Heinrich Glarean's books : the intellectual world of a sixteenth-century musical humanist PDF
Preview Heinrich Glarean's books : the intellectual world of a sixteenth-century musical humanist
’ Heinrich Glareans Books This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century. For the first time, Glarean’s musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as music- ology, history, theology, and geography. Contributors reference books from Glarean’s private library, including rare and previously unseen material, to explore his strategies and impact as a humanist, author, and university teacher. The book also uses other newly discovered source material, suchas course notes written by students andGlarean’spreparationsforhisownlectures,toofferafascinating pictureofhisreactionstocontemporarydebates.Providingadetailed analysis of Glarean’s library as reconstructed from surviving copies, HeinrichGlarean’sBooksoffersnewandexcitingperspectivesonthe multi-disciplinary work of an accomplishedintellectual. iain fenlon isProfessorofHistoricalMusicologyintheUniversity of Cambridge, and a Fellow of King’s College. He has been affiliated with a number of academic institutions around the world including Harvard University; All Souls College, Oxford; New College, Oxford; the École Normale Supérieure, Paris; and the University of Bologna. Among his books is a two-volume study, Music and Patronage in Sixteenth-Century Mantua (1980), The Italian Madrigal in the Early SixteenthCentury(withJamesHaar,1989),andMusicandCulturein LateRenaissanceItaly(2003).HismostrecentbookisTheCeremonial City:History,MemoryandMythinRenaissanceVenice(2007). inga mai groote studied musicology, history, and Italian philology atthe University ofBonn. She has beenAssistant Professor attheInstitutfürMusikwissenschaft,Ludwig-Maximilians-Universität, Munich(2005–10),whereshedirectedaresearchprojectontransdis- ciplinaryinfluencesinsixteenth-centurywritingsonmusic(‘Humanis- tischeTheoriederMusikimWissenschaftssystemihrerZeit’,2008–11). Since2010shehastaughtmusicologyattheUniversityofZurich.Sheis theauthorofMusikinitalienischenAkademien,Studienzurinstitutio- nellen Musikpflege, 1543–1666 (2007); her Habilitationsschrift on the impactofRussianmusicinParis(1870–1913)wasapprovedin2013. Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 ’ Heinrich Glarean s Books The Intellectual World of a Sixteenth-Century Musical Humanist iain fenlon Edited by and inga mai groote Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom PublishedintheUnitedStatesofAmericabyCambridgeUniversityPress,NewYork CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learningandresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781107022690 ©CambridgeUniversityPress2013 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2013 PrintedintheUnitedKingdombyCPIGroupLtd,CroydonCR04YY AcataloguerecordforthispublicationisavailablefromtheBritishLibrary LibraryofCongressCataloguinginPublicationdata HeinrichGlarean’sbooks:theintellectualworldofasixteenth-centurymusical humanist/editedbyIainFenlonandIngaMaiGroote. p. cm. Includesbibliographicalreferencesandindex. ISBN978-1-107-02269-0(Hardback) 1. Glareanus,Henricus,1488–1563. 2. Musictheorists–Switzerland–Biography. 3. Humanists–Switzerland–Biography. 4. Earlyprintedbooks–16thcentury. I. Fenlon,Iain,editorofcompilation. II. Groote,IngaMai,editorofcompilation. ML423.G58H452013 781.09494–dc23 2013002268 ISBN978-1-107-02269-0Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication, anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 ’ Heinrich Glareans Books This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century. For the first time, Glarean’s musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as music- ology, history, theology, and geography. Contributors reference books from Glarean’s private library, including rare and previously unseen material, to explore his strategies and impact as a humanist, author, and university teacher. The book also uses other newly discovered source material, suchas course notes written by students andGlarean’spreparationsforhisownlectures,toofferafascinating pictureofhisreactionstocontemporarydebates.Providingadetailed analysis of Glarean’s library as reconstructed from surviving copies, HeinrichGlarean’sBooksoffersnewandexcitingperspectivesonthe multi-disciplinary work of an accomplishedintellectual. iain fenlon isProfessorofHistoricalMusicologyintheUniversity of Cambridge, and a Fellow of King’s College. He has been affiliated with a number of academic institutions around the world including Harvard University; All Souls College, Oxford; New College, Oxford; the École Normale Supérieure, Paris; and the University of Bologna. Among his books is a two-volume study, Music and Patronage in Sixteenth-Century Mantua (1980), The Italian Madrigal in the Early SixteenthCentury(withJamesHaar,1989),andMusicandCulturein LateRenaissanceItaly(2003).HismostrecentbookisTheCeremonial City:History,MemoryandMythinRenaissanceVenice(2007). inga mai groote studied musicology, history, and Italian philology atthe University ofBonn. She has beenAssistant Professor attheInstitutfürMusikwissenschaft,Ludwig-Maximilians-Universität, Munich(2005–10),whereshedirectedaresearchprojectontransdis- ciplinaryinfluencesinsixteenth-centurywritingsonmusic(‘Humanis- tischeTheoriederMusikimWissenschaftssystemihrerZeit’,2008–11). Since2010shehastaughtmusicologyattheUniversityofZurich.Sheis theauthorofMusikinitalienischenAkademien,Studienzurinstitutio- nellen Musikpflege, 1543–1666 (2007); her Habilitationsschrift on the impactofRussianmusicinParis(1870–1913)wasapprovedin2013. Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 ’ Heinrich Glarean s Books The Intellectual World of a Sixteenth-Century Musical Humanist iain fenlon Edited by and inga mai groote Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 UniversityPrintingHouse,CambridgeCB28BS,UnitedKingdom PublishedintheUnitedStatesofAmericabyCambridgeUniversityPress,NewYork CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learningandresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781107022690 ©CambridgeUniversityPress2013 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2013 PrintedintheUnitedKingdombyCPIGroupLtd,CroydonCR04YY AcataloguerecordforthispublicationisavailablefromtheBritishLibrary LibraryofCongressCataloguinginPublicationdata HeinrichGlarean’sbooks:theintellectualworldofasixteenth-centurymusical humanist/editedbyIainFenlonandIngaMaiGroote. p. cm. Includesbibliographicalreferencesandindex. ISBN978-1-107-02269-0(Hardback) 1. Glareanus,Henricus,1488–1563. 2. Musictheorists–Switzerland–Biography. 3. Humanists–Switzerland–Biography. 4. Earlyprintedbooks–16thcentury. I. Fenlon,Iain,editorofcompilation. II. Groote,IngaMai,editorofcompilation. ML423.G58H452013 781.09494–dc23 2013002268 ISBN978-1-107-02269-0Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyof URLsforexternalorthird-partyinternetwebsitesreferredtointhispublication, anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:14, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 ’ Heinrich Glareans Books This collection of essays investigates the work of Heinrich Glarean, one of the most influential humanists and music theorists of the sixteenth century. For the first time, Glarean’s musical writings, including his masterwork the Dodekachordon, are considered in the wider context of his work in a variety of disciplines such as music- ology, history, theology, and geography. Contributors reference books from Glarean’s private library, including rare and previously unseen material, to explore his strategies and impact as a humanist, author, and university teacher. The book also uses other newly discovered source material, suchas course notes written by students andGlarean’spreparationsforhisownlectures,toofferafascinating pictureofhisreactionstocontemporarydebates.Providingadetailed analysis of Glarean’s library as reconstructed from surviving copies, HeinrichGlarean’sBooksoffersnewandexcitingperspectivesonthe multi-disciplinary work of an accomplishedintellectual. iain fenlon isProfessorofHistoricalMusicologyintheUniversity of Cambridge, and a Fellow of King’s College. He has been affiliated with a number of academic institutions around the world including Harvard University; All Souls College, Oxford; New College, Oxford; the École Normale Supérieure, Paris; and the University of Bologna. Among his books is a two-volume study, Music and Patronage in Sixteenth-Century Mantua (1980), The Italian Madrigal in the Early SixteenthCentury(withJamesHaar,1989),andMusicandCulturein LateRenaissanceItaly(2003).HismostrecentbookisTheCeremonial City:History,MemoryandMythinRenaissanceVenice(2007). inga mai groote studied musicology, history, and Italian philology atthe University ofBonn. She has beenAssistant Professor attheInstitutfürMusikwissenschaft,Ludwig-Maximilians-Universität, Munich(2005–10),whereshedirectedaresearchprojectontransdis- ciplinaryinfluencesinsixteenth-centurywritingsonmusic(‘Humanis- tischeTheoriederMusikimWissenschaftssystemihrerZeit’,2008–11). Since2010shehastaughtmusicologyattheUniversityofZurich.Sheis theauthorofMusikinitalienischenAkademien,Studienzurinstitutio- nellen Musikpflege, 1543–1666 (2007); her Habilitationsschrift on the impactofRussianmusicinParis(1870–1913)wasapprovedin2013. Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976 Downloaded from https://www.cambridge.org/core. McGill University Libraries, on 22 May 2020 at 21:25:15, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/CBO9781139136976
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