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Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) PDF

460 Pages·2015·5.279 MB·English
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Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) Islamic History and Civilization Studies and Texts Editorial Board Hinrich Biesterfeldt Sebastian Günther Wadad Kadi VOLUME 115 The titles published in this series are listed at brill.com/ihc Frontispiece Henry George Farmer (1882–1965) (Passport photo 1932) (FC 503, 82). Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) By Israel J. Katz with the Collaboration of Sheila M. Craik and a Foreword by Amnon Shiloah LEIDEN | BOSTON Cover illustration: Iraqi musicians, 5 April 1932. This group was lauded as the best performance group at the Congress. Library of Congress Cataloging-in-Publication Data Katz, Israel J.  Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) / by Israel J. Katz with the collaboration of Sheila M. Craik and a foreword by Amnon Shiloah.   pages cm. — (Islamic history and civilization studies and texts ; v. 115)  Includes bibliographical references and index.  ISBN 978-90-04-26319-2 (hardback : alk. paper) — ISBN 978-90-04-28414-2 (e-book) 1. Farmer, Henry George, 1882–1965. 2. Arabs—Music—History and criticism. 3. International Congress of Arab Music (1st : 1932 : Cairo, Egypt) I. Craik, Sheila M. II. Title.  ML189.F3K37 2015  780.89’927—dc23 2014043634 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. issn 0929-2403 isbn 978-90-04-26319-2 (hardback) isbn 978-90-04-28414-2 (e-book) Copyright 2015 by Koninklijke Brill nv, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill nv provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, ma 01923, usa. Fees are subject to change. This book is printed on acid-free paper. Dedicated to the memory of Lois Ibsen al-Faruqī (b. 1927), a dear friend and fervent humanist who succumbed to a tragic death on May 27, 1986, leaving a vast legacy of scholarly writings that explored the nature and intricacies of music throughout the Moslem World. ∵ N.B. During the final stage of publication, we received, with great sorrow, the news of Amnon Shiloah’s passing in Jerusalem on July 11, 2014. We are most grateful for his continued encouragement and constructive criticism, which inspired every phrase of this crucial undertaking. Both Farmer and the Cairo Congress were subjects very close to his heart. Amnon and I shared a very special friendship over the course of five decades, beginning in Jerusalem in September of 1959. May his memory be blessed. Contents Foreword  ix Amnon Shiloah Preface  xxi Sheila M. Craik Acknowledgements  xxiii List of Figures  xxv Abbreviations  xxvii 1 The Genesis of the Farmer Project  1 2 Henry George Farmer: His Life and Works to His Fiftieth Birthday  17 2.1 Farmer’s Early Years (1882–1903)  17 2.2 1903–13 (including His Resignation from The Royal Artillery Band)  21 2.3 Beginnings in Glasgow (1914–18)  25 2.4 Glasgow University Years (1918–26)  39 2.5 Post-Doctoral Years (1926–32)  58 3 The First International Congress of Arab Music (Cairo, 1932)  84 3.1 Historical and Political Background  84 3.2 Egypt’s Musical Life, Especially Cairo’s from 1800 to 1932  92 3.3 The Cairo Congress: Its Genesis and Preparation  111 3.4 How Farmer Became Involved with the Congress  125 4 Farmer’s “Itinerary of Visit to Cairo”  140 4.1 Introduction  140 4.2 Travel Journal “Itinerary”  149 4.3 The Photos Taken by Kurt Schindler during the Course of the Congress  191 5 The Commission of History and Manuscripts  213 5.1 Introduction  213 5.2 Minutes of the Commission of History and Manuscripts  216 5.3 Report of the Commission on History and Manuscripts Submitted to the Plenary Session of the Congress of Arabian Music 1st April, 1932  239 viii contents 6 Afterthoughts and Follow-Up  251 Appendix 1 Farmer’s Publications on Music t0 1934 (Military, Arab, and Scottish)  269 2 Arabic and Persian Manuscripts Examined by Farmer (to 1932)  281 3 Fox Strangways—Farmer Exchanges  291 4 Participating Countries and Their Delegates  305 5 Regulations for the Arab Music Congress under [the] Patronage of H.M. the King  314 6 The Seven Commissions (Cairo, 1932)  323 7 Invited Musical Ensembles (Cairo, 1932)  328 8 Recueil des Travaux du Congrès de Musique Arabe (Contents)  333 9 A Short History of the Arabian Musical Scale  339 10 A Private Congratulatory Meeting [Held at the Congress in Honor of Farmer](Cairo, 1932)  352 11 Dr. Farmer’s Valedictory Address at the Closing of the Congress  356 12 Dr. Farmer’s Letters to His Family (from Cairo)  358 13 Correspondence Relating to the European Delegations at the Congress (1932)  363 14 Farmer’s Union Speech (Dublin, Nov. 17, 1929) (FC 74)  370 15 Farmer’s Lecture on the Music of the Hebrews (Glasgow, 1932)  378 Bibliography  383 General Index  405

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