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Herman Heijermans and His Dramas PDF

276 Pages·1954·8.02 MB·English
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HERMAN HEIJERMANS AND HIS DRAMAS HER MAN H E IJ E R MAN S D MARTINUS NIlHOFF PUBLISHER - THE HAGUE SEYMOUR L. FLAXMAN UNIVERSITY COLLEGE NEW YORK UNIVERSITY HERMAN HEIJERMANS AND HIS DRAMAS In spite of his outstanding qualities as a journalist, novelist, short~ story writer, and above all as a dramatist, relatively little has been written on Herman Heijermans, the greatest playwright of modern Holland whose place no one has yet taken. He brought into Dutch theatre the new creative ideas which lay behind the renaissance of the European stage during the last two decades of the nineteenth century and the first two decades of the twentieth. The present work is the first full~length study of Heijermans in any language and the only book about hirn in English. It presents a biographical sketch, and a review and critical analysis of his entire dramatic work. Special features are the bibliographies of Heijerrnans' works and of his translations of them into other languages. The biographical section takes up his parentage, childhood, and youth, and describes his mature years as a businessman, journalist, novelist, dramatist, and theatrical producer. Thus attention is also given to his narrative prose and his journalism, especially in their relationship to his dramatic works. Heijermans the dramatist is portrayed against the background of his own life and the theatre in Europe of his day. There is an evaluation of foreign influences, especially those of Ibsen and Hauptmann, but what is characteristic of Heijermansand his Dutch background remains the central subject of the book. The reader will find a detailed exami~ nation of the plays, with special consideration of themes and characters. Their reception by the critics is discussed, and the literary reputation at horne and abroad of Holland's greatest dramatist is indicated. In this connection it is allowed to mention here his most famous play Op Hoop van Zegen (The Good Hope) which won hirn an inter~ national reputation. In this 'play of the sea' as we1l as in his other works Dutch reality was put upon the stage, not with photographic flatness. but with sincere emotion and imagination. IX and 266 pages. roy. 8vo. Cloth Guilders 14.50 Olle guilder is $ 0.265 or. sh 1/11 MARTINUS NIJHOFF - PUBLISHER - THE HAGUE Dutch Library. The. 4 vols. sm. 8vo. Per vol. Guilders 5.- I. A beautiful play of Lancelot of Denmark. Translated from the Middle Dutch by P. Geyl. X and 50 pp. Not to be had separa tely. 11. An ingenious play of Esmoreit. The King's Son of Sicily. Translated from the Middle Dutch by H. M. Ayres. With an introduction by A. J. Barnouw XXXU and 58 pp. IB. A marvelous history of Mary of Nimmegen. Who for more than seven year lived and had ado with the devil. Translated from the Middle Dutch by H. M. Ayres. With an introduction by A. J. Barnouw. XXVI and 78 pp. IV. The tale of Beatrice. Translated from the Middle Dutch by P. Geyl. V and 47 pp. Gillhoff. G. A •• The Royal Dutch theatre at The Hague. 1804~ 1876. XI and 205 pp. roy. 8vo. Guilders 4.20 Junkers. H •• Niederländische Schauspieler und Niederländisches Schauspiel im 17. und 18. Jahrhundert in Deutschland. XI and 304 pp. With 1 facsimile. roy. 8vo. Guilders 7.50 Riet. F. G. van der. Le theatre profane serieux en langue flamande au moyen age. IV and 155 pp. With 1 facsimile. roy. 8vo. Guilders 2.50 SIR MAX BEERBOHM MAN AND WRITER by J. G. R lEW A L D XXXII and 369 pp. roy. 8vo. Cloth 27.50 Dutch guilders 'The first all-round critical assessment of 'the greatest living handler of the English language", with abrief life and a comprebensive bibliography (131 pp.) Oue guilder is $ 0.265 or sh. 1/11 Obtainable through any bookseller or [rom the publisher SEYMOUR L. FLAXMAN UNIVERSITY COLLEGE NEW YORK UNIVERSITY HERMAN HEIJERMANS AND HIS DRAMAS 11 MARTINUS NIJHOFF / THE HAGUE / 1954 ISBN 978-94-011-8441-0 ISBN 978-94-011-9155-5 (eBook) DOI 10.1007/978-94-011-9155-5 Copyright I954 by Martinus Nijhott, The Hague, Holland All rights reserved, including the rights to translate or to reproduce this book or parts thereof in any form. Softcover reprint oE the hardcover 1St edition 1954 TO MY PARENTS ACKNOWLEDGMENTS This study arose out of a suggestion made by Professor Adriaan J. Barnouw, until recently Queen Wilhelmina Professor at Columbia University. After his retirement I was fortunate in obtaining the advice of his successor, Professor Benjamin Hunningher, who, with his expert knowledge of the Dutch theatre, has been most helpful and encouraging to me. I am particularly grateful to the playwright's wife, Mevr. A. Heijermans-Jurgens, and his sister, Mej. H. A. Heijermans, for making available to me hitherto unpublished material and for their memories and impressions of his career. To his daughter, Mevr. M. de Vos-Heijermans, I am indebted for assistance in many ways. Other members of the Heijermans family have also been kind enough to furnish information. I should like to thank Frans Mijnssen for discussing several points in Heijermans' life and work with me, and I am also grateful to Dr. R. L. Drilsma and Mr. W. Ph. Pos. Professor Carl F. Bayerschmidt and Professor Andre von Gronicka of Columbia University offered their suggestions and criticisms after reading the original manuscript. Professor Henry Brennecke of New York University has encouraged and helped me during the course of this work, and I owe hirn sincere gratitude. Severallibraries and their staffs have aided me in my research and I should like to thank the Columbia University Library, the New York Public Library, the Library of Congress, the Konink lijke Bibliotheek in The Hague, the Library of the University of Amsterdam, and the Letterkundig Archief of the Gemeente lijk Museum in The Hague. Through the Ministerie van Onderwijs, Kunsten en Weten schappen the Govemment of The N etherlands has generously offered its financial support and made publication possible. The list of acknowledgments would not be complete without VIII ACKNOWLEDGMENTS a special expression of gratitude to my wife, Ruth Krantz Flaxman, whose aid, encouragement, and self-sacrifice have greatly contributed to the completion of this book. University College s. L. F. New York University May 1953 CONTENTS I. INTRODUCTION . • • • • • • • 11. HERMAN HEIJERMANS - A BIOGRAPHICAL SKETCH 15 III. PROTESTS AGAINST RELIGIOUS CONSERVATISM AND INTOLERANCE. • • • • • • • • • • • • 64 IV. "THE MEN HEMMED IN WITH THE SPEARS" 80 V. MARRIAGE AND THE FAMILY 128 VI. "THE ROOT OF ALL EVIL" • 162 VII. FANTASIES AND SATIRES • 188 VIII. THE INFLUENCE OF IBSEN AND HAUPTMANN 217 IX. THEORY, STYLE, AND TECHNIQUE 228 NOTES ••••• 236 BIBLIOGRAPHIES 255 INDEX ••.•• 263

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During the last two decades of the nineteenth century the Dutch drama, which had lapsed into astate of somnolence since the glorious days of VondeI, suddenly awoke to vigorous life. Not only did gifted dramatists appear, but talented directors, actors, and actresses brought new splendor to the theat
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