Henry James’s Feminist Afterlives: Annie Fields, Emily Dickinson, Marguerite Duras PDF
Preview Henry James’s Feminist Afterlives: Annie Fields, Emily Dickinson, Marguerite Duras
American Literature Readings in the 21st Century Henry James’s Feminist Afterlives Annie Fields, Emily Dickinson, Marguerite Duras KATHRYN WICHELNS American Literature Readings in the 21st Century Series editor Linda Wagner-Martin University of North Carolina Chapel Hill, NC, USA American Literature Readings in the 21st Century publishes works by contemporary critics that help shape critical opinion regarding literature of the nineteenth and twentieth centuries in the United States. More information about this series at http://www.palgrave.com/gp/series/14765 Kathryn Wichelns Henry James’s Feminist Afterlives Annie Fields, Emily Dickinson, Marguerite Duras Kathryn Wichelns Department of English, University of New Mexico, Albuquerque, NM, USA American Literature Readings in the 21st Century ISBN 978-3-319-71799-9 ISBN 978-3-319-71800-2 (eBook) https://doi.org/10.1007/978-3-319-71800-2 Library of Congress Control Number: 2017963646 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover illustration: Glasshouse Images / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland In memoriam: Susan R. Barnard (1969–2000) An early version of Chapter 3 was published in The Emily Dickinson Journal 20.1 (2011). It appears here by permission of Johns Hopkins University Press. An early version of Chapter 4 appeared in Comparative Literature 67.1 (2015). It appears here by permission of Duke University Press. vii A cknowledgments Like all books, this one reflects the contributions of many. I want particularly to thank the students, professors, friends, and colleagues who have been most instrumental in my approach to specific aspects of this project, in ways large and small: Aaron Aguilar, Jesse Alemán, Aaron Alter, Brooke Beloso, Stéphanie Boulard, Frank Boyle, Shelby Crosby, Amy Cunningham, Ken Dauber, Richard Giannone, Christopher GoGwilt, Jason Goldbarg, Alyosha Goldstein, Elizabeth Grosz, Oliver Herford, Philip Horne, Susan Howe, Lynne Huffer, Dalia Judovitz, Mary Lannon, Chad Lavin, Sarah Lewis, Elissa Marder, Elias Marenco, Olivia McGinnis, Christanne Miller, Michael Moon, Gerry O’Sullivan, Elizabeth Petrino, Adriana Ramirez de Arellano, Cindy Rankin, Bárbara Reyes, Jill Robbins, Joyce Rowe, Neil Schmitz, Rebecca Schreiber, Shane Vogel, Daniel Worden, and Greg Zacharias. Two anonymous reviewers for Palgrave Macmillan gave invaluably spe- cific and thorough feedback. In addition, my editors at Palgrave, Allie Bochicchio and Emily Janakiram, have served as advocates and consultants throughout this process. Librarians are at the foundations of every scholarly project. The staffs of the Miller Library at Colby College, the Houghton Library at Harvard University, the Huntington Library, the Maine Women Writers Collective at the University of New England, and the Massachusetts Historical Society have provided access to, and input on, the unpublished and archi- val material that helps support the arguments in Chaps. 2 and 3. The staff of the Interlibrary Library Loan Office at the University of New Mexico’s Zimmerman Library has bent over backwards over the last couple of years, ix x ACKNOWLEDGMENTS in an increasingly impossible budget climate, to get copies of far-flung texts sent, with remarkable speed, to the U.S. Southwest. I also thank the members of my various incarnations of family— biological, legal, and chosen—who continue to inspire me with their cour- age in the face of mortality, parenthood, and other unthinkables: Adrian, Dan, George, Grace, Jenny, Jerry, Katy, Nancy, Sarah, and Trish. c ontents 1 Introduction: On James, Mastery, and Transgression 1 2 “Those Who Know”: Henry James and Annie Adams Fields 15 3 Emily Dickinson’s Henry James 57 4 Henry James, French Feminist: Marguerite Duras’s La Bête dans la jungle 85 5 Gender, Colonialism, and Italian Difference: Duras and The Aspern Papers 113 6 Conclusion: Towards a Queer Feminist James 143 Works Cited 153 Index 171 xi
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