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Handbook of British Romanticism PDF

726 Pages·2017·2.158 MB·English
by  HaekelRalf
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Handbook of British Romanticism Handbooks of English and American Studies Edited by
 Martin Middeke, Gabriele Rippl, Hubert Zapf Advisory Board
 Derek Attridge, Elisabeth Bronfen, Ursula K. Heise, Verena Lobsien, Laura Marcus, J. Hillis Miller, Martin Puchner Volume 6 Handbook of British Romanticism Edited by Ralf Haekel ISBN 978-3-11-037636-4 e-ISBN (PDF) 978-3-11-037669-2 e-ISBN (EPUB) 978-3-11-039340-8 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Satz: fidus Publikations-Service GmbH, Nördlingen Druck und Bindung: CPI books GmbH, Leck ♾ Gedruckt auf säurefreiem Papier Printed in Germany www.degruyter.com Editors’ Preface This De Gruyter handbook series has been designed to offer students and research- ers a compact means of orientation in their study of Anglophone literary texts. Each volume – involving a particular historical or theoretical focus – introduces readers to current concepts and methodologies, as well as academic debates by combin- ing theory with text analysis and contextual anchoring. It is this bridging between abstract survey and concrete analysis which is the central aim and defining feature of this series, bringing together general literary history and concrete interpretation, theory and text. At a time when students of English and American literary studies have to deal with an overwhelming amount of highly specialized research literature, as well as cope with the demands of the new BA and MA programs, such a hand- book series is indispensable. Nevertheless, this series is not exclusively targeted to the needs of BA and MA students, but also caters to the requirements of scholars who wish to keep up with the current state of various fields within their discipline. Individual volumes in the De Gruyter Handbook series will typically provide: – knowledge of relevant literary periods, genres, and historical developments; – knowledge of representative authors and works of those periods; – knowledge of cultural and historical contexts; – knowledge about the adaptation of literary texts through other media; – knowledge of relevant literary and cultural theories; – examples of how historical and theoretical information weaves fruitfully into interpretations of literary texts. Internationally renowned colleagues have agreed to collaborate on this series and take on the editorship of individual volumes. Thanks to the expertise of the volume editors responsible for the concept and structure of their volumes, as well as for the selection of suitable authors, HEAS not only summarizes the current state of knowl- edge in the field of Anglophone literary and cultural studies, but also offers new insights and recent research results on the most current topics, thus launching new academic debates. We would like to thank all colleagues collaborating in this project as well as Dr. Ulrike Krauss at De Gruyter without whose unflagging support this series would not have taken off. DOI 10.1515/9783110376692-202 VI   Editors’ Preface The first volumes include: Gabriele Rippl (ed.): Handbook of Intermediality Hubert Zapf (ed.): Handbook of Ecocriticism and Cultural Ecology Julia Straub (ed.): Handbook of Transatlantic North American Studies Timo Müller (ed.): Handbook of the American Novel of the Twentieth and Twenty-First Centuries Christoph Reinfandt (ed.) Handbook of the English Novel of the Twentieth and Twenty-First Centuries Ralf Haekel (ed.): Handbook of British Romanticism Ralf Schneider and Jane Potter (eds.): Handbook of British Literature and Culture of the First World War Martin Middeke and Monika Pietrzak-Franger (eds.): Handbook of the English Novel, 1830–1900 Ingo Berensmeyer (ed.): Handbook of English Renaissance Literature Sebastian Domsch, Dan Hassler-Forest and Dirk Vanderbeke (eds.): Handbook of Comics and Graphic Narratives Christine Gerhardt (ed.): Handbook of the American Novel of the Nineteenth Century Barbara Schaff (ed.): Handbook of British Travel Writing Martin Middeke Gabriele Rippl Hubert Zapf September 2017 Contents Ralf Haekel 0 Romanticism and Theory: An Introduction   1 Part I Systematic Questions Gerold Sedlmayr 1 Political and Social History c. 1780–1832   27 Ina Schabert 2 Gender and Class   49 Katharina Rennhak 3 Regional Romanticisms   67 Jens Martin Gurr 4 Urban Romanticism   88 Stephen Prickett 5 Romanticism and the Philosophy of Religion   104 Christoph Reinfandt 6 Popular and Media Culture   116 Ute Berns 7 Science and Knowledge   135 Rolf Lessenich 8 The European Context   164 Part II Romantic Genres Michael O’Neill 9 The Lyric   183 Frederick Burwick 10 Theatre and Drama   201 VIII   Contents Sandra Heinen 11 Fiction   218 Michael Meyer 12 Romantic Travel Books   237 Part III Close Readings Kirsten Sandrock 13 Robert Burns, Selected Poetry (1791–1795)   259 Roger Lüdeke 14 William Blake, America (1793)   277 Helga Schwalm 15 William Godwin, Caleb Williams (1794)   293 Jan Alber 16 Ann Radcliffe, The Mysteries of Udolpho (1794)   308 Barbara Schaff 17 Joanna Baillie, Plays on the Passions (1798)   326 Sebastian Domsch 18 William Wordsworth and Samuel Taylor Coleridge, Lyrical Ballads (1798, 1800)   344 James Vigus 19 Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (1798)   360 Kerstin Fest 20 Maria Edgeworth, Castle Rackrent (1800)   376 Mark J. Bruhn 21 William Wordsworth, The Prelude (1798, 1799, 1805, 1850)   391 Harriet Kramer Linkin 22 Mary Tighe, Psyche (1805)   409 Contents   IX Ralf Haekel 23 Sydney Owenson (Lady Morgan), The Wild Irish Girl (1806)   425 Anca-Raluca Radu 24 Charlotte Smith, Beachy Head (1807)   439 Olivia Murphy 25 Anna Letitia Barbauld, Eighteen Hundred and Eleven (1812)   459 Frank Erik Pointner/Dennis Weißenfels 26 Thomas Moore, Irish Melodies (1808–1834)   474 Susanne Bayerlipp/Johannes Schlegel 27 Jane Austen, Pride and Prejudice (1813)   489 Frauke Reitemeier 28 Sir Walter Scott, Waverley (1814)   505 Johannes Schlegel 29 Mary Shelley, Frankenstein (1818)   523 Norbert Lennartz 30 Lord Byron, Don Juan (1818–1824)   540 Wolfgang G. Müller 31 John Keats, The Odes (1819)   556 Susanne Schmid 32 Percy Bysshe Shelley, Selected Poetry (1819–1822)   575 Felicitas Meifert-Menhard 33 Charles Maturin, Melmoth the Wanderer (1820)   589 Ian Campbell 34 James Hogg, The Confessions of a Justified Sinner (1824)   606 Diego Saglia 35 Felicia Hemans, The Forest Sanctuary (1825)   620 Jon Cook 36 William Hazlitt, The Spirit of the Age (1825)   635 X   Contents Maximiliaan van Woudenberg 37 Thomas Lovell Beddoes, Death’s Jest-Book (1829)   647 Tiana M. Fischer 38 Thomas Carlyle, Sartor Resartus (1833–1834)   666 Index of Subjects and Places   685 Index of Names and Works   698 List of Contributors   713

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