HISTORICAL ARCHAEOLOGY IN WACHOVIA Excavating Eighteenth-Century Bethabara and Moravian Pottery This page intentionally left blank. HISTORICAL ARCHAEOLOGY IN WACHOVIA Excavating Eighteenth-Century Bethabara and Moravian Pottery Stanley South South Carolina Institute of Archaeology and Anthropology and lnstitute for Southern Studies University of South Carolina Columbia, South Carolina KLUWER ACADEMIC PUBLISHERS New York, Boston, Dordrecht, London, Moscow eBookISBN: 0-306-47143-4 Print ISBN: 0-306-45658-3 ©2002 Kluwer Academic Publishers New York, Boston, Dordrecht, London, Moscow Print ©1999 Kluwer Academic / Plenum Publishers New York All rights reserved No part of this eBook may be reproduced or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without written consent from the Publisher Created in the United States of America Visit Kluwer Online at: http://kluweronline.com and Kluwer's eBookstore at: http://ebooks.kluweronline.com For those spellbound by shadows from the past ... Especially Jewell, on whose zeal a dark shadow fell. This page intentionally left blank. Preface (1999) It is rewarding to realize that a book written 30 years ago is as relevant today to those interested in historical archaeology and colonial American pottery as the day it was written. That is the case with this two-part work. In the 1975 Preface, written to accompany a dozen copies distributed at that time for use by researchers, I explain why this volume has taken so long to be published. The original work, Discovery in Wachovia, has now been divided into two parts: Part I, on the archaeology at Bethabara, was written in 1966, and Part II, on the Moravian potters Gottfried Aust and Rudolph Christ and their ware, was written between 1966 and 1972. In preparing this volume for publication I have added a few foot- notes to update the text to inform the reader of more recent develop- ments since 1975. I have edited the book as it appeared in 1972 by adding a few sentences here and there and by dropping others in the interest of clarity. I have also included captions to the photographs, many of which had not had captions in the original version. A major change from the 12 copies of the manuscript distributed in 1975 has been with the maps. The 12 maps and drawings George Demmy and I made were from over 3 feet wide to 5 feet long. When I distributed the dozen copies in 1975, I folded these and put them in a box accompanying the manuscript. To allow these to be published here I have reduced them and literally split them into as many as seven parts. Each map included plan and profile drawings of several excavated ruins as well as documented notes relating to them. When I split them into individual parts I assigned a map or drawing number and identifying letter to each part. The parts were then distributed throughout the volume as appropriate to the text. Thus, what was once a large illustrative drawing will appear here interpaginated with parts of other drawings along with text. Each of these parts has been assigned a figure number appearing vii viii in the List of Figures. I have also provided a List of Oversize Maps and Drawings to document how each drawing was split. PREFACE (1 999) Acknowledgments The publication of this book was made possible through two grants from the Archaeological Research Trust (ART) at the South Carolina Institute of Archaeology and Anthropology. These funds allowed the typewritten manuscript to be put into word-processing format by Lisa Hudgins. I am extremely grateful for the funding provided by ART and to Lisa for her expertise in helping me prepare the book for publication. Thanks also to James Legg for drawing the zigzag Potter's price symbols used by Rudolph Christ and to Historic Bethabara Park and the Wachovia Historical Society for their support toward the publication of this volume and to Brad Rauschenberg, John Larson, and Ed Hill for their interest. I would like to thank the Museum of Early Southern Decorative Arts, Old Salem, Inc.; The Wachovia Historical Society; and the Unity Archives of the Moravian Church in Herrnhut, Germany, for permission to publish some of the illustrations in this book. I also thank Plenum Press for agreeing to publish it. Preface (1975) Over 10 years have passed since I first began the archaeological work at Bethabara and Salem, North Carolina, in 1963. Five years later, the 1968 field season at Salem was followed by my accepting my present position at the Institute of Archaeology and Anthropology at the University of South Carolina early in 1969. I brought the data with me to South Carolina to continue work on writing the results of our archaeological explorations from 1963– 1968 into a book on the potters Gottfried Aust, Rudolph Christ, and William Ellis, as revealed by the documents and archaeology at Bethabara and Salem. In 1966, I prepared three copies of the book as it existed at that time. I submitted a manuscript with maps, drawings, and photographs to John F. Blair, publisher, who agreed to publish it under the title A House of Passage on the Carolina Frontier. However, after 3 years it was still under review, so I withdrew it from his hands. I had also given a copy to my assistant, Brad Rauschenberg. I continued work on the book as other projects would permit until by 1972 it had reached the stage of development seen in this volume: by that time it was called Discovery in Wachovia. The major work needed then was correlation of photographs and drawings with the text and writing of summarizing and synthesizing sections. It was at this point, in 1972, that the fine book The Moraviun Potters in North Carolina was published by John Bivins, Jr., with photographs by Brad Rauschenberg, utilizing the Moravian records and photographs from my 1966 report (Bivins 1972). It also illustrated pottery I had recovered during 1963– 1968 excavations and that I had restored and photographed for use in my book. With the appearance of Bivins’ book, the publication of Discovery in Wachovia seen here was no longer a possibility, and it has remained untouched since that time, ix
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