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Hollywood and Hitler, 1933-1939 PDF

479 Pages·2013·8.95 MB·English
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HOLLYWOOD AND Hitler 1933–1939 FILM AND CULTURE JOHN BELTON, EDITOR FILM AND CULTURE • A SERIES OF COLUMBIA UNIVERSITY PRESS FOR THE LIST OF TITLES IN THIS SERIES, SEE SERIES LIST HOLLYWOOD AND Hitler 1933–1939 THOMAS DOHERTY COLUMBIA UNIVERSITY PRESS NEW YORK Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2013 Columbia University Press All rights reserved E-ISBN 978-0-231-53514-4 Library of Congress Cataloging-in-Publication Data Doherty, Thomas Patrick. Hollywood and Hitler, 1933–1939 / Thomas Doherty pages cm. — (Film and culture) Includes bibliographical references and index. ISBN 978-0-231-16392-7 (cloth : alk. paper) —ISBN 978-0-231-53514-4 (ebook) 1. National socialism and motion pictures. 2. Motion picture industry—United States—History—20th century. 3. Motion pictures—Political aspects—United States—History—20th century. 4. Motion picture industry—Germany—History—20th century. 5. Motion pictures—Political aspects—Germany— History—20th century. 6. Motion pictures in propaganda—Germany—History—20th century. 7. Motion pictures, American—Germany—History—20th century. 8. Motion pictures, German— United States—History—20th century. 9. Nazis in motion pictures. I. Title. PN1995.9.N36D65 2013 791.43094309'04—dc23 2012046863 A Columbia University Press E-book. CUP would be pleased to hear about your reading experience with this e-book at cup- [email protected]. Cover image: “Song of Songs” © 1933 Paramount Productions Inc. Courtesy of Universal Studios Licensing LLC Cover design: Lisa Hamm References to Internet Web sites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. To Sandra—Again CONTENTS PROLOGUE: JUDENFILM! 1. HOLLYWOOD–BERLIN–HOLLYWOOD “The Hitler Anti-Jew Thing” The Aryanization of American Imports The Aryanization of Hollywood’s Payroll 2. HITLER, A “BLAH SHOW SUBJECT” The Disappearance of Jews qua Jews The Unmaking of The Mad Dog of Europe “What about the Jews, Your Excellency?”: Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934) The Story of a Hollywood Girl in Naziland: I Was a Captive of Nazi Germany (1936) 3. THE NAZIS IN THE NEWSREELS “The Swastika Man” “Naziganda” 4. THE HOLLYWOOD ANTI-NAZI LEAGUE “Unheil Hitler!” The Politics of Celebrity 5. MUSSOLINI JR. GOES HOLLYWOOD 6. THE SPANISH CIVIL WAR IN HOLLYWOOD “Censored Pap!” Walter Wanger’s Blockade (1938) Loyalist Red Screen Propaganda 7. FOREIGN IMPORTS “German Tongue Talkers” Anti-Nazism in the Arty Theaters “Nazi Scrammers” 8. “THE BLIGHT OF RADICAL PROPAGANDA” Trouble from Rome Over Idiot’s Delight (1939) Trouble from Berlin Over The Road Back (1937) Trouble from Washington with the Dies Committee 9. INSIDE NAZI GERMANY WITH THE MARCH OF TIME 10. “GRIM REAPER MATERIAL” History Unreels “The Present Persecutions in Germany” 11. THERE IS NO ROOM FOR LENI RIEFENSTAHL IN HOLLYWOOD 12. “THE ONLY STUDIO WITH ANY GUTS” The Warner Bros. Patriotic Shorts The Activist Moguls “The Picture That Calls a Swastika a Swastika!”: Confessions of a Nazi Spy (1939) 13. HOLLYWOOD GOES TO WAR EPILOGUE: THE MOTION PICTURE MEMORY OF NAZISM Thanks and Acknowledgments Notes Index

Description:
Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, s
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