing Voices 5 1. We Arent the World: All Music Is “Local Music” 7 . The Fixation to Fixate 9 3. | Message Monopolization Il] Field Recording Chronicle: Malawi 17 4. The Real King(s) of Rock ‘n’Roll 21 Field Recording Chronicle: Malawi 25 5. Unlabelling Labels 29 Field Recording Chronicle: Rwanda 33 6. Regressive Superlatives: The “G”-Word and Other Demons 37 Field Recording Chronicle: Zomba Prison 41 7. Winning Hearts, Not Breaking Backs: All We Are Saying Is Give Arta Chance 47 SECTION II: A Call for a Return to Naturalism: The Need for Randomness 49 8. Building anArc 51 9 Everything, Including the Kitchen Sink 53 10. The Primordial “Social Work”: Why Music Heals 55 Field Recording Chronicle: Vietnam 59 11. | Consumerism Masquerading as Creativity 65 Field Recording Chronicle: Palestine 67 12. Parallel Rituals: The Insularity of Technological “Advances” 71 13. Sound Before Volume 75 Field Recording Chronicle: South Sudan 79 14. Recording as a Leap of Faith 81 SECTION ITI: How To Get “There”: Some Possible Roads Home 83 15. Surrendering to Sound 8) 16. Voices Within the Voice 89 HOW MUSIC DIES 17. | Using the Microphone as a Telescope 93 Field Recording Chronicle: Juba Orphanage 97 18. Acoustic Illumination 101 19. What’ “Left”? 103 20. Element(s) of Surprise 105 Field Recording Chronicle: Taranta 107 21. Cooked by Culture: Ever Beware the *‘Experts” 109 22. What Cant Be Owned? 113 SECTION IV: Products of Our Environment 115 23. | Making Sense of the First Sense 117 24. S§-urr-ounded: The Inescapable Symphonies of Our Everyday Life 121 Field Recording Chronicle: Cambodia 125 25. Disposable Music 129 26. Inter-Specific Artistry: “I Am Not an Animal!” 133 27. Aural Culture: Music Not As Math, but Individuation 135 28. Moving Targets: There Is No “There” There 139 29. Do You Hear WhatI Hear? 14] 30. Playing for Keeps: There Is No Rehearsal 143 Field Recording Chronicle: Acholi Machon 147 31. The Ricochet of Influence 15] SECTION V: Backin’ Up for Some Backstory 155 32. | Transparency: Letting Your Real “Roots” Show 157 33. | Drawing Random Inspiration from the Inspired: Liberating Influence from the Ghetto of Sanctioned Outlets 161 34. Who’ the Boss? 165 35. | The Road from No-Name-Ville 167 36. Premature and Promiscuous Championing 173 37. Pain Dues, Dude 175 38. Amateur Hour: “Real Musicians Have Day Jobs’ 179 39. Bittersweet Dreams 183 SECTION VI: Beware the Traps 187 40. Living in the Moment, But Keeping an Eye on the Horizon 189 41. Sonic Prisons: Getting Off the Grid 191 Table of Contents 42. Personalities Displacing Spirituality 195 Field Recording Chronicle: Transylvania 201 43. Self-Sabotage and the Unconscious: Subjectivity’s Quicksand 205 44. The School of Soft Knocks 209 45. Hearing Lost 211 46. “Free” Samples? 213 SECTION VII: Welcoming Magic: Heeding Wanderlust’s Call 219 47. Following Existing Currents 221 48. Put Up, Dont Shut Up 225 49. Beneath the Words 229 50. Breaking Patterns: Creating Creativity 233 51. Its Allin the Details 237 52. Connectivity Through Sonics 239 53. SayIt Loud, Say It Proud 241 54. Castaway 243 55. If You’re Not Having Fun, You're Not Fooling Anyone 245 56. Home Base 247 SECTION VIII: How Not to Memorialize Music 249 57. AFew “Dont” Champions from My Past 251 58. Some Notes From the “Do” Files 257 SECTION IX: Enlisting Limitations as Expressive Partners 261 59. Trained by Fire, On the Chopping Block 263 60. What Do You Know? 267 61. Imperfect Pitch: There Are No Mistakes 269 62. Gauging the Atmosphere 271 SECTION X: Racing Racism 273 63. Free for All? 275 64. Same Old, Same Old: Colonialism’ Leftovers 277 65. You Call That Equality? Distracted by the Decoys 281 66. Stangered: Disproportionate Estimations (On the Outside, Looking Out) 283 HOW MUSIC DIES 67. Single Origin Fairy Tales 287 68. Disgraceful by Association 291 69. Outlaw Camouflage: Slumming in the “Underground” 295 70. Are You Seriously “Serious”!? 301 71. | Music Cannot Be Possessed, But It Can Possess 305 72. False Friends: Raw Does Not Always Equal Real 307 73. Thinly Veiled Bigotry (The Patrimony Dies Hard) 317 SECTION XI: The Battle for Democracy inthe Arts 323 74. How Music Dies 325 75. Cheapshot 327 76. A World of “Superstars, Minus an Audience 329 77. The Myth of Purity 331 78. In Their Owned Words 333 79. Wire-Monkey Music 335 80. | Organically Grown: Truth in Advertising 337 81. Every Man for Himself? 339 82. Too Much “Like,” Not Enough Love 341 83. The Talking Dead: Rest in Pieces 343 84. Oversharing 345 SECTION XII: How Music Dies: $$ and Its Wake 347 8). If You Cant Beat ‘em, Get Them to Join You 349 86. Now You Dont See It (and Now You Still Dont) 351 87. Image Cannibalism: The Media as a Gigantic Mirror of Infatuation 353 88. Manufactured Competition: Dont Believe the Hype 355 89. Sin-ergy 359 90. Dont Believe Half of What You See 361 9]. Fabricated Identity: Bands as Brands 363 92. Sub-merged Substitutions 365 93. The Superscar System 367 94. Standardized Forms, Fear of the Random: Living in Boxes, atop Grids 369