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History of English Literature, Volume 1: Medieval and Renaissance Literature to 1625 PDF

890 Pages·2018·6.042 MB·English
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Volume 1 Book 1 History of English Literature H M i e s d t i o e v r a l y a n o d f R e E n a n i s s g a n l c i e s L h it e L r a i t u t r e e r t o a 1 t 6 u 2 5 r e Medieval and Renaissance Literature to 1625 F r a n c o M a r u Franco Marucci Volume 1 c c i Peter Lang History of English Literature History of English Literature Volume 1 Medieval and Renaissance Literature to 1625 Franco Marucci Translated from the Italian by Julia Bolton Holloway, Rosalynd Pio, Maria Cristina Cignatta and Valentina Poggi PETER LANG Oxford • Bern • Berlin • Bruxelles • New York • Wien Bibliographic information published by Die Deutsche Nationalbibliothek. Die Deutsche Nationalbibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data is available on the Internet at http://dnb.d-nb.de. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Marucci, Franco, 1949- author. Title: Medieval and Renaissance literature to 1625 / Franco Marucci. Description: Oxford ; New York : Peter Lang, [2018] | Series: History of English literature ; Volume 1 | Includes bibliographical references and index. Identifiers: LCCN 2017047860 | ISBN 9783034322287 (alk. paper) Subjects: LCSH: English literature--History and criticism. Classification: LCC PR83 .M37 2017 | DDC 820.9--dc23 LC record available at https://lccn.loc.gov/2017047860 Originally published in Italian as Storia della letteratura inglese – Dalle origini al 1625 by Casa Editrice Le Lettere (2015). Cover image: N.C. Wyeth, illustration from The Boy’s King Arthur, edited by Sidney Lanier ed. (1880). Cover design by Brian Melville. ISBN 978-3-0343-2228-7 (print) • ISBN 978-1-78874-194-1 (ePDF) ISBN 978-1-78874-195-8 (ePub) • ISBN 978-1-78874-196-5 (mobi) © Peter Lang AG 2018 Published by Peter Lang Ltd, International Academic Publishers, 52 St Giles, Oxford, OX1 3LU, United Kingdom [email protected], www.peterlang.com Franco Marucci has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this Work. All rights reserved. All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfilming, and storage and processing in electronic retrieval systems. This publication has been peer reviewed. Printed in Germany Contents List of abbreviations xv § 1. Th e initial and terminal dates of this volume 1 Part I The Formation of a National Literature 3 2. P lacing Old English literature in the canon 5 3. E nglish history to 1066 14 4. Bede 19 5. O ld English poetry 21 6. B eowulf 28 Part II The Middle English Period 35 7. E nglish history from 1066 to 1485 37 8. G enres and ‘matters’ 45 9. Th e Arthurian romances: Geoffrey of Monmouth, Wace, Layamon 59 10. R icardian literature 64 11. Th e influence of the Roman de la Rose 67 vi § 12. P earl and Sir Gawain and the Green Knight 73 13. Gower 85 14. Langland 92 15–20. Chaucer 105 § 15. Stereotypes of courtly love and symptoms of modernity, p. 105. § 16. Biography, p. 119. § 17. Dream-vision poems, p. 123. § 18. Troilus and Criseyde, p. 131. §§ 19–20. The Canterbury Tales (§ 19. The poem as a field of contrary vectors, p. 136. § 20. The internal texture, p. 147). 21. Th e English Chaucerians: Hoccleve, Lydgate, Hawes 160 22. Barclay 173 23. Skelton 178 24. F ifteenth-century Scottish literature 191 25. The Scottish Chaucerians: Douglas, Henryson, Dunbar 197 26. Lyndsay 210 27. P opular ballads and lyrics 215 28. M edieval drama 219 29. F ifteenth-century prose 225 30. The Paston Letters 228 31. Caxton 232 vii §§ 32–33. Malory 236 §§ 32–33. Le Morte d’Arthur (§ 32. Authorship, publication and popularity, p. 236. § 33. The stark kaleidoscope, p. 245). Part III The Sixteenth Century 251 34. E ngland under the Tudors 253 35. Th e English Reformation 263 36–38. E nglish humanism and the Renaissance 267 § 36. The continental trail, p. 267. § 37. Forms, reception and genetic and historical theories, p. 275. § 38. The arts, p. 281. 39. M ore 284 40. C onduct books 294 41. Th e Miscellanies 304 42. W yatt 307 43. S urrey 318 44. Th e Mirror for Magistrates 326 45. G ascoigne 330 46. O ther minor poets 333 47. E lizabethan Catholic poets 334 viii §§ 48–54. Sidney 338 § 48. The diagnostician and healer of infected man, p. 338. § 49. The Lady of May and other youthful lyrics, p. 345. § 50. Astrophel and Stella, p. 347. §§ 51–52. The Old Arcadia (§ 51. The neoclassical polish and the oblivion of reality, p. 354. § 52. Malice, humour and political allegory in the pastoral canvas, p. 360). § 53. The New Arcadia: The toning down of the pastoral and the emphasis on the heroic, p. 364. § 54. The Defence of Poesy, p. 367. 55. G reville 372 56–65. S penser 375 § 56. The most poetic of English poets, p. 375. § 57. The Shepheardes Calender. 1579: The fateful year, p. 381. § 58. Aesopian and pastoral fables and elegies, p. 386. §§ 59–62. The Faerie Queene (§ 59. The poem’s ‘dark conceit’, p. 389. § 60. Upright knights against felons, monsters and enchantresses, p. 398. § 61. Man vs beast, p. 404. § 62. The Mutability Cantos, p. 414). § 63. Amoretti, p. 416. § 64. ‘Epithalamion’ and ‘Prothalamion’, p. 419. § 65. The four hymns to heavenly love, p. 423. 66. R alegh, Wotton 427 67. Th omas Campion 434 68. D rayton 437 69. D aniel 442 70. O ther sonneteers and pastoral poets 448 71. D avies and Davies of Hereford 451 ix § 72. Hall 454 73–83. Donne 457 § 73. The holy sinner and the querelle on concettism, p. 457. § 74. Biography, p. 467. §§ 75–76. Songs and Sonnets (§ 75. The obsolescence of Petrarchism, p. 470. § 76. Love, rescued from, and a slave to, time, p. 476). § 77. Elegies and epithalamia, p. 484. § 78. The satires, p. 488. § 79. The Verse Letters, p. 490. § 80. The Anniversaries, p. 493. §§ 81–82. Divine poems (§ 81. La Corona and Holy Sonnets, p. 497. § 82. The hymns, p. 505). § 83. Treatises, libels and sermons, p. 506. 84. Puttenham 510 Part IV The Elizabethan Theatre 515 85. Tudor masques and interludes 517 86. Elizabethan drama: An overview 520 87. The incunabula 525 88. Udall 531 89. Bale 533 90. Gorboduc 536 91. Cambyses 540 92. Arden of Feversham 542

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