ABSTRACT HELP FROM ANYONE As people, we struggle to separate one truth from another. We live in dual realities, daily, weighing what may be happening against what feels like is happening, and discovering—women and men—that emotional reality helps us more than “factual” reality ever can. It’s our creation; it’s our guard against pain and disappointment. In my eight-story collection, Help From Anyone, I explore characters who choose versions of their lives, and the people in them, depending on what they want most from both. My characters have to decide whether they’d rather accept “actual” reality (what “is” real) or emotional reality (what feels real) as truth, and the choice, most often goes to what feels real. People, I’ve found, would rather choose idealization over fact, because it gives them control over what happens to them. More importantly, it makes them feel better. It soothes them, even in small ways. Whether my characters are a delusional bookstore employee who dreams of being a social worker, an Armenian man with three identities and one girl to impress, or an alcoholic lounge singer singing towards nothing, being able to choose parts of a reality that allows them to get what they want, whatever that may be, comforts them. They can be neurotic, in denial, or, sometimes, clearheaded—it doesn’t change the relief emotional reality gives them when they want love, but love’s not there; when they want to forget about death; when they want to belong, anywhere, and to anyone who’ll have them. Leslie Santikian May 2013 HELP FROM ANYONE by Leslie Santikian A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing in the College of Arts and Humanities California State University, Fresno May 2013 APPROVED For the Department of English: We, the undersigned, certify that the thesis of the following student meets the required standards of scholarship, format, and style of the university and the student's graduate degree program for the awarding of the master's degree. Leslie Santikian Thesis Author Randa Jarrar (Chair) English Alex Espinoza English Tim Skeen English For the University Graduate Committee: Dean, Division of Graduate Studies AUTHORIZATION FOR REPRODUCTION OF MASTER’S THESIS I grant permission for the reproduction of this thesis in part or in its entirety without further authorization from me, on the condition that the person or agency requesting reproduction absorbs the cost and provides proper acknowledgment of authorship. X Permission to reproduce this thesis in part or in its entirety must be obtained from me. Signature of thesis author: ACKNOWLEDGMENTS For my family, especially Mom, Dad, Stephanie, and Kimberly, my friends (who can relate), and all those people who’ve supported me and made me think. TABLE OF CONTENTS Page SPEAKING IN SESSIONS ...................................................................................... 1 THE INVASION .................................................................................................... 18 GETTING FAMILIAR .......................................................................................... 41 HELP FROM ANYONE ........................................................................................ 57 FINELY-TUNED ................................................................................................... 69 THE TWELFTH MAN .......................................................................................... 85 AN OLD-FASHIONED VOICE .......................................................................... 105 LIMITING HAPPINESS ..................................................................................... 116 SPEAKING IN SESSIONS Her reason for coming to a therapist was simple, like a child’s. Her parents’ marriage was ending. Lisa was 22, and even at this age where she could drink, or date all the wrong people and forget this, she couldn’t stop crying. And not brave, elegant tears, but ugly sobs, the kind that made her sound like she was having a panic attack. She was even distracted at Gap Kids, where she folded tiny overalls and bathing suits five days a week. And it was all because she’d thought what every daughter must think of her parents: that they loved each other and their relationship wouldn’t change because of what they meant to her. She had no siblings, no close friends, but she loved her parents. The morning her dad moved into the guest bedroom, her mom stayed at the breakfast table. Her mom didn’t flinch when the door shut and her dad didn’t come back down to drink coffee. That was the moment Lisa knew her parents wouldn’t stay married for long. At least, that’s what she told her psychologist. “Hi, Lisa. Sit down.” “Thanks,” said Lisa. Lynn, her psychologist, began all their sessions by inviting Lisa to sit and be comfortable. Never “How are you doing?” or “I like your skirt,” but “Sit down.” It made Lisa feel like a dog in training, which was oddly comforting. She didn’t have to think. She sat down on the couch as blue as Lynn’s unflinching eyes. “How are you feeling today?” asked Lynn. “Okay.” “Do you want to continue with what we discussed last Thursday?” “I guess we have to.” Lisa laughed. There was no reason why she couldn’t lighten the mood. She’d known Lynn for two months, now. 2 2 “We don’t have to do anything. We can just talk.” “But then where’s my progress?” Now Lynn laughed. “You’ve been listening to me.” Lynn had brown hair, glasses, and what seemed to be a revolving collection of ugly black heels, which did nothing for her ankles or legs (she was always in pants anyway, so Lisa guessed it didn’t matter). Lisa had been seeing her for a few weeks. She paid for the $50 an hour sessions with paychecks from work. Her parents knew about it, and offered to go to a family session with her, to make Lisa feel better about the divorce. They set a day for later this week. Lisa hadn’t been to a psychologist before. She glanced at Lynn’s diploma, shiny with gold stickers, on the wall, which was artificial-sweetener white and hurt her head if she looked too long. She was scared of what Lynn would tell her, and what she’d make her say about herself. Everything scared her, basically, at this point. It was simple to talk, but hard to listen to herself, in her head or out loud, talk about how her parents’ divorce made her feel. Lynn was waiting for her to continue, notebook in her hands. From here, Lisa could see her dark maroon nail polish. She hadn’t expected maroon, for whatever reason; it felt deviant, an elegant and subversive shade gleaming from Lynn’s fingers like a cat’s eyes in the dark. It made her a little uncomfortable. Lisa looked back down at her cuticles. “I talked to my parents today,” she said. “They want to come on Wednesday.” “In two days. That’s great.” Lynn’s voice raised an octave, a slight shimmering sound. Lisa nodded. 3 3 “How do you feel about talking with them about what we’ve been discussing?” “I’m okay with it.” She knew this wasn’t what Lynn probably wanted to hear. “I’m accepting it,” she said. She wasn’t sure if that was any better, especially since it wasn’t true. She hated the idea of her parents being in the session with her, listening to her talk about how she felt and what she thought. They’d even chime in, at some point, and share their side of the situation, and that wouldn’t be easy, either—parents weren’t people. She didn’t want to accept their weaknesses and admit their humanity. It would hurt too much. But she couldn’t tell Lynn that, not yet. Instead, Lisa looked at Lynn’s face. She was patient, Lisa gave her that. Her legs crossed in their slacks, hands and notebook resting on her waist. It’s like she was using no effort at all, sitting there waiting for Lisa to talk. Like she could do this all day. She couldn’t be more than 30, Lisa thought, eight years older than her. It was weird. She cleared her throat. “It’s hard to know what to say, now, that I haven’t said before. I don’t want my parents to know I’m upset.” She felt tears build up behind her eyes, and swallowed; she could keep it together in front of Lynn. “I’m tired of knowing that everything that seemed true isn’t anymore.” “What do you mean?” “Parents go together, when you’re a kid. There’s no question. One without the other would be—weird because they’re a boxed set.” “Like salt and pepper shakers?” “Yeah, I guess. Things that go together.”
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